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| notable_instruments = [[Dick Dale Stratocaster]]<br />[[Fender Showman]]
| notable_instruments = [[Dick Dale Stratocaster]]<br />[[Fender Showman]]
}}
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'''Dick Dale''' (born '''Richard Anthony Monsour''' on May 4, 1937) is an [[United States|American]] [[surf rock]] [[Electric Guitar|guitarist]], known as '''The King of the Surf Guitar'''. He experimented with [[reverberation]] and made use of custom made [[Fender Musical Instruments Corporation|Fender]] amplifiers, including the first-ever 100-watt guitar amplifier.<ref>[http://www.dickdale.com/history.html History] at his official website</ref>
'''Dick Dale''' (born '''Richard Anthony Monsour''' on May 4, 1937) is an [[United States|American]] [[surf rock]] [[Electric Guitar|guitarist]], known as '''The King of the Surf Guitar'''. He experimented with [[reverberation]] and made use of custom made [[Fender Musical Instruments Corporation|Fender]] [[amplifier]]s, including the first-ever 100-watt [[guitar amplifier]].<ref>[http://www.dickdale.com/history.html History] at his official website</ref>


==Early life==
==Early life==
Dale was born in [[South Boston]], [[Massachusetts]] and lived in nearby [[Quincy, Massachusetts|Quincy]] until the eleventh grade. He is of [[Lebanese people|Lebanese]], [[Poland|Polish]] and [[Belarus]]ian descent (though his Lebanese father was not born in [[Lebanon]]).<ref>{{cite web |url=http://www.roctober.com/roctober/greatness/dickdale.html |author=Porter, James and Austen, Jake |work=Roctober Magazine |title=The really bitching tale of Dick Dale as told by the man himself |year=1994}}</ref> He and his family moved to [[Orange County, California|Orange County]], [[California]] in 1954, where he learned to surf and became interested in music.<ref>{{cite news | last =Hodgins | first = Paul | title = Guitar Screams On | work = [[Orange County Register]] | page = News 15 | date = March 21, 2009}}</ref> He soon learned to play the [[Drum kit|drums]], the [[ukulele]], the [[trumpet]], and finally the [[guitar]].<ref name="Hodgins News 15">{{cite news | last =Hodgins | first = Paul | title = Dick Dale is still darn loud | work = Orange County Register | page = News 15 | date = March 20, 2009|url=http://www.ocregister.com/entertainment/dale-73482-guitar-sound.html}}</ref>
Dale was born in [[South Boston]], [[Massachusetts]] and lived in nearby [[Quincy, Massachusetts|Quincy]] until the eleventh grade. He is of [[Lebanese people|Lebanese]], [[Poland|Polish]] and [[Belarus]]ian descent (though his Lebanese father was not born in [[Lebanon]]).<ref>{{cite web |url=http://www.roctober.com/roctober/greatness/dickdale.html |author=Porter, James and Austen, Jake |work=Roctober Magazine |title=The really bitching tale of Dick Dale as told by the man himself |year=1994}}</ref> He and his family moved to [[Orange County, California|Orange County]], [[California]] in 1954, where he learned to surf and became interested in music.<ref>{{cite news | last =Hodgins | first = Paul | title = Guitar Screams On | work = [[Orange County Register]] | page = News 15 | date = March 21, 2009}}</ref> He soon learned to play the [[Drum kit|drums]], the [[ukulele]], the [[trumpet]], and finally the [[guitar]].<ref name="Hodgins News 15">{{cite news | last =Hodgins | first = Paul | title = Dick Dale is still darn loud | work = Orange County Register | page = News 15 | date = March 20, 2009|url=http://www.ocregister.com/entertainment/dale-73482-guitar-sound.html}}</ref> Due to his Lebanese heritage, he also had a strong interest in [[Arabic music]], which would later play a major role on his development of surf rock music.<ref name="washfile"/>


==Career==
==Career==
Among his early musical influences was his uncle. Dale is often credited as one of the first electric guitarists to employ fast scales in his playing. Dale himself was a surfer and wanted his music to reflect the sounds he heard in his mind while surfing. While he is primarily known for introducing the use of guitar reverb that would give the guitar a "wet" sound, which has since become a staple of surf music, it was Dale's staccato picking that was his trademark. Since Dale is left-handed, he was initially forced to play a right-handed model but then went to a left handed model.<ref>{{cite web|url=http://www.last.fm/music/Dick+Dale |title=Dick Dale – Discover music, videos, concerts, stats, & pictures at |publisher=Last.fm |date=2009-02-11 |accessdate=2012-03-03}}</ref> However, he did so without restringing the guitar, leading him to effectively play the guitar upside-down (while Hendrix would restring his guitar), often playing by reaching over the fretboard rather than wrapping his fingers up from underneath. Dale is also noted for playing his percussive, heavy bending style, using what are, for most guitarists, extremely heavy gauge string sets (16p, 18p, 20p. 38w, 48w, 58w;<ref>Dick Dale interview, ''[[Fresh Air]]'', [[WHYY-FM|WHYY]]/[[National Public Radio|NPR]], 26 July 1993, rebroadcast 25 May 2007.</ref> guitar string manufacturers do not make string sets for standard tuned electric guitars heavier than 13 to 56).
Among his early musical influences was his uncle.<ref name="last_fm"/> According to Dale, “My uncle taught me how to play the tarabaki, and I watched him play the [[oud]]. We used to play at the Maharjan” (a Lebanese nightspot in Boston) “while relatives [[belly dancing|belly-danced]].” His early tarabaki drumming would later have a major influence on his [[guitar]] [[guitarist|playing]]. According to Dale, “It’s the pulsation,” stating that whether he is playing the guitar, trumpet, or [[piano]], “they all have that drumming beat I learned by playing the tarabaki.”<ref name="washfile"/>
Dale is often credited as one of the first electric guitarists to employ fast scales in his playing. Dale himself was a surfer and wanted his music to reflect the sounds he heard in his mind while surfing. While he is primarily known for introducing the use of guitar reverb that would give the guitar a "wet" sound, which has since become a staple of surf music, it was Dale's staccato picking that was his trademark. Since Dale is left-handed, he was initially forced to play a right-handed model but then went to a left handed model.<ref name="last_fm">{{cite web|url=http://www.last.fm/music/Dick+Dale |title=Dick Dale – Discover music, videos, concerts, stats, & pictures at |publisher=Last.fm |date=2009-02-11 |accessdate=2012-03-03}}</ref> However, he did so without restringing the guitar, leading him to effectively play the guitar upside-down (while Hendrix would restring his guitar), often playing by reaching over the fretboard rather than wrapping his fingers up from underneath. Dale is also noted for playing his percussive, heavy bending style, using what are, for most guitarists, extremely heavy gauge string sets (16p, 18p, 20p. 38w, 48w, 58w;<ref>Dick Dale interview, ''[[Fresh Air]]'', [[WHYY-FM|WHYY]]/[[National Public Radio|NPR]], 26 July 1993, rebroadcast 25 May 2007.</ref> guitar string manufacturers do not make string sets for standard tuned electric guitars heavier than 13 to 56).


His desire to create a certain sound led him to push the limits of equipment. {{cquote|[[Leo Fender]] kept giving Dale amps and Dale kept blowing them up! Till one night Leo and his right hand man Freddy T. ([[Freddie Tavares]]) went down to the Rendezvous Ballroom on the Balboa Peninsula in [[Balboa, California]] and stood in the middle of four thousand screaming and dancing Dick Dale fans, and said to Freddy, I now know what Dick Dale is trying to tell me. They went to JBL[[James B. Lansing]] loudspeaker company and explained that they wanted a fifteen inch loudspeaker built to their specifications. The unit became famous as the 15" [[JBL]] D130F model. It made the complete package for Dale to play through and was named the Single Showman Amp. When Dale plugged his [[Fender Stratocaster]] guitar into the new Showman Amp and loudspeaker cabinet, Dale became the first person on earth to jump from the volume scale of a modest quiet guitar player (on a scale of 4) to blasting up through the volume scale to TEN! That is when Dale became the "Father of [[Heavy Metal music|Heavy Metal]]" as quoted from ''[[Guitar Player]]'' magazine. Dale broke through the electronic barrier limitations of that era!<ref name=official>{{cite web|url=http://www.dickdale.com |title=Official website |publisher=Dickdale.com |date= |accessdate=2012-03-03}}</ref>}}
His desire to create a certain sound led him to push the limits of equipment. {{cquote|[[Leo Fender]] kept giving Dale amps and Dale kept blowing them up! Till one night Leo and his right hand man Freddy T. ([[Freddie Tavares]]) went down to the Rendezvous Ballroom on the Balboa Peninsula in [[Balboa, California]] and stood in the middle of four thousand screaming and dancing Dick Dale fans, and said to Freddy, I now know what Dick Dale is trying to tell me. They went to JBL[[James B. Lansing]] loudspeaker company and explained that they wanted a fifteen inch loudspeaker built to their specifications. The unit became famous as the 15" [[JBL]] D130F model. It made the complete package for Dale to play through and was named the Single Showman Amp. When Dale plugged his [[Fender Stratocaster]] guitar into the new Showman Amp and loudspeaker cabinet, Dale became the first person on earth to jump from the volume scale of a modest quiet guitar player (on a scale of 4) to blasting up through the volume scale to TEN! That is when Dale became the "Father of [[Heavy Metal music|Heavy Metal]]" as quoted from ''[[Guitar Player]]'' magazine. Dale broke through the electronic barrier limitations of that era!<ref name=official>{{cite web|url=http://www.dickdale.com |title=Official website |publisher=Dickdale.com |date= |accessdate=2012-03-03}}</ref>}}
Line 36: Line 38:
"[[Let's Go Trippin']]" is often regarded as the first surf rock song.<ref name="rollingstone">{{cite book|last=Marsh|first=Dave|title=The New Rolling Stone Album Guide|year=2004|publisher=Simon and Schuster|isbn=978-0-7432-0169-8|url=http://books.google.com/books?id=lRgtYCC6OUwC&pg=PA208&dq=%22Let's%20Go%20Trippin'%22|editor=Brackett, Nathan and Hoard, Christian|page=208}}</ref> This was followed by more locally released songs, including "Jungle Fever" and "Surf Beat" on his own Deltone label. His first full-length album was ''[[Surfers' Choice]]'' in 1962. The album was picked up by [[Capitol Records]] and distributed nationally, and Dale soon began appearing on ''[[The Ed Sullivan Show]]'', and in films where he played his signature single "[[Misirlou]]". He later stated, "I still remember the first night we played it ("Misirlou"). I changed the tempo, and just started ''cranking'' on that mother. And...it was eerie. The people came rising up off the floor, and they were chanting and stomping. I guess that was the beginning of the surfer's stomp."<ref>"Washed out for a decade, surf's up again," ''[[Los Angeles Times]]'', 1 February 1981.</ref> His second album was named after his performing nickname, ''[[King of the Surf Guitar]]''.
"[[Let's Go Trippin']]" is often regarded as the first surf rock song.<ref name="rollingstone">{{cite book|last=Marsh|first=Dave|title=The New Rolling Stone Album Guide|year=2004|publisher=Simon and Schuster|isbn=978-0-7432-0169-8|url=http://books.google.com/books?id=lRgtYCC6OUwC&pg=PA208&dq=%22Let's%20Go%20Trippin'%22|editor=Brackett, Nathan and Hoard, Christian|page=208}}</ref> This was followed by more locally released songs, including "Jungle Fever" and "Surf Beat" on his own Deltone label. His first full-length album was ''[[Surfers' Choice]]'' in 1962. The album was picked up by [[Capitol Records]] and distributed nationally, and Dale soon began appearing on ''[[The Ed Sullivan Show]]'', and in films where he played his signature single "[[Misirlou]]". He later stated, "I still remember the first night we played it ("Misirlou"). I changed the tempo, and just started ''cranking'' on that mother. And...it was eerie. The people came rising up off the floor, and they were chanting and stomping. I guess that was the beginning of the surfer's stomp."<ref>"Washed out for a decade, surf's up again," ''[[Los Angeles Times]]'', 1 February 1981.</ref> His second album was named after his performing nickname, ''[[King of the Surf Guitar]]''.


Surf rock's national popularity was somewhat brief, as the [[British Invasion]] began to overtake the American charts in 1964. Though he continued performing live, Dale was soon set back by [[rectal cancer]]. In the liner notes of ''Better Shred Than Dead: The Dick Dale Anthology'', the thought, "Then you'll never hear surf music again," was Hendrix's reaction upon hearing that Dale was battling a possibly terminal case of colon cancer, intended to encourage his comrade to recuperate. Dale, in gratitude to his late friend, later covered "[[Third Stone from the Sun]]" as a tribute to Hendrix.<ref>Dick Dale, ''Better Shred Than Dead: The Dick Dale Anthology'' (Rhino Records, 1997), liner notes to Disc 2, Track 12.</ref> Though he recovered, he retired from music for several years. In 1979, he almost lost a leg after being injured while swimming and a pollution-related infection made the mild injury much worse. As a result, Dale became an [[environmental activist]] and soon began performing again. He recorded a new album in 1986 and was nominated for a Grammy. In 1987 he appeared in the movie ''[[Back to the Beach]]'', playing surf music and performing "Pipeline" with [[Stevie Ray Vaughan]]. In 1993 he recorded a guitar solo on the track "Should Have Known" by Southern California indie band [[The Pagodas]] which was released as a vinyl single. The use of "[[Misirlou]]" in the 1994 [[Quentin Tarantino]] film ''[[Pulp Fiction (film)|Pulp Fiction]]'' gained him a new audience.
Surf rock's national popularity was somewhat brief, as the [[British Invasion]] began to overtake the American charts in 1964. Though he continued performing live, Dale was soon set back by [[rectal cancer]]. In the liner notes of ''Better Shred Than Dead: The Dick Dale Anthology'', the thought, "Then you'll never hear surf music again," was [[Jimi Hendrix]]'s reaction upon hearing that Dale was battling a possibly terminal case of colon cancer, intended to encourage his comrade to recuperate. Dale, in gratitude to his late friend, later covered "[[Third Stone from the Sun]]" as a tribute to Hendrix.<ref>Dick Dale, ''Better Shred Than Dead: The Dick Dale Anthology'' (Rhino Records, 1997), liner notes to Disc 2, Track 12.</ref> Though he recovered, he retired from music for several years. In 1979, he almost lost a leg after being injured while swimming and a pollution-related infection made the mild injury much worse. As a result, Dale became an [[environmental activist]] and soon began performing again. He recorded a new album in 1986 and was nominated for a Grammy. In 1987 he appeared in the movie ''[[Back to the Beach]]'', playing surf music and performing "Pipeline" with [[Stevie Ray Vaughan]]. In 1993 he recorded a guitar solo on the track "Should Have Known" by Southern California indie band [[The Pagodas]] which was released as a vinyl single. The use of "[[Misirlou]]" in the 1994 [[Quentin Tarantino]] film ''[[Pulp Fiction (film)|Pulp Fiction]]'' gained him a new audience.


In 1995, he recorded a surf-rock version of [[Camille Saint-Saëns]]'s "Aquarium" from ''[[The Carnival of the Animals]]'' for the musical score of the enclosed roller coaster, [[Space Mountain (Disneyland, Anaheim)|Space Mountain]] at [[Disneyland]] in [[Anaheim, California]]. In 1997, Dale appeared in the campy cult film ''[[American Vampire (film)|An American Vampire Story]]'', performing a rousing guitar solo on the beach with his son on drums. In 2002, Dale appeared in ''[[The True Meaning of Christmas Specials]]'', playing several original songs for the program.
In 1995, he recorded a surf-rock version of [[Camille Saint-Saëns]]'s "Aquarium" from ''[[The Carnival of the Animals]]'' for the musical score of the enclosed roller coaster, [[Space Mountain (Disneyland, Anaheim)|Space Mountain]] at [[Disneyland]] in [[Anaheim, California]]. In 1997, Dale appeared in the campy cult film ''[[American Vampire (film)|An American Vampire Story]]'', performing a rousing guitar solo on the beach with his son on drums. In 2002, Dale appeared in ''[[The True Meaning of Christmas Specials]]'', playing several original songs for the program.

Revision as of 00:24, 19 July 2012

This article is about the surf guitarist. For the saxophonist-singer, see Dick Dale (singer).
Dick Dale
Dick Dale performing at the Middle East Restaurant and Nightclub in Cambridge, Massachusetts, May 28, 2005.
Dick Dale performing at the Middle East Restaurant and Nightclub in Cambridge, Massachusetts, May 28, 2005.
Background information
Also known asRichard Anthony Monsour
Born (1937-05-04) May 4, 1937 (age 87)
Boston, Massachusetts
GenresSurf rock, rock and roll, instrumental rock
Occupation(s)Musician, guitarist
Instrument(s)Guitar, vocals
Years active1959—present
LabelsCapitol, GNP Crescendo, Deltone
Websitewww.dickdale.com

Dick Dale (born Richard Anthony Monsour on May 4, 1937) is an American surf rock guitarist, known as The King of the Surf Guitar. He experimented with reverberation and made use of custom made Fender amplifiers, including the first-ever 100-watt guitar amplifier.[1]

Early life

Dale was born in South Boston, Massachusetts and lived in nearby Quincy until the eleventh grade. He is of Lebanese, Polish and Belarusian descent (though his Lebanese father was not born in Lebanon).[2] He and his family moved to Orange County, California in 1954, where he learned to surf and became interested in music.[3] He soon learned to play the drums, the ukulele, the trumpet, and finally the guitar.[4] Due to his Lebanese heritage, he also had a strong interest in Arabic music, which would later play a major role on his development of surf rock music.[5]

Career

Among his early musical influences was his uncle.[6] According to Dale, “My uncle taught me how to play the tarabaki, and I watched him play the oud. We used to play at the Maharjan” (a Lebanese nightspot in Boston) “while relatives belly-danced.” His early tarabaki drumming would later have a major influence on his guitar playing. According to Dale, “It’s the pulsation,” stating that whether he is playing the guitar, trumpet, or piano, “they all have that drumming beat I learned by playing the tarabaki.”[5]

Dale is often credited as one of the first electric guitarists to employ fast scales in his playing. Dale himself was a surfer and wanted his music to reflect the sounds he heard in his mind while surfing. While he is primarily known for introducing the use of guitar reverb that would give the guitar a "wet" sound, which has since become a staple of surf music, it was Dale's staccato picking that was his trademark. Since Dale is left-handed, he was initially forced to play a right-handed model but then went to a left handed model.[6] However, he did so without restringing the guitar, leading him to effectively play the guitar upside-down (while Hendrix would restring his guitar), often playing by reaching over the fretboard rather than wrapping his fingers up from underneath. Dale is also noted for playing his percussive, heavy bending style, using what are, for most guitarists, extremely heavy gauge string sets (16p, 18p, 20p. 38w, 48w, 58w;[7] guitar string manufacturers do not make string sets for standard tuned electric guitars heavier than 13 to 56).

His desire to create a certain sound led him to push the limits of equipment.

Leo Fender kept giving Dale amps and Dale kept blowing them up! Till one night Leo and his right hand man Freddy T. (Freddie Tavares) went down to the Rendezvous Ballroom on the Balboa Peninsula in Balboa, California and stood in the middle of four thousand screaming and dancing Dick Dale fans, and said to Freddy, I now know what Dick Dale is trying to tell me. They went to JBLJames B. Lansing loudspeaker company and explained that they wanted a fifteen inch loudspeaker built to their specifications. The unit became famous as the 15" JBL D130F model. It made the complete package for Dale to play through and was named the Single Showman Amp. When Dale plugged his Fender Stratocaster guitar into the new Showman Amp and loudspeaker cabinet, Dale became the first person on earth to jump from the volume scale of a modest quiet guitar player (on a scale of 4) to blasting up through the volume scale to TEN! That is when Dale became the "Father of Heavy Metal" as quoted from Guitar Player magazine. Dale broke through the electronic barrier limitations of that era![8]

During a six month period that began July 1, 1961, Dale's performances at the Rendezvous Ballroom in Balboa are credited with the creation of the surf music phenomenon. Dale asked for and gained permission to use the 3,000 person capacity ballroom for surfer dances after overcrowding at a local ice cream parlor, where he performed, caused him to seek other venues.[9] The Rendezvous ownership and city of Newport Beach agreed to Dale's request only on the condition that alcohol sales would be prohibited and a dress code implemented. Dale's events at the ballrooms, called "stomps", quickly became legendary and the ballroom was routinely sold out.[9]

Paul Johnson, guitarist for the contemporary group The Bel-Airs, recalled the electric atmosphere of the shows:

I remember making the trek to the Rendezvous in the summer of '61 to see what all the fuss was about over Dick Dale. It was a powerful experience; his music was incredibly dynamic, louder and more sophisticated than The Belairs, and the energy between The Del-Tones and all of those surfers stomping on the hardwood floor in their sandals was extremely intense. The tone of Dale's guitar was bigger than any I had ever heard, and his blazing technique was something to behold.[9]

"Let's Go Trippin'" is often regarded as the first surf rock song.[10] This was followed by more locally released songs, including "Jungle Fever" and "Surf Beat" on his own Deltone label. His first full-length album was Surfers' Choice in 1962. The album was picked up by Capitol Records and distributed nationally, and Dale soon began appearing on The Ed Sullivan Show, and in films where he played his signature single "Misirlou". He later stated, "I still remember the first night we played it ("Misirlou"). I changed the tempo, and just started cranking on that mother. And...it was eerie. The people came rising up off the floor, and they were chanting and stomping. I guess that was the beginning of the surfer's stomp."[11] His second album was named after his performing nickname, King of the Surf Guitar.

Surf rock's national popularity was somewhat brief, as the British Invasion began to overtake the American charts in 1964. Though he continued performing live, Dale was soon set back by rectal cancer. In the liner notes of Better Shred Than Dead: The Dick Dale Anthology, the thought, "Then you'll never hear surf music again," was Jimi Hendrix's reaction upon hearing that Dale was battling a possibly terminal case of colon cancer, intended to encourage his comrade to recuperate. Dale, in gratitude to his late friend, later covered "Third Stone from the Sun" as a tribute to Hendrix.[12] Though he recovered, he retired from music for several years. In 1979, he almost lost a leg after being injured while swimming and a pollution-related infection made the mild injury much worse. As a result, Dale became an environmental activist and soon began performing again. He recorded a new album in 1986 and was nominated for a Grammy. In 1987 he appeared in the movie Back to the Beach, playing surf music and performing "Pipeline" with Stevie Ray Vaughan. In 1993 he recorded a guitar solo on the track "Should Have Known" by Southern California indie band The Pagodas which was released as a vinyl single. The use of "Misirlou" in the 1994 Quentin Tarantino film Pulp Fiction gained him a new audience.

In 1995, he recorded a surf-rock version of Camille Saint-Saëns's "Aquarium" from The Carnival of the Animals for the musical score of the enclosed roller coaster, Space Mountain at Disneyland in Anaheim, California. In 1997, Dale appeared in the campy cult film An American Vampire Story, performing a rousing guitar solo on the beach with his son on drums. In 2002, Dale appeared in The True Meaning of Christmas Specials, playing several original songs for the program.

The National Hockey League's Colorado Avalanche use Dale's song "Scalped" as their theme song. The Black Eyed Peas' song "Pump It" (from the 2005 album Monkey Business) heavily samples Dale's "Misirlou". "Misirlou" is also featured in the PlayStation 2/Xbox 360 video game, Guitar Hero II, as well as the Wii video game Rayman Raving Rabbids. In the feature film Space Jam, as Elmer Fudd and Yosemite Sam shoot out teeth from one of the Monstars, a clip from "Misirlou" is played.

Dale is a 2011 inductee into the Surfing Walk of Fame in Huntington Beach, California in the Surf Culture category.[13]

Personal life

Dale has said that he has never used alcohol or drugs and discourages their use by band members and road crew. Health was a priority for him. In 1972, he stopped eating red meat. He studied martial arts for over 30-years.[8][14] At age 74 he was still putting on physically energetic live shows.[4][5] In early 2008, he experienced a recurrence of rectal cancer and finished a surgical, chemotherapy, and radiation treatment regimen.[15] In June, 2009 Dick Dale began a West Coast tour from Southern California to British Columbia, with approximately 20 concert dates. "Forever Came Calling" (or FCC) featured Dale's then-17-year-old son, Jimmy Dale on drums, who opened for him. Dick continued to perform at venues across the U.S. into 2011. He was scheduled to play the Australian One Great Night On Earth festival to raise funds to benefit those affected by the Black Saturday bushfires and other natural disasters.[16]

Equipment

As well as the Fender amplifiers already mentioned, Dale is associated with the Fender Stratocaster guitar. Fender makes a signature model, the Dick Dale Custom Shop Stratocaster, fitted with "Custom Shop '54" pickups and supposed to recreate the sound of the first "Strats". Dick used a reverb unit with the signal split between two Fender Dual Showman amps. As of 2010, Dale continued to play with his original reverb unit and Showman amps dating from the early 1960s, continuing his practice of stringing his left-handed guitar upside down. The unique features of this guitar include a toggle switch that bypasses the three position blade switch to activate neck and middle pickups only.

Recordings

Albums

Singles

  • Ooh-Whee Marie (Deltone 1959)
  • Stop Teasing (Deltone 1959)
  • Jesse Pearl (Deltone 1960)
  • Let's Go Trippin' / Del-Tone Rock (Deltone 1961)
  • Jungle Fever / Shake-N-Stomp (Deltone 1961)
  • Misirlou / Eight 'Til Midnight (Deltone 1962)
  • Mr. Peppermint Man / Surf Beat (Capitol 1962)
  • Secret Surfin Spot / Surfin' and Swingin' (Capitol 1963)
  • The Wedge / Night Rider (Capitol 1963)
  • Mr. Eliminator (Capitol 1964)
  • Let's Go Trippin' '65 / Watusi Jo (Capitol 1965)
  • Let's Go Trippin' / Those Memories Of You (GNP Crescendo 1975)
  • "Pipeline" with Stevie Ray Vaughan, nominated for a Grammy

Compilations

Soundtracks

Peel Sessions

Dick Dale made four recordings for John Peel's Peel Sessions:

  1. March 30, 1995 (Maida Vale 4)
  2. July 10, 1995 (3 Mcr.)
  3. August 28, 2002 (Maida Vale 4)
  4. March 24, 2004 (Maida Vale 4)

Peel later selected Let's Go Trippin' as the theme tune for his BBC Radio 4 series Home Truths.[17]

Notes

  1. ^ History at his official website
  2. ^ Porter, James and Austen, Jake (1994). "The really bitching tale of Dick Dale as told by the man himself". Roctober Magazine.{{cite web}}: CS1 maint: multiple names: authors list (link)
  3. ^ Hodgins, Paul (March 21, 2009). "Guitar Screams On". Orange County Register. p. News 15.
  4. ^ a b Hodgins, Paul (March 20, 2009). "Dick Dale is still darn loud". Orange County Register. p. News 15.
  5. ^ a b c Holgate, Steve (14 September 2006). "Guitarist Dick Dale Brought Arabic Folk Song to Surf Music". The Washington File. Bureau of International Information Programs, U.S. Department of State. Retrieved 29 August 2010.
  6. ^ a b "Dick Dale – Discover music, videos, concerts, stats, & pictures at". Last.fm. 2009-02-11. Retrieved 2012-03-03.
  7. ^ Dick Dale interview, Fresh Air, WHYY/NPR, 26 July 1993, rebroadcast 25 May 2007.
  8. ^ a b "Official website". Dickdale.com. Retrieved 2012-03-03.
  9. ^ a b c "Rendezvous Ballroom". Huntington Beach International Surfing Museum. Retrieved 13 February 2011.
  10. ^ Marsh, Dave (2004). Brackett, Nathan and Hoard, Christian (ed.). The New Rolling Stone Album Guide. Simon and Schuster. p. 208. ISBN 978-0-7432-0169-8.{{cite book}}: CS1 maint: multiple names: editors list (link)
  11. ^ "Washed out for a decade, surf's up again," Los Angeles Times, 1 February 1981.
  12. ^ Dick Dale, Better Shred Than Dead: The Dick Dale Anthology (Rhino Records, 1997), liner notes to Disc 2, Track 12.
  13. ^ Carroll, Corky (June 9, 2011). "Walk of Fame inductee list one of the best ever". The Orange County Register.
  14. ^ Brainyquote, Dick Dale[dead link]
  15. ^ "Play One For Dick Dale", surferspath.com
  16. ^ "All hail the great Dick Dale!". OneGreatNightOnEarth.com.au. May 16, 2011. Retrieved 15 December 2011.
  17. ^ Dick Dale at the BBC Radio 1 John Peel minisite

References

  • Burt, Rob (1986). "Surf City, Drag City" (Document). Blandford Press. ISBN 0-7137-1890-0.
  • Szatmary, David (1987). "Rockin' in Time: A Social History of Rock-and-Roll" (Document). Pearson Prentice Hall. ISBN 0-13-188790-4.

External links

Wikimedia Commons has media related to Dick Dale.

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