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Biros leads the staff in holding meetings with victims, and is personally moved by the story of a gay man, Graham Morris, whose partner (whose parents vehemently rejected that their son was gay) was killed in the attack. Due to the rules governing the fund, he cannot be compensated as he is a resident of the state of Virginia, which does not recognize civil partnerships. Feinberg also meets with several lawyers representing the loved ones of upper-class victims of the attacks, holdouts for higher compensation, which threatens the success of the group as a whole. As the months drag on, the fund manages to attract only a fraction of the necessary applicants, leading Feinberg to hold a private meeting with Wolf in which the latter accuses Feinberg of serving only the interests of the [[Presidency of George W. Bush|Bush administration.]]
Biros leads the staff in holding meetings with victims, and is personally moved by the story of a gay man, Graham Morris, whose partner (whose parents vehemently rejected that their son was gay) was killed in the attack. Due to the rules governing the fund, he cannot be compensated as he is a resident of the state of Virginia, which does not recognize civil partnerships. Feinberg also meets with several lawyers representing the loved ones of upper-class victims of the attacks, holdouts for higher compensation, which threatens the success of the group as a whole. As the months drag on, the fund manages to attract only a fraction of the necessary applicants, leading Feinberg to hold a private meeting with Wolf in which the latter accuses Feinberg of serving only the interests of the [[Presidency of George W. Bush|Bush administration.]]


A lawyer respresenting Donato's extra-marital partner calls Feinberg to inform him that Donato has 2 daughters from that relationship who qualify for compensation, leading Feinberg to attempt to inform Donato's widow in a failed effort to convince her to sign on after she had earlier refused. As the months drag on, Feinberg is increasingly unsuccessful. After Wolf approaches him one evening at the opera and recounts an anecdote from years earlier in which his deceased wife encouraged him to persevere in the face of failure, Feinberg finds his spirit renewed.
A lawyer respresenting Donato's extra-marital partner calls Feinberg to inform him that Donato has 2 daughters from that relationship who qualify for compensation. This led Feinberg himself to attempt to inform Donato's widow in a failed effort to convince her to sign on after she had earlier refused. As the months drag on, Feinberg is increasingly unsuccessful in convincing victims to file for compensation from the government fund. After Wolf approaches him one evening at the opera and recounts an anecdote from years earlier in which his deceased wife encouraged him to persevere in the face of failure, Feinberg finds his spirit renewed.


Feinberg and Biros begin to use his discretion to expand the rules in order to cover as many victims as they can under the fund, lobbying for changes in state laws to accomplish this. Feinberg begins to meet personally with victims. He construction a shrine in his office from the various mementos given to him by fund applicants. When Wolf sees that Feinberg truly cares for the victims of the attacks, he is able to convince his fellow victims to trust Feinberg. By the deadline, the vast majority of those eligible for compensation sign the forms, ensuring the success of the project. Feinberg himself is visited by Donato's widow to sign on behalf of her husband's children. Biros tearfully calls Morris to inform him that while she was unable to help him as the gay partner of a victim, because his state did not recognize their relationship, the fund did compensate many other gay couples who lived in states that recognized same-sex unions.
Feinberg and Biros begin to use the discretion government gave him to expand the rules in order to cover as many victims as they can under the fund. Feinberg begins to meet personally with victims. He construction a shrine in his office from the various mementos given to him by fund applicants. When Wolf sees that Feinberg truly cares for the victims of the attacks, he is able to convince his fellow victims to trust Feinberg. By the deadline, the vast majority of those eligible for compensation sign the forms, ensuring the success of the project. Feinberg himself is visited by Donato's widow to sign on behalf of her husband's children. Biros tearfully calls Morris to inform him that while she was unable to help him as the gay partner of a victim, because his state did not recognize their relationship, the fund did compensate many other gay couples who lived in states that recognized same-sex unions.


The film ends with a title card stating that Feinberg and Biros were able to distribute billions in government money to 97% of eligible victims, and that they continue to work on similar tragic cases.
The film ends with a title card stating that Feinberg and Biros were able to distribute billions in government money to 97% of eligible victims, and that they continue to work on similar tragic cases.

Revision as of 01:09, 20 July 2022

Worth
Official release poster
Directed bySara Colangelo
Written byMax Borenstein
Based onWhat Is Life Worth?
by Kenneth Feinberg
Produced by
Starring
CinematographyPepe Avila del Pino
Edited byJulia Bloch
Music byNico Muhly
Production
companies
Distributed byNetflix
Release dates
  • January 24, 2020 (2020-01-24) (Sundance)
  • September 3, 2021 (2021-09-03) (United States)
Running time
118 minutes[1]
CountryUnited States
LanguageEnglish

Worth is a 2020 biographical film directed by Sara Colangelo, from a screenplay by Max Borenstein.[2] It stars Michael Keaton, Amy Ryan, Stanley Tucci, Tate Donovan, Shunori Ramanathan, and Laura Benanti. The film depicts Kenneth Feinberg's handling of the September 11th Victim Compensation Fund. It had its world premiere at the Sundance Film Festival on January 24, 2020. The film was released in a limited release and on Netflix on September 3, 2021.

Plot

The film opens with Kenneth Feinberg detailing the law's recognition of the monetary value of a person's life to his class at Columbia University.

Some time later, the September 11 attacks occur. Feinberg is appointed the Special Master of the September 11th Victim Compensation Fund while his law partner, Camille Biros, is appointed as his administrative deputy. Feinberg develops a rigid formula for each payout based on the victim's income, and is instructed that if he cannot convince at least 80% of the 7000 estimated victims to sign on then they will be eligible to file a lawsuit which they may lose (as well as the pressure from the political administrations to save the airlines from being sued, leading to financial disaster). Feinberg is given until December 22, 2003 to accomplish this.

At an introductory meeting with victims in which he attempts to explain the rules governing the fund, Feinberg is perceived as insensitive to the losses suffered by attendees. The hostile group is calmed when Charles Wolf, the husband of a woman killed in the attacks, who demands that they listen to what Feinberg has to say. After the meeting, Feinberg is confronted by Frank Donato, the brother of a deceased FDNY firefighter, Nick. His brother had re-entered the tower to find him after communication, which may not have reached Nick, warned that the building would fail. Frank demands that Feinberg include this information in the report to remedy this flaw in the communication system for first responders. Feinberg deflects that demand in lawyerly fashion. Feinberg also is disturbed to learn that Wolf was offended by the callous nature of the fund's formula and has started a protest group.

Biros leads the staff in holding meetings with victims, and is personally moved by the story of a gay man, Graham Morris, whose partner (whose parents vehemently rejected that their son was gay) was killed in the attack. Due to the rules governing the fund, he cannot be compensated as he is a resident of the state of Virginia, which does not recognize civil partnerships. Feinberg also meets with several lawyers representing the loved ones of upper-class victims of the attacks, holdouts for higher compensation, which threatens the success of the group as a whole. As the months drag on, the fund manages to attract only a fraction of the necessary applicants, leading Feinberg to hold a private meeting with Wolf in which the latter accuses Feinberg of serving only the interests of the Bush administration.

A lawyer respresenting Donato's extra-marital partner calls Feinberg to inform him that Donato has 2 daughters from that relationship who qualify for compensation. This led Feinberg himself to attempt to inform Donato's widow in a failed effort to convince her to sign on after she had earlier refused. As the months drag on, Feinberg is increasingly unsuccessful in convincing victims to file for compensation from the government fund. After Wolf approaches him one evening at the opera and recounts an anecdote from years earlier in which his deceased wife encouraged him to persevere in the face of failure, Feinberg finds his spirit renewed.

Feinberg and Biros begin to use the discretion government gave him to expand the rules in order to cover as many victims as they can under the fund. Feinberg begins to meet personally with victims. He construction a shrine in his office from the various mementos given to him by fund applicants. When Wolf sees that Feinberg truly cares for the victims of the attacks, he is able to convince his fellow victims to trust Feinberg. By the deadline, the vast majority of those eligible for compensation sign the forms, ensuring the success of the project. Feinberg himself is visited by Donato's widow to sign on behalf of her husband's children. Biros tearfully calls Morris to inform him that while she was unable to help him as the gay partner of a victim, because his state did not recognize their relationship, the fund did compensate many other gay couples who lived in states that recognized same-sex unions.

The film ends with a title card stating that Feinberg and Biros were able to distribute billions in government money to 97% of eligible victims, and that they continue to work on similar tragic cases.

Cast

Production

The project was announced during the 2018 Berlin Film Festival, with David Frankel directing from a screenplay by Max Borenstein, which was featured in the 2008 Black List. Michael Keaton was cast to play the role of Kenneth Feinberg.[3] Sales for the film took place at the 2018 Cannes Film Festival.[4]

In February 2019, Sara Colangelo replaced Frankel as director and Stanley Tucci was added to the cast.[5] In March, Shunori Ramanthan and Victor Slezak were cast.[6] In April 2019, Laura Benanti, Amy Ryan, Talia Balsam and Tate Donovan joined the cast of the film.[7][8]

Filming

Principal photography began in April 2019.[9][10]

Release

It had its world premiere at the Sundance Film Festival on January 24, 2020.[11] In February 2021, Netflix and Higher Ground Productions acquired distribution rights to the film.[12] It was released in a limited release and on Netflix on September 3, 2021.[13]

Reception

According to review aggregator website Rotten Tomatoes, 82% of 99 critic reviews are positive, with an average rating of 7.1/10. The website's critics consensus reads, "It isn't as hard-hitting as one might expect, but Worth remains a powerfully performed and rewardingly complex dramatization of real-life events."[14] On Metacritic, it has a weighted average score of 67 out of 100 based on 25 critics, indicating "generally favourable reviews".[15]

References

  1. ^ a b "Worth". Sundance Film Festival. Retrieved December 15, 2019.
  2. ^ Lee, Benjamin (6 September 2021). "Why Netflix drama Worth is the best 9/11 movie to date". The Guardian. Retrieved 11 September 2021.
  3. ^ Michael Keaton to Discover ‘What Is Life Worth’
  4. ^ Ralph Fiennes, Rebecca Hall, Mark Strong & Saïd Taghmaoui Join John Michael McDonagh’s ‘The Forgiven’ – Hot Cannes Pic
  5. ^ Sara Colangelo To Direct Michael Keaton & Stanley Tucci In ‘What Is Life Worth’ – EFM
  6. ^ Shunori Ramanthan, Victor Slezak Join Michael Keaton In ‘What Is Life Worth’
  7. ^ Tartaglione, Nancy (April 8, 2019). "Laura Benanti Joins 'What Is Life Worth' With Michael Keaton & Stanley Tucci". Deadline Hollywood. Retrieved April 8, 2019.
  8. ^ Tartaglione, Nancy (April 25, 2019). "'What Is Life Worth' Adds Amy Ryan, Talia Balsam & Tate Donovan As Filming Begins". Deadline Hollywood. Retrieved April 25, 2019.
  9. ^ "Michael Keaton Gets Into Character While Filming 'What Is Life Worth'". The Oklahoman. April 2, 2019. Retrieved April 5, 2019.
  10. ^ "Monday, April 1 Filming Locations for What Is Life?, FBI, SVU, & more!". On Location Vacations. April 1, 2019. Retrieved April 5, 2019.
  11. ^ Siegel, Tatiana (December 4, 2019). "Sundance Unveils Female-Powered Lineup Featuring Taylor Swift, Gloria Steinem, Abortion Road Trip Drama". The Hollywood Reporter. Retrieved June 7, 2022.
  12. ^ Fleming, Mike Jr. (February 17, 2021). "9/11 Victims Fund Drama 'Worth' Acquired By Netflix & Barack & Michelle Obama's Higher Ground; Michael Keaton, Stanley Tucci Starrer Bows On 20th Anniversary Of Terror Attacks". Retrieved February 17, 2021.
  13. ^ "Official Key Art And Date Announcement For WORTH Starring Michael Keaton and Stanley Tucci". RamaScreen. August 2, 2021. Retrieved August 2, 2021.
  14. ^ "Worth". Rotten Tomatoes. Fandango Media. Retrieved June 11, 2023.
  15. ^ "Worth Reviews". Metacritic. Fandom, Inc. Retrieved October 25, 2021.
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