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*[[power pop]]
*[[power pop]]
| length = 41:38
| length = 41:38
| label = [[Enigma Records]]
| label = {{ubl|[[Enigma Records]]|[[Omnivore Recordings]]}}
| producer = [[Mitch Easter]]
| producer = [[Mitch Easter]]
| prev_title = [[Lolita Nation]]
| prev_title = [[Lolita Nation]]
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[[File:Mitch Easter producing Two Steps.jpg|thumb|[[Mitch Easter]] producing ''Two Steps from the Middle Ages'' in San Francisco, 1988]]
[[File:Mitch Easter producing Two Steps.jpg|thumb|[[Mitch Easter]] producing ''Two Steps from the Middle Ages'' in San Francisco, 1988]]
'''''Two Steps from the Middle Ages''''' (1988) is the fifth studio album by power pop band [[Game Theory (band)|Game Theory]].
'''''Two Steps from the Middle Ages''''' (1988) is the fifth studio album by power pop band [[Game Theory (band)|Game Theory]].

After having been out of print for nearly 30 years, the album was reissued by [[Omnivore Recordings]] in June 2017 on translucent orange vinyl, and as a CD with 11 bonus tracks. The release included a booklet featuring new essays by [[Mitch Easter]], [[Ken Stringfellow]], and critic [[Franklin Bruno]].<ref name=Takeover/>


== History ==
== History ==
Miller intended the album to be "a more straightforward, singles-based record" than its predecessor, ''[[Lolita Nation]]'': {{quote |The band as a whole plays more aggressively on the album's songs, from [[Gil Ray|[Gil] Ray]]'s muted yet driving drum pulse that opens the album through [Shelley] LaFreniere's heavier, more ominous keyboard contributions. Miller's guitar playing is less foregrounded than on previous albums, allowing space for his bandmates to fill the sound.<ref name=PopMatters/> }}
Miller intended the album to be "a more straightforward, singles-based record" than its predecessor, ''[[Lolita Nation]]'', according to ''PopMatters''.<ref name=PopMatters/>


The title of the song "Room For One More, Honey" was a reference to an episode of the American television program ''[[The Twilight Zone (1959 TV series)|The Twilight Zone]]'' titled ''[[Twenty Two (The Twilight Zone)|Twenty Two]]''. According to guitarist Donnette Thayer, the serendipitous addition of the sound of clinking wine glasses to "Room for One More, Honey" stood out to her, years later, "because it symbolizes so much of what I loved about Scott's writing and what we did as members of Game Theory," in that the group's "glasses may seem empty by traditional standards — but this was unimportant to us... We had different objectives."<ref name=Micek/>
In a review of the 2017 reissue, ''[[PopMatters]]'' wrote that the album "point[ed] forward towards what would, by 1993, become fashionable under the 'alternative' label. One can hear echoes of Game Theory's trailblazing in many of the bands that enjoyed success in the early '90s, including [[Belly (band)|Belly]] and, especially, [[Smashing Pumpkins]]."<ref name=PopMatters/>

After the group was disbanded in 1990, leader [[Scott Miller (pop musician)|Scott Miller]] went on to form [[The Loud Family]]. Game Theory would not release another album until ''[[Supercalifragile]]'' came out in 2017, four years after Miller's death.<ref name=Stereogum/>

== Songs ==
The title of the song "Room For One More, Honey," is a reference to an episode of the American television program ''[[The Twilight Zone (1959 TV series)|The Twilight Zone]]'' titled ''[[Twenty Two (The Twilight Zone)|Twenty Two]]''.


The album's title has at least a double meaning (referring to both dance steps from the historical period known as the [[Middle Ages]] as well as to a person who is "two steps" from middle age) and comes from an [[Rhyme Scheme|alternating rhyme]] in the fifth track:
The album's title has at least a double meaning (referring to both dance steps from the historical period known as the [[Middle Ages]] as well as to a person who is "two steps" from middle age) and comes from an [[Rhyme Scheme|alternating rhyme]] in the fifth track:
<blockquote class="templatequote">
<blockquote class="templatequote">
Unfolding their defense in stages<br/>Harshest critics can't refuse<br/>Two steps from the middle ages<br/>Rose details and ruby shoes</blockquote>
Unfolding their defense in stages<br/>Harshest critics can't refuse<br/>Two steps from the middle ages<br/>Rose details and ruby shoes</blockquote>

After the group was disbanded in 1990, leader [[Scott Miller (pop musician)|Scott Miller]] went on to form [[The Loud Family]]. Game Theory would not release another album until ''[[Supercalifragile]]'' came out in 2017, four years after Miller's death.<ref name=Stereogum/>


In 2012, the song "Rolling with the Moody Girls" was covered by [[Home Blitz]] on their EP ''Frozen Track''.
In 2012, the song "Rolling with the Moody Girls" was covered by [[Home Blitz]] on their EP ''Frozen Track''.

== Reception ==

In its review of the 2017 reissue, ''[[PopMatters]]'' wrote, "The band as a whole plays more aggressively on the album's songs, from [[Gil Ray|[Gil] Ray]]'s muted yet driving drum pulse that opens the album through [Shelley] LaFreniere's heavier, more ominous keyboard contributions. Miller's guitar playing is less foregrounded than on previous albums, allowing space for his bandmates to fill the sound."<ref name=PopMatters/> Reviewer Ed Whitelock added that the album "point[ed] forward towards what would, by 1993, become fashionable under the 'alternative' label. One can hear echoes of Game Theory's trailblazing in many of the bands that enjoyed success in the early '90s, including [[Belly (band)|Belly]] and, especially, [[Smashing Pumpkins]]."<ref name=PopMatters/>

According to ''[[The Big Takeover]]''{{'}}s Elizabeth Klisiewicz:
{{quote|"What the Whole World Wants" is another gem of a tune, with one of Scott's catchiest hooks at its core ... "Amelia, Have You Lost" has some tasty guitar licks and recaptures some of the magic from the group’s earlier releases. "Rolling With the Moody Girls" bears that trademark Mitch Easter sound, with solidly placed percussion and guitar and keyboards sparkling through the mix. There is even a saxophone at one point. In hindsight, this is easily one of the album’s strongest tracks, with a captivating melody and some fine singing. ... "You Drive" reprises a melodic idea from an earlier record, but it’s sent up in grand fashion here with some excellent guitar playing and a hook that never leaves you. Brilliant! "Leilani" has a plethora of pop culture references and is another keeper. It moves slower in waltz time and it suits the group well. "Wish I Could Stand or Have" has lovely 12 string acoustic and heartbreaking lyrics. Its brevity does not dispel its desperation. "Throwing The Election" has a proggy feel due to the organ, before it jumps forward into a gorgeous tune with pointed lyrics.<ref name=Takeover/>}}


== Track listing ==
== Track listing ==
{{Track listing
All songs written by [[Scott Miller (pop musician)|Scott Miller]].
|all_writing=Scott Miller, except as noted
#"Room For One More, Honey" – 3:03
|title1=Room for One More, Honey
#"What the Whole World Wants" – 4:29
|length1=3:03
#"The Picture of Agreeability" – 0:57
|title2=What the Whole World Wants
#"Amelia, Have You Lost" – 3:23
|length2=4:29
#"Rolling with the Moody Girls" – 3:09
|title3=The Picture of Agreeability
#"Wyoming" – 3:24
|length3=0:57
#"In a Delorean" – 3:11
|title4=Amelia, Have You Lost
#"You Drive" – 4:09
|length4=3:23
#"Leilani" – 3:02
|title5=Rolling with the Moody Girls
#"Wish I Could Stand or Have" – 1:59
|length5=3:09
#"Don't Entertain Me Twice" – 3:59
|title6=Wyoming
#"Throwing the Election" - 4:16
|length6=3:24
#"Initiations Week" - 2:29
|title7=In a Delorean
|length7=3:11
|title8=You Drive
|length8=4:09
|title9=Leilani
|length9=3:02
|title10=Wish I Could Stand or Have
|length10=1:59
|title11=Don't Entertain Me Twice
|length11=3:59
|title12=Throwing the Election
|length12=4:16
|title13=Initiations Week
|length13=2:29
}}
{{Track listing
|headline=Bonus tracks
|title14=Together Now, Very Minor
|note14=live
|length14=3:04
|title15=Amelia, Have You Lost
|note15=demo
|length15=3:14
|title16=Bad Machinery
|note16=radio session
|writer16=Mitch Easter
|length16=2:17
|title17=Room for One More, Honey
|note17=demo
|length17=3:04
|title18=The Waist and the Knees
|note18=live
|length18=6:22
|title19=Wish I Could Stand or Have
|note19=demo
|length19=1:52
|title20=Rolling with the Moody Girls
|note20=demo
|length20=3:13
|title21=America
|note21=demo
|writer21=[[Simon & Garfunkel]]
|length21=3:52
|title22=I Turned Her Away
|note22=radio session
|length22=3:13
|title23=Wyoming
|note23=rough mix
|length23=3:20
|title24=Sleeping Through Heaven
|note24=live
|length24=5:01
}}


== Personnel ==
== Personnel ==
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* [[Gil Ray]] - drums, backing vocals and guitar
* [[Gil Ray]] - drums, backing vocals and guitar
* [[Donnette Thayer]] - guitar and vocals
* [[Donnette Thayer]] - guitar and vocals
* Shelley LaFreniere - Synthesizers and backing vocals
* Shelley LaFreniere - synthesizers and backing vocals
* [[Scott Miller (pop musician)|Scott Miller]] - vocals and guitar
* [[Scott Miller (pop musician)|Scott Miller]] - vocals and guitar


Line 75: Line 134:
<ref name=PopMatters>{{cite journal |title=Game Theory: 2 Steps From the Middle Ages |first=Ed |last=Whitelock |journal=[[PopMatters]] |date=June 8, 2017 |url=http://www.popmatters.com/game-theory-2-steps-from-the-middle-ages-2495388767.html |url-status=live |archive-url=https://web.archive.org/web/20190222060621/http://www.popmatters.com/game-theory-2-steps-from-the-middle-ages-2495388767.html |archive-date=2019-02-22 }}</ref>
<ref name=PopMatters>{{cite journal |title=Game Theory: 2 Steps From the Middle Ages |first=Ed |last=Whitelock |journal=[[PopMatters]] |date=June 8, 2017 |url=http://www.popmatters.com/game-theory-2-steps-from-the-middle-ages-2495388767.html |url-status=live |archive-url=https://web.archive.org/web/20190222060621/http://www.popmatters.com/game-theory-2-steps-from-the-middle-ages-2495388767.html |archive-date=2019-02-22 }}</ref>
<ref name=Stereogum>{{cite journal |title=64 More Acts That Took 20 Or More Years Between Albums |first=Brad |last=Shoup |date=May 30, 2018 |journal=[[Stereogum]] |url=https://www.stereogum.com/1943105/64-more-acts-that-took-20-or-more-years-between-albums/franchises/list/ |url-status=live |archive-url=https://web.archive.org/web/20190208073916/https://www.stereogum.com/1943105/64-more-acts-that-took-20-or-more-years-between-albums/franchises/list/ |archive-date=2019-02-08 }}</ref>
<ref name=Stereogum>{{cite journal |title=64 More Acts That Took 20 Or More Years Between Albums |first=Brad |last=Shoup |date=May 30, 2018 |journal=[[Stereogum]] |url=https://www.stereogum.com/1943105/64-more-acts-that-took-20-or-more-years-between-albums/franchises/list/ |url-status=live |archive-url=https://web.archive.org/web/20190208073916/https://www.stereogum.com/1943105/64-more-acts-that-took-20-or-more-years-between-albums/franchises/list/ |archive-date=2019-02-08 }}</ref>
<ref name=Micek>{{cite journal |title=A Theory of Game Theory: Wine Glasses and Other Things That Made the Band Great |first=John L. |last=Micek |date=June 13, 2017 |journal=The Smart Set |publisher=Drexel University |url=https://www.thesmartset.com/a-theory-of-game-theory/ |url-status=live |archive-url=https://web.archive.org/web/20230929133601/https://www.thesmartset.com/a-theory-of-game-theory/ |archive-date=2023-09-29 }}</ref>
<ref name=Takeover>{{cite journal |title=Game Theory – Two Steps from the Middle Ages (Omnivore Recordings) |date=June 11, 2017 |first=Elizabeth |last=Klisiewicz |journal=The Big Takeover |url=https://bigtakeover.com/recordings/game-theory-two-steps-from-the-middle-ages-omnivore-recordings |url-status=live |archive-url=https://web.archive.org/web/20220925022912/https://bigtakeover.com/recordings/game-theory-two-steps-from-the-middle-ages-omnivore-recordings |archive-date=2022-09-25 }}</ref>
}}
}}



Revision as of 18:57, 1 February 2024

Two Steps from the Middle Ages
Studio album by
Released1988
Recorded1988
Genre
Length41:38
Label
ProducerMitch Easter
Game Theory chronology
Lolita Nation
(1987)
Two Steps from the Middle Ages
(1988)
Tinker to Evers to Chance
(1990)
Professional ratings
Review scores
SourceRating
AllMusic[1]
PopMatters[2]
Mitch Easter producing Two Steps from the Middle Ages in San Francisco, 1988

Two Steps from the Middle Ages (1988) is the fifth studio album by power pop band Game Theory.

After having been out of print for nearly 30 years, the album was reissued by Omnivore Recordings in June 2017 on translucent orange vinyl, and as a CD with 11 bonus tracks. The release included a booklet featuring new essays by Mitch Easter, Ken Stringfellow, and critic Franklin Bruno.[3]

History

Miller intended the album to be "a more straightforward, singles-based record" than its predecessor, Lolita Nation, according to PopMatters.[2]

The title of the song "Room For One More, Honey" was a reference to an episode of the American television program The Twilight Zone titled Twenty Two. According to guitarist Donnette Thayer, the serendipitous addition of the sound of clinking wine glasses to "Room for One More, Honey" stood out to her, years later, "because it symbolizes so much of what I loved about Scott's writing and what we did as members of Game Theory," in that the group's "glasses may seem empty by traditional standards — but this was unimportant to us... We had different objectives."[4]

The album's title has at least a double meaning (referring to both dance steps from the historical period known as the Middle Ages as well as to a person who is "two steps" from middle age) and comes from an alternating rhyme in the fifth track:

Unfolding their defense in stages
Harshest critics can't refuse
Two steps from the middle ages
Rose details and ruby shoes

After the group was disbanded in 1990, leader Scott Miller went on to form The Loud Family. Game Theory would not release another album until Supercalifragile came out in 2017, four years after Miller's death.[5]

In 2012, the song "Rolling with the Moody Girls" was covered by Home Blitz on their EP Frozen Track.

Reception

In its review of the 2017 reissue, PopMatters wrote, "The band as a whole plays more aggressively on the album's songs, from [Gil] Ray's muted yet driving drum pulse that opens the album through [Shelley] LaFreniere's heavier, more ominous keyboard contributions. Miller's guitar playing is less foregrounded than on previous albums, allowing space for his bandmates to fill the sound."[2] Reviewer Ed Whitelock added that the album "point[ed] forward towards what would, by 1993, become fashionable under the 'alternative' label. One can hear echoes of Game Theory's trailblazing in many of the bands that enjoyed success in the early '90s, including Belly and, especially, Smashing Pumpkins."[2]

According to The Big Takeover's Elizabeth Klisiewicz:

"What the Whole World Wants" is another gem of a tune, with one of Scott's catchiest hooks at its core ... "Amelia, Have You Lost" has some tasty guitar licks and recaptures some of the magic from the group’s earlier releases. "Rolling With the Moody Girls" bears that trademark Mitch Easter sound, with solidly placed percussion and guitar and keyboards sparkling through the mix. There is even a saxophone at one point. In hindsight, this is easily one of the album’s strongest tracks, with a captivating melody and some fine singing. ... "You Drive" reprises a melodic idea from an earlier record, but it’s sent up in grand fashion here with some excellent guitar playing and a hook that never leaves you. Brilliant! "Leilani" has a plethora of pop culture references and is another keeper. It moves slower in waltz time and it suits the group well. "Wish I Could Stand or Have" has lovely 12 string acoustic and heartbreaking lyrics. Its brevity does not dispel its desperation. "Throwing The Election" has a proggy feel due to the organ, before it jumps forward into a gorgeous tune with pointed lyrics.[3]

Track listing

All tracks are written by Scott Miller, except as noted

No.TitleLength
1."Room for One More, Honey"3:03
2."What the Whole World Wants"4:29
3."The Picture of Agreeability"0:57
4."Amelia, Have You Lost"3:23
5."Rolling with the Moody Girls"3:09
6."Wyoming"3:24
7."In a Delorean"3:11
8."You Drive"4:09
9."Leilani"3:02
10."Wish I Could Stand or Have"1:59
11."Don't Entertain Me Twice"3:59
12."Throwing the Election"4:16
13."Initiations Week"2:29
Bonus tracks
No.TitleWriter(s)Length
14."Together Now, Very Minor" (live) 3:04
15."Amelia, Have You Lost" (demo) 3:14
16."Bad Machinery" (radio session)Mitch Easter2:17
17."Room for One More, Honey" (demo) 3:04
18."The Waist and the Knees" (live) 6:22
19."Wish I Could Stand or Have" (demo) 1:52
20."Rolling with the Moody Girls" (demo) 3:13
21."America" (demo)Simon & Garfunkel3:52
22."I Turned Her Away" (radio session) 3:13
23."Wyoming" (rough mix) 3:20
24."Sleeping Through Heaven" (live) 5:01

Personnel

  • Guillaume Gassuan - bass and backing vocals
  • Gil Ray - drums, backing vocals and guitar
  • Donnette Thayer - guitar and vocals
  • Shelley LaFreniere - synthesizers and backing vocals
  • Scott Miller - vocals and guitar

References

  1. ^ Two Steps from the Middle Ages at AllMusic.
  2. ^ a b c d Whitelock, Ed (June 8, 2017). "Game Theory: 2 Steps From the Middle Ages". PopMatters. Archived from the original on 2019-02-22.
  3. ^ a b Klisiewicz, Elizabeth (June 11, 2017). "Game Theory – Two Steps from the Middle Ages (Omnivore Recordings)". The Big Takeover. Archived from the original on 2022-09-25.
  4. ^ Micek, John L. (June 13, 2017). "A Theory of Game Theory: Wine Glasses and Other Things That Made the Band Great". The Smart Set. Drexel University. Archived from the original on 2023-09-29.
  5. ^ Shoup, Brad (May 30, 2018). "64 More Acts That Took 20 Or More Years Between Albums". Stereogum. Archived from the original on 2019-02-08.