The Scarlet Letter

This article is about the novel. For the films, see The Scarlet Letter (film).

Not to be confused with The Scarlet Letters.

The Scarlet Letter

Title page, first edition of The Scarlet Letter, 1850
Author	Nathaniel Hawthorne
Genre	Novel
Publisher	Ticknor, Dr.Franklin, Reed & Fields
Publication date	1850
Pages	232

The Scarlet Letter (1850) is a novel written by Nathaniel Hawthorne. It is considered his magnum opus. Set in 17th-century Puritan Boston, it tells the story of Hester Prynne, who gives birth after committing adultery and struggles to create a new life of repentance and dignity. Throughout the novel, Hawthorne explores themes of legalism, sin, and guilt.

Plot summary

cite book | title=The Scarlet Letter | last=Hawthorne | first=Nathaniel | authorlink=Nathaniel Hawthorne | publisher=Dover Publications | location=New York | date=May 2, 1994 | edition=reissue | isbn=0-486-28048-9 }}</ref>

The Scarlet Letter. Painting by T. H. Matteson. This 1860 oil-on-canvas was made under Hawthorne's personal supervision.

The elderly onlooker is Hester’s missing husband, who is now practicing medicine and calling himself Roger Chillingworth. He settles in Boston, intent on revenge. He reveals his true identity to no one but Hester, whom he has sworn to secrecy. Several years pass. Hester supports herself by working as a seamstress, and her daughter Pearl grows into a willful, impish child, who is more of a symbol than an actual character, said to be the scarlet letter come to life as both Hester's love and her punishment. Shunned by the community, they live in a small cottage on the outskirts of Boston. Community officials attempt to take Pearl away from Hester, but with the help of Arthur Dimmesdale, an eloquent minister, the mother and daughter manage to stay together. Dimmesdale, however, appears to be wasting away and suffers from mysterious heart trouble, seemingly caused by psychological distress. Chillingworth attaches himself to the ailing minister and eventually moves in with him so that he can provide his patient with round-the-clock care. Chillingworth also suspects that there may be a connection between the minister’s torments and Hester’s secret, and he begins to test Dimmesdale to see what he can learn. One afternoon, while the minister sleeps, Chillingworth discovers something undescribed to the reader, supposedly an "A" burned into Dimmesdale's chest, which convinces him that his suspicions are correct.

Dimmesdale’s psychological anguish deepens, and he invents new tortures for himself. In the meantime, Hester’s charitable deeds and quiet humility have earned her a reprieve from the scorn of the community. One night, when Pearl is about seven years old, she and her mother are returning home from a visit to the deathbed of John Winthrop when they encounter Dimmesdale atop the town scaffold, trying to punish himself for his sins. Hester and Pearl join him, and the three link hands. Dimmesdale refuses Pearl’s request that he acknowledge her publicly the next day, and a meteor marks a dull red “A” in the night sky. It is interpreted by the townsfolk to mean Angel, as a prominent figure in the community had died that night, but Dimmesdale sees it as meaning Adultery. Hester can see that the minister’s condition is worsening, and she resolves to intervene. She goes to Chillingworth and asks him to stop adding to Dimmesdale’s self-torment. Chillingworth refuses. She suggests that she may reveal his true identity to Dimmesdale.

Hester arranges an encounter with Dimmesdale in the forest because she is aware that Chillingworth knows that she plans to reveal his identity to Dimmesdale, and she wishes to protect him. While walking through the forest, the sun will not shine on Hester, though Pearl can bask in it. They then wait for Dimmesdale, and he arrives. Hester informs Dimmesdale of the true identity of Chillingworth and the former lovers decide to flee to Europe, where they can live with Pearl as a family. They will take a ship sailing from Boston in four days. Both feel a sense of release, and Hester removes her scarlet letter and lets down her hair. The sun immediately breaks through the clouds and trees to illuminate her release and joy. Pearl, playing nearby, does not recognize her mother without the letter. She is unnerved and expels a shriek until her mother points out the letter on the ground. Hester beckons Pearl to come to her, but Pearl will not go to her mother until Hester buttons the letter back onto her dress. Pearl then goes to her mother. Dimmesdale gives Pearl a kiss on the forehead, which Pearl immediately tries to wash off in the brook, because he again refuses to make known publicly their relationship. However, he too clearly feels a release from the pretense of his former life, and the laws and sins he has lived with.

The day before the ship is to sail, the townspeople gather for a holiday put on in honor of an election and Dimmesdale preaches his most eloquent sermon ever. Meanwhile, Hester has learned that Chillingworth knows of their plan and has booked passage on the same ship. Dimmesdale, leaving the church after his sermon, sees Hester and Pearl standing before the town scaffold. He impulsively mounts the scaffold with his lover and his daughter, and confesses publicly, exposing the mark supposedly seared into the flesh of his chest. He falls dead just after Pearl kisses him.

Frustrated in his revenge, Chillingworth dies a year later. Hester and Pearl leave Boston, and no one knows what has happened to them. Many years later, Hester returns alone, still wearing the scarlet letter, to live in her old cottage and resume her charitable work. She receives occasional letters from Pearl, who was rumored to have married a European aristocrat and established a family of her own. Pearl also inherits all of Chillingworth's money even though he knows she is not his daughter. There is a sense of liberation in her and the townspeople, especially the women, who had finally begun to forgive Hester of her tragic indiscretion. When Hester dies, she is buried in "a new grave near an old and sunken one, in that burial ground beside which King's Chapel has since been built. It was near that old and sunken grave, yet with a space between, as if the dust of the two sleepers had no right to mingle. Yet one tombstone served for both." The tombstone was decorated with a letter "A", for Hester and Dimmesdale.

Major themes

Nathaniel Hawthorne

Sin

Sin and knowledge are linked in the Judeo-Christian tradition. The Bible begins with the story of Adam and Eve, who were expelled from the Garden of Eden for eating from the Tree of Knowledge of Good and Evil. As a result of their knowledge, Adam and Eve are made aware of their disobedience, that which separates them from the divine and from other creatures. Once expelled from the Garden of Eden, they are forced to toil and to procreate – two “labors” that seem to define the human condition. The experience of Hester and Dimmesdale recalls the story of Adam and Eve because, in both cases, sin results in expulsion and suffering. But it also results in knowledge – specifically, in knowledge of what it means to be human. For Hester, the scarlet letter functions as “her passport into regions where other women dared not tread,” leading her to “speculate” about her society and herself more “boldly” than anyone else in New England.

As for Dimmesdale, the “cheating minister” of his sin gives him “sympathies so intimate with the sinful brotherhood of mankind, so that his chest vibrate[s] in unison with theirs.” His eloquent and powerful sermons derive from this sense of empathy. The narrative of the Reverend Arthur Dimmesdale is quite in keeping with the oldest and most fully authorized principles in Christian thought. His "Fall" is a descent from apparent grace to his own damnation; he appears to begin in purity. He ends in corruption. The subtlety is that the minister is his own deceiver, convincing himself at every stage of his spiritual pilgrimage that he is saved.

The rosebush, its beauty a striking contrast to all that surrounds it – as later the beautifully embroidered scarlet A will be – is held out in part as an invitation to find “some sweet moral blossom” in the ensuing, tragic tale and in part as an image that “the deep heart of nature” (perhaps God) may look more kindly on the errant Hester and her child (the roses among the weeds) than her Puritan neighbors do. Throughout the work, the nature images contrast with the stark darkness of the Puritans and their systems.

Chillingworth’s misshapen body reflects (or symbolizes) the evil in his soul, which builds as the novel progresses, similar to the way Dimmesdale's illness reveals his inner turmoil. The outward man reflects the condition of the heart.

Although Pearl is a complex character, her primary function within the novel is as a symbol. Pearl herself is the embodiment of the scarlet letter, and Hester rightly clothes her in a beautiful dress of scarlet, embroidered with gold thread, just like the scarlet letter upon Hester's bosom. Parallels can be drawn between Pearl and the character Beatrice in Rappaccini's Daughter. Both are studies in the same direction, though from different standpoints. Beatrice is nourished upon poisonous plants, until she herself becomes poisonous. Pearl, in the mysterious prenatal world, imbibes the poison of her parents' guilt.

Past and present

The clashing of past and present is explored in various ways. For example, the character of the old General, whose heroic qualities include a distinguished name, perseverance, integrity, compassion, and moral inner strength, is said to be “the soul and spirit of New England hardihood.” Now put out to pasture, he sometimes presides over the Custom House run by corrupt public servants, who skip work to sleep, allow or overlook smuggling, and are supervised by an inspector with “no power of thought, nor depth of feeling, no troublesome sensibilities,” who is honest enough but without a spiritual compass.

Hawthorne himself had ambivalent feelings about the role of his ancestors in his life. In his autobiographical sketch, Hawthorne described his ancestors as “dim and dusky,” “grave, bearded, sable-cloaked, and steel crowned,” “bitter persecutors” whose “better deeds” would be diminished by their bad ones. There can be little doubt of Hawthorne’s disdain for the stern morality and rigidity of the Puritans, and he imagined his predecessors’ disdainful view of him: unsuccessful in their eyes, worthless and disgraceful. “A writer of story books!” But even as he disagrees with his ancestor’s viewpoint, he also feels an instinctual connection to them and, more importantly, a “sense of place” in Salem. Their blood remains in his veins, but their intolerance and lack of humanity becomes the subject of his novel.

Publication history

Hawthorne originally planned The Scarlet Letter to be a shorter novelette which was part of a collection to be named Old Time Legends. His publisher, James Thomas Fields, convinced him to expand the novelette to a full-length novel. The Scarlet Letter was published as a novel in the spring of 1850 by Ticknor & Fields, beginning Hawthorne's most lucrative period. When he delivered the final pages to Fields in February 1850, Hawthorne said that "some portions of the book are powerfully written" but doubted it would be popular. In fact, the book was an instant best-seller though, over fourteen years, it brought its author only $1,500. Its initial publication brought wide protest from natives of Salem, who did not approve of how Hawthorne had depicted them in his introduction "The Custom-House". A 2,500-copy second edition of The Scarlet Letter included a preface by Hawthorne dated March 30, 1850, that he had decided to reprint his introduction "without the change of a word... The only remarkable features of the sketch are its frank and genuine good-humor... As to enmity, or ill-feeling of any kind, personal or political, he utterly disclaims such motives".

The book's immediate and lasting success are due to the way it addresses spiritual and moral issues from a uniquely American standpoint. In 1850, adultery was an extremely risqué subject, but because Hawthorne had the support of the New England literary establishment, it passed easily into the realm of appropriate reading. It has been said that this work represents the height of Hawthorne's literary genius; dense with terse descriptions. It remains relevant for its philosophical and psychological depth, and continues to be read as a classic tale on a universal theme.

The Scarlet Letter was also one of the first mass-produced books in America. Into the mid-nineteenth century, bookbinders of home-grown literature typically hand-made their books and sold them in small quantities. The first mechanized printing of The Scarlet Letter, 2,500 volumes, sold out within ten days, and was widely read and discussed to an extent not much experienced in the young country up until that time. Copies of the first edition are often sought by collectors as rare books, and may fetch up to around $6,000 USD.

Critical response

On its publication, critic Evert Augustus Duyckinck, a friend of Hawthorne, said he preferred the author's Washington Irving-like tales. Another friend, critic Edwin Percy Whipple, objected to the novel's "morbid intensity" with dense psychological details, writing that the book "is therefore apt to become, like Hawthorne, too painfully anatomical in his exhibition of them". 20th century writer D. H. Lawrence said that there could be no more perfect work of the American imagination than The Scarlet Letter.

Allusions

• Anne Hutchinson, mentioned in Chapter 1, The Prison Door, was a religious dissenter (1591-1643). In the 1630s she was excommunicated by the Puritans and exiled from Boston and moved to Rhode Island.
• Martin Luther (1483-1546) was a leader of the Protestant Reformation in Germany.
• Sir Thomas Overbury and Dr. Forman were the subjects of an adultery scandal in 1615 in England. Dr. Forman was charged with trying to poison his adulterous wife and her lover. Overbury was a friend of the lover and was perhaps poisoned.
• John Winthrop (1588-1649), first governor of the Massachusetts Bay Colony.
• King's Chapel Burying Ground in the final paragraph exists; the Elizabeth Pain gravestone is traditionally considered an inspiration for the protagonists' grave.
• Richard Dawkins' Out Campaign is represented with the Scarlet Letter A emblem.

Film, TV, Theatrical Adaptations, and Music

Main article: Film Adaptations of the Scarlet Letter

1995 film poster

• 1917: A black-and-white silent film directed by Carl Harbaugh with Mary G. Martin as Hester Prynne
• 1926: A silent movie directed by Victor Sjostrom and starring Lillian Gish and Lars Hanson
• 1934: A film directed by Robert G. Vignola and starring Colleen Moore
• 1958-59: An opera by Robin Milford
• 1973: Der Scharlachrote Buchstabe, a film in German directed by Wim Wenders
• 1979: PBS version starring Meg Foster and John Heard
• 1990: Namechecked in TV series Twin Peaks, after a character is rumbled for using the pseudonym 'Hester Prynne'
• 1994: A rock musical, "The Scarlet Letter," written by Mark Governor, is produced in Los Angeles.
• 1995: The Scarlet Letter, a film directed by Roland Joffé and starring Demi Moore as Hester and Gary Oldman as Arthur Dimmesdale. This version is "freely adapted" from Hawthorne according to the opening credits and takes liberties with the original story.
• 1996: The film Primal Fear references The Scarlet Letter.
• 1996: The Marilyn Manson promotional video for the song 'Man That You Fear' obliquely references the novel.
• The Red Letter Plays (In The Blood produced in 1999, and F--ing A, produced in 2000) by playwright Suzan-Lori Parks, adapts elements and themes from the novel as the basis for the two contemporary plays.
• 2001: A musical stage adaptation which premiered at the Fringe Festival in Edinburgh, Scotland, by Stacey Mancine, Daniel Koloski, and Simon Gray
• 2001: The band Tool alludes to the novel in the song "The Grudge" on their album Lateralus with the line "unable to forgive your scarlet letterman."
• 2004: The Scarlet Letter, a Korean noir-thriller featuring an adulteress's monologue that mentions a plan to raise her unborn child as Pearl in America in a desperate plea to exit her obsessive affair
• 2005: The Christian band Casting Crowns released a song titled "Does Anybody Hear Her," which mentions the Scarlet Letter and matches up with the story of Hester Prynne almost perfectly.
• 2007: The metalcore band As Blood Runs Black made a song entitled "Hester Prynne."
• 2007: The Terpsicorps Ballet Company of Asheville, NC interprets The Scarlet Letter.
• 2008: "shAme"[1], a rock opera by Mark Governor based on "The Scarlet Letter" premieres in Los Angeles. It is a major reworking of his 1994 stage musical that was also produced in Boston in 2000 and as a radio production in Berlin in 2005. The 2000 version was endorsed and presented by the Nathaniel Hawthorne Society.
• 2008: In Taylor Swift's song "Love Story," she says he will be her Romeo and she his Scarlet Letter.
• 2008: University of Central Arkansas in Conway, Arkansas writes and performs the first regular opera adaptation of The Scarlet Letter.
• 2008: Mudvayne released a song called "Scarlet Letters" in the album "The New Game" which was released November 18, 2008.

See also

• Boston in fiction
• Illegitimacy in fiction

Further reading

• Brodhead, Richard H. Hawthorne, Melville, and the Novel. Chicago and London: The University of Chicago Press, 1973.
• Brown, Gillian. "'Hawthorne, Inheritance, and Women’s Property", Studies in the Novel 23.1 (Spring 1991): 107-18.
• Cañadas, Ivan. "A New Source for the Title and Some Themes in The Scarlet Letter". Nathaniel Hawthorne Review 32.1 (Spring 2006): 43-51.
• Korobkin, Laura Haft. "The Scarlet Letter of the Law: Hawthorne and Criminal Justice". Novel: a Forum on Fiction 30.2 (Winter 1997): 193-217.
• Gartner, Matthew. "The Scarlet Letter and the Book of Esther: Scriptural Letter and Narrative Life". Studies in American Fiction 23.2 (Fall 1995): 131-51.
• Newberry, Frederick. Tradition and Disinheritance in The Scarlet Letter". ESQ: A Journal of the American Renaissance 23 (1977), 1-26; repr. in: The Scarlet Letter. W. W. Norton, 1988: pp. 231-48.
• Reid, Alfred S. Sir Thomas Overbury’s Vision (1616) and Other English Sources of Nathaniel Hawthorne’s 'The Scarlet Letter. Gainesville, FL: Scholar’s Facsimiles and Reprints, 1957.
• Reid, Bethany. "Narrative of the Captivity and Redemption of Roger Prynne: Rereading The Scarlet Letter". Studies in the Novel 33.3 (Fall 2001): 247-67.
• Ryskamp, Charles. "The New England Sources of The Scarlet Letter". American Literature 31 (1959): 257-72; repr. in: "The Scarlet Letter", 3rd edn. Norton, 1988: 191-204.
• Savoy, Eric. "'Filial Duty': Reading the Patriarchal Body in 'The Custom House'". Studies in the Novel 25.4 (Winter 1993): 397-427.
• Sohn, Jeonghee. Rereading Hawthorne’s Romance: The Problematics of Happy Endings. American Studies Monograph Series, 26. Seoul: American Studies Institute, Seoul National University, 2001; 2002.
• Stewart, Randall (Ed.) The American Notebooks of Nathaniel Hawthorne: Based upon the original Manuscripts in the Piermont Morgan Library. New Haven: Yale University Press, 1932.
• Waggoner, Hyatt H. Hawthorne: A Critical Study, 3rd edn. Cambridge, MA: Belknap Press of Harvard University Press, 1971.

External links

• The original text of The Scarlet Letter hosted by the University of Virginia
• Hawthorne in Salem Website Page on Hester and Pearl in The Scarlet Letter
• The Scarlet Letter at Project Gutenberg
• The Scarlet Letter - study guide, themes, quotes, summary, teachers' guide