Kabir

Al-Kabir ("the Great") is also one of the 99 names of God in Islam. For a complete disambiguation page, see Kabir (disambiguation)

Kabir
A painting of Kabir A painting of Kabir
Occupation	weavers

Kabīr (also Kabīra) (Hindi: कबीर, Punjabi: ਕਬੀਰ, Urdu: کبير‎ (1398—1518) was a mystic composer and saint of India, whose literature has greatly influenced the Bhakti movement of India.

Early life and background

Kabir was raised by childless Muslim weavers named Niru and Nimma, who found him near Lahara Tara lake, adjacent to the holy city of Varanasi. But his birth is surrounded by legends. The most popular belief is that being the supreme power, he appeared in form of a baby. He was never "born" as such.

He was a Bhakti saint, who sang the ideals of seeing all of humanity as one, his name, Kabir, is often interpreted as Guru's Grace. He kept himself away from the fundamentalism of all the religions and explained the root philosophies of spirituality.

A weaver by profession, Kabir ranks among the world's greatest poets. In India, he is perhaps the most quoted author. The Holy Guru Granth Sahib contains over 500 verses by Kabir. The Sikh community in particular and others who follow the Holy Granth, hold Kabir, a Bhagat, in high reverence.

Kabir openly criticized all sects and gave a new direction to Indian philosophy. This is due to his straight forward approach that has a universal appeal. It is for this reason that Kabir is held in high esteem all over the world. To call Kabir a universal Guru is not an exaggeration.

He is also considered one of the early northern India Sants. One source for modern adaptations of Kabir's poetry is Robert Bly's The Kabir Book: Forty-Four of the Ecstatic Poems of Kabir.

Further information: Sant Mat

Kabir is associated with the Sant Mat, a loosely related group of teachers (Sanskrit: Guru) that assumed prominence in the northern part of the Indian sub-continent from about the 13th century. Their teachings are distinguished theologically by inward loving devotion to a divine principle, and socially by an egalitarianism opposed to the qualitative distinctions of the Hindu caste hierarchy and to the religious differences between Hindu and Muslim.

The sants were not homogeneous, consisting mostly of these sants' presentation of socio-religious attitudes based on bhakti (devotion) as described earlier in the Bhagavad Gita. Sharing as few conventions with each other as with the followers of the traditions they challenged, the sants appear more as a diverse collection of spiritual personalities than a specific religious tradition, although they acknowledged a common spiritual root.

The first generation of north Indian sants, (which included Kabir), appeared in the region of Benares in the mid 15th century. Preceding them were two notable 13th and 14th century figures, Namdev and Ramananda. The latter, a Vaishnava ascetic, initiated Kabir, Ravidas, and other sants, according to tradition. Ramananda's story is told differently by his lineage of "Ramanandi" monks, by other Sants preceding him, and later by the Guru Nanak and subsequent Sikh Gurus. What is known is that Ramananda accepted students of all castes, a fact that was contested by the orthodox Hindus of that time, and that his students formed the first generation of Sants.

Philosophies

Kabir was influenced by prevailing religious mood such as old Brahmanic Hinduism, Hindu and Buddhist Tantrism, teachings of Nath yogis and the personal devotionalism from South India mixed with imageless God of Islam. The influence of these various doctrines is clearly evident in Kabir's verses. Even though he is often presented to be synthesizer of Hinduism and Islam: the observation is held to be a false one.

The basic religious principles he espoused are simple. According to Kabir, all life is an interplay of two spiritual principles. One is the personal soul (Jivatma) and the other is God (Paramatma). It is Kabir's view that salvation is the process of bringing into union these two divine principles. The social and practical manifestation of Kabir's philosophy has rung through the ages. . Despite legend that claims Kabir met with Guru Nanak, their lifespans do not overlap in time. The presence of much of his verse in Sikh scripture and the fact that Kabir was a predecessor of Nanak has led some western scholars to mistakenly describe him as a forerunner of Sikhism.

His greatest work is the Bijak (the "Seedling"), an idea of the fundamental one. This collection of poems demonstrates Kabir's own universal view of spirituality. His vocabulary is replete with ideas regarding Brahman and Hindu ideas of karma and reincarnation. His Hindi was a vernacular, straightforward kind, much like his philosophies. He often advocated leaving aside the Qur'an and Vedas and to simply follow Sahaja path, or the Simple/Natural Way to oneness in God. He believed in the Vedantic concept of atman, but unlike earlier orthodox Vedantins, he followed this philosophy to its logical end by spurning the Hindu societal caste system and worship of murti, showing clear belief in both bhakti and sufi ideas. The major part of Kabir's work as a bhagat was collected by the fifth Sikh guru, Guru Arjan Dev, and forms a part of the Sikh scripture Guru Granth Sahib.

While many ideas reign as to who his living influences were, the only Guru of whom he ever spoke was Satguru. Kabir never made a mention of any human guru in his life or verses, the only reference found in his verses is of God as Satguru.

Poetry career

"The poetry of mysticism might be defined on the one hand as a temperamental reaction to the vision of Reality: on the other, as a form of prophecy. As it is the special vocation of the mystical consciousness to mediate between two orders, going out in loving adoration towards God and coming home to tell the secrets of Eternity to other men; so the artistic self-expression of this consciousness has also a double character. It is love-poetry, but love-poetry which is often written with a missionary intention. Kabîr's songs are of this kind: out-births at once of rapture and of charity. Written in the popular Hindi, not in the literary tongue, they were deliberately addressed—like the vernacular poetry of Jacopone da Todì and Richard Rolle—to the people rather than to the professionally religious class; and all must be struck by the constant employment in them of imagery drawn from the common life, the universal experience. It is by the simplest metaphors, by constant appeals to needs, passions, relations which all men understand--the bridegroom and bride, the guru and disciple, the pilgrim, the farmer, the migrant bird--that he drives home his intense conviction of the reality of the soul's intercourse with the Transcendent. There are in his universe no fences between the "natural" and "supernatural" worlds; everything is a part of the creative Play of God, and therefore--even in its humblest details—capable of revealing the Player's mind."

His poems resonate with praise for the true guru who reveals the divine through direct experience, and denounced more usual ways of attempting god-union such as chanting, austerities etc. His verses, which being illiterate he never expressed in writing and were spoken in vernacular Hindi, often began with some strongly worded insult to get the attention of passers-by. Kabir has enjoyed a revival of popularity over the past half century as arguably the most acceptable and understandable of the Indian saints, with an especial influence over spiritual traditions such as that of Sant Mat and Radha Soami. Prem Rawat ('Maharaji') also refers frequently to Kabir's songs and poems as the embodiment of deep wisdom.

O SERVANT, where dost thou seek Me?
Lo! I am beside thee.
I am neither in temple nor in mosque: I am neither in Kaaba nor in Kailash:
Neither am I in rites and ceremonies, nor in Yoga.
If thou art a true seeker, thou shalt at once see Me: thou shalt meet Me in a moment of time.
Kabîr says, "O Sadhu! God is the breath of all breath.

— SONGS OF KABÎR, translated by Rabindranath Tagore, New York, The Macmillan Company 1915)

Are you looking for me? I am in the next seat.
My shoulder is against yours.

You will not find me in the stupas, not in Indian shrine rooms,
Nor in synagogues, nor in cathedrals
Not in Masses, nor Kirtans, not in legs winding around your own neck,
nor in eating nothing but vegetables.
When you really look for me, you will see me instantly —
You will find me in the tiniest house of time.
Kabir says: Student, tell me, what is God?

He is the breath inside the breath.

— Mitchell, Stephen A. The Enlightened Heart (1993) p.72. HarperCollins. ISBN 0-06-092053-X

Religious

Kabir did not classify himself as Hindu or Muslim, Sufi or Bhakta. The legends surrounding his lifetime attest to his strong aversion to established religions. From his poems, expressed in homely metaphors and religious symbols drawn indifferently from Hindu and Muslim belief, it is impossible to say of their author that he was Brâhman or Sûfî, Vedântist or Vaishnavite. He is, as he says himself, "at once the child of Allah and of Râm." In fact, Kabir always insisted on the concept of Koi bole Ram Ram Koi Khudai..., which means that someone may chant the Hindu name of God and someone may chant the Muslim name of God, but God is the one who made the whole world.

In Kabir's wide and rapturous vision of the universe he never loses touch with the common life. His feet are firmly planted upon earth; his lofty and passionate apprehensions are perpetually controlled by the activity of a sane and vigorous intellect, by the alert commonsense so often found in persons of real mystical genius. The constant insistence on simplicity and directness, the hatred of all abstractions and philosophizings, the ruthless criticism of external religion: these are amongst his most marked characteristics. God is the Root whence all manifestations, "material" and "spiritual," alike proceed; and God is the only need of man: "Happiness shall be yours when you come to the Root." Hence, to those who keep their eye on the "one thing needful," denominations, creeds, ceremonies, the conclusions of philosophy, the disciplines of asceticism, are matters of comparative indifference. They represent merely the different angles from which the soul may approach that simple union with Brahma which is its goal, and are useful only insofar as they contribute to this consummation. So thorough-going is Kabîr's eclecticism, that he seems by turns Vedântist and Vaishnavite, Pantheist and Transcendentalist, Brahmin and Sûfî. In the effort to tell the truth about that ineffable apprehension, so vast and yet so near, which controls his life, he seizes and twines together—as he might have woven together contrasting threads upon his loom—symbols and ideas drawn from the most violent and conflicting philosophies and faiths.

His birth and death are surrounded by legends, as nothing certain is known about his birth or death. He grew up in a Muslim weaver family, but some say he was really son of a Brahmin widow and was adopted by a childless couple.

One popular legend of his death, which is even taught in schools in India (although in more of a moral context than a historical one), says that after his death his Muslim and Hindu devotees fought over his proper burial rites. The problem arose since Muslim custom called for the burial of their dead, whereas Hindus cremated their dead. The scene is depicted as two groups fighting around his coffin one claiming that Kabir was a Hindu, and the other claiming that Kabir was a Muslim. However, when they finally open Kabir's coffin, they found the body missing. Instead there was a small book in which the Hindus and Muslims wrote all his sayings that they could remember; some even say a bunch of his favourite flowers were placed. The legend goes on to state that the fighting was resolved, and both groups looked upon the miracle as an act of divine intervention. In Maghar, his tomb or Dargah and Samādhi Mandir still stand side by side.

Another legend surrounding Kabir is that shortly before death he bathed in both the river Ganges and Karmnasha to wash away both his good deeds and his sins.

Kabir is revered as Satguru by the Kabirpanthi spiritual group, based in Maghar.

See also

• Bhakti movement
• Hindi Literature
• Sahaja Panth
• Vedanta

Further reading

• An Introduction to Sri Guru Granth Sahib by Sarup Singh Alag.Distributed Free.
• Songs of Kabir, tr. by Rabindranath Tagore, 1985 ed., Forgotten Books. ISBN 1605066435.
• Songs of Kabir from the Adi Granth, tr. by Nirmal Dass. SUNY Press, 1991. ISBN 0791405605.
• A Weaver Named Kabir: Selected Verses with a Detailed Biographical and Historical Introduction, new ed., by Charlotte Vaudeville, New York, 1998, Oxford U. Press. ISBN 0195639332.
• The Bijak of Kabir, by Linda Hess, Shukdeo Singh, Sukadev Sinha, Oxford University Press, US, 2002. ISBN 0195148762.
• Kabir: Ecstatic Poems, by tr. by Robert Bly. Beacon Press, 2004. ISBN 0807063843.
• Kabir: The Weaver's Songs, tr. by Vinay Dharwadker. Penguin Books, 2005. ISBN 014302968.

External links

• Kabir Dohas
• Kabir Gyan Mandir
• Kabir at Kavita Kosh
• www.kabirchaura.com, Website of the Kabir Chaura, home of the Panthi's
• www.kabirbhavan.com Mandir in the capitol of India, New Delhi
• Kabir Association -- Featuring the Bijak and Other Writings of Guru Kabir Online
• The Anurag Sagar, ("Ocean of Love,") by Kabir
• www.kabir.nl, website of the Kabirpanthi's in Holland and Surinam
• Some dohas of Kabir
• 26 of Kabir's Saying
• Bhagat Kabir's contribution to the Sikh Holy Guru Granth Sahib
• Gutenberg: Songs of Kabir by Rabindranath Tagore
• Poems of Kabir
• Songs of Kabir (tr. Rabindranath Tagore) at sacred-texts.org
• Kabir, the Mystic Poet
• Dedicated to Kabir Panth
• Sadguru Prakatya Dham, Kabir Bhag. Lahartara .Varanasi