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==Mistakes==
==Mistakes==
Most of the film takes place in [[Mexico]], including the venture into the infected zone, but inside the [[checkpoint]] a flag of [[Guatemala]] can be seen in the background. Also, [[Guatemala|Guatemalan]] flag arm patches can be seen on the police force outside and in the infected zone, along with Guatemalan police cars.
Most of the film takes place in [[Mexico]], including the venture into the infected zone, but inside the [[checkpoint]] a flag of [[Guatemala]] can be seen in the background. Also, [[Guatemala|Guatemalan]] flag arm patches can be seen on the police force outside and in the infected zone, along with Guatemalan police cars.

The mountains, jungle, general topography and pyramid shown just south of the US/Mexico border are nothing like northern Mexico near the border. After the protagonists walk across the border the landscape changes abruptly to coastal Texas, with flat coastal plains, houses up on piers and no mountains in sight.


==Reception==
==Reception==

Revision as of 22:28, 2 April 2011

Monsters
UK theatrical release poster
Directed byGareth Edwards
Written byGareth Edwards
Produced by
Starring
CinematographyGareth Edwards
Music byJon Hopkins
Distributed byMagnet Releasing (US)
Vertigo Films (UK)
Release dates
  • October 29, 2010 (2010-10-29) (United States: limited)
  • December 3, 2010 (2010-12-03) (United Kingdom)
Running time
94 minutes
CountryTemplate:Film UK
LanguagesEnglish
Spanish
BudgetUnder $500,000[1]
Box office$4,188,738[2]

Monsters is a 2010 British science fiction film,[3] written, shot and directed by Gareth Edwards.[4] Whitney Able and Scoot McNairy star in the lead roles.[5]

Plot

After a NASA deep-space probe crash lands in Mexico, alien life forms spread throughout the U.S.–Mexico border region, leading to the quarantine of the northern half of Mexico. The U.S. and Mexican militaries battle to contain the creatures, while a wall stretching along the American border ostensibly keeps the United States protected. The film begins with night vision footage of a US Army patrol driving through a town in the middle of the night. One of the soldiers is humming Wagner's Ride of the Valkyries. An explosion flips one of the vehicles, and flashes of gunfire show US soldiers firing at an enormous tentacled creature. In the background, a radio transmission from one of the soldiers obtains approval for a dangerously close air strike. Meanwhile, a civilian screams for help and attempts to drag a woman off the road and away from the creature. The soldiers withdraw as the man is left behind, lifting the woman and trying to carry her away. Moments later, an air-to-ground missile homes in on the creature.

The scene changes to Andrew, a young American photojournalist, who is hired by his wealthy employer to get the latter's daughter Samantha back to the United States from San Jose, Central America. Andrew has no interest in being an escort, while Samantha seems at odds with her impending marriage to her fiance.

While traveling to the Mexican coast to get a boat to the United States, the pair are temporarily slowed down by the destruction of the railroad. If they do not leave the country within a few days, sea and air travel will be blocked, and they will have to wait six months before safe travel is possible.

Arriving at the port, Andrew buys Samantha a ferry ticket to return to America the next morning at 7 o'clock. That night, they drink together, but it soon becomes obvious Samantha wants to go to bed alone.

The next morning, Samantha is unable to get on the ferry, since Andrew was robbed of their passports by the local girl with whom he spent the night. Samantha barters her engagement ring for an escort through the infected zone.

Their journey takes them across Mexico by boat and by convoy with armed guards. As they are travelling their car is attacked by the aliens. The guards are all killed, leaving Andrew and Samantha to travel alone. Eventually, they arrive at the large border wall separating the Infected Zone from the United States. As they cross the checkpoint, Andrew and Samantha realize the American border has been evacuated, and the aliens have advanced into the United States.

After walking along an evacuation route, the two stumble across an abandoned gas station. Andrew calls the police and is informed they will be picked up.

Andrew and Samantha phone their families. As they finish their calls, an alien appears at the gas station, but it turns out there are in fact two aliens who are communicating with each other - rather than being monstrous, the giant creatures display tenderness, even beauty.

As they watch them leave, Samantha declares, "I don't want to go home." Andrew and Samantha share a brief kiss, interrupted when the army arrives to pick them up.

As the military convoy arrives, it is revealed that the opening scene shows what happens after Andrew and Samantha are picked up, since the viewer hears the soldier humming Wagner's Flight of the Valkyries.

Cast

Production

The film was devised, storyboarded and directed by Gareth Edwards, who also worked as the visual effects artist.[6] Allan Niblo and James Richardson of Vertigo Films work as producers on the production.[7] The filming equipment cost approximately $15,000, with the budget coming in at under $500,000.[8] The film was shot entirely on location: any settings featured in the film were real locations often used without permission asked in advance, and the extras were just people who happened to be there at the time.[9]

Edwards had the idea for the film while watching some fishermen struggling to haul in their net and imagining a monster. He had the idea to make a monster movie set "years after most other monster movies end, when people aren't running and screaming, but life is going on" and "where a giant, dead sea monster is considered completely normal." He pitched the idea to Vertigo Films, and they asked Edwards to watch a film called In Search of a Midnight Kiss which starred Scoot McNairy and had been made for $15,000. As the chemistry between Edwards' two characters was so important, he wanted a real couple, and luckily McNairy's then-girlfriend (and now wife) Whitney Able was an actress, and joined the project.[10]

The film was shot in Mexico, Guatemala, Costa Rica and Texas in the US, over three weeks.[11] For about 90% of the filming the crew comprised seven people transported in one van: Ian Maclagan (sound operator), Jim Spencer (line producer), Verity Oswin the Mexican 'fixer', Edwards, a driver, and Able and McNairy, the stars. As the low-budget production didn't run to a camera dolly, Edwards made do by sticking the camera out of the van window, cushioned on some bundled-up clothing.[10]

As most of the extras were non-actors who were persuaded to be in the film, their action was improvised. "As a result of all this random behaviour, the idea of scripting the film went out of the window. Instead I had a loose paragraph describing the scene with just the main points that had to be hit; how the actors carried this out was left up to them." Each night during the shooting period the editor Colin Goudie and his assistant Justin Hall would download the day's footage so the memory sticks could be cleared and ready for the next day's filming.[10]

Back in the UK, Edwards had over 100 hours of unique ad-libbed footage (rather than repeated takes of scripted scenes which would be very similar) to edit into a coherent film. Edwards did all the special effects himself using off-the-shelf Adobe software and Autodesk 3ds Max. The first assembly was over four hours long, and over eight months of editing was trimmed to 94 minutes. Once the film was locked, Edwards had five months to create all 250 visual effects shots, a process he undertook in his bedroom. "[I was] churning out about two shots a day, which was fine until I got to the first creature shot. Then suddenly two months went by and I still hadn't finished a single creature shot; it turned out to be the hardest part of the whole process." Due to time constraints, the sound effects had to be produced before the special effects were undertaken.[10]

Release

Monsters premiered at the South by Southwest Film Festival, as part of the SX Fantastic screenings, on 13 March 2010.[12] On 17 March, Magnet Releasing acquired the rights for the North American distribution.[13] In May, the film was screened at the Cannes Film Market.[14] Monsters had its UK premiere as part of the 64th Edinburgh International Film Festival, on 18 June 2010.[15] The Los Angeles Film Festival also held two screenings, part of the Summer Showcase, on 23 and 26 June.[16] The film's theatrical release took place in Russia on 30 September, distributed by Volgafilm.[17] Magnolia Pictures released Monsters in US theatres on 29 October 2010.[18] The Canadian theatrical release was on 5 November, after DFilms acquired the rights on 24 May 2010.[19]

Mistakes

Most of the film takes place in Mexico, including the venture into the infected zone, but inside the checkpoint a flag of Guatemala can be seen in the background. Also, Guatemalan flag arm patches can be seen on the police force outside and in the infected zone, along with Guatemalan police cars.

The mountains, jungle, general topography and pyramid shown just south of the US/Mexico border are nothing like northern Mexico near the border. After the protagonists walk across the border the landscape changes abruptly to coastal Texas, with flat coastal plains, houses up on piers and no mountains in sight.

Reception

Critical

Monsters received generally positive reviews from critics, with the film garnering a 71% "fresh", or 6.6/10 rating, on review aggregate Rotten Tomatoes with the site's consensus stating, "It doesn't quite live up to its intriguing premise, but Monsters is a surprising blend of alien-invasion tropes, political themes, and relationship drama."[20] Roger Ebert awarded the film three and a half out of four stars and said "Monsters holds our attention ever more deeply as we realize it's not a casual exploitation picture."[21] The film ranked #3 on Moviefone's Top 10 Sci-Fi Movies of 2010 list.[22] Filmmaker Kevin Smith is a fan of the film, saying on his Podcast Hollywood Babble-On "It will appeal to everything about the child in you that used to like the Four o'clock movie."

Accolades

Monsters was nominated for six British Independent Film Awards, including Best Picture, Best Director, and Best Actor,[23] and eventually won the Best Director, Best Technical Achievement, and Best Achievement in Production awards.[24][25] At the 2011 BAFTA's Monsters was nominated for Outstanding Debut by a British Director, but ultimately lost to Four Lions.

Marketing

In the weeks leading up to the UK release date of 3 December 2010 a marketing campaign using social network Foursquare was announced. Vue Entertainment and Cineworld Cinemas set up 'infected locations' which gave users access to exclusive Monsters content and the chance to win random on-the-spot prizes.[26]

Soundtrack

Electronic musician Jon Hopkins composed and performed the score of the film.[27]

References

  1. ^ "Monsters (2010)". Box Office Mojo. 21 November 2010. Retrieved 27 November 2010.
  2. ^ "Monsters (2010)". Box Office Mojo. 21 November 2010. Retrieved 27 November 2010.
  3. ^ Deming, Mark. "Monsters:Overview". Retrieved 18 July 2010.
  4. ^ Ullrich, Chris (18 March 2010). "SXSW Interview: Director Gareth Edwards Talks 'Monsters'". Theflickcast.com. Retrieved 27 November 2010.
  5. ^ Paul (25 June 2010). "SXSW 2010: MONSTERS Review". Twitchfilm.net. Retrieved 27 November 2010.
  6. ^ Zimmerman, Samuel (11 March 2010). "Filmmaker talks SXSW film "Monsters"; exclusive photo". Fangoria.com. Retrieved 27 November 2010.
  7. ^ "Magnet Releasing Takes U.S. Rights to Monsters". Comingsoon.net. 16 March 2010. Retrieved 27 November 2010.
  8. ^ "'Monsters' and Metaphors With Writer-Director Gareth Edwards - MSN Movies News". Movies.msn.com. Retrieved 27 November 2010.
  9. ^ "Monsters Best Buy Featurette". Traileraddict.com. 10 October 2010. Retrieved 27 November 2010.
  10. ^ a b c d "Adventures in the Infected Zone" by Gareth Edwards, Empire November 2010, pages 100–106
  11. ^ Cath Clarke. "First sight: Gareth Edwards | Film". The Guardian. UK. Retrieved 27 November 2010.
  12. ^ "SX Fantastic Preview: Monsters". Film School Rejects. Retrieved 24 October 2010.
  13. ^ Sauriol, Patrick (17 March 2010). "Magnet has Monsters". Coronacomingattractions.com. Retrieved 27 November 2010.
  14. ^ "Cannes: The Film Market, Monsters, The Housemaid". Slashfilm.com. 13 May 2010. Retrieved 27 November 2010.
  15. ^ Logged in as click here to log out. "Film Weekly previews Edinburgh and meets the stars of Kicks". Guardian. UK. Retrieved 27 November 2010.
  16. ^ "Monsters Screening Schedule". 2010 Los Angeles Film Festival. Retrieved 24 October 2010.
  17. ^ "Monsters world premiere will happen in Russia". Community.livejournal.com. 18 August 2010. Retrieved 27 November 2010.
  18. ^ "Gareth Edwards' Monsters Come Home for Halloween". Dreadcentral.com. 30 June 2010. Retrieved 27 November 2010.
  19. ^ "DFilms Acquires MONSTERS". Moviesonline.ca. Retrieved 27 November 2010.
  20. ^ http://www.rottentomatoes.com/m/monsters-2010/
  21. ^ "Monsters :: rogerebert.com :: Reviews". Rogerebert.suntimes.com. Retrieved 27 November 2010.
  22. ^ "Top 10 Sci-Fi Movies of 2010". Moviefone. 28 December 2010. Retrieved 31 December 2010.
  23. ^ "2010 Nominations | The British Independent Film Awards"
  24. ^ The King’s Speech wins 5 British Independent Film Awards. AwardsDaily.com. Retrieved 2011-01-04.
  25. ^ "2010 Winners | The British Independent Film Awards"
  26. ^ "Vertigo plans Foursquare promotion for Monsters". screendaily.com. 1 December 2010. Retrieved 2 December 2010.
  27. ^ McWeeny, Drew (23 March 2010). "SXSW: 'Monsters' offers up a new view on classic giant monster movies". Hitfix.com. Retrieved 27 November 2010.
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