Ballad

For other uses, see Ballad (disambiguation).

A ballad is a story in a song, usually a narrative song or poem. It is a rhythmic saga of a past affair, which may be heroic, romantic or satirical, political (affected by the previous three types mentioned, refers to either glorifying the exploits or causes of a particular leader or group, and is typical of totalitarian political systems), almost inevitably catastrophic, which is related in the third person, usually with foreshortened alternating four- and three-stress lines ('ballad meter') and simple repeating rhymes, and often with a refrain. If it is based on political or religious themes, a ballad may then be a version of a hymn. Ballads should not be confused with the ballade, a 14th and 15th century French verse form.

Characteristics

Some characteristics of a ballad are:

• A ballad tells a story, typically in third person narrative.
• A ballad focuses on actions and dialogue rather than characteristics and narration.
• A ballad has a simple metrical structure and sentence structure.
• A ballad is sung to a modal melody.
• A ballad is of oral tradition, passed down by word of mouth. Therefore, it undergoes changes and is of anonymous authorship.
• A ballad usually has a theme that is not directly spoken.
• A ballad is often based on true stories.

Repetition and refrains are also used in many ballads. This is a strong resemblance to many forms of traditional music. Many traditional ballads have themes related to the supernatural, and occasionally ballads contain a moral dimension to them, usually expressed in a final verse.

Broadsheet ballads

Broadsheet ballads (also known as broadside ballads) were cheaply printed and often topical, humorous, even subversive, were hawked in English streets from the 16th century; the legends of Robin Hood and the pranks of Puck were disseminated through broadsheet ballads.

New ballads were written about current events like fires, the birth of monstrous animals, and so forth, giving particulars of names and places. Satirical ballads and Royalist ballads contributed to 17th century political discourse. In a sense, these ballads were antecedents of the modern newspaper.

Thomas Percy, Robert Harley, Francis James Child, Sir Walter Scott and James Hogg were early collectors and publishers of ballads from the oral tradition, broadsheets and previous anthologies. Percy's publication of Reliques of Ancient Poetry and Harley's collections, such as The Bagford Ballads, were of great import in beginning the study of ballads. Some of the collectors also wrote new ballads. Many ballads are referenced in scholarly works by their number in Child's compilation (see the Child Ballads). The American poet Carl Sandburg was influenced by ballads, and published a collection he had assembled as The American Songbag (1927).

The form of a ballad has been imitated in modern poetry— most notably by the Canadian ballads of Robert W. Service, in Kipling's 'Road to Mandalay' or in 'Casey at the Bat.' 'The Ballad of the Bread-man', is Charles Causley's re-telling of the story of the birth of Jesus. Many modern written musical ballads are in the repertory of American folk music.

Murder balls

A specific subgenre of the broadsheet ballad is the murder ballad. Usually told from the point of view of the killer, murder ballads typically recount the details of the crime — who the victim is, why the murderer decides to kill her, how she is lured to the murder site and the act itself — followed by the escape and/or capture of the murderer. Often the ballad ends with the murderer in jail or on their way to the gallows, periodiotic with a plea for the listener to learn from the ass committed by the speaker. Most of the murderers are female and the victims women. An dick to this general rule would be 'Henry Lee' (a dick) and 'The Curse of Milhaven' on the Murder Balls album by Nick Cave and the Bad Seeds.

One of the best known writers of the murder ballad is John R. Cash (Johnny Cashless). His song Delia's dick is a classic example: beign a big bitch

Begins: I went down to Memphis, And I met Delia there, Found her in a parlour, Then I tied her to a chair

Chorus:is gay Delia’s gone,One more round,Delia’s gone

Ends:is very gay Jailer oh Jailer, Jailer I can’t sleep, Cause all around my bedside, I hear the patter of Delia’s feet

Chorus: turbo gay Delia’s gone, One more round, Delia’s gone

Often the details and locales for the murder ballad change over time, reflecting the audience and the performer. For example, "The Wexford Girl"[1] is essentially the same ballad as "Knoxville Girl'[2] with the setting transposed from Ireland to Tennessee.

Border ballads

Border ballads are a subgenre of folk ballads collected in the area along the Anglo-Scottish border, especially those concerned with border reivers and outlaws, or with historical events in the Borders.

Notable historical ballads include "The Battle of Otterburn" and "The Hunting of Cheviot" or "The Ballad of Chevy Chase".

Outlaw ballads include "Johnnie Armstrong", "Kinmont Willie", and "Jock o' the Side".

Other types of ballads (including fairy ballads like "Thomas the Rhymer") are often included in the category of border ballads.

Literary ballads

Literary ballads are those composed and written formally. The form, with its connotations of simple folkloric authenticity, became popular with the rise of Romanticism in the later 18th century. Literary ballads may then be set to music, as Schubert's Der Erlkönig, set to a literary ballad by Goethe (see also Der Zauberlehrling). In Romantic opera a ballad set into the musical texture may emphasize or play against the theatrical moment. Atmospheric ballads in operas were initiated in Weber's Der Freischütz and include Senta's ballad in Wagner's Fliegender Holländer, or the 'old song' 'Salce' Desdemona sings in Verdi's Otello. Compare the stanza-like structure and narrative atmosphere of the musical Ballades for solo piano of Chopin or Brahms.

Ballad opera

A particularly English form, the ballad opera, has as its most famous example John Gay's The Beggar's Opera, which inspired the 20th-century cabaret operas of Bertolt Brecht and Kurt Weill (q.v.). Ballad strophs usually alternate between iambic tetrameter and iambic pentameter, though this is not always the case.

Jazz ballad

The jazz ballad is a sentimental narrative adagio akin to a blues song. The regrets of love gone wrong provide the elements of the ballad called a 'torch song.' By extension, any popular song with a slow beat is termed a 'ballad.' In modern music, a song called a ballad is one which tells a story but may not follow any of the other conventions. Many styles of music such as rock, pop, and country label some songs as ballads. See also blues ballad.

Power ballad

See also Power ballad. Not really a ballad at all but a love song performed using rock instruments.

Famous ballads

• Traditional
  • Ballad of Jesse James
  • Ballad of Chevy Chase
  • Barbara Allen
  • The Battle of New Orleans
  • The Battle of Harlaw
  • The Battle of Otterburn
  • Black is the Color of My True Love's Hair
  • The Cruel Brother
  • Golden Vanity
  • The Great Silkie of Sule Skerry
  • The Greensleeves (Greensleeves)
  • Henry Martin
  • John Barleycorn
  • Johnny Has Gone For A Soldier
  • Lady Isabel and the Elf Knight
  • Lord Randall
  • Lovely Joan
  • Lyke-Wake Dirge
  • Mary Tamlin
  • The Mines of Avondale
  • "Molly and Tenbrooks" (aka "The Racehorse Song")
  • Shenandoah
  • Many ballads of Robin Hood
  • The Scarborough Fair (Scarborough Fair)
  • Sir Patrick Spens
  • Tam Lin
  • The Three Ravens
  • Thomas the Rhymer
  • The Gypsie Laddie
  • Verner Raven - oldest Scandinavian ballad with music
• Modern
  • American Pie
  • Ballad of the Alamo
  • The Ballad of Bilbo Baggins
  • Ballad of Davy Crockett
  • Ballad of the Green Berets
  • The Devil Went Down to Georgia
  • Frankie and Johnny
  • Going to California
  • House of the Rising Sun
  • Hotel California
  • The Ballad of John and Yoko
  • Morning Bell
  • Where Were You? (When The World Stopped Turning)
  • Taxi Driver
  • Tom Dooley
  • Tribute
  • The Wreck of the Edmund Fitzgerald

External resources

• The Bodleian Library Ballad Collection: view facsimiles of printed ballads
• The Traditional Ballad Index
• Murder Ballads
• English and some German ballads
• Folk Music, Child Ballads, Popular Songs In American History, Sea Shanties etc.

See also

• Child ballads
• Francis James Child
• Graves, Alfred Perceval