The Lock (Constable): Difference between revisions
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==Description== |
==Description== |
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''The Lock'' is painted in oil on canvas. It depicts a working rural scene from Suffolk, as a figure struggles to open a canal gate at Dedham Lock near [[Flatford Mill]] in [[Suffolk]] |
''The Lock'' is painted in oil on canvas. It depicts a working rural scene from Suffolk, as a figure struggles to open a canal gate at Dedham Lock near [[Flatford Mill]] in [[Suffolk]] to allow a [[Lighter (barge)|lighter barge]] to progress on the [[River Stour, Suffolk|River Stour]].<ref name=Blooberg/> Across the quintessentially English [[water meadows]], there is a distant view of [[Dedham, Essex | Dedham]] church.<ref>{{cite web|title=Great country walks: Constable Country, Essex/Suffolk border|url=http://www.theguardian.com/travel/2015/jan/27/great-country-walks-constable-country-essex-suffolk|publisher=[[The Guardian]]}}</ref> The scene is set under a towering tree and a dramatic, cloud-filled sky.<ref name=Reuters/> |
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==History== |
==History== |
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[[File:David Lucas (after John Constable) - The Lock and Dedham Vale.jpg|thumb|David Lucas - ''The Lock and Dedham Vale'', 1834, mezzotint.]] |
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''The Lock'' is the fifth of six paintings that make up the ''Stour series'' of large-scale rural works, that Constable exhibited at the [[Royal Academy]] between 1819 and 1825. The painting is the only one of the series which remains in private hands, with the more famous ''[[The Hay Wain]]'' in the [[National Gallery]], [[London]].<ref name=GuardSale/><ref name=Reuters/> |
''The Lock'' is the fifth of six paintings that make up the ''Stour series'' of large-scale rural works, that Constable exhibited at the [[Royal Academy]] between 1819 and 1825. The painting is the only one of the series which remains in private hands, with the more famous ''[[The Hay Wain]]'' in the [[National Gallery]], [[London]].<ref name=GuardSale/><ref name=Reuters/> |
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After its exhibition in 1824, ''[[The Morning Post]]'' commented: "Mr Constable contributes a landscape composition which for depth, sparkling light, freshness and vigorous effect exceeds any of his works."<ref name=GuardSale>{{cite web|url=http://www.guardian.co.uk/artanddesign/2012/may/29/john-constable-the-lock-auction-christies|title=John Constable's The Lock to be sold at auction|author=Michael Brown, Art Correspondent|publisher=[[The Guardian]]|date=30 June 2012|accessdate=2012-07-01}}</ref> |
After its exhibition in 1824, ''[[The Morning Post]]'' commented: "Mr Constable contributes a landscape composition which for depth, sparkling light, freshness and vigorous effect exceeds any of his works."<ref name=GuardSale>{{cite web|url=http://www.guardian.co.uk/artanddesign/2012/may/29/john-constable-the-lock-auction-christies|title=John Constable's The Lock to be sold at auction|author=Michael Brown, Art Correspondent|publisher=[[The Guardian]]|date=30 June 2012|accessdate=2012-07-01}}</ref> [[Samuel William Reynolds]] offered to make a [[mezzotint]] print, but never completed it. His pupil [[David Lucas (engraver) | David Lucas]] eventually prepared one from Constable's private copy of the painting (Foster version).<ref>{{cite web|title=David Lucas, John Constable: ''The Lock''|url=http://www.tate.org.uk/art/artworks/constable-lucas-the-lock-t06475|publisher= Tate Galleries}}</ref> |
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On the opening day of the exhibition, James Morrison (1789-1857) an inn-keeper's son from [[Balham|Balham Hill]], London, and [[Basildon Park]], [[Berkshire]], acquired the painting for 150 [[Guinea (British coin)|guineas]]. Its ownership then progressed down through his family: |
On the opening day of the exhibition, James Morrison (1789-1857) an inn-keeper's son from [[Balham|Balham Hill]], London, and [[Basildon Park]], [[Berkshire]], acquired the painting for 150 [[Guinea (British coin)|guineas]], the only occasion in Constable's career when a painting sold on its first day of exhibition. Its ownership then progressed down through his family: |
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*Grandson, Colonel James Archibald Morrison (1873-1934), at Basildon Park |
*Grandson, Colonel James Archibald Morrison (1873-1934), at Basildon Park |
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*His daughter Mary, wife of Major John Dent-Brocklehurst of [[Sudeley Castle]], [[Gloucestershire]] |
*His daughter Mary, wife of Major John Dent-Brocklehurst of [[Sudeley Castle]], [[Gloucestershire]] |
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Revision as of 18:54, 10 December 2015
| The Lock | |
|---|---|
 | |
| Artist | John Constable |
| Year | 1824 |
| Type | Oil on canvas |
| Dimensions | 121 cm × 140 cm (47.5 in × 56 in) |
The Lock is an oil painting by English artist John Constable, finished in 1824. It depicts a rural scene on the River Stour in Suffolk, one of six paintings within the Stour series. It was auctioned for £22,441,250 at Christie's in London on 3 July 2012.[1]
Description
The Lock is painted in oil on canvas. It depicts a working rural scene from Suffolk, as a figure struggles to open a canal gate at Dedham Lock near Flatford Mill in Suffolk to allow a lighter barge to progress on the River Stour.[2] Across the quintessentially English water meadows, there is a distant view of Dedham church.[3] The scene is set under a towering tree and a dramatic, cloud-filled sky.[4]
History
_-_The_Lock_and_Dedham_Vale.jpg)
The Lock is the fifth of six paintings that make up the Stour series of large-scale rural works, that Constable exhibited at the Royal Academy between 1819 and 1825. The painting is the only one of the series which remains in private hands, with the more famous The Hay Wain in the National Gallery, London.[5][4]
After its exhibition in 1824, The Morning Post commented: "Mr Constable contributes a landscape composition which for depth, sparkling light, freshness and vigorous effect exceeds any of his works."[5] Samuel William Reynolds offered to make a mezzotint print, but never completed it. His pupil David Lucas eventually prepared one from Constable's private copy of the painting (Foster version).[6]
On the opening day of the exhibition, James Morrison (1789-1857) an inn-keeper's son from Balham Hill, London, and Basildon Park, Berkshire, acquired the painting for 150 guineas, the only occasion in Constable's career when a painting sold on its first day of exhibition. Its ownership then progressed down through his family:
- Grandson, Colonel James Archibald Morrison (1873-1934), at Basildon Park
- His daughter Mary, wife of Major John Dent-Brocklehurst of Sudeley Castle, Gloucestershire
- The Trustees of the Walter Morrison Picture Settlement
On 14 November 1990 it was bought as lot No.128 for £10,780,000 at Sotheby's auction in London, by Baron Hans Heinrich Thyssen-Bornemisza and his wife Carmen "Tita" Thyssen. This set a record for a British work of art, which it held until 2006 when a view of Venice by J. M. W. Turner, Constable's rival, sold for £20.5m at Christie's in New York.[5] From 1992, the couple placed the painting on loan to their museum, the Museo Thyssen-Bornemisza in Madrid, Spain.[5] It was part of the Baroness's personal collection rather than the main collection.
In light of "a lack of liquid funds",[7] the Baroness decided in 2011 to sell the painting. It was auctioned for £22,441,250 at Christie's in London on 3 July, 2012, following a low estimate of £20million,[2][4] making it the joint fourth on the list of most-expensive Old Masters.[8] Museum trustee Sir Norman Rosenthal resigned in protest at the sale, saying that the decision to sell represented ".. a moral shame on the part of all those concerned, most especially on the part of Tita"[1]
Foster version
.jpg)
Constable made a copy of this painting, known as the Foster version, in 1825. This was the only copy of a painting from the Stour series he made, though later he commonly made copies of his most popular compositions, such as his views of Salisbury Cathedral. The Foster version remains in private hands, one of just three such major works by Constable, and was auctioned at Sotheby's London on the evening of 9 December 2015 on its low estimate at £9,109,000. Previous owners of the painting include William Orme Foster (1814–1900) of Apley Hall, Shropshire, one time High Sheriff of Shropshire, and his descendants.[9][10]
References
- ^ a b "Constable painting The Lock sells for £22.4m". BBC Online. Retrieved 3 July 2012.
- ^ a b Scott Reyburn (May 29, 2012). "Constable's 'The Lock' May Sell for $39 Million at Christie's". Bloomberg. Retrieved 2012-07-01.
- ^ "Great country walks: Constable Country, Essex/Suffolk border". The Guardian.
- ^ a b c "Constable's "Lock" for sale, seen worth $30-40 million". Reuters. May 29, 2012. Retrieved 2012-07-01.
- ^ a b c d Michael Brown, Art Correspondent (30 June 2012). "John Constable's The Lock to be sold at auction". The Guardian. Retrieved 2012-07-01.
{{cite web}}:|author=has generic name (help) - ^ "David Lucas, John Constable: The Lock". Tate Galleries.
- ^ "Art expert quits museum in fury at £25m Constable sale". Daily Mail. 30 June 2012. Retrieved 2012-07-01.
- ^ Constable painting The Lock sells for £22.4m" at bbc.co.uk
- ^ "Constable's The Lock Fetches £9.1 million at Sotheby's". Apollo.
- ^ "The :Lock". Sotheby's.
External links
- John Constable - The Way I See The World at sothebys.com