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'''Rachel Kaadzi Ghansah''' (born 1982) is an American essayist. She is the author of the forthcoming ''The Explainers and the Explorers'' ([[Scribner (publisher)|Scribner]] 2018)<ref>{{Cite news|url=http://www.publishersweekly.com/pw/by-topic/international/london-book-fair/article/69783-london-briefcase-2016-what-u-s-agencies-will-be-selling-at-the-london-book-fair.html|title=London Briefcase 2016: What U.S. Agencies Will be Selling at the London Book Fair|last=Hartman|first=Liz|date=March 25, 2016|work=Publishers Weekly|access-date=July 18, 2016|via=}}</ref> a book on "how black America will define itself in the 21st century."<ref>{{cite web|title=Publishers Marketplace Newsletters - Publishers Lunch Deluxe|url=https://freshpickeddeals.com/publishersmarketplace.com/publishers-lunch-deluxe-860000|website=FreshPickedDeals}}</ref> Her work has also appeared in [[The Paris Review]][https://en.wikipedia.org/w/index.php?title=Rachel_Kaadzi_Ghansah&editintro=Template%3ABLP_editintro&action=edit&section=2# <nowiki>[5]</nowiki>], [[The Virginia Quarterly Review|The New York Times Magazine, The Virginia Quarterly Review]]<ref>{{Cite web|url=http://www.vqronline.org/people/rachel-kaadzi-ghansah|title=Rachel Kaadzi Ghansah {{!}} VQR Online|website=www.vqronline.org|language=en|access-date=2017-11-21}}</ref>, [[Transition Magazine|Rolling Stone]]<ref>{{Cite web|url=https://www.rollingstone.com/contributor/rachel-kaadzi-ghansah|title=Rachel Kaadzi Ghansah|website=Rolling Stone|access-date=2017-11-21}}</ref>[[Transition Magazine|,Transition]]<ref>{{Cite news|url=http://hutchinscenter.fas.harvard.edu/transition-109|title=Transition 109|work=Hutchins Center|access-date=2017-11-21|language=en-CA}}</ref>, and [[The New Republic]]<ref>{{Cite news|url=https://newrepublic.com/authors/rachel-kaadzi-ghansah|title=Rachel Kaadzi Ghansah|work=New Republic|access-date=2017-11-21|language=en-US}}</ref> among other publications. In 2014, Ghansah's profile in ''[[The Believer (magazine)|The Believer]]'' of elusive comedian [[Dave Chappelle]] was a [[National Magazine Award]] finalist<ref>{{cite web|title=National Magazine Awards 2014 Finalists Announced {{!}} ASME|url=http://www.magazine.org/about-asme/pressroom/asme-press-releases/asme/national-magazine-awards-2014-finalists-announced|website=www.magazine.org}}</ref> and collected in 2014 edition of ''[[The Best American Nonrequired Reading]]''<ref name=":2">{{Cite book|url=http://www.worldcat.org/title/best-american-nonrequired-reading-2014/oclc/892543170|title=The best American nonrequired reading 2014|last=Handler|first=Daniel|last2=Gumbiner|first2=Daniel|last3=Snicket|first3=Lemony|last4=Schultz|first4=Matthew|last5=Keane|first5=Dan|last6=Rich|first6=Nathaniel|last7=Maner|first7=Karen|last8=El Rashidi|first8=Yasmine|last9=Dickman|first9=Matthew|date=January 1, 2014|isbn=9780544129665|language=English}}</ref> as well as ''The Believer''<nowiki/>'s anthology ''Read Harder'' (2014). Writing in the ''New York Times'', Evan Hughes reviewed her essay's appearance in that collection as "more forceful work...[a] searching profile."<ref>{{cite news|last1=Hughes|first1=Evan|title=New Collections From The New Republic, The Baffler and Others|url=https://www.nytimes.com/2014/12/07/books/review/new-collections-from-the-new-republic-the-baffler-and-others.html?_r=0|accessdate=July 18, 2016|work=The New York Times|date=December 4, 2014}}</ref> [[New York (magazine)|New York Magazine]] called her Chappelle essay a "classic."<ref>{{Cite news|url=http://www.vulture.com/2017/08/dave-chappelle-radio-city-music-hall-review.html|title=Chappelle Tries to Tackle Trump and Trans Issues at RCMH. He Doesn’t Succeed.|last=Fox|first=Jesse David|work=Vulture|access-date=2017-11-21|language=en}}</ref> The critic Stephanie Fields later wrote that, those early "profiles established not only her nuanced style of long form writing with extensive bibliographies, but a context for black art and black life. A consistent theme of Ghansah’s work is how black artists have shaped their own narratives through an exertion of autonomy not usually afforded to black people. She then weaves those threads of resistance into the larger tapestry of black history."<ref>{{Cite web|url=https://blavity.com/get-in-formation|title=Rachel Kaadzi Ghansah and the Necessity of the Black Woman Critic|website=blavity.com|language=en|access-date=2017-11-21}}</ref>
'''Rachel Kaadzi Ghansah''' (born 1982) is a Pulitzer Prize-winning American essayist. She is the author of the forthcoming ''The Explainers and the Explorers'' ([[Scribner (publisher)|Scribner]] 2018)<ref>{{Cite news|url=http://www.publishersweekly.com/pw/by-topic/international/london-book-fair/article/69783-london-briefcase-2016-what-u-s-agencies-will-be-selling-at-the-london-book-fair.html|title=London Briefcase 2016: What U.S. Agencies Will be Selling at the London Book Fair|last=Hartman|first=Liz|date=March 25, 2016|work=Publishers Weekly|access-date=July 18, 2016|via=}}</ref> a book on "how black America will define itself in the 21st century."<ref>{{cite web|title=Publishers Marketplace Newsletters - Publishers Lunch Deluxe|url=https://freshpickeddeals.com/publishersmarketplace.com/publishers-lunch-deluxe-860000|website=FreshPickedDeals}}</ref> Her work has also appeared in [[The Paris Review]][https://en.wikipedia.org/w/index.php?title=Rachel_Kaadzi_Ghansah&editintro=Template%3ABLP_editintro&action=edit&section=2# <nowiki>[5]</nowiki>], [[The Virginia Quarterly Review|The New York Times Magazine, The Virginia Quarterly Review]]<ref>{{Cite web|url=http://www.vqronline.org/people/rachel-kaadzi-ghansah|title=Rachel Kaadzi Ghansah {{!}} VQR Online|website=www.vqronline.org|language=en|access-date=2017-11-21}}</ref>, [[Transition Magazine|Rolling Stone]]<ref>{{Cite web|url=https://www.rollingstone.com/contributor/rachel-kaadzi-ghansah|title=Rachel Kaadzi Ghansah|website=Rolling Stone|access-date=2017-11-21}}</ref>[[Transition Magazine|,Transition]]<ref>{{Cite news|url=http://hutchinscenter.fas.harvard.edu/transition-109|title=Transition 109|work=Hutchins Center|access-date=2017-11-21|language=en-CA}}</ref>, and [[The New Republic]]<ref>{{Cite news|url=https://newrepublic.com/authors/rachel-kaadzi-ghansah|title=Rachel Kaadzi Ghansah|work=New Republic|access-date=2017-11-21|language=en-US}}</ref> among other publications. In 2014, Ghansah's profile in ''[[The Believer (magazine)|The Believer]]'' of elusive comedian [[Dave Chappelle]] was a [[National Magazine Award]] finalist<ref>{{cite web|title=National Magazine Awards 2014 Finalists Announced {{!}} ASME|url=http://www.magazine.org/about-asme/pressroom/asme-press-releases/asme/national-magazine-awards-2014-finalists-announced|website=www.magazine.org}}</ref> and collected in 2014 edition of ''[[The Best American Nonrequired Reading]]''<ref name=":2">{{Cite book|url=http://www.worldcat.org/title/best-american-nonrequired-reading-2014/oclc/892543170|title=The best American nonrequired reading 2014|last=Handler|first=Daniel|last2=Gumbiner|first2=Daniel|last3=Snicket|first3=Lemony|last4=Schultz|first4=Matthew|last5=Keane|first5=Dan|last6=Rich|first6=Nathaniel|last7=Maner|first7=Karen|last8=El Rashidi|first8=Yasmine|last9=Dickman|first9=Matthew|date=January 1, 2014|isbn=9780544129665|language=English}}</ref> as well as ''The Believer''<nowiki/>'s anthology ''Read Harder'' (2014). Writing in the ''New York Times'', Evan Hughes reviewed her essay's appearance in that collection as "more forceful work...[a] searching profile."<ref>{{cite news|last1=Hughes|first1=Evan|title=New Collections From The New Republic, The Baffler and Others|url=https://www.nytimes.com/2014/12/07/books/review/new-collections-from-the-new-republic-the-baffler-and-others.html?_r=0|accessdate=July 18, 2016|work=The New York Times|date=December 4, 2014}}</ref> [[New York (magazine)|New York Magazine]] called her Chappelle essay a "classic."<ref>{{Cite news|url=http://www.vulture.com/2017/08/dave-chappelle-radio-city-music-hall-review.html|title=Chappelle Tries to Tackle Trump and Trans Issues at RCMH. He Doesn’t Succeed.|last=Fox|first=Jesse David|work=Vulture|access-date=2017-11-21|language=en}}</ref> The critic Stephanie Fields later wrote that, those early "profiles established not only her nuanced style of long form writing with extensive bibliographies, but a context for black art and black life. A consistent theme of Ghansah’s work is how black artists have shaped their own narratives through an exertion of autonomy not usually afforded to black people. She then weaves those threads of resistance into the larger tapestry of black history."<ref>{{Cite web|url=https://blavity.com/get-in-formation|title=Rachel Kaadzi Ghansah and the Necessity of the Black Woman Critic|website=blavity.com|language=en|access-date=2017-11-21}}</ref>


==Early life==
==Early life==
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Her writing has earned praise from ''[[The Atlantic]]''<ref>{{Cite news|url=https://www.theatlantic.com/national/archive/2014/05/slightly-more-than-100-fantastic-pieces-of-journalism/284564/|title=Slightly More Than 100 Fantastic Pieces of Journalism|first=Conor|date=|work=The Atlantic|access-date=2017-11-21|archive-url=|archive-date=|dead-url=|language=en-US}}</ref>, ''[[The New Yorker]]''<ref>{{Cite news|url=https://www.newyorker.com/books/page-turner/weekend-reading-the-elvis-impersonator-and-the-karate-instructor-the-real-harry-potter|title=Weekend Reading: The Elvis Impersonator and the Karate Instructor, the Real Harry Potter|last=Fromson|first=Daniel|date=2013-10-04|work=The New Yorker|access-date=2017-11-21|issn=0028-792X}}</ref>, and ''[[Brooklyn Magazine]]'' whose editors wrote that "if we wanted to compile a reading list of the best journalism in the last couple of years, we’d begin with basically all the work of Rachel Kaadzi Ghansah."<ref>{{Cite news|url=http://www.bkmag.com/2016/03/01/the-100-most-influential-people-in-brooklyn-culture-2/|title=The 100 Most Influential People in Brooklyn Culture - Brooklyn Magazine|date=2016-03-01|work=Brooklyn Magazine|access-date=2017-11-21|language=en-US}}</ref> [[KQED (TV)|KQED]] has called Ghansah "one of the most brilliant essayists writing in America today."<ref>{{Cite news|url=http://ww2.kqed.org/arts/2016/03/20/earthquakes-bombs-and-baldwin-lit-picks-for-march-22-april-3/|title=Earthquakes, Bombs, and Baldwin: Lit Picks for March 22 – April 3|last=Clark|first=Leilani|date=March 20, 2016|work=KQED|access-date=July 18, 2016|via=}}</ref> Longreads described her as being "an unparalleled architect of the profile. She can strike an ideal balance between scene and exposition, lyricism and plot. She can bring a subject to life with fresh insight, and keep herself in the narrative in a way that is unobtrusive and necessary."<ref>{{Cite news|url=https://longreads.com/2017/09/15/the-mastery-and-magic-of-rachel-kaadzi-ghansah/|title=The Mastery and Magic of Rachel Kaadzi Ghansah|last=Jackson|first=Danielle|date=2017-09-15|work=Longreads|access-date=2017-11-21|archive-url=|archive-date=|dead-url=|language=en-US}}</ref> And in a 2016 ''[[Elle (magazine)|Elle]]'' UK feature, "[[Zadie Smith]] On The Young Writer Who Teaches Her Everything," novelist Smith said Ghansah "always understood that to make your writing stand out online you...just need to write better than everyone else. And she does."<ref name=":0">{{cite web|title=Zadie Smith On The Young Writer Who Teaches Her Everything|url=http://www.elleuk.com/life-and-culture/culture/articles/a30848/zadie-smith-introduces-rachel-kaadzi-hhansah/|website=ELLE UK|date=June 12, 2016}}</ref>
Her writing has earned praise from ''[[The Atlantic]]''<ref>{{Cite news|url=https://www.theatlantic.com/national/archive/2014/05/slightly-more-than-100-fantastic-pieces-of-journalism/284564/|title=Slightly More Than 100 Fantastic Pieces of Journalism|first=Conor|date=|work=The Atlantic|access-date=2017-11-21|archive-url=|archive-date=|dead-url=|language=en-US}}</ref>, ''[[The New Yorker]]''<ref>{{Cite news|url=https://www.newyorker.com/books/page-turner/weekend-reading-the-elvis-impersonator-and-the-karate-instructor-the-real-harry-potter|title=Weekend Reading: The Elvis Impersonator and the Karate Instructor, the Real Harry Potter|last=Fromson|first=Daniel|date=2013-10-04|work=The New Yorker|access-date=2017-11-21|issn=0028-792X}}</ref>, and ''[[Brooklyn Magazine]]'' whose editors wrote that "if we wanted to compile a reading list of the best journalism in the last couple of years, we’d begin with basically all the work of Rachel Kaadzi Ghansah."<ref>{{Cite news|url=http://www.bkmag.com/2016/03/01/the-100-most-influential-people-in-brooklyn-culture-2/|title=The 100 Most Influential People in Brooklyn Culture - Brooklyn Magazine|date=2016-03-01|work=Brooklyn Magazine|access-date=2017-11-21|language=en-US}}</ref> [[KQED (TV)|KQED]] has called Ghansah "one of the most brilliant essayists writing in America today."<ref>{{Cite news|url=http://ww2.kqed.org/arts/2016/03/20/earthquakes-bombs-and-baldwin-lit-picks-for-march-22-april-3/|title=Earthquakes, Bombs, and Baldwin: Lit Picks for March 22 – April 3|last=Clark|first=Leilani|date=March 20, 2016|work=KQED|access-date=July 18, 2016|via=}}</ref> Longreads described her as being "an unparalleled architect of the profile. She can strike an ideal balance between scene and exposition, lyricism and plot. She can bring a subject to life with fresh insight, and keep herself in the narrative in a way that is unobtrusive and necessary."<ref>{{Cite news|url=https://longreads.com/2017/09/15/the-mastery-and-magic-of-rachel-kaadzi-ghansah/|title=The Mastery and Magic of Rachel Kaadzi Ghansah|last=Jackson|first=Danielle|date=2017-09-15|work=Longreads|access-date=2017-11-21|archive-url=|archive-date=|dead-url=|language=en-US}}</ref> And in a 2016 ''[[Elle (magazine)|Elle]]'' UK feature, "[[Zadie Smith]] On The Young Writer Who Teaches Her Everything," novelist Smith said Ghansah "always understood that to make your writing stand out online you...just need to write better than everyone else. And she does."<ref name=":0">{{cite web|title=Zadie Smith On The Young Writer Who Teaches Her Everything|url=http://www.elleuk.com/life-and-culture/culture/articles/a30848/zadie-smith-introduces-rachel-kaadzi-hhansah/|website=ELLE UK|date=June 12, 2016}}</ref>


In the fall of 2016, Ghansah spent three months in [[Charleston, South Carolina]] covering the federal trial of [[Dylann Roof]] for ''[[GQ]]''.<ref>{{Cite news|url=https://www.gq.com/story/dylann-roof-making-of-an-american-terrorist|title=A Most American Terrorist: The Making Of Dylann Roof|last=Ghansah|first=Rachel Kaadzi|date=2017-08-21|work=GQ|access-date=2017-11-21|language=en}}</ref> Her reporting on the making of Dylann Roof and the rise of white nationalist violence was described by the ''[[Columbia Journalism Review]]'' to be "deserving of all the praise it is getting" and a demonstration of "what apex reporting on the white supremacy beat would look like."<ref>{{Cite news|url=https://www.cjr.org/the_media_today/the-media-today-in-search-of-the-white-supremacy-beat.php|title=The media today: In search of the white supremacy beat|last=Vernon|first=Pete|date=August 22, 2017|work=Columbia Journalism Review|access-date=2017-11-21|archive-url=|archive-date=|dead-url=|language=en}}</ref> In ''[[The Guardian]]'', Jessica Valenti praised the essay for being "an incredible piece of reporting."<ref>{{Cite news|url=https://www.theguardian.com/world/commentisfree/2017/aug/25/the-week-in-patriarchy-overwhelmed-paralyzed|title=The week in patriarchy: it's easy to feel overwhelmed and paralyzed|last=Valenti|first=Jessica|date=2017-08-25|work=The Guardian|access-date=2017-11-21|archive-url=|archive-date=|dead-url=|language=en-GB|issn=0261-3077}}</ref> [[Kevin Sack]], writing in ''The New York Times'', called the piece "expansive and intimate", saying "Ghansah guides us through what is known of the life this young man who remains 'safeguarded by his knowledge that white American terrorism is never waterboarded for answers.'"<ref>{{Cite news|url=https://www.nytimes.com/2017/08/25/insider/what-were-reading.html|title=What We’re Reading|last=Kannapell|first=Andrea|date=2017-08-25|work=The New York Times|access-date=2017-11-21|language=en-US|issn=0362-4331}}</ref> In 2018, this piece and her profile of Missy Elliott were both selected as finalists for the National Magazine Awards, with the GQ story winning the award for best feature.<ref>{{Cite web|url=http://www.magazine.org/asme/about-asme/pressroom/asme-press-releases/ellies-2018-finalists-announced|title=ELLIES 2018 FINALISTS ANNOUNCED {{!}} ASME|website=www.magazine.org|language=en|access-date=2018-03-01}}</ref> <ref>{{cite web|last1=2018 ASME WINNERS|url=https://ellieawards.secure-platform.com/a/page/winners}}</ref>
In the fall of 2016, Ghansah spent three months in [[Charleston, South Carolina]] covering the federal trial of [[Dylann Roof]] for ''[[GQ]]''.<ref>{{Cite news|url=https://www.gq.com/story/dylann-roof-making-of-an-american-terrorist|title=A Most American Terrorist: The Making Of Dylann Roof|last=Ghansah|first=Rachel Kaadzi|date=2017-08-21|work=GQ|access-date=2017-11-21|language=en}}</ref> Her reporting on the making of Dylann Roof and the rise of white nationalist violence was described by the ''[[Columbia Journalism Review]]'' to be "deserving of all the praise it is getting" and a demonstration of "what apex reporting on the white supremacy beat would look like."<ref>{{Cite news|url=https://www.cjr.org/the_media_today/the-media-today-in-search-of-the-white-supremacy-beat.php|title=The media today: In search of the white supremacy beat|last=Vernon|first=Pete|date=August 22, 2017|work=Columbia Journalism Review|access-date=2017-11-21|archive-url=|archive-date=|dead-url=|language=en}}</ref> In ''[[The Guardian]]'', Jessica Valenti praised the essay for being "an incredible piece of reporting."<ref>{{Cite news|url=https://www.theguardian.com/world/commentisfree/2017/aug/25/the-week-in-patriarchy-overwhelmed-paralyzed|title=The week in patriarchy: it's easy to feel overwhelmed and paralyzed|last=Valenti|first=Jessica|date=2017-08-25|work=The Guardian|access-date=2017-11-21|archive-url=|archive-date=|dead-url=|language=en-GB|issn=0261-3077}}</ref> [[Kevin Sack]], writing in ''The New York Times'', called the piece "expansive and intimate", saying "Ghansah guides us through what is known of the life this young man who remains 'safeguarded by his knowledge that white American terrorism is never waterboarded for answers.'"<ref>{{Cite news|url=https://www.nytimes.com/2017/08/25/insider/what-were-reading.html|title=What We’re Reading|last=Kannapell|first=Andrea|date=2017-08-25|work=The New York Times|access-date=2017-11-21|language=en-US|issn=0362-4331}}</ref> In 2018, this piece and her profile of Missy Elliott were both selected as finalists for the National Magazine Awards, with the GQ story winning the award for best feature.<ref>{{Cite web|url=http://www.magazine.org/asme/about-asme/pressroom/asme-press-releases/ellies-2018-finalists-announced|title=ELLIES 2018 FINALISTS ANNOUNCED {{!}} ASME|website=www.magazine.org|language=en|access-date=2018-03-01}}</ref> <ref>{{cite web|last1=2018 ASME WINNERS|url=https://ellieawards.secure-platform.com/a/page/winners}}</ref> The GQ story won the 2018 Pulitzer Prize in Feature Writing.<ref>{{cite news|last1=New York Times Editors|title=Pulitzer Prizes: Here are the 2018 Winners|url=https://www.nytimes.com/2018/04/16/business/media/pulitzer-prize-winners.html|accessdate=16 April 2018|publisher=New York Times|date=16 April 2018}}</ref>


Ghansah was a contributing writer for ''The New York Times Magazine''.
Ghansah was a contributing writer for ''The New York Times Magazine''.

Revision as of 19:51, 16 April 2018

Rachel Kaadzi Ghansah
Born1982
OccupationEssayist
EducationMFA, Columbia University
Notable works"When the Lights Shut Off: Kendrick Lamar and the Decline of the Black Blues Narrative," Los Angeles Review of Books, January 2013

"If He Hollers Let Him Go: Searching for Dave Chappelle ten years after he left his own show," The Believer, October 2013

"The Radical Vision of Toni Morrison," The New York Times Magazine, April 2015

"The Weight of James Baldwin," The Fire This Time: A New Generation Speaks About Race, August 2016
Website
The Uncollected Works of RKG

Rachel Kaadzi Ghansah (born 1982) is a Pulitzer Prize-winning American essayist. She is the author of the forthcoming The Explainers and the Explorers (Scribner 2018)[1] a book on "how black America will define itself in the 21st century."[2] Her work has also appeared in The Paris Review[5], The New York Times Magazine, The Virginia Quarterly Review[3], Rolling Stone[4],Transition[5], and The New Republic[6] among other publications. In 2014, Ghansah's profile in The Believer of elusive comedian Dave Chappelle was a National Magazine Award finalist[7] and collected in 2014 edition of The Best American Nonrequired Reading[8] as well as The Believer's anthology Read Harder (2014). Writing in the New York Times, Evan Hughes reviewed her essay's appearance in that collection as "more forceful work...[a] searching profile."[9] New York Magazine called her Chappelle essay a "classic."[10] The critic Stephanie Fields later wrote that, those early "profiles established not only her nuanced style of long form writing with extensive bibliographies, but a context for black art and black life. A consistent theme of Ghansah’s work is how black artists have shaped their own narratives through an exertion of autonomy not usually afforded to black people. She then weaves those threads of resistance into the larger tapestry of black history."[11]

Early life

Ghansah grew up in Philadelphia. Her mother's family is from Louisiana, and her father's family is from Ghana.[12]

Career

Early career and education

Early in her career, Ghansah worked for Rich Nichols and The Roots[13] as well as dream hampton before becoming a public school teacher.[12] She was the first African-American intern at Harper's Magazine.[14] She graduated from Columbia University's MFA program in writing in 2011,[15] and has taught at Columbia University, Bard College, and Eugene Lang College.

Journalism

In addition to notice for the Chappelle piece,[16] Ghansah has drawn particular recognition for her longform profiles of subjects such as Kendrick Lamar, Missy Elliott,[17][18] Jean-Michel Basquiat,[19] Chirlane McCray,[20] and Toni Morrison[21]—which Flavorwire recommended as "necessary, even recuperative"[22]—as well as essays on Beyoncé's fans,[23][24] Jimi Hendrix's Electric Lady Studios,[25] and James Baldwin's historic home in southern France.[26] Her Baldwin essay was anthologized in the Best American Essays series for 2017[27] as well as the 2016 Baldwin-inspired collection, The Fire This Time: A New Generation Speaks About Race; in The New York Times, Dwight Garner described Ghansah's contribution as "alive with purpose, conviction, and intellect" and one of the "five excellent reasons to buy this book."[28] In a review of that same collection for the New York Review of Books, Darryl Pinckney, wrote that, "Baldwin didn’t want to be [Richard] Wright’s heir, any more than Rachel Kaadzi Ghansah wanted to be Baldwin’s."[29]

Her writing has earned praise from The Atlantic[30], The New Yorker[31], and Brooklyn Magazine whose editors wrote that "if we wanted to compile a reading list of the best journalism in the last couple of years, we’d begin with basically all the work of Rachel Kaadzi Ghansah."[32] KQED has called Ghansah "one of the most brilliant essayists writing in America today."[33] Longreads described her as being "an unparalleled architect of the profile. She can strike an ideal balance between scene and exposition, lyricism and plot. She can bring a subject to life with fresh insight, and keep herself in the narrative in a way that is unobtrusive and necessary."[34] And in a 2016 Elle UK feature, "Zadie Smith On The Young Writer Who Teaches Her Everything," novelist Smith said Ghansah "always understood that to make your writing stand out online you...just need to write better than everyone else. And she does."[35]

In the fall of 2016, Ghansah spent three months in Charleston, South Carolina covering the federal trial of Dylann Roof for GQ.[36] Her reporting on the making of Dylann Roof and the rise of white nationalist violence was described by the Columbia Journalism Review to be "deserving of all the praise it is getting" and a demonstration of "what apex reporting on the white supremacy beat would look like."[37] In The Guardian, Jessica Valenti praised the essay for being "an incredible piece of reporting."[38] Kevin Sack, writing in The New York Times, called the piece "expansive and intimate", saying "Ghansah guides us through what is known of the life this young man who remains 'safeguarded by his knowledge that white American terrorism is never waterboarded for answers.'"[39] In 2018, this piece and her profile of Missy Elliott were both selected as finalists for the National Magazine Awards, with the GQ story winning the award for best feature.[40] [41] The GQ story won the 2018 Pulitzer Prize in Feature Writing.[42]

Ghansah was a contributing writer for The New York Times Magazine.

The Explainers and the Explorers

Ghansah is at work on her first book, to be published in the U.S. by Scribner in 2018.[43]

Selected works

References

  1. ^ Hartman, Liz (25 March 2016). "London Briefcase 2016: What U.S. Agencies Will be Selling at the London Book Fair". Publishers Weekly. Retrieved 18 July 2016.
  2. ^ "Publishers Marketplace Newsletters - Publishers Lunch Deluxe". FreshPickedDeals.
  3. ^ "Rachel Kaadzi Ghansah | VQR Online". www.vqronline.org. Retrieved 21 November 2017.
  4. ^ "Rachel Kaadzi Ghansah". Rolling Stone. Retrieved 21 November 2017.
  5. ^ "Transition 109". Hutchins Center. Retrieved 21 November 2017.
  6. ^ "Rachel Kaadzi Ghansah". New Republic. Retrieved 21 November 2017.
  7. ^ "National Magazine Awards 2014 Finalists Announced | ASME". www.magazine.org.
  8. ^ a b Handler, Daniel; Gumbiner, Daniel; Snicket, Lemony; Schultz, Matthew; Keane, Dan; Rich, Nathaniel; Maner, Karen; El Rashidi, Yasmine; Dickman, Matthew (1 January 2014). The best American nonrequired reading 2014. ISBN 9780544129665.
  9. ^ Hughes, Evan (4 December 2014). "New Collections From The New Republic, The Baffler and Others". The New York Times. Retrieved 18 July 2016.
  10. ^ Fox, Jesse David. "Chappelle Tries to Tackle Trump and Trans Issues at RCMH. He Doesn't Succeed". Vulture. Retrieved 21 November 2017.
  11. ^ "Rachel Kaadzi Ghansah and the Necessity of the Black Woman Critic". blavity.com. Retrieved 21 November 2017.
  12. ^ a b Rasheed, Kameelah Janan (7 June 2014). "Stakes Is High—and Black Lives Are Worthy of Elaboration". Gawker. Retrieved 21 November 2017. {{cite news}}: Cite has empty unknown parameter: |dead-url= (help)
  13. ^ Karaslamb (2016). "Zadie Smith Cosigns Rich Nichols' Protege Rachel Kaadzi Ghansah". OkayPlayer. Retrieved 28 May 2017. {{cite news}}: Cite has empty unknown parameter: |dead-url= (help)
  14. ^ Garner, Dwight (16 August 2016). "Review: 'The Fire This Time,' Stoked by Baldwin's Legacy". The New York Times. ISSN 0362-4331. Retrieved 21 November 2017.
  15. ^ "2014 A Good Year for Writing Faculty, Alumni, Students". arts.columbia.edu.
  16. ^ Green, Elon (7 October 2014). "Annotation Tuesday! Rachel Kaadzi Ghansah and 'If He Hollers Let Him Go'". nieman.harvard.edu.
  17. ^ Suskind, Alex. "The Missy Elliott Renaissance Is Here". Vulture. Retrieved 21 November 2017.
  18. ^ McDuffie, Candace (13 July 2017). "Missy Elliott's Style Brought Black Women Together". Racked. Retrieved 21 November 2017. {{cite news}}: Cite has empty unknown parameter: |dead-url= (help)
  19. ^ "De origine actibusque aequationis". The Rumpus.net. 26 November 2013. Retrieved 21 November 2017.
  20. ^ Allen, Mike (9 February 2016). "D.C.'S DOUBLE HEADER: 100TH New Hampshire primary, and Budget Day! – FIRST WINS for Trump and Sanders, or shock upsets? – MARCO ROBOTO strikes AGAIN -- SHAUN DONOVAN: Obama determined 'to run through the tape". Politico. Retrieved 18 July 2016.
  21. ^ McFadden, Syreeta (31 December 2015). "Black memoir in 2015: the year America broadened its canon". The Guardian. Retrieved 18 July 2016.
  22. ^ Sturgeon, Jonathan (16 April 2015). "Toni Morrison Is Not Your Grandmother: On the Explosive, Alienating 'God Help the Child'". Flavorwire. Retrieved 18 July 2016.
  23. ^ Demby, Gene (25 April 2016). "Before Diving Into The Raging Flood Of New Beyoncé Thinkpieces, Read This". NPR. Retrieved 18 July 2016.
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  25. ^ McKnight, Matthew (17 January 2015). "Weekend Reading: Marriage and Mental Illness, Electric Lady, and More". The New Yorker. Retrieved 18 July 2016.
  26. ^ Nechvatal, Joseph (23 March 2016). "James Baldwin's Longtime Home in Southern France Faces Demolition". Hyperallergic. Retrieved 18 July 2016.
  27. ^ Jamison, Leslie; Atwan, Robert (3 October 2017). The Best American Essays 2017. Houghton Mifflin Harcourt. ISBN 9780544817425.
  28. ^ Garner, Dwight (16 August 2016). "Review: 'The Fire This Time,' Stoked by Baldwin's Legacy". The New York Times. ISSN 0362-4331. Retrieved 16 April 2017.
  29. ^ Pinckney, Darryl (25 May 2017). "Catching Up to James Baldwin". The New York Review of Books. ISSN 0028-7504. Retrieved 21 November 2017.
  30. ^ "Slightly More Than 100 Fantastic Pieces of Journalism". The Atlantic. Retrieved 21 November 2017. {{cite news}}: |first= missing |last= (help); Cite has empty unknown parameter: |dead-url= (help)
  31. ^ Fromson, Daniel (4 October 2013). "Weekend Reading: The Elvis Impersonator and the Karate Instructor, the Real Harry Potter". The New Yorker. ISSN 0028-792X. Retrieved 21 November 2017.
  32. ^ "The 100 Most Influential People in Brooklyn Culture - Brooklyn Magazine". Brooklyn Magazine. 1 March 2016. Retrieved 21 November 2017.
  33. ^ Clark, Leilani (20 March 2016). "Earthquakes, Bombs, and Baldwin: Lit Picks for March 22 – April 3". KQED. Retrieved 18 July 2016.
  34. ^ Jackson, Danielle (15 September 2017). "The Mastery and Magic of Rachel Kaadzi Ghansah". Longreads. Retrieved 21 November 2017. {{cite news}}: Cite has empty unknown parameter: |dead-url= (help)
  35. ^ "Zadie Smith On The Young Writer Who Teaches Her Everything". ELLE UK. 12 June 2016.
  36. ^ Ghansah, Rachel Kaadzi (21 August 2017). "A Most American Terrorist: The Making Of Dylann Roof". GQ. Retrieved 21 November 2017.
  37. ^ Vernon, Pete (22 August 2017). "The media today: In search of the white supremacy beat". Columbia Journalism Review. Retrieved 21 November 2017. {{cite news}}: Cite has empty unknown parameter: |dead-url= (help)
  38. ^ Valenti, Jessica (25 August 2017). "The week in patriarchy: it's easy to feel overwhelmed and paralyzed". The Guardian. ISSN 0261-3077. Retrieved 21 November 2017. {{cite news}}: Cite has empty unknown parameter: |dead-url= (help)
  39. ^ Kannapell, Andrea (25 August 2017). "What We're Reading". The New York Times. ISSN 0362-4331. Retrieved 21 November 2017.
  40. ^ "ELLIES 2018 FINALISTS ANNOUNCED | ASME". www.magazine.org. Retrieved 1 March 2018.
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  42. ^ New York Times Editors (16 April 2018). "Pulitzer Prizes: Here are the 2018 Winners". New York Times. Retrieved 16 April 2018. {{cite news}}: |last1= has generic name (help)
  43. ^ "the uncollected works of rkg". the-rachelkaadzighansah.tumblr.com. Retrieved 21 November 2017.
  44. ^ "He Shall Overcome: Jay-Z Is $450 M Beyond the Marcy Projects. Where Does He Go From Here?". Observer. 1 December 2010. Retrieved 17 June 2016.
  45. ^ Ghansah, Rachel Kaadzi (1 October 2013). "If He Hollers Let Him Go". The Believer. Retrieved 26 June 2016.
  46. ^ Ghansah, Rachel Kaadzi (31 January 2013). "When the Lights Shut Off: Kendrick Lamar and the Decline of the Black Blues Narrative". Los Angeles Review of Books.
  47. ^ Ghansah, Rachel Kaadzi (17 March 2014). "How Sweet It Is To Be Loved By You: The BeyHive". NPR.org.
  48. ^ Ghansah, Rachel Kaadzi (9 February 2016). "Chirlane McCray and the Limits of First-Ladyship". The New York Times. ISSN 0362-4331. Retrieved 17 June 2016.
  49. ^ Ghansah, Rachel Kaadzi (1 January 2015). "A River Runs Through It". The Believer. Retrieved 17 June 2016.
  50. ^ Ghansah, Rachel Kaadzi (8 April 2015). "The Radical Vision of Toni Morrison". The New York Times.
  51. ^ Ghansah, Rachel Kaadzi (29 February 2016). "The Weight Of James Arthur Baldwin". BuzzFeed. Retrieved 17 June 2016.
  52. ^ Ward, Jesmyn (2 August 2016). The Fire This Time: A New Generation Speaks about Race. Simon and Schuster. ISBN 9781501126345.
  53. ^ Jamison, Leslie; Atwan, Robert (3 October 2017). The Best American Essays 2017. Houghton Mifflin Harcourt. ISBN 9780544817425.
  54. ^ Ghansah, Rachel Kaadzi (15 May 2017). "How Missy Elliott Became an Icon". Elle. Retrieved 21 November 2017. {{cite news}}: Cite has empty unknown parameter: |dead-url= (help)
  55. ^ Ghansah, Rachel Kaadzi (21 August 2017). "A Most American Terrorist: The Making Of Dylann Roof". GQ. Retrieved 21 November 2017.
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