Tatiana Stepanova
Tetyana Stepanova | |
|---|---|
 Tetyana Stepanova, in the library of its house of Madrid | |
| Born | Tetyana Victorovna Stepanova |
| Occupation(s) | Teacher of Ballet, Choreographer, Dancing, Critical, Essayist and Historian of the Dance. |
| Years active | 1977 - present |
Tatiana Victorivna Stepanova, also Tetyana Stepanova, (Russian: Татьяна Викторовна Степанова; Ukrainian: Тeтяна Степанова Вікторівна, Tatiana Victorovna Stepanova) (born 1962, Odessa, Ukraine then Soviet Union) is a Ballet master, choreographer, ballet dancer, critical, essayist and historian of the dance.
Biography
It began its formation in the Special School of Ballet of Odessa (Ukraine) student of Klaudia Vasina, that was a disciple of the Great Dancer and Russian teacher Agrippina Vaganova, complete its formation as the dancer in the State School of Ballet and Choreography of Minsk² (Belarus) where was pupil of Vera Shvetsova (distinguished disciple of Agrippina Vaganova), that danced in the Maly Theatre of Saint Petersburg (Russia) and in the Great Theater of it Opera and Ballet of Riga (Latvia). Graduated in Choreographic Art in the Saint Petersburg Conservatory³, Russia (The N.A. Rimsky-Korsakov Saint Petersburg State Conservatory), where was a student of Gabriela Komleva, Nikita Dolgushin and Nicolai Boyarchikov, Big Dancers of the Mariinsky Theatre (before Kirov Ballet) and of the Mikhaylovsky Theatre (before Maly Theatre) both in Saint Petersburg.
It danced as the soloist in the Great Theater of Ballet of Minsk² (Belarus).
Since 1985, is a Teacher of Ballet, giving classes in Odessa (Ukraine), Saratov and Saint Petersburg (Russia), Madrid, Valencia, Puertollano and Lugo (Spain) and Ashiya and Nishinomiya (Japan)
Founder and Artistic Director of the Institute of Investigation and Studies of Dance (Instituto de Investigación y Estudios de Danza) in Madrid (Spain).
It has published numerous articles of criticism in newspapers and weeklies of Ukraine (Vecherniaya Odessal), Russia (Glásnost, Perestroika and Dance), Spain (El Cultural of La Razón) and United States.
Teacher of the purity and of the maintenance of the original versions of the choreographic inheritance of the classical ballet, its short version of The Sleeping Beauty (1h 20'), is the current work that better maintains the bequest of Marius Petipa, so much in the steps conserved, as in them added that he would have done its. This version premiered itself December seven, 2008, in the Performing Arts Center4 (Nishinomiya, Japan), under the title of Sleeping Beauty Suite.
At present directs the Institute of Investigation and Studies of Dance in Madrid, (Spain) and is the Artistic Director of the AIS Ballet Japan in Ashiya (Japan).
Choreographic work
Miniature
- Incrustación carmesí (2002) Crimson Inlay
- Dama rota (2002) Broken Lady
- El Chocolate del loro (2003) The Chocolate of the parrot
- Torre eclipsada (2005) Tower eclipsed
- Jaula de vientos (2005) Cage of winds
- Jaula de loros (2006) Cage of parrots
- Suite azul (2006) Blue Suite
- Remolinos de Naruto (2007) Swirls of Naruto
- Arcadia (2007) Arcady
- Nectar amargo (2007) Nectar bitter
- The death of the nine swans (2009)
Madrid’s Choreographic
- Arena (Sports Suite) (2004) music of D. Shostakovich.
- Nieblas en Baden-Baden (Fogs in Baden-Baden) (2005) Recognized as one of the few Criminal Ballet that exist, where a detective investigation is danced, starred in by José Antonio Checa.
- Mozarito (2006), with music of Mozart and for the purpose of honoring to the same one in the 250 anniversary of its birth, was starred in by the dancer José Antonio Checa and sponsored by the Department of the Arts of the Community of Madrid. Dance and rolled in the Palace of the Duke of Ugena, historic headquarters of the Chamber of Commerce and Industry of Madrid (Cámara de Comercio e Industria de Madrid).
Ashiya’s Diptych
Inside the choreographic work of Tatiana Stepanova emphasizes its Diptych of Ashiya, formed by Suite of works of Marius Petipa, that she reordena of magisterial form, reinterpreting the pieces and managing to join its steps with the of the master one galoruso, in an inverse osmosis, where is dificil to distinguish the parts of the two choreographers.
- 'Sleeping Beauty Suite' (2008), Music of Tchaikovsky.
References
[1] Official page of Odessa Opera and Ballet Theater.
[2] Official page of National Academy of the Great Theater of Ballet of the Republic of Belarus.
[3] Official page of Saint Petersburg Conservatory Rimsky-Korsakov.
[4] Official page of Hyōgo Performing Arts Center.
External links
- http://www.conservatory.ru Web site of Saint Petersburg Conservatory Rimsky-Korsakov, russian and english.
- http://www.ais-ballet.com japanish.
- http://www.gcenter-hyogo.jp japanish and english.
- http://www.nacbibl.org.by/ Web site of National Academy of the Great Theater of Ballet of the Republic of Belarus, russian and english.
- http://www.elcultural.es/version_papel/TEATRO/13991/Bailes_para_la_primavera/