Jump to content

Jujutsu

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Hillcrestama (talk | contribs) at 03:16, 26 April 2006. The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Jujutsu (also jujitsu, ju jutsu, ju jitsu, or jiu jitsu; from the Japanese 柔術 jūjutsu "flexible/gentle/yielding/compliant Art") is a Japanese martial art that is principally based on grappling and joint lock techniques, though it also includes basic strikes and sweeps as well as varying degrees of ground fighting.

This form of martial arts can trace its roots back to the early unarmed styles that were popular among the samurai. Early martial arts were often categorized narrowly; kenjutsu for sword-fencing, naginata-jutsu for the glaive, and JuJitsu for unarmed. There were many styles of jujitsu with different areas of emphasis such as purely empty-hand fighting; in others it was a system of unarmed methods of dealing with an enemy who was armed. JuJitsu, much like Karate and Kung-Fu, is a very general term and is not limited to only one fixed set of techniques.


The beginning

Fighting forms have existed in Japan for centuries. The first references to such unarmed combat arts or systems can be found in the earliest purported historical records of Japan, the Kojiki (Record of Ancient Matters) and the Nihon Shoki (Chronicles of Japan), which relate the mythological creation of the country and the establishment of the Imperial family. Other glimpses can be found in the older records and pictures depicting sumai (or sumo) no sechie, a rite of the Imperial Court in Nara and Kyoto performed for purposes of divination and to help ensure a bountiful harvest.

There is a famous story of a warrior Nomi no Sekuni of Izumo who defeated and killed Tajima no Kehaya in Shimane prefecture while in the presence of Emperor Suinin. Descriptions of the techniques used during this encounter included striking, throwing, restraining and weaponry. These systems of unarmed combat began to be known as Nihon koryu jujutsu (japanese old-style jujutsu), among other related terms, during the Muromachi period (1333-1573), according to densho (transmission scrolls) of the various ryuha (martial traditions) and historical records.

Most of these were battlefield-based systems to be practiced as companion arts to the more common and vital weapon systems. These fighting arts actually used many different names. Kogusoku, yawara, kumiuchi, and hakuda are just a few, but all of these systems fall under the general description of Sengoku jujutsu. In reality, these grappling systems should be understood as one component of the Samurai's training, whereby an unarmed or lightly armed warrior could hope to defend himself against a heavily armed and armored enemy on the battlefield. Ideally, the samurai would be armed and would not need to rely on such techniques.

In later times, other koryu developed into systems more familiar to the practitioners of Nihon jujutsu commonly seen today. These are correctly classified as Edo jujutsu (founded during the edo period): systems generally designed to deal with opponents neither wearing armor nor in a battlefield environment. For this reason, most systems of Edo jujutsu include extensive use of atemi waza (vital-striking technique). These tactics would be of little use against an armored opponent on a battlefield. They would, however, be quite valuable to anyone confronting an enemy or opponent during peacetime dressed in normal street attire. Occasionally, inconspicuous weapons such as tanto (daggers) or tessen (iron fans) were included in the curriculum of Edo jujutsu.

Another seldom seen but interesting historical aside is a series of techniques originally included in both Sengoku and Edo jujutsu systems. Referred to as hojo waza (捕縄術 hojojutsu, nawa jutsu, hayanawa and others), it involves the use of a hojo cord, (sometimes the sageo or tasuke) to restrain or strangle an attacker. These techniques have for the most part faded from use in modern times, but Tokyo police units still train in their use today and continue to carry a hojo cord in addition to handcuffs. The very old Takenouchi Ryu and Katabami Ryu is one of the better-recognized systems that continue extensive training in hojo waza.

Many other legitimate Nihon jujutsu ryu exist but are not considered koryu (ancient traditions). These are called either Gendai jujutsu or modern jujutsu. Modern jujutsu traditions are founded after or towards the end of the Tokugawa period (1603-1868). Various traditional ryu and ryuha that are commonly thought of as koryu jujutsu are actually gendai jujutsu. These include Hakko Ryu, Daito Ryu, and many others. Although modern in formation, gendai jujutsu systems have direct historical links to ancient traditions and are correctly referred to as traditional martial systems or ryu. Their curriculum reflects an obvious bias towards Edo jujutsu systems as opposed to the Sengoku jujutsu systems. The improbability of confronting an armor-clad attacker is the obvious reason for this bias.

Jujutsu training at an agricultural school in Japan around 1920

Over time, Gendai jujutsu has been embraced by law enforcement officials worldwide and continues to be the foundation for many specialized systems used by police. Perhaps the most famous of these specialized police systems is the Keisatsujutsu (police art) Taiho jutsu (arresting art) system formulated and employed by the Tokyo Police Department.

If a Japanese based martial system is formulated in modern times (post Tokugawa) but is only partially influenced by traditional Nihon jujutsu, it may be correctly referred to as goshin (self defense) jujutsu. Goshin jujutsu is usually formulated outside Japan and may include influences from other martial traditions. The Brazilian Gracie jujutsu system, and all Brazilian jujutsu in general, although derived originally from Judo have evolved independently for many years, and could be considered examples of Goshin Jujutsu.

The word jujutsu itself means approximately "gentle skill," and in Japan is a broad term that also includes Judo, Aikido, and perhaps a few other martial arts.

The development of close combat systems

Regardless of where they live, people spend a great deal of time developing and perfecting methods of using weapons for hunting and fighting. If successful, personal experiences and insights (often gained on the battlefield) help individuals to establish particular "styles," "schools," or "traditions" — in Japanese, the bujutsu ryu-ha.

Compared with the empty-handed fighting arts of neighboring China and Korea, Japanese jujutsu systems place more emphasis on throwing, immobilizing and pinning, joint-locking, and strangling techniques. Atemiwaza (striking techniques) are of secondary importance in most older Japanese systems, as Samurai body armour protected against most striking techniques. The Chinese Quanfa/Ch'uan-fa (Kenpo or Kempo) emphasize punching, striking, and kicking more. However, the Chinese art of Chin-Na has been rumored to be the foundation for Japanese Jujutsu and holds many of the same principles.

It is generally felt that the Japanese systems of hakuda, kenpo, and shubaku display some degree of Chinese influence in their particular emphasis on atemiwaza, while systems that are derived from a more purely Japanese source do not show any special preference for such techniques, but will use them as and when they fit into their systems.

The way an opponent is dealt with is also dependent on the philosophy of the teacher with regard to combat. This translates also in different styles or schools of jujutsu. Because in jujutsu every conceivable technique, including biting, hairpulling, eyegouging etc. is allowed (unlike for instance judo, which does not place emphasis on punching or kicking tactics, or karate, which does not heavily emphasize grappling and throwing) practitioners have an unlimited choice of techniques.

But there are reasons for these differences in the above martial arts. Karate at first glance may not seem to use many throws or techniques outside of strikes, but if one looks closely at kata, they are there. Anytime the Karate-ka makes a 90-180 degree turn in a kata, a throw is present. The technique is hidden, but once the student is ready, he will be taught the application if the teacher is aware. Because of the hidden nature of the technique in kata, much has been lost through the years.

Karate training is rooted in technique embedded in kata. Using it for fighting practice was too dangerous and only recently sport kumite has come into being. The Okinawans, who originated the art, never used it unless it was a life or death situation. Plus, grappling in a dangerous situation limits your ability to move which is essential to making Karate work. Jiujitsu takes the opinion that is is unnecessary to wrestle an opponent to the ground when one can break his knee with a kick and let him fall independently.

One difference between Judo and Jujutsu is that Judo was created as a safe, sport form of Jujutsu (sans atemi waza until one is of black-belt level). Jujutsu is not for sport, but for practical use in the world. Dirty techniques like hairpulling are not considered conventionally acceptable to use on an opponent, thus are not included. Also, trachea chokes and many wrist and elbow locks are absent from Judo's cannon.

Jujutsu training could be, at times, lethal. It was not uncommon for samurai to die in the dojo. Judo came about as a sport alternative and as a remedy to the bad reputation that Jujutsu had at the turn of the twentieth century. Kano Jigoro, the founder of Judo, took out the dangerous techniques that caused the most injury in practice. Judo then was left with the ones that could be safely applied and were still effective in actual combat.

The Ju in Judo and Jujutsu means softness, suppleness or flexibility. But sometimes it was the exact opposite. A Judo technique starts with offbalancing an opponent, fitting into the space created, and then applying the technique all the while using as little energy as possible. Sometimes Jujutsu was taught like this, but sometimes it was not.

Some teachers will favor so called 'Hard systems' that emphasise a more abrasive approach to blocking and countering , while others will favor taking a 'soft approach' in which tori's attack will be conserved by parry's and defections from which a counter defence is employed. Some schools, notably the 'Brazilian Jiu Jitsu' system only concentrate ground work for use in sporting competition, where due to rules, most fights end up on the ground.

Jujutsu techniques have been the basis for many military unarmed combat techniques (including British/US/Russian special forces and SO1 police units) for many years.

Although there were and are many Ryu's (schools) of Japanese jujutsu, there are common features that are characteristic of most of them. Since there are a number of relatively new martial systems identifying themselves as jujutsu, it is appropriate to look at those characteristics which distinguish a style as traditional Japanese jujutsu.

Heritage

All Japanese jujutsu have cultural indicators which help give a sense of the traditional character of a school, and include:

  • An atmosphere of courtesy and respect, a context intended to help cultivate the appropriate kokoro, or "heart".
  • The type of keikogi or training suit worn, which is usually plain white, often with a dark hakama (the most colorful uniform might be plain black or the traditional blue of quilted keikogi; you are not likely to see stars and stripes or camouflage uniforms).
  • Lack of ostentatious display, with an attempt to achieve or express the sense of rustic simplicity (expressed in such concepts as wabi-sabi in Japanese) common in many of Japan's traditional arts.
  • The use of the traditional (e.g., Shoden, Chuden, Okuden, and menkyo kaiden levels) ranking system, perhaps as a parallel track to the more contemporary and increasingly common dan-i (kyu/dan) ranking.
  • There is the lack of tournament trophies, long-term contracts, tags and emblems, rows of badges or any other superficial distractions.

Technical characteristics

Although there is some diversity in the actual look and techniques of the various traditional jujutsu systems, there are significant technical similarities:

  • Students learn traditional jujutsu primarily by observation and imitation as patterned by the ryu's kata (prearranged forms).
  • Most kata emphasize joint-locking techniques, that is threatening a joint's integrity by placing pressure on it in a direction contrary to its normal function, or take-down or throwing techniques, or a combination of take-downs and joint-locks.
  • Sometimes atemi (strikes) are targeted to some vulnerable area of the body will be used to help create kuzushi (the art of breaking balance) or otherwise set-up the opponent for a lock, take-down or throw.
  • In Ju Jitsu either force meets force directly (hard style), or force of an attack is used to facilitate a defensive counter attack (soft style). In general, there is great emphasis placed on maintaining the attackers flow of momentum (which follows from the art's name, in which ju connotes pliability and suppleness.
  • Movements tend to emphasize circularity, and capitalize on an attacker's momentum and openings in order to place a joint in a compromised position or to break balance as preparation for a take-down or throw.
  • The defender's own body is positioned so as to take optimal advantage of the attacker's weaknesses while simultaneously presenting as few openings or weaknesses of its own.
  • It must not be forgotten that weapons training was the primary goal of samurai training. Ko-Ryu (weapons school) is the study of Samurai fighting using weapons. Systems of Ko-Ryu use kata as an instructional method but also students practice cutting techniques in isolation. Weapons might include, for example, the roku shaku bo (long staff), hanbo (short staff), katana (long sword), wakizashi or kodachi (short sword), and tanto (knife), some of the main repertoire of traditional weaponry.

It is important to note that there were once over 2000 schools of Ju Jitsu in japan (circa 1600). The technical characteristics vary from school to school. Many of the generalizations noted above do not hold true for some schools of Ju Jitsu. As well, some schools went on to diverge into present day Karate, and Aiki styles. The last Japanese divergence occurred in 1905 where a number of Ju Jutsu schools joined the Kodokan. The sylabi of those schools was unified under Jigaro Kano to form Jiu-do.

Philosophical dimensions

Japanese culture and religion have become intertwined into the martial arts. Zen, Budhism, Shintoism, Daoism, and Confusionist philoshophy co-exist in Japan; people generally mix and match to suit. Ju Jitsu (translating as "the gentle art") expresses the philosophy of giving/yeilding to an opponent's force rather than trying to oppose force with force. To manipulate an opponent's attack using his force and direction, allows Ju Jitsuka to control the balance of their opponent and hence prevent the opponent from resisting the counter attack.

The Japanese characterised states of mind that a warrior should be able to adopt in combat to facilitate victory.

These include: an all-encompassing awareness, zanshin (literally "remaining spirit"), in which the practitioner is ready for anything, at any time; the spontaneity of mushin (literally "no mind") which allows immediate action without conscious thought; and a state of equanimity or imperturbability known as fudoshin (literally "immovable mind").

Together, these states of mind prepare the Ju Jutsu Ka's psyche for combat, allowing him the utmost potential for reaction. Such effectiveness and the technical competence and mental mastery on which it stands, however, is possible only after a considerable period of serious and devoted training. In modern times, our lifestyles limit practice; it can take 30 years to master our Ju Jitsu style. In ancient Japan, Ju Jitsu training dominated Samurai life and students would mature much more quickly.

These various characteristics or components, taken together, largely describe the principal elements of traditional Japanese jujutsu. If most or all of these characteristics are not noticeable in a so-called jujutsu system, then the legitimacy of the system as bona fide Nihon jujutsu would be highly suspect. This is not to say that the system or school in question does not offer a good training program or effective techniques. It simply suggests that such a system may be more accurately labeled with some other term.

Jujutsu as sport

Jujutsu may not be considered by some to be a true "sport," but rather a learned skill or practice. Accordingly, genuine Ju Jutsu practitioners use every conceivable technique to win in combat. There are no rules in Ju Jutsu, and hence it may not be considered a sport. A "sport" must have rules. In Ju Jutsu the only goal is to survive or die honourably. In the modern United Kingdom, Jiu Jitsu still teaches defences against full contact attacks, often from multiple attackers and with weapons. Because of this, and because there is no removal of fatal techniques used to defend against such attacks, there can be no sparring. Hence Jiu Jitsu taught in this manner cannot be considered a sport.

In an attempt to modernise the samurai arts and preserve them in the modern world, the emperor instructed Jigaro Kano to re-organise the martial arts making them acceptable to a more westernised Japan. Those who would not accept Kano's Jiu-Do emigrated to Britain, France and the US. Thus Ju Jutsu became established in the west as Jiu-Do was taking hold in Japan. The essential difference between Ju Jutsu and Ju-Do is that those who practice Ju Jutsu do not accept the dilution of the Jutsu's devised by Kano, and prefer instead to maintain traditional training methods that served centuries of Samurai.

Those who seek to create a sport form of Ju Jutsu ought to consider that Ju-Do already exists, and a new format is not necessary. It is perhaps ironic, that as Ju-Do continues to evolve by removing risky techniques from its format, another split has occurred. Those who enjoy more pugilism are now adopting the phrase 'Sport Ju Jutsu' or 'Brazilian Ju Jitsu' in order to distinguish themselves from practitioners of Ju-Do. This has led to the confusion we now have. Ju Jutsu (Ju Jitsu/Jiu Jitsu/Jiu Jutsu) is now an art, and a sport. Ju-Do is now a diluted form of 'Sport Ju Jutsu' in effect, although the evolution has occurred from soft to less soft.

Ju Jutsu (Jitsu) should refer to the combat systems practiced in their original forms pre Jigaro Kano. Ju-Do should be considered an altered form of Ju-Jutsu that removes components considered to be dangerous, and because it has strict rules should be considered a sport and not a combat system. 'Sport Ju Jutsu' and Brazilian Ju Jitsu should be considered as another divergence of Ju Jutsu from art to sport. Sport Ju Jitsu has rules which confine the available strategies to win. Therefore one can consider it diluted Ju Jutsu but in a way divergent to that of Ju-Do. Not only does Ju Jutsu maintain the instruction of dangerous techniques, such as throwing a person from a standing position while having an arm in a jointlock, which can result in serious injuries. Ju Jutsu also maintains the emphasis on co operative training. This prevents fatal injury, and alows the pupil to learn the full breadth of a techniques dynamic (from static learning to dynamic combat) in a progressive fashion. This is why it can take a student in excess of 20 years to mature as an exponent (in our modern world). In Ju Jutsu, by ethos there are no rules, and practitioners train in the use of many potentially fatal moves. However, because students train in a non competitive environment, training in Ju Jutsu is perhaps as risky as training to ice skate or gymnastics. Students are taught all necessary break falling skills to allow them to routinely practice otherwise fatal throws.

What's in a name?

Jujutsu, Jujitsu, Jiu Jitsu; there are a wide range of spellings used in English for this Japanese martial art. In the native Japanese, jūjutsu is written in kanji (Japanese ideograms) as 柔術, but the romanization of the Japanese word into the English language has been performed several times using several different systems.

Jujutsu, the current standard, is derived using the Hepburn romanization system. Before the first half of the 20th century, however, jiu-jitsu and then jujitsu were preferred. Since this corresponded to a period of time when Japanese martial arts first became widely known of in the West, these earlier spellings are still common in many places, though the romanization of the second kanji as jitsu is unfaithful to the Japanese pronunciation.

The Chinese character 柔 (Mandarin: róu; Japanese: jū) is the same as the first one in 柔道 (Mandarin: róudào; Japanese: judo). The Chinese character 術 (Mandarin: shù; Japanese: jutsu) is the same as the second one in 武術 (Mandarin: wǔshù; Japanese: bujutsu)

Father of a large family of derivatives

Because jujutsu is both so encompassing and has its origin hundreds of years ago, it has become the foundation for a variety of styles and derivations today. As each instructor incorporated new techniques and tactics to what was taught to him originally, he could codify and create his own ryu or school. Some of these schools modified the source material so much that they no longer considered themselves a breed of jujutsu. Modern judo is the classic example of a 'Sport' which was derived from jujutsu but is today distinct. Another layer removed, some popular arts had instructors who studied one of these jujutsu-derivatives and made their own derivative succeed in competition. This creates an extensive family of martial arts and sports which can trace their lineage to jujutsu in some part. Brazilian jiu-jitsu has dominated the TV grappling competitions, as the rules of such competions favours that style of grappling, and Brazilian Jiu-jitsu has furthered modern grappling onto new levels.

The old schools of Japanese Ju Jitsu:

Others are listed here http://www.geocities.com/HotSprings/6065/


After the transplantation of traditional Japanese jujitsu to the west, many of these more traditional styles underwent a process of adaptation at the hands of western practitioners, molding the arts of jujitsu to suit western culture in its myriad varieties. There are today many distinctly westernized styles of jujitsu, a few of which stick to the roots and basics of ancient Ju Jitsu, but many of which do not.

Post reformation Jujutsu associations and schools (Those founded post 1905).

The following martial arts have derived from or are influenced by jujutsu or have founding instructors that studied a derivative of jujutsu.

See also

Techniques

(note: around April 20, 2006 all the external links were deleted by 'User:Dave3141592'. I sent an email to this user stating that I thought that was not appropriate, as other martial arts categories have external links and I don't see why Jujitsu shouldn't as long as the categorization is consistent. -- User:Hillcrestama)

Retrieved from "https://en.wikipedia.org/w/index.php?title=Jujutsu&oldid=50198089"