Breakbeat
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| Breakbeat | |
|---|---|
| Stylistic origins | Electro, electronic dance |
| Cultural origins | Late 1980s, United Kingdom |
| Typical instruments | Sampler - Sequencer - Synthesizer - Drum machine - Personal computer - Keyboard |
| Derivative forms | Drum and bass - 2-step garage - 4-beat - Dubstep |
| Subgenres | |
| Acid breaks - Big beat - Breakcore - Broken beat - Funky breaks - Hardcore breaks - Nu-funk - Nu skool breaks - Progressive breaks (complete list) | |
| Fusion genres | |
| Breakstep - Breakbeat hardcore | |
Breakbeat (sometimes breakbeats or breaks) is a collection of sub-genres of electronic music, usually characterized by the use of a non-straightened 4/4 drum pattern (as opposed to the steady beat of house). These rhythms may be characterised by their intensive use of syncopation and polyrhythms.
History
Breakbeats were used in the 1920s by Jazz and Swing bands, a popular breakbeat song of the 1920s was the Charleston. Fast forward to the late 1970s and early 1980s, hip-hop turntablists, such as Kool DJ Herc, began using several Funk breaks in a row, using irregular drum patterns from songs such as James Brown Funky Drummer and The Winstons Amen Brother, to form the rhythmic base for hip-hop songs. Kool DJ Herc's breakbeat style was to play the same record on two turntables and play the break repeatedly by alternating between the two records.[1] This style was copied and improved upon by early hip hop DJs Afrika Bambaataa and Grand Wizard Theodore.[2][dubious – discuss] This style was extremely popular in clubs and dance halls because the extended breakbeat provided breakdancers with more opportunities to showcase their skills.
In the early 1990s, acid house artists and producers started using breakbeat samples in their music to create breakbeat hardcore, also known as rave music.[chronology citation needed] The hardcore scene then diverged into sub-genres like jungle and drum and bass, which generally had a darker sound and focused more on complex sampled drum patterns. An example of this is Goldie's album Timeless.
Josh Lawford of Ravescene prophesied that the breakbeat was "the death-knell of rave"[3] because the ever changing drumbeat patterns of breakbeat music didn't allow for the same zoned out, trance-like state that the standard, steady 4/4 beats of house enabled. In 1994 the influential techno act Autechre released the Anti EP in response to the Criminal Justice and Public Order Act 1994 using advanced algorythmic programming to generate non-repetitive breakbeats for the full duration of the tracks to subvert the legal definitions within that legislation.
Evolution
In the 1980s the breakbeat became an essential feature of many genres of breaks music which became popular within the global dance music scene, including big beat, nu skool breaks and progressive breaks.[4]
DJs from a variety of genres, including house and techno, work breaks tracks into their sets. This may occur because the tempo of breaks tracks (ranging from 110 to 150 beats per minute) means they can be readily mixed with these genres, whereas the comparatively fast speed of jungle and drum and bass (160-180 bpm) may have restricted the utility of these subgenres to DJs playing slower-tempo music.
Some artists well known for breakbeat include NAPT, DJ Icey, DJ Marmik, Stanton Warriors, Beat Assassins, Pendulum, Krafty Kuts, The Freestylers, DJ Loopy & Dj G3NjUiCe, K-Swing, Soul Of Man, Deekline And Wizard, The Breakfastaz, Ctrl Z, DJ Sharaz, Freq Nasty, Annie Nightingale, Plump DJ's and avant-garde performance troupe Lucent Dossier Experience.
Breakbeats are used in many hip hop, rap, jungle, and hardcore songs, and can also be heard in other music, from popular music to background music in car and jean commercials on the radio or TV. One of the largest Breaks nights north of London is Milton Keynes lead Beatcheck, set up in 2006.[5]
Sampled breakbeats
With the advent of digital sampling and music editing on the computer, breakbeats have become much easier to create and use. Now, instead of cutting and splicing tape sections or constantly backspinning 2 records at the same time, a computer program can be used to cut, paste, and loop breakbeats endlessly. Digital effects like filters, reverb, reversing, time stretching, and pitch shifting can be added to the beat, and even to individual sounds by themselves. Individual instruments from within a breakbeat can be sampled and combined with others, thereby creating wholly new breakbeat patterns.
The Amen Break
The Amen Break, a drum break from The Winstons' song "Amen, Brother" is widely regarded as one of the most widely-used and sampled breaks among music using breakbeats.[6] This break was first used on "King of the Beats" by Mantronix, and has since been used in thousands of songs.[7] Other popular breaks are from James Brown's "Funky Drummer" and "Give it Up or Turnit a Loose", The Incredible Bongo Band's "Apache", and Lyn Collins' "Think (About It)".[2]
Legal issues
With the rise in popularity of breakbeat music and the advent of digital audio samplers, enterprising companies started selling "breakbeat packages" for the express purpose of helping artists create breakbeats. A breakbeat kit CD would contain many breakbeat samples from different songs and artists, often without the artist's permission or even knowledge.[dubious – discuss] One example of this is the Amen Break, from a song by The Winstons, who hold the copyright. However, a company named Zero G released a "jungle construction kit" containing an exact copy of the Amen break, slightly sped up, to which Zero G claims copyright. The Winstons have not received royalties for third-party use of samples of the break recorded on their original music release.[7]
Related genres
Acid Breaks
In electronic music, acid breaks is a fusion between breakbeat, acid, acid techno and other forms of electronic dance music (EDM).[vague] Its drum line usually mimics most breakbeat music, lacking the distinctive kick drum of other forms of EDM. One of the earliest synthesizers to be employed in acid music was the Roland TB-303, which makes use of a resonant low-pass filter to emphasize the harmonics of the sound. The first acid breaks track is credited to Zak Baney in 1987 for his track "Acid Break".[8]
See also
References
- ^ http://www.digitaldreamdoor.com/pages/best_timeline-elec.html
- ^ a b Modulations: A History of Electronic Music, Peter Shapiro, ed. New York: Caipirnha Productions Inc., 2000, p. 152
- ^ Generation Ecstasy, Simon Reynolds, New York: Routledge, 1999, p. 253
- ^ http://www.digitaldreamdoor.com/pages/best_timeline-elec.html
- ^ "Nate Harrison". nkhstudio.com.
- ^ "10 Most Sampled Breakbeats". blog.whosampled.com.
- ^ a b "Musical history: Seven seconds of fire". The Economist. The Economist Newspaper Limited. 2011-12-17. Retrieved 2011-12-28.
- ^ Credited by the DJ List, thedjlist.com