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His best-known works are ''[[Phantastes]]'', ''[[The Princess and the Goblin]]'', ''[[At the Back of the North Wind]]'', and ''[[Lilith (novel)|Lilith]]'', all fantasy novels, and fairy tales such as "[[The Light Princess]]", "[[The Golden Key]]", and "[[The Lost Princess|The Wise Woman]]". "I write, not for children," he wrote, "but for the child-like, whether they be of five, or fifty, or seventy-five." MacDonald also published some volumes of sermons, the pulpit not having proved an unreservedly successful venue.
His best-known works are ''[[Phantastes]]'', ''[[The Princess and the Goblin]]'', ''[[At the Back of the North Wind]]'', and ''[[Lilith (novel)|Lilith]]'', all fantasy novels, and fairy tales such as "[[The Light Princess]]", "[[The Golden Key]]", and "[[The Lost Princess|The Wise Woman]]". "I write, not for children," he wrote, "but for the child-like, whether they be of five, or fifty, or seventy-five." MacDonald also published some volumes of sermons, the pulpit not having proved an unreservedly successful venue.


MacDonald also served as a mentor to [[Lewis Carroll]] (the pen-name of Rev. Charles Lutwidge Dodgson); it was MacDonald's advice, and the enthusiastic reception of ''[[Alice's Adventures in Wonderland|Alice]]'' by MacDonald's many sons and daughters, that convinced Carroll to submit ''Alice'' for publication. Carroll, one of the finest Victorian photographers, also created photographic portraits of several of the MacDonald children.
MacDonald also served as a mentor to [[Lewis Carroll]] (the pen-name of Rev. Charles Lutwidge Dodgson); it was MacDonald's advice, and the enthusiastic reception of ''[[Alice's Adventures in Wonderland|Alice]]'' by MacDonald's many sons and daughters, that convinced Carroll to submit ''Alice'' for publication.<ref name=rees>Rees, Richard H. (1972). ''George MacDonald'', pp. 25-26. Twayne Publishers, Inc.</ref> Carroll, one of the finest Victorian photographers, also created photographic portraits of several of the MacDonald children.


MacDonald was also friends with [[John Ruskin]] and served as a go-between in Ruskin's long courtship with [[Rose La Touche]].
MacDonald was also friends with [[John Ruskin]] and served as a go-between in Ruskin's long courtship with [[Rose La Touche]].<ref name=rees/>


MacDonald was acquainted with most of the literary luminaries of the day; a surviving group photograph shows him with [[Alfred Tennyson|Tennyson]], [[Charles Dickens|Dickens]], [[Wilkie Collins]], [[Anthony Trollope|Trollope]], [[John Ruskin|Ruskin]], [[George Henry Lewes|Lewes]], and [[William Makepeace Thackeray|Thackeray]]. While in America he was a friend of [[Henry Wadsworth Longfellow|Longfellow]] and [[Walt Whitman]].
MacDonald was acquainted with most of the literary luminaries of the day; a surviving group photograph shows him with [[Alfred Tennyson|Tennyson]], [[Charles Dickens|Dickens]], [[Wilkie Collins]], [[Anthony Trollope|Trollope]], [[John Ruskin|Ruskin]], [[George Henry Lewes|Lewes]], and [[William Makepeace Thackeray|Thackeray]]. While in America he was a friend of [[Henry Wadsworth Longfellow|Longfellow]] and [[Walt Whitman]].
Line 57: Line 57:
In 1877 he was given a [[civil list]] pension. From 1879 he and his family moved to [[Bordighera]]<ref>[http://www.bordighera.it/storia/approfondimenti/george_mc_donald Council of the City of Bordighera - "Approfondimenti, George Mac Donald"]</ref> in a place much loved by British expatriates, the [[Riviera dei Fiori]] in [[Liguria]], [[Italy]], almost on the French border. In that locality there also was an [[Anglican]] Church, which he attended. Deeply enamoured of the Riviera, he spent there 20 years, writing almost half of his whole literary production, especially the [[fantasy]] work.<ref>Cf. official website at [http://www.george-macdonald.com/resources/life_outline.html Bio Notes].</ref> In that Ligurian town MacDonald founded a literary studio named ''Casa Coraggio'' (Bravery House), which soon became one of the most renowned cultural centres of that period, well attended by British and Italian travellers, and by locals. In that house representations were often held of classic plays, and readings were given of [[Dante]] and [[Shakespeare]].<ref>See information on [http://www.george-macdonald.com/resources/bordighera_visit.html MacDonald's Bordighera Period].</ref>
In 1877 he was given a [[civil list]] pension. From 1879 he and his family moved to [[Bordighera]]<ref>[http://www.bordighera.it/storia/approfondimenti/george_mc_donald Council of the City of Bordighera - "Approfondimenti, George Mac Donald"]</ref> in a place much loved by British expatriates, the [[Riviera dei Fiori]] in [[Liguria]], [[Italy]], almost on the French border. In that locality there also was an [[Anglican]] Church, which he attended. Deeply enamoured of the Riviera, he spent there 20 years, writing almost half of his whole literary production, especially the [[fantasy]] work.<ref>Cf. official website at [http://www.george-macdonald.com/resources/life_outline.html Bio Notes].</ref> In that Ligurian town MacDonald founded a literary studio named ''Casa Coraggio'' (Bravery House), which soon became one of the most renowned cultural centres of that period, well attended by British and Italian travellers, and by locals. In that house representations were often held of classic plays, and readings were given of [[Dante]] and [[Shakespeare]].<ref>See information on [http://www.george-macdonald.com/resources/bordighera_visit.html MacDonald's Bordighera Period].</ref>


In 1900 he moved into St George's Wood, [[Haslemere]], a house designed for him by his son, Robert Falconer MacDonald and the building overseen by his eldest son, [[Greville MacDonald]]. He died on 18 September 1905 in [[Ashtead]] (Surrey). He was cremated and his ashes buried in [[Bordighera]], in the English cemetery, along with his wife Louisa and daughters Lilia and Grace.
In 1900 he moved into St George's Wood, [[Haslemere]], a house designed for him by his son, Robert Falconer MacDonald, and the building overseen by his eldest son, [[Greville MacDonald]]. He died on 18 September 1905 in [[Ashtead]] (Surrey). He was cremated and his ashes buried in [[Bordighera]], in the English cemetery, along with his wife Louisa and daughters Lilia and Grace.


As hinted above, MacDonald's use of [[fantasy fiction|fantasy]] as a literary medium for exploring the human condition greatly influenced a generation of such notable authors as [[C. S. Lewis]] (who featured him as a character in his ''[[The Great Divorce]]''), [[J. R. R. Tolkien]], and [[Madeleine L'Engle]]. MacDonald's non-fantasy novels, such as ''Alec Forbes'', had their influence as well; they were among the first realistic Scottish novels, and as such MacDonald has been credited with founding the "[[kailyard school]]" of Scottish writing.
As hinted above, MacDonald's use of [[fantasy fiction|fantasy]] as a literary medium for exploring the human condition greatly influenced a generation of such notable authors as [[C. S. Lewis]] (who featured him as a character in his ''[[The Great Divorce]]''), [[J. R. R. Tolkien]], and [[Madeleine L'Engle]]. MacDonald's non-fantasy novels, such as ''Alec Forbes'', had their influence as well; they were among the first realistic Scottish novels, and as such MacDonald has been credited with founding the "[[kailyard school]]" of Scottish writing.

Revision as of 23:03, 4 February 2013

For other uses, see George MacDonald (disambiguation).

George MacDonald
George MacDonald
George MacDonald
Born(1824-12-10)10 December 1824
Huntly, Aberdeenshire, Scotland
Died18 September 1905(1905-09-18) (aged 80)
Ashtead, Surrey, England
OccupationMinister, Writer (poet, novelist)
NationalityScottish
Period19th century
GenreChildren's literature
Notable worksLilith, Phantastes, David Elginbrod, The Princess and the Goblin, At the Back of the North Wind

George MacDonald (10 December 1824 – 18 September 1905) was a Scottish author, poet, and Christian minister.

Known particularly for his poignant fairy tales and fantasy novels, George MacDonald inspired many authors, such as W. H. Auden, J. R. R. Tolkien, C. S. Lewis, E. Nesbit and Madeleine L'Engle.[1] C. S. Lewis wrote that he regarded MacDonald as his "master": "Picking up a copy of Phantastes one day at a train-station bookstall, I began to read. A few hours later," said Lewis, "I knew that I had crossed a great frontier." G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence."

Elizabeth Yates wrote of Sir Gibbie, "It moved me the way books did when, as a child, the great gates of literature began to open and first encounters with noble thoughts and utterances were unspeakably thrilling."[2]

Even Mark Twain, who initially disliked MacDonald, became friends with him, and there is some evidence that Twain was influenced by MacDonald.[3] Christian author Oswald Chambers (1874–1917) wrote in Christian Discipline, vol. 1, (pub. 1934) "it is a striking indication of the trend and shallowness of the modern reading public that George MacDonald's books have been so neglected."

Life and career

George MacDonald was born on the 10th of December 1824 at Huntly, Aberdeenshire, Scotland. His father, a farmer, was one of the MacDonalds of Glen Coe, and a direct descendant of one of the families that suffered in the massacre of 1692.[4][5] The Doric dialect of the Aberdeenshire area appears in the dialogue of some of his non-fantasy novels.

MacDonald grew up in the Congregational Church, with an atmosphere of Calvinism. But MacDonald never felt comfortable with some aspects of Calvinist doctrine; indeed, legend has it that when the doctrine of predestination was first explained to him, he burst into tears (although assured that he was one of the elect). Later novels, such as Robert Falconer and Lilith, show a distaste for the idea that God's electing love is limited to some and denied to others.

He took his degree at the University of Aberdeen, and then went to London, studying at Highbury College for the Congregational ministry.

MacDonald was the pastor of Trinity Congregational Church, Arundel from 1850.

In 1850 he was appointed pastor of Trinity Congregational Church, Arundel, but his sermons (preaching God's universal love and the possibility that none would, ultimately, fail to unite with God) met with little favour and his salary was cut in half. Later he was engaged in ministerial work in Manchester. He left that because of poor health, and after a short sojourn in Algiers he settled in London and taught for some time at the University of London. MacDonald was also for a time editor of Good Words for the Young, and lectured successfully in the United States during 1872–1873.

His best-known works are Phantastes, The Princess and the Goblin, At the Back of the North Wind, and Lilith, all fantasy novels, and fairy tales such as "The Light Princess", "The Golden Key", and "The Wise Woman". "I write, not for children," he wrote, "but for the child-like, whether they be of five, or fifty, or seventy-five." MacDonald also published some volumes of sermons, the pulpit not having proved an unreservedly successful venue.

MacDonald also served as a mentor to Lewis Carroll (the pen-name of Rev. Charles Lutwidge Dodgson); it was MacDonald's advice, and the enthusiastic reception of Alice by MacDonald's many sons and daughters, that convinced Carroll to submit Alice for publication.[6] Carroll, one of the finest Victorian photographers, also created photographic portraits of several of the MacDonald children.

MacDonald was also friends with John Ruskin and served as a go-between in Ruskin's long courtship with Rose La Touche.[6]

MacDonald was acquainted with most of the literary luminaries of the day; a surviving group photograph shows him with Tennyson, Dickens, Wilkie Collins, Trollope, Ruskin, Lewes, and Thackeray. While in America he was a friend of Longfellow and Walt Whitman.

In 1877 he was given a civil list pension. From 1879 he and his family moved to Bordighera[7] in a place much loved by British expatriates, the Riviera dei Fiori in Liguria, Italy, almost on the French border. In that locality there also was an Anglican Church, which he attended. Deeply enamoured of the Riviera, he spent there 20 years, writing almost half of his whole literary production, especially the fantasy work.[8] In that Ligurian town MacDonald founded a literary studio named Casa Coraggio (Bravery House), which soon became one of the most renowned cultural centres of that period, well attended by British and Italian travellers, and by locals. In that house representations were often held of classic plays, and readings were given of Dante and Shakespeare.[9]

In 1900 he moved into St George's Wood, Haslemere, a house designed for him by his son, Robert Falconer MacDonald, and the building overseen by his eldest son, Greville MacDonald. He died on 18 September 1905 in Ashtead (Surrey). He was cremated and his ashes buried in Bordighera, in the English cemetery, along with his wife Louisa and daughters Lilia and Grace.

As hinted above, MacDonald's use of fantasy as a literary medium for exploring the human condition greatly influenced a generation of such notable authors as C. S. Lewis (who featured him as a character in his The Great Divorce), J. R. R. Tolkien, and Madeleine L'Engle. MacDonald's non-fantasy novels, such as Alec Forbes, had their influence as well; they were among the first realistic Scottish novels, and as such MacDonald has been credited with founding the "kailyard school" of Scottish writing.

His son Greville MacDonald became a noted medical specialist, a pioneer of the Peasant Arts movement and also wrote numerous fairy tales for children. Greville ensured that new editions of his father's works were published. Another son, Ronald MacDonald, was also a novelist.[10] Ronald's son, Philip MacDonald, (George MacDonald's grandson) became a very well known Hollywood screenwriter.

Theology

MacDonald rejected the doctrine of penal substitutionary atonement as developed by John Calvin, which argues that Christ has taken the place of sinners and is punished by the wrath of God in their place, believing that in turn it raised serious questions about the character and nature of God. Instead, he taught that Christ had come to save people from their sins, and not from a Divine penalty for their sins. The problem was not the need to appease a wrathful God but the disease of cosmic evil itself. George MacDonald frequently described the Atonement in terms similar to the Christus Victor theory. MacDonald posed the rhetorical question, "Did he not foil and slay evil by letting all the waves and billows of its horrid sea break upon him, go over him, and die without rebound—spend their rage, fall defeated, and cease? Verily, he made atonement!"

George MacDonald in 1901

MacDonald was convinced that God does not punish except to amend, and that the sole end of His greatest anger is the amelioration of the guilty. As the doctor uses fire and steel in certain deep-seated diseases, so God may use hell-fire if necessary to heal the hardened sinner. MacDonald declared, "I believe that no hell will be lacking which would help the just mercy of God to redeem his children." MacDonald posed the rhetorical question, "When we say that God is Love, do we teach men that their fear of Him is groundless?" He replied, "No. As much as they fear will come upon them, possibly far more. … The wrath will consume what they call themselves; so that the selves God made shall appear."

However, true repentance, in the sense of freely chosen moral growth, is essential to this process, and, in MacDonald's optimistic view, inevitable for all beings (see universal reconciliation). He recognised the theoretical possibility that, bathed in the eschatological divine light, some might perceive right and wrong for what they are but still refuse to be transfigured by operation of God's fires of love, but he did not think this likely.

In this theology of divine punishment, MacDonald stands in opposition to Augustine of Hippo, and in agreement with the Greek Church Fathers Clement of Alexandria, Origen, and St. Gregory of Nyssa, although it is unknown whether MacDonald had a working familiarity with Patristics or Eastern Orthodox Christianity. At least an indirect influence is likely, because F. D. Maurice who influenced MacDonald knew the Greek Fathers, especially Clement, very well. MacDonald states his theological views most distinctly in the sermon Justice found in the third volume of Unspoken Sermons.

In his introduction to George MacDonald: An Anthology, C. S. Lewis speaks highly of MacDonald's theology:

"This collection, as I have said, was designed not to revive MacDonald's literary reputation but to spread his religious teaching. Hence most of my extracts are taken from the three volumes of Unspoken Sermons. My own debt to this book is almost as great as one man can owe to another: and nearly all serious inquirers to whom I have introduced it acknowledge that it has given them great help—sometimes indispensable help toward the very acceptance of the Christian faith.

… I know hardly any other writer who seems to be closer, or more continually close, to the Spirit of Christ Himself. Hence his Christ-like union of tenderness and severity. Nowhere else outside the New Testament have I found terror and comfort so intertwined. …

In making this collection I was discharging a debt of justice. I have never concealed the fact that I regarded him as my master; indeed I fancy I have never written a book in which I did not quote from him. But it has not seemed to me that those who have received my books kindly take even now sufficient notice of the affiliation. Honesty drives me to emphasize it."

Partial list of works

In popular culture

  • Rock group The Waterboys titled their album Room to Roam after a passage in MacDonald's Phantastes, also found in Lilith. The title track of the album comprises a MacDonald poem from the text of Phantastes set to music by the band. The works Lilith and Phantastes are both named as books in a library, in the title track of another Waterboys album, Universal Hall. The Waterboys have also quoted from C. S. Lewis in several songs including "Church Not Made With Hands" and "Further Up, Further In", confirming the enduring link in modern pop culture between Macdonald and Lewis.
  • A verse from The Light Princess is cited in the "Beauty and the Beast" song by Nightwish.
  • Contemporary new-age musician Jeff Johnson wrote a song titled "The Golden Key" based on George MacDonald's story of the same name. He has also written several other songs inspired by MacDonald and the Inklings.
  • Christian celtic punk band Ballydowse have a song called "George MacDonald" on their album Out of the Fertile Crescent. The song is both taken from MacDonald's poem "My Two Geniuses" and liberally quoted from Phantastes.
  • Jazz pianist and recording artist Ray Lyon has a song called "Up The Spiral Stairs" on his CD Beginning io See which was released in 2007. The song features lyrics from MacDonald's 26 and 27 September devotional readings from the book Diary of an Old Soul.

See also

Notes

  1. ^ Gary K. Wolfe, "George MacDonald", in Bleiler, E. F., ed., Supernatural Fiction Writers: Fantasy and Horror. New York: Scribner's, 1985. pp.239–246.
  2. ^ George MacDonald, HSTreasures.com
  3. ^ "Mark Twain, George MacDonald's Friend Abroad". Georgemacdonald.info. Retrieved 4 September 2012.
  4. ^ "Site Record for Glencoe, National Trust For Scotland Glencoe Visitor Centre" (Document). Royal Commission on the Ancient and Historical Monuments of Scotland. {{cite document}}: Unknown parameter |url= ignored (help). Location of NTS visitor centre.
  5. ^ Anon. "The Massacre of Glen Coe". Scottish History: The making of the union. BBC. Retrieved 6 November 2012.
  6. ^ a b Rees, Richard H. (1972). George MacDonald, pp. 25-26. Twayne Publishers, Inc.
  7. ^ Council of the City of Bordighera - "Approfondimenti, George Mac Donald"
  8. ^ Cf. official website at Bio Notes.
  9. ^ See information on MacDonald's Bordighera Period.
  10. ^ "Internet Archive: Details: The sword of the King". Archive.org. Retrieved 4 September 2012.
  11. ^ a b Bibliography of Books by and about George MacDonald
  12. ^ Series, Sequels, Sequences and Associations (Not in to be continued [1995 ed.]). Dpi.state.wi.us. Retrieved on 10 August 2011.
  13. ^ History – Springs Mennonite Church. Springsmc.org (12 September 1954). Retrieved on 10 August 2011.
  14. ^ Google Books - Retrieved on 6 November 2012.
  15. ^ The Minister's Restoration by George MacDonald. Fantasticfiction.co.uk. Retrieved on 10 August 2011.

References

  • Ankeny, Rebecca Thomas. The Story, the Teller and the Audience in George MacDonald's Fiction. Lewiston, NY: Edwin Mellen Press, 2000.
  • Gray, William N. "George MacDonald, Julia Kristeva, and the Black Sun." Studies in English Literature, 1500–1900 36.4 (Autumn 1996): 877–593. Accessed 19 May 2009.
  • Hein, Rolland. George MacDonald: Victorian Mythmaker. Nashville: Star Song, 1993.
  • Johnson, Joseph. George MacDonald: A Biographical and Critical Appreciation. London: Sir Isaac Pitman and Sons, Ltd., 1906.
  • Lewis, C. S. George MacDonald: An Anthology. 1947.
  • Lewis, C. S. Surprised by Joy.
  • MacDonald, Greville. George MacDonald and His Wife.
  • McGillis, Roderick, ed. For the Childlike: George MacDonald's Fantasies for Children. Metuchen, NJ, and London: The Children's Literature Association and the Scarecrow Press, Inc., 1992.
  • Raeper, William. George MacDonald. Tring, Herts., and Batavia, IL: Lion Publishing, 1987.
  • Reis, Richard R. George MacDonald. Twayne, 1972.
  • Robb, David S. George MacDonald. Edinburgh: Scottish Academic Press, 1987.
  • Wolff, Robert Lee. The Golden Key: A Study of the Fiction of George Macdonald. New Haven: Yale University Press, 1961.

Further reading

  • North Wind. A Journal of George MacDonald Studies. The Journals of the George MacDonald Society
  • Greville MacDonald, George MacDonald and his Wife, London: *George Allen & Unwin, 1924 (republished 1998 by Johannesen ISBN 1-881084-63-9
  • Rolland Hein, George MacDonald: Victorian Mythmaker. Star Song Publishing, 1993. ISBN 1-56233-046-2
  • William Raeper, George MacDonald. Novelist and Victorian Visionary, Lion Publishing, 1987
  • Thomas Gerold, Die Gotteskindschaft des Menschen. Die theologische Anthropologie bei George MacDonald, Münster: Lit, 2006 ISBN 3-8258-9853-9 (A study of MacDonald's theology).
  • George MacDonald Selections From His Greatest Works, compiled by David L. Neuhouser, published by Victor Press 1990. ISBN 0-89693-788-7
  • Wingfold. A journal "Celebrating the works of George MacDonald". Published by Barbara Amell

External links

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