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==Reception==
==Reception==
Every year, the three full companies of Shen Yun tour simultaneously some of the world’s most prestigious performing arts venues. In early 2012, Shen Yun’s performances at New York's Lincoln Center were completely sold out, as were performances in Los Angeles and Toronto. <ref name=examiner>Sheila OConnor, Shen Yun captivates full house at Lincoln Center in NYC, Examiner, January 15, 2012.</ref> By the end of the 2010 season, approximately one million audience members had seen the performance.<ref name=NYTimesHodara/> Although critics have generally lauded the show’s artistry, some reviewers have been critical of Shen Yun’s religious and political content related to the suppression of Falun Gong in China.
Every year, the three full companies of Shen Yun tour simultaneously some of the world’s most prestigious performing arts venues. In early 2012, Shen Yun’s performances at New York's Lincoln Center were completely sold out, as were performances in Los Angeles and Toronto. <ref name=examiner>Sheila OConnor, Shen Yun captivates full house at Lincoln Center in NYC, Examiner, January 15, 2012.</ref> By the end of the 2010 season, approximately one million audience members had seen the performance.<ref name=NYTimesHodara/>


''The [[San Francisco Chronicle]]'' billed the show positively, writing that the performance "takes viewers on a visually dazzling tour of 5,000 years of Chinese history and culture via bravura displays of acrobatics and grand tales told through flourishes of Chinese classical dance."<ref name="sfgate"/> Paula Citron, theater critic for Canada's [[Globe and Mail]] said "the production values are grand in terms of costumes and scenic effects, and the performers are all very good-looking and meticulously disciplined."<ref name="globeandmail"/> [[Opera Online]] described the performance as "simply astounding to watch and a pleasure to the ear."<ref name="operaonline">{{Cite web| url=http://www.operaonline.us/mythslegends_001.htm | work=[[Opera Online]] | accessdate=15 November 2009 | title=Boston welcomes Year of the Dog with Gala multi-cultural celebration at Cutler Majestic }}</ref>
''The [[San Francisco Chronicle]]'' billed the show positively, writing that the performance "takes viewers on a visually dazzling tour of 5,000 years of Chinese history and culture via bravura displays of acrobatics and grand tales told through flourishes of Chinese classical dance."<ref name="sfgate"/> Paula Citron, theater critic for Canada's [[Globe and Mail]] said "the production values are grand in terms of costumes and scenic effects, and the performers are all very good-looking and meticulously disciplined."<ref name="globeandmail"/> A critic from [[Chicago Tribune]] was particularly fond of the female dancers, stating, "they are as delicate as they are quick, and their skills include a nimble mastery of traditional talents"<ref name=chicagotribune/>


⚫
Some reviewers, however, have criticized Shen Yun shows for not explicitly advertising that some of its performances are inspired by Falun Gong philosophy. The ''[[The New York Times]]'' and [[Buffalo News]] raised objections about allegedly misleading promotion, noting that promotional materials did not clearly state the relationship with Falun Gong.<ref name="nyt">{{Cite news| last =Konigsberg | first =Eric | title =A Glimpse of Chinese Culture That Some Find Hard to Watch | newspaper =[[The New York Times]] | year = | date =6 February 2008| url =http://www.nytimes.com/2008/02/06/nyregion/06splendor.html?_r=1&oref=slogin}}</ref> <ref name='buffallownews'>{{Cite web|url=http://www.buffalonews.com/2010/05/30/1066022/songdance-spectacular-not-exactly.html#comment |title=Song & dance spectacular not exactly what it seems |first=Colin |last=Dabkowski |work= Buffalo News |date=30 May 2010 |accessdate=21 June 2010  }}</ref> ''[[The Telegraph]]'' stated the show presented "a Disneyfied version of Chinese culture" and described the "politically motivated" content as "propaganda as entertainment."<ref name=telegr>{{Cite web|url=http://www.telegraph.co.uk/culture/theatre/dance/3671451/Shen-Yun-Propaganda-as-entertainment.html |title=Shen Yun: Propaganda as entertainment |work=The Daily Telegraph |first=Sue |last=Crompton |date=25 February 2008 |accessdate=1 April 2009 }}</ref> ''[[The Guardian]]'' gave mixed reviews, praising some elements of the show with comments like "The sinuous calligraphy of the dancers' bodies is elaborated with rippling silks and fans," but concluded that the show "is all too weird a mix of propaganda and bling."<ref>{{Cite web|url=http://www.guardian.co.uk/stage/2008/feb/25/dance |title=Dance review: Shen Yun Royal Festival Hall, London |first=Judith |last=Mackrell |work= The Guardian |date=25 February 2008 |accessdate=1 April 2009  }}</ref> In 2008, ''[[The Toronto Star]]'' gave the show 1 1/2 stars out of four, describing it as "spectacularly tacky" and noted the choreography was "banal."<ref name=star20080120>Susan Walker [http://www.thestar.com/entertainment/article/295651 (Falun) Gong New Year event mere propaganda], The Toronto Star, 20 January 2008</ref>
A critic for [[Chicago Tribune]] was particularly fond of the female dancers, stating, "they are as delicate as they are quick, and their skills include a nimble mastery of traditional talents, such as the classic fan dance."<ref name=chicagotribune/> Joel Markowitz of DC Theatre Scene was most taken by the solo vocalists, describing tenor Guan Guimin's voice as "similar to the voice of the great Italian tenor Benjamino Gigli with a glorious sweet upper range-and crystal clear diction, sung with great emotion." <ref name=dctheatre>Joel Markowitz, [http://dctheatrescene.com/2007/01/28/january-pleasures/ ‘January Pleasures’], DC Theatre Scene, January 28, 2007.</ref> A reviewer with the Philadelphia City Paper took note of the orchestra: "What struck me — having seen them previously — was how the orchestra's blend of Western and Chinese instrumentation and timbre works, its erhu players seamlessly mixing in with more traditional musicians."<ref name=philcitypaper>A.D. Amorosi, [http://archives.citypaper.net/articles/2008/12/18/divine-performing-arts ‘Divine Performing Arts’], Philadelphia City Paper, Dec 16, 2008.</ref> Jennifer Wesnousky of ExploreDance commented on the atmosphere of the show, saying that it "left its audience with the tranquil sensation of having witnessed something both enlightening and resplendent."<ref name=exploredance>Jennifer Wesnousky, [http://www.exploredance.com/article.htm?id=1748 ‘NTDTV's Chinese New Year Spectacular’], ExploreDance, February 16, 2007.</ref>

⚫
Some reviewers, however, have criticized Shen Yun shows for not explicitly advertising that some of its performances are inspired by Falun Gong philosophy. The ''[[The New York Times]]'' and [[Buffalo News]] raised objections about allegedly misleading promotion, noting that promotional materials did not clearly state the relationship with Falun Gong.<ref name="nyt">{{Cite news| last =Konigsberg | first =Eric | title =A Glimpse of Chinese Culture That Some Find Hard to Watch | newspaper =[[The New York Times]] | year = | date =6 February 2008| url =http://www.nytimes.com/2008/02/06/nyregion/06splendor.html?_r=1&oref=slogin}}</ref> <ref name='buffallownews'>{{Cite web|url=http://www.buffalonews.com/2010/05/30/1066022/songdance-spectacular-not-exactly.html#comment |title=Song & dance spectacular not exactly what it seems |first=Colin |last=Dabkowski |work= Buffalo News |date=30 May 2010 |accessdate=21 June 2010  }}</ref> ''[[The Telegraph]]'' stated the show presented "a Disneyfied version of Chinese culture" and described the "politically motivated" content as "propaganda as entertainment."<ref name=telegr>{{Cite web|url=http://www.telegraph.co.uk/culture/theatre/dance/3671451/Shen-Yun-Propaganda-as-entertainment.html |title=Shen Yun: Propaganda as entertainment |work=The Daily Telegraph |first=Sue |last=Crompton |date=25 February 2008 |accessdate=1 April 2009 }}</ref> ''[[The Guardian]]'' gave mixed reviews, praising some elements of the show with comments like "The sinuous calligraphy of the dancers' bodies is elaborated with rippling silks and fans," but concluded that the show "is all too weird a mix of propaganda and bling."<ref>{{Cite web|url=http://www.guardian.co.uk/stage/2008/feb/25/dance |title=Dance review: Shen Yun Royal Festival Hall, London |first=Judith |last=Mackrell |work= The Guardian |date=25 February 2008 |accessdate=1 April 2009  }}</ref> In 2008, ''[[The Toronto Star]]'' gave the show 1 1/2 stars out of four, describing it as "spectacularly tacky" and noted the choreography was "banal."<ref name=star20080120>Susan Walker [http://www.thestar.com/entertainment/article/295651 (Falun) Gong New Year event mere propaganda], The Toronto Star, 20 January 2008</ref>

The New York Observer wrote that while the performances depicting modern-day political repression in China “were rather unexpected for first-time viewers, the more traditional dances were nothing short of a triumph,” and noted that the show had performed in New York to “highly favorable reviews.”<ref name=Observer>Elise Knutsen, [http://www.observer.com/2011/07/shindigger-shen-yun-performance-brings-out-stars-and-awareness/ ‘Shen Yun Performance Brings out Stars and Awareness’], New York Observer, 5 July 2011.</ref>


==Chinese Government Reaction==
==Chinese Government Reaction==

Revision as of 07:59, 25 January 2012

Shen Yun
File:Logo-shenyun.png
Company logo
Traditional Chinese神韻藝術團
Simplified Chinese神韵艺术团

Shen Yun Performing Arts, formerly known as Divine Performing Arts, is a performing arts and entertainment company based in New York.[1] It performs classical Chinese dance, ethnic and folk dance,[2] and story-based dance,[3] with orchestral accompaniment and solo performers.

Founded in 2006, Shen Yun is associated with the Falun Gong spiritual practice,[4][5] and performances around the world are hosted by local Falun Dafa Associations. Shen Yun states that its underlying mission is to "revive the essence of 5000 years of Chinese culture", which it asserts to have been nearly demolished by the Chinese Communist government.[6]

The group is composed of three performing arts companies: The New York Company, The Touring Company, and the International Company, with of a total of over 200 performers. For seven months a year, Shen Yun Performing Arts tours to over 130 cities across Europe, North America, Oceania, and Asia.[7] The show's acts and production staff are trained at Shen Yun’s headquarters in Cuddebackville, in Orange County, New York.[7]

The show has been criticized for promoting Falun Gong causes without saying so explicitly, with the Daily Telegraph labeling it "propaganda as entertainment."[8]

History

Shen Yun was founded in 2006 in New York by expatriate Chinese living in North America. The company’s first tour took place in 2007, when the company comprised 90 dancers, musicians, soloists and production staff.[9][10] Initially the shows were titled "Chinese Spectacular",[4][5] "Holiday Wonders",[11] Chinese New Year Splendor, and "Divine Performing Arts", but now the company mostly performs under the name "Shen Yun." As of 2009, Shen Yun had expanded to three full companies and orchestras that tour the world simultaneously.[9]

Content

Each year, Shen Yun creates original productions lasting 2.5 hours and consisting of approximately 20 vignettes featuring classical Chinese dance and ethnic dance, as well as solo musicians and operatic signers.[12] Before each act, bilingual MCs describe the upcoming performance in Chinese and in local languages.[7] [2]

Dance

Each touring company consists of approximately 60 male and female dancers, and large-scale group dance is at the center of Shen Yun productions.[5] The shows mainly feature classical Chinese dance, which is described on the company’s website as a comprehensive dance system passed down through thousands of years. Classical Chinese dance is recognizable in part for its extensive use of acrobatic and tumbling techniques, as well as its unique forms and postures, and the inner emotions conveyed through the movements.[13][10]

Many of Shen Yun’s dances draw on stories from Chinese history and legends, such as legend of Mulan.[3] [14], Journey to the West[15] and Outlaws of the Marsh.[16] Some performances depict “the story of Falun Gong today,” including representations of human rights abuses in China, wherein Falun Gong practitioners are attacked by police, for instance.[17] In addition to classical Chinese dance, Shen Yun also features ethnic and folk dances that seek to capture the spirit of various ethnicities, including Yi, Miao, and Mongolian dance, among others.[2][18]

Music

Shen Yun dances are accompanied by a Western philharmonic orchestra that integrates several traditional Chinese instruments, including the pipa, suona, dizi, guzhen, and a variety of Chinese percussion instruments.[19][7] In addition to the live orchestra accompanying each performance, there are solo performances featuring Chinese instruments such as the erhu.[12][4] Between dance productions, Shen Yun features virtuoso operatic singers, and songs which sometimes invoke spiritual or religious themes. A performance in 2007, for instance, included reference to the Chakravartin, a figure in Buddhism who turns the wheel of Dharma.[20]

The company counts a number of accomplished soloists and musicians among its ranks. Three performers—flutist Ningfang Chen, erhuist Mei Xuan and tenor Guan Guimin—were recipients of the Chinese Ministry of Culture’s “National First Class Performer” awards. Prior to joining Shen Yun, Guan Guimin was well known in China for his work on soundtracks for over 50 movies and television shows.[21] Other award-winning performers include Erhu soloist Xiaochun Qi, and bassoonist Hsiao-Ch’un Wang.

Costume and backdrops

Shen Yun’s dancers perform wearing intricate costumes, often accompanied by a variety of props.[4][7] Some costumes are intended to imitate the dress various ethnicities, while other depict ancient Chinese court dancers, soldiers, or characters from classic stories.[4] Props include colorful handkerchiefs, drums,[4] fans, chopsticks, or silk scarves.[17][22]

Each Shen Yun piece is set against a digitally projected backdrop, usually depicting landscapes such as Mongolian grasslands, imperial courts, ancient villages, temples, or mountains.[7][23][24] Not all the backdrops are static; some contain moving elements that integrate with the performance.[22]

Artists

Principal Dancers

Orchestra

Soloists

Choreographers

Composers

Reception

Every year, the three full companies of Shen Yun tour simultaneously some of the world’s most prestigious performing arts venues. In early 2012, Shen Yun’s performances at New York's Lincoln Center were completely sold out, as were performances in Los Angeles and Toronto. [25] By the end of the 2010 season, approximately one million audience members had seen the performance.[7]

The San Francisco Chronicle billed the show positively, writing that the performance "takes viewers on a visually dazzling tour of 5,000 years of Chinese history and culture via bravura displays of acrobatics and grand tales told through flourishes of Chinese classical dance."[4] Paula Citron, theater critic for Canada's Globe and Mail said "the production values are grand in terms of costumes and scenic effects, and the performers are all very good-looking and meticulously disciplined."[17] A critic from Chicago Tribune was particularly fond of the female dancers, stating, "they are as delicate as they are quick, and their skills include a nimble mastery of traditional talents"[22]

Some reviewers, however, have criticized Shen Yun shows for not explicitly advertising that some of its performances are inspired by Falun Gong philosophy. The The New York Times and Buffalo News raised objections about allegedly misleading promotion, noting that promotional materials did not clearly state the relationship with Falun Gong.[26] [27] The Telegraph stated the show presented "a Disneyfied version of Chinese culture" and described the "politically motivated" content as "propaganda as entertainment."[8] The Guardian gave mixed reviews, praising some elements of the show with comments like "The sinuous calligraphy of the dancers' bodies is elaborated with rippling silks and fans," but concluded that the show "is all too weird a mix of propaganda and bling."[28] In 2008, The Toronto Star gave the show 1 1/2 stars out of four, describing it as "spectacularly tacky" and noted the choreography was "banal."[29]

Chinese Government Reaction

The Chinese government has attempted to cancel or delay Shen Yun performances through political pressure via its embassies according to the US State Department and Falun Gong-related sources.[30][31][32]

The Chinese embassy in Ottawa, Canada, said that the show was “propaganda” whose objective was to “smear China’s image” and damage bilateral relationships.[33]

In Moldova the government cancelled two performances by Shen Yun Performing Arts in 2010 after the Deputy Minister of the Ministry of Foreign Affairs suggested that it might "hurt diplomatic relations with China."[34][35][36] In Romania, government intervention prevented Shen Yun from performing at a theater in Bucharest, despite protest from several Romanian members of the European Parliament. Falun Dafa Romania, which sponsored the shows, accused the Chinese Embassy of pressuring the Ministry of Foreign Affairs to block the performance; the Ministry, however, said the cancellation was due to a "contract issue." In Ukraine the government has also cancelled a performance after alleged pressure from China.[37][38]

In late January 2010, the government of Hong Kong refused entry visas for members of the production crew for the troupe's performances with rationale of "work visas were considered case by case" and the applicant could have found the expertise locally. The troupe cancelled the performances which it claimed to have been sold out. Democratic Party chairman Albert Ho said the denial of the visas was a worrying new erosion of Hong Kong's freedoms, and damaged the reputation of Hong Kong as a liberal and open society.[39]

In February 2010 Jiang Feng, the husband of a musician in Shen Yun, was reported missing in China, according to the State Department's International Religious Freedom Report 2010.[30] Amnesty International reported that he had been taken by public security officials at the Shanghai International Airport while trying to board a flight. His abduction may have been an attempt to pressure his wife to “cease her involvement with the Shen Yun Performing Arts group.”[40]

See also

References

  1. ^ "Mission". Retrieved 15 November 2009. The Mission statement of Shen Yun Performing Arts
  2. ^ a b c Jennifer Wesnousky. | NTDTV's Chinese New Year Spectacular, Explore Dance, 16 February 2007.
  3. ^ a b "International Incident". The Pacific Northwest Inlander. Retrieved 15 November 2009.
  4. ^ a b c d e f g Hunt, Mary Ellen (4 January 2009). "Chinese New Year Spectacular in S.F., Cupertino". San Francisco Chronicle. Retrieved 4 September 2009.
  5. ^ a b c Wenzel, John (1 October 2007). "Chinese New Year embracing tradition". The Denver Post. Retrieved 5 September 2009.
  6. ^ About the company
  7. ^ a b c d e f g SUSAN HODARA. 5,000 Years of Chinese Music and Dance, in One Night. New York Times. August 13, 2010.
  8. ^ a b Crompton, Sue (25 February 2008). "Shen Yun: Propaganda as entertainment". The Daily Telegraph. Retrieved 1 April 2009.
  9. ^ a b Shen Yun Performing Arts | About the Company
  10. ^ a b Adriana Rambay Fernandez, | Dancing around the world, Hudson Reporter, 22 Jan 2012.
  11. ^ Higgins, Beau (15 November 2007). "'Holiday Wonders' Chinese Meets West Extravaganza". Broadway World. Retrieved 5 September 2009.
  12. ^ a b Sparacino, Micaele (19 January 2010). "Deities, Dragons, Dancers, and Divas". Concertonet.com. Retrieved 29 January 2010.
  13. ^ Shen Yun, ‘Chinese Classical Dance Intro’
  14. ^ Shen Yun Performing Arts, “Tales from Chinese Literature”
  15. ^ | Journey to the West
  16. ^ Outlaws of the Marsh
  17. ^ a b c Paula Citron. A dazzling show with a clear message. The Globe and Mail: Arts. January 22, 2008.
  18. ^ Shen Yun Performing Arts, Chinese Ethnic and Folk Dance.
  19. ^ Elina Shatkin. Vina leads Divine Performing Arts' Chinese New Year Spectacular. Los Angeles Times. January 01, 2009.
  20. ^ Cite error: The named reference dctheatre was invoked but never defined (see the help page).
  21. ^ Shen Yun Profile of Guan Guimin
  22. ^ a b c Sid Smith, ‘Women flow like water in spectacle’, 28 January 2008.
  23. ^ Goodwyn, Albert (11 January 2007). "Chinese New Year Spectacular". San Francisco Bay Times. Retrieved 5 September 2009.
  24. ^ Meredith Galante. | A Day In The Life Of A Professional Dancer In A Traditional Chinese Company. Business Insider. 11 January 2012.
  25. ^ Sheila OConnor, Shen Yun captivates full house at Lincoln Center in NYC, Examiner, January 15, 2012.
  26. ^ Konigsberg, Eric (6 February 2008). "A Glimpse of Chinese Culture That Some Find Hard to Watch". The New York Times.
  27. ^ Dabkowski, Colin (30 May 2010). "Song & dance spectacular not exactly what it seems". Buffalo News. Retrieved 21 June 2010.
  28. ^ Mackrell, Judith (25 February 2008). "Dance review: Shen Yun Royal Festival Hall, London". The Guardian. Retrieved 1 April 2009.
  29. ^ Susan Walker (Falun) Gong New Year event mere propaganda, The Toronto Star, 20 January 2008
  30. ^ a b US Department of State, BUREAU OF DEMOCRACY, HUMAN RIGHTS, AND LABOR,International Religious Freedom Report 2010 Report, November 17, 2010
  31. ^ Epoch Times Article, Hans Bengtsson, Mar 28, 2009, "Empty Threats From The Chinese Embassy Backfire"
  32. ^ Epoch Times Article, Joshua Philipp, Jun 4, 2010, "Despite Chinese Regime Pressure, The Show Goes On"
  33. ^ Canadian Broadcasting Corporation, |Chinese New Year Spectacular 'just propaganda': Chinese Embassy, 17 January 2007.
  34. ^ US Department of State, BUREAU OF DEMOCRACY, HUMAN RIGHTS, AND LABOR, Moldova country report, November 17, 2010
  35. ^ Epoch Times Article, Leeshai Lemish, May 30, 2010,"Shen Yun Locked Out in Moldova, a First-Person Account"
  36. ^ Epoch Times Article, Epoch Times Staff, May 25, 2010, "Chinese Regime Pressures Moldovan Theater to Close Doors to Shen Yun"
  37. ^ US Department of State, BUREAU OF DEMOCRACY, HUMAN RIGHTS, AND LABOR, Romania country report, November 17, 2010
  38. ^ US Department of State, BUREAU OF DEMOCRACY, HUMAN RIGHTS, AND LABOR, Ukraine country report, November 17, 2010
  39. ^ Agence-France Presse, Falungong decries HK as democracy row deepens, 27 January 2010.
  40. ^ Amnesty International, http://www.amnesty.org/en/library/asset/ASA17/021/2010/en/df9220a8-a89f-4d86-93a8-28ed2f15e915/asa170212010en.html | China:Falun Gong Practitioner Missing in China: Jiang Feng], 10 May 2010.

External links

Retrieved from "https://en.wikipedia.org/w/index.php?title=Shen_Yun&oldid=473122182"