Worshipful Company of Stationers and Newspaper Makers: Difference between revisions

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The '''Worshipful Company of Stationers and Newspaper Makers''' (until 1937 the '''Worshipful Company of Stationers'''), usually known as the '''Stationers' Company''', is one of the [[livery company|livery companies]] of the [[City of London]].<ref>{{cite web |title=Livery Committee: The Worshipful Company of Stationers & Newspaper Makers |url=https://liverycommittee.org/about/livery-companies-and-guilds/livery-companies-database-entry/?pdb=387 |access-date=25 January 2024}}</ref> The Stationers' Company was formed in 1403; it received a [[royal charter]] in 1557.<ref>Blagden, Cyprian. The Stationers' Company: A History, 1403-1959. London: George Allen & Unwin, 1960, p.19</ref> It held a monopoly over the publishing industry and was officially responsible for setting and enforcing regulations until the enactment of the [[Statute of Anne]], also known as the Copyright Act of 1710.<ref name="blagden1960" /> Once the company received its charter, "the company's role was to regulate and discipline the industry, define proper conduct and maintain its own corporate privileges."<ref>{{Cite book|title = Books: A Living History|last = Lyons|first = Martyn|publisher = J. Paul Getty Museum|year = 2011|location = Los Angeles, CA|pages = 61}}</ref>
The '''Worshipful Company of Stationers and Newspaper Makers''' (until 1937 the '''Worshipful Company of Stationers'''), usually known as the '''Stationers' Company''', is one of the [[livery company|livery companies]] of the [[City of London]].<ref>{{cite web |title=Livery Committee: The Worshipful Company of Stationers & Newspaper Makers |url=https://liverycommittee.org/about/livery-companies-and-guilds/livery-companies-database-entry/?pdb=387 |access-date=25 January 2024}}</ref> The Stationers' Company was formed in 1403; it received a [[royal charter]] in 1557.<ref>Blagden, Cyprian. The Stationers' Company: A History, 1403-1959. London: George Allen & Unwin, 1960, p.19</ref> It held a monopoly over the publishing industry and was officially responsible for setting and enforcing regulations until the enactment of the [[Statute of Anne]], also known as the Copyright Act of 1710.<ref>{{cite book |last1=Raven |first1=James |title=The Business of Books: Booksellers and the English Book Trade 1450-1850 |date=2007 |publisher=Yale University Press |isbn=9780300181630 |page=200}}</ref> Once the company received its charter, "the company's role was to regulate and discipline the industry, define proper conduct and maintain its own corporate privileges."<ref>{{Cite book|title = Books: A Living History|last = Lyons|first = Martyn|publisher = J. Paul Getty Museum|year = 2011|location = Los Angeles, CA|pages = 61}}</ref>


The company members, including master, wardens, assistants, liverymen, freemen and apprentices are mostly involved with the modern visual and graphic communications industries that have evolved from the company's original trades. These include printing, paper-making, packaging, office products, engineering, advertising, design, photography, film and video production, publishing of books, newspapers and periodicals and digital media. The company's principal purpose nowadays is to provide an independent forum where its members can advance the interests (strategic, educational, training and charitable) of the industries associated with the company.
The company members, including master, wardens, assistants, liverymen, freemen and apprentices are mostly involved with the modern visual and graphic communications industries that have evolved from the company's original trades. These include printing, paper-making, packaging, office products, engineering, advertising, design, photography, film and video production, publishing of books, newspapers and periodicals and digital media. The company's principal purpose nowadays is to provide an independent forum where its members can advance the interests (strategic, educational, training and charitable) of the industries associated with the company.

Revision as of 13:35, 25 January 2024

Worshipful Company of Stationers and Newspaper Makers
MottoVerbum Domini Manet in Aeternum
LocationStationers' Hall, London
Date of formation1403 (1403)
Company associationPrinting and publishing
Order of precedence47th
Master of companyTony Mash
Websitestationers.org

The Worshipful Company of Stationers and Newspaper Makers (until 1937 the Worshipful Company of Stationers), usually known as the Stationers' Company, is one of the livery companies of the City of London.[1] The Stationers' Company was formed in 1403; it received a royal charter in 1557.[2] It held a monopoly over the publishing industry and was officially responsible for setting and enforcing regulations until the enactment of the Statute of Anne, also known as the Copyright Act of 1710.[3] Once the company received its charter, "the company's role was to regulate and discipline the industry, define proper conduct and maintain its own corporate privileges."[4]

The company members, including master, wardens, assistants, liverymen, freemen and apprentices are mostly involved with the modern visual and graphic communications industries that have evolved from the company's original trades. These include printing, paper-making, packaging, office products, engineering, advertising, design, photography, film and video production, publishing of books, newspapers and periodicals and digital media. The company's principal purpose nowadays is to provide an independent forum where its members can advance the interests (strategic, educational, training and charitable) of the industries associated with the company.

History

In 1403, the Corporation of London approved the formation of a guild of stationers. At this time, the occupations considered stationers for the purposes of the guild were text writers, limners (illuminators), bookbinders or booksellers who worked at a fixed location (stationarius) beside the walls of St Paul's Cathedral.[5] Booksellers sold manuscript books, or copies thereof produced by their respective firms for retail; they also sold writing materials. Illuminators illustrated and decorated manuscripts.

Printing gradually displaced manuscript production so that, by the time the guild received a royal charter of incorporation on 4 May 1557, it had in effect become a printers' guild. In 1559, it became the 47th in city livery company precedence. At the time, it was based at Peter's College, which it bought from St Paul's Cathedral.[clarification needed] During the Tudor and Stuart periods, the Stationers were legally empowered to seize "offending books" that violated the standards of content set down by the Church and state; its officers could bring "offenders" before ecclesiastical authorities, usually the Bishop of London or the Archbishop of Canterbury, depending on the severity of the transgression. Thus the Stationers played an important role in the culture of England as it evolved through the intensely turbulent decades of the Protestant Reformation and toward the English Civil War.

The Stationers' Charter, which codified its monopoly on book production, ensured that once a member had asserted ownership of a text or "copy" by having it approved by the company, no other member was entitled to publish it, that is, no one else had the "right to copy" it. This is the origin of the term "copyright". However, this original "right to copy" in England was different from the modern conception of copyright. The stationers' "copy right" was a protection granted to the printers of a book; "copyright" introduced with the Statute of Anne, or the Copyright Act of 1710, was a right granted to the author(s) of a book based on statutory law.

Members of the company could, and mostly did, document their ownership of copyright in a work by entering it in the "entry book of copies" or the Stationers' Company Register, though this entry was not a necessity for the holding of a copyright. The Register of the Stationers' Company thus became one of the most essential documentary records in the later study of English Renaissance theatre.[6] (In 1606 the Master of the Revels, who was responsible until this time for licensing plays for performance, acquired some overlapping authority over licensing them for publication as well; but the Stationers' Register remained a crucial and authoritative source of information after that date too.) To be sure, enforcement of the rules was always a challenge, in this area as in other aspects of the Tudor/Stuart regime; and plays and other works were sometimes printed surreptitiously and illegally.

In 1603, the Stationers formed the English Stock, a joint stock publishing company funded by shares held by members of the company. This profitable business gained many patents of which the richest was for almanacks including Old Moore's Almanack. The business employed out-of-work printers and disbursed some of the profit to the poor.

Stationers' Hall, London (2013 photo)

In 1606, the company bought Abergavenny House in Ave Maria Lane and moved out of Peter's College. The new hall burnt down in the Great Fire of 1666 along with books to the value of about £40,000. It was rebuilt and its present interior is much as it was when it reopened in 1673. The Court Room was added in 1748 and in 1800 the external façade was remodelled to its present form.

In 1695, the monopoly power of the Stationers' Company was diminished, and in 1710 Parliament passed the Copyright Act 1709, the first copyright act.

The company established the Stationers' Company's School at Bolt Court, Fleet Street in 1861 for the education of sons of members of the company. In 1894, the school moved to Hornsey in north London. It closed in 1983.

Registration under the Copyright Act 1911 ended in December 1923; the company then established a voluntary register in which copyrights could be recorded to provide printed proof of ownership in case of disputes.

In 1937, a royal charter amalgamated the Stationers' Company and the Newspaper Makers' Company, which had been founded six years earlier (and whose members were predominant in Fleet Street), into the company of the present name.

In March 2012, the company established the Young Stationers to provide a forum for young people (under the age of 40) within the company and the civic City of London more broadly. This led to the establishment of the Young Stationers' Prize in 2014, which recognises outstanding achievements within the company's trades. Prize winners have included novelist Angela Clarke, journalist Katie Glass, and academic Dr Shane Tilton.

The company's motto is Verbum Domini manet in aeternum, Latin for "The Word of the Lord endures forever".

In November 2020 Stationers' Hall the home of the Stationers' Company were finally granted approval to redevelop their Grade 1 listed building to bring modern day conference facilities, air-cooling and step free access to its historic rooms. It reopened in July 2022 for live events, weddings, and filming.

Trades

The modern Stationers' Company represents the "content and communications" industries within the City of London Liveries. This includes the following trades and specialisms:

  • Archiving (including librarian, curators, and book conservation)
  • Bookselling and distribution
  • Communications (including advertising, marketing, and PR)
  • Digital media and software
  • Newspapers and broadcasting
  • Office products and supplies
  • Packaging
  • Paper
  • Print machinery
  • Printing
  • Publishing (including digital publishing and design)
  • Writing (including journalism, broadcasting, and authorship)

Hall

Stationers' Hall is at Ave Maria Lane near Ludgate Hill. The site of the present hall was formerly the site of Abergavenny House, which was purchased by the Stationers in 1606 for £3,500, but destroyed in the Great Fire of London, 1666.[7] The current building and hall date from circa 1670. The hall was remodelled in 1800 by the architect Robert Mylne and, on 4 January 1950, it was designated a Grade I listed building.[8][9]

Stationers' Hall hosts the Shine School Media Awards, where students compete in the creation of websites and magazines.

  • Stationers' Hall
    Stationers' Hall
  • Main Hall
    Main Hall
  • Caxton window
    Caxton window
  • The Stock Room
    The Stock Room
  • The Court Room
    The Court Room

Notable liverymen

Past Company Masters

Below are lists of past company masters. As with most London livery companies, the Master of the Company was elected yearly. The master oversaw Company "courts," meetings of the Assistants and sometimes the Livery and wider membership where Company business was discussed and resolved. These courts were usually held monthly but could be held more or less frequently. Although official company positions were historically always held by men until the twentieth century, women have always participated meaningfully in the life of the Company, at certain times even holding a controlling interest in the Company's joint stock venture, known as the English Stock.[10] [11] [12]

The first woman elected master was Helen Esmonde, who held the position in 2015.[13]

1556-1599

Sixteenth Century Masters, 1556-1599[14] [15]
Term Name Trade
1556 Thomas Dockwray Notary and Proctor of the Court of Arches
1557 Thomas Dockwray Notary and Proctor of the Court of Arches
1558 Richard Waye
1559 Reginald (Reyner) Wolfe Printer
1560 Stephen Kevall Unknown
1561 John Cawood Printer
1562 John Cawood Printer
1563 Richard Waye
1564 Reginald (Reyner) Wolfe Printer
1565 Stephen Kevall Unknown
1566 John Cawood Printer
1567 Reginald (Reyner) Wolfe Printer
1568 Richard Jugge Printer
1569 Richard Jugge Printer
1570 William Seres Printer
1571 William Seres Printer
1572 Reginald (Reyner) Wolfe Printer
1573 Richard Jugge Printer
1574 Richard Jugge Printer
1575 William Seres Printer
1576 William Seres Printer
1577 William Seres Printer
1578 Richard Tottel Printer
1579 James Goneld Unknown
1580 John Day Printer
1581 William Norton Bookseller
1582 James Goneld Unknown
1583 John Harrison [the elder] Printer
1584 Richard Tottel Printer
1585 James Goneld Unknown
1586 William Norton Bookseller
1587 John Judson Printer
1588 John Harrison [the elder] Printer
1589 Richard Watkins Printer
1590 George Bishop Printer
1591 Francis Coldock Printer
1592 George Bishop Printer
1593 William Norton [joint with George Bishop] Bookseller
1593 George Bishop [joint with William Norton] Printer
1594 Richard Watkins Printer
1595 Francis Coldock Printer
1596 John Harrison [the elder] Printer
1597 Gabriel Cawood Bookseller
1598 Ralph Newbery Printer
1599 Gabriel Cawood Bookseller

1600-1699

Seventeenth Century Masters, 1600-1699[16] [17]
Term Name Trade
1600 George Bishop Printer
1601 Ralph Newbery Printer
1602 George Bishop Printer
1603 Isaac Binge Bookseller
1604 Thomas Man Printer/Bookseller
1605 Robert Barker Printer
1606 Robert Barker Printer
1607 John Norton Bookseller
1608 George Bishop Printer
1609 Thomas Dawson Printer
1610 Thomas Man Printer, Bookseller
1611 John Norton Bookseller
1612 John Norton Bookseller
1613 Bonham Norton Printer
1614 Thomas Man Printer
1615 Thomas Dawson Printer
1616 Thomas Man Printer
1617 Simon Waterson Bookseller
1618 William Leake Bookseller
1619 Richard Field Printer
1620 Humphrey Lownes Bookseller
1621 Simon Waterson Bookseller
1622 Richard Field Printer
1623 George Swinhowe
1624 Humphrey Lownes Bookseller
1625 George Swinhowe
1626 Bonham Norton Printer
1627 George Cole
1628 George Cole
1629 Bonham Norton Printer
1630 George Swinhowe
1631 George Cole
1632 George Cole
1633 Adam Islip Printer
1634 Adam Islip Printer
1635 Felix Kingston Printer
1636 Felix Kingston Printer
1637 Edmund Weaver
1638 John Harrison [the younger] Printer
1639 John Smethwick Bookseller
1640 William Aspley [joint with John Smethwick] Bookseller
1640 John Smethwick [joint with William Aspley] Bookseller
1641 Henry Fetherston Bookseller
1642 Thomas Downes Bookseller
1643 Nicholas Bourne Bookseller, Publisher
1644 Robert Mead Bookseller
1645 Robert Mead Bookseller
1646 Samuel Mann
1647 John Parker
1648 Thomas Downes [joint with John Parker] Bookseller
1648 John Parker [joint with Thomas Downes]
1649 Robert Mead Bookseller
1650 George Latham Bookseller
1651 Nicholas Bourne Bookseller, Publisher
1652 Miles Flesher Printer
1653 Miles Flesher Printer
1654 Samuel Mann
1655 Henry Walley
1656 Robert Mead Bookseller
1657 Henry Seile Bookseller, Publisher
1658 Samuel Mann
1659 William Lee Bookseller
1660 Philemon Stephens Bookseller, Publisher
1661 Humphrey Robinson Bookseller, Publisher
1662 Miles Flesher Printer
1663 Miles Flesher Printer
1664 Richard Thrale Bookseller
1665 Andrew Crooke Bookseller, Publisher
1666 Andrew Crooke Bookseller, Publisher
1667 Humphrey Robinson Bookseller, Publisher
1668 Thomas Davies Bookseller, Publisher
1669 Thomas Davies Bookseller, Publisher
1670 William Leake Bookseller, Publisher
1671 Evan Tyler Printer
1672 Ralph Smith Bookseller
1673 Richard Royston Bookseller, Publisher
1674 Richard Royston Bookseller, Publisher
1675 George Sawbridge Printer, Bookseller, Publisher
1676 Abel Roper Printer, Bookseller, Publisher
1677 Robert White Printer
1678 Roger Norton Printer
1679 Samuel Mearne Bookbinder, Bookseller
1680 John Macock Printer
1681 Thomas Vere [joint with Samuel Mearne] Bookseller
1681 Samuel Mearne [joint with Thomas Vere] Bookbinder and Bookseller
1682 Samuel Mearne [joint with Roger Norton] Bookbinder and Bookseller
1682 Roger Norton [joint with Samuel Mearne] Printer
1683 Roger Norton Printer
1684 Roger Norton Printer
1685 Henry Herringman Bookseller
1686 John Bellinger Bookseller
1687 Roger Norton [joint with Henry Hills] Printer
1687 Henry Hills [joint with Roger Norton] Bookseller and Publisher
1688 Henry Hills [joint with John Towse] Bookseller and Publisher
1688 John Towse [joint with Henry Hills]
1689 Edward Brewster Bookseller
1690 Ambrose Isted Printer
1691 Ambrose Isted Printer
1692 Edward Brewster Bookseller
1693 John Bellinger Bookseller
1694 John Sims Bookseller
1695 John Sims Bookseller
1696 Henry Mortlock Bookseller, Publisher
1697 Henry Mortlock Bookseller, Publisher
1698 Robert Clavell Bookseller, Publisher
1699 Robert Clavell Bookseller, Publisher

1700-1799

Eighteenth Century Masters, 1700-1799[18] [19]
Term Name Trade
1700 William Phillips Bookseller
1701 William Phillips Bookseller
1702 William Phillips Bookseller
1703 Thomas Parkhurst
1704 Richard Simpson Bookseller
1705 Richard Simpson Bookseller
1706 Walter Kettilby Bookseller
1707 Edward Darrel
1708 Charles Harper Bookseller
1709 William Phillips Bookseller
1710 William Phillips Bookseller
1711 William Phillips Bookseller
1712 William Phillips Bookseller
1713 Daniel Brown Bookseller
1714 John Baskett Printer
1715 John Baskett Printer
1716 Nicholas Boddington Bookseller
1717 Nicholas Boddington [joint with Richard Mount] Bookseller
1717 Richard Mount [joint with Nicholas Boddington] Bookseller
1718 Richard Mount Bookseller
1719 Richard Mount Bookseller
1720 John Sprint Bookseller
1721 John Sprint Bookseller
1722 John Knaplock Bookseller
1723 John Knaplock Bookseller
1724 John Knaplock Bookseller
1725 John Walthoe Bookseller
1726 John Walthoe Bookseller
1727 James Knapton Bookseller
1728 James Knapton Bookseller
1729 James Roberts Printer, Bookseller
1730 James Roberts Printer, Bookseller
1731 James Roberts Printer, Bookseller
1732 James Roberts Printer, Bookseller
1733 William Mount Bookseller
1734 William Mount Bookseller
1735 William Mount Bookseller
1736 Samuel Ashurst
1737 Samuel Ashurst
1738 Samuel Buckley Printer, Bookseller
1739 Samuel Buckley Printer, Bookseller
1740 James Round
1741 James Round
1742 John Knapton Bookseller
1743 John Knapton Bookseller
1744 John Knapton Bookseller
1745 Thomas Brewer Stationer
1746 Thomas Brewer Stationer
1747 William Innys Bookseller
1748 William Innys Bookseller
1749 Stephen Theodore Janssen, Baronet Merchant, enamel works
1750 Stephen Theodore Janssen, Baronet Merchant, enamel works
1751 Thomas Ridge Stationer
1752 Thomas Ridge Stationer
1753 Thomas Page Stationer
1754 Samuel Richardson Printer, Author
1755 John March Printer
1756 Francis Gosling, Knight Banker, Printer, Bookseller
1757 Thomas Wotton Bookseller, geneaologist, antiquary
1758 Charles Hitch Bookseller
1759 Jacob Tonson Bookseller, Publisher
1760 John Clarke Bookseller
1761 Allington Wilde Printer
1762 John Coles Stationer
1763 Edward Say Printer, Stationer
1764 Richard Brooke Stationer
1765 Richard Manby Bookseller, Stationer
1766 Henry Woodfall Printer, Stationer
1767 John Vowell Stationer
1768 James Bailey Bookbinder
1769 Matthew Jenour Printer
1770 Paul Vaillant Bookseller, Merchant, Magistrate
1771 Thomas Gamull [joint with John Vowell] Stationer
1771 John Vowell [joint with Thomas Gamull] Stationer
1772 Joshua Jenour Printer, Authour
1773 John Beecroft Bookseller
1774 William Strahan Printer
1775 John Rivington Bookseller, Publisher
1776 Robert Brown Printer, Stationer
1777 Thomas Wright Printer, Stationer
1778 Daniel Richards Stationer
1779 Lockyer Davis Bookseller
1780 William Gill Stationer
1781 William Owen Bookseller
1782 Thomas Caslon Bookseller, Stationer
1783 John Boydell Engraver, Merchant, Printseller
1784 Thomas Harrison Printer
1785 Robert Gyfford Bookseller, Stationer
1786 William Fenner Printer, Bookseller, Stationer, Yeoman
1787 Thomas Greenhill Stationer
1788 Thomas Hooke Stationer
1789 Thomas Field Printer, Bookseller
1790 John March Printer
1791 Thomas Pote Bookseller
1792 Henry Baldwin Newspaper Proprieter, Printer
1793 John Townsend Printer
1794 Henry Clarke Stationer
1795 William Chapman Stationer
1796 Richard Welles Stationer
1797 Henry Sampson Woodfall Printer, Journalist
1798 Thomas Cadell Bookseller, Publisher
1799 James Bate Bookseller, Stationer

Young Stationers' Prize

Young Stationers' Prize with engraved winners as of 2018

The "Young Stationers' Prize" is an annual prize awarded by the Young Stationers' Committee to a young person under 40 years of age who has distinguished themself within the company's trades. Launched in 2014, the prize is a pewter plate (donated by the Worshipful Company of Pewterers) onto which each winner's name is engraved.

List of Young Stationers' Prize winners

As of December 2019 there have been seven winners of the Young Stationers' Prize: Katie Glass, journalist, 2014;[20][21] Angela Clarke, novelist, playwright, and columnist, 2015;[22][23] Ella Kahn and Bryony Woods, founders of Diamond Kahn & Woods Literary Agency (awarded jointly), 2016;[24] Ian Buckley, managing director of Prima Software, 2017;[25] Shane Tilton, academic and professor of multimedia journalism, 2018;[26] Amy Hutchinson, CEO of the BOSS Federation, 2019.[27]

See also

References

  1. ^ "Livery Committee: The Worshipful Company of Stationers & Newspaper Makers". Retrieved 25 January 2024.
  2. ^ Blagden, Cyprian. The Stationers' Company: A History, 1403-1959. London: George Allen & Unwin, 1960, p.19
  3. ^ Raven, James (2007). The Business of Books: Booksellers and the English Book Trade 1450-1850. Yale University Press. p. 200. ISBN 9780300181630.
  4. ^ Lyons, Martyn (2011). Books: A Living History. Los Angeles, CA: J. Paul Getty Museum. p. 61.
  5. ^ Patterson, Lyman Ray (1968). Copyright in Historical Perspective. Vanderbilt University Press.
  6. ^ Chambers, Edmund Kerchever (1923). The Elizabethan Stage. Vol. 3. Oxford: Clarendon Press. pp. 160–77, 186–91.
  7. ^ "Official website". Stationers Livery Company. Retrieved 12 April 2021.
  8. ^ Historic England. "Stationers' Hall (Grade I) (1064742)". National Heritage List for England. Retrieved 12 April 2021.
  9. ^ Blagden, Cyprian (1977) [1960]. "The Property". The Stationers' Company: A History, 1403–1959. Stanford University Press. ISBN 9780804709354.
  10. ^ Turner, Michael (2009). "Personnel within the London Book Trades: Evidence from the Stationers' Company". The Cambridge History of the Book in Britain 5: 1695-1830. p. 331. There were occasions in the eighteenth century when the majority of the Assistants' shares were in the hands of surviving widows rather than active Assistants.
  11. ^ Smith, Helen (2012). Grossly Material Things: Women and Book Production in Early Modern England. Oxford University Press.
  12. ^ McDowell, Paula (1998). The Women of Grub Street: Press, Politics, and Gender in the London Literary Marketplace 1678-1730. Oxford University Press.
  13. ^ "Master breaks centuries old barrier". Print Business. 27 July 2015. Retrieved 25 January 2024.
  14. ^ Turner, Michael. "London Booktrades Database". London Booktrades Database. Bodleian Libraries. Retrieved 23 January 2024.
  15. ^ Worshipful Company of Stationers and Newspaper Makers (4 October 2021). "Masters of the Company" (Document). Worshipful Company of Stationers and Newspaper Makers.
  16. ^ Turner, Michael. "London Booktrades Database". London Booktrades Database. Bodleian Libraries. Retrieved 23 January 2024.
  17. ^ Worshipful Company of Stationers and Newspaper Makers (4 October 2021). "Masters of the Company" (Document). Worshipful Company of Stationers and Newspaper Makers.
  18. ^ Turner, Michael. "London Booktrades Database". London Booktrades Database. Bodleian Libraries. Retrieved 23 January 2024.
  19. ^ Worshipful Company of Stationers and Newspaper Makers (4 October 2021). "Masters of the Company" (Document). Worshipful Company of Stationers and Newspaper Makers.
  20. ^ "Announcement of the Young Stationers' Prize winner". InPublishing. 24 July 2014. Retrieved 12 April 2021.
  21. ^ "Profile: Katie Glass". The Times & Sunday Times. Retrieved 12 April 2021.
  22. ^ Crockett, Sophie (4 August 2015). "St Albans playwright, Angela Clarke, scoops award". The Herts Advertiser. Retrieved 12 April 2021.
  23. ^ Cheesman, Neil (24 July 2015). "Debut playwright Angela Clarke wins The Young Stationers' Prize 2015". LondonTheatre1. Retrieved 12 April 2021.
  24. ^ "Former SYP committee members win Young Stationers' Prize". Society of Young Publishers. 31 August 2016. Retrieved 12 April 2021.
  25. ^ Goldbart, Max (28 July 2017). "Buckley scoops Young Stationers' prize". Printweek. Retrieved 12 April 2021.
  26. ^ "Dr Shane Tilton wins Young Stationers' Prize". British Printing Industries Federation. 31 July 2018. Retrieved 12 April 2021.
  27. ^ Handley, Rhys (12 July 2019). "New Boss chief wins Young Stationers' prize". Printweek. Retrieved 12 April 2021.

Further reading

External links

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