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The Proud and Profane

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The Proud and Profane
Original film poster
Directed byGeorge Seaton
Screenplay byGeorge Seaton
Based onMagnificent Bastards
1953 novel
by Lucy Herndon Crockett
Produced byWilliam Perlberg
Starring
CinematographyJohn F. Warren
Edited byAlma Macrorie
Music byVictor Young
Production
company
Perlberg-Seaton Productions
Distributed byParamount Pictures
Release date
  • June 13, 1956 (1956-06-13)
Running time
111 minutes
CountryUnited States
LanguageEnglish
Box office$3.9 million[1]

The Proud and Profane is a 1956 American romantic drama film directed by George Seaton and starring William Holden and Deborah Kerr with Thelma Ritter, Dewey Martin, William Redfield and Peter Hansen in supporting roles. It was made by William Perlberg-George Seaton Productions for Paramount Pictures released in theaters on June 13, 1956.[2] The film was and produced by William Perlberg, from a screenplay by George Seaton, based on the 1953 novel The Magnificent Bastards by Lucy Herndon Crockett.[3] [4]

Plot

In 1943, Lee Ashley, the widow of a Paramarine lieutenant killed in the Battle of Bloody Ridge on Guadalcanal has joined the American Red Cross un Noumea, New Caledonia, to entertain American servicemen. Her leader at the service club, Kate Connors, had initially been reluctant to have her assigned there lest she use her position as a pilgrimage to find out about her late husband. In addition to entertaining, serving the soldiers and giving French lessons, the Red Cross women are expected to help with the wounded — which Lee initially refuses to do.

A Marine Raider battalion comes to New Caledonia after fighting in the South Pacific. Their commander, Lieutenant Colonel Colin Black, objects to the Red Cross women treating his men softly; he states that the only place for women in war are "skirts" that the men chase and the "sweethearts" that wait for them back home. He changes his mind when he tries to seduce the attractive Lee, who initially refuses his advances. Black decides to gain her interest by pretending he knew Lee's late husband and was with him shortly before he died. Though Lee despises the colonel's arrogance and demands, she is fascinated by him and falls in love with him.

Another member of the battalion is the Navy chaplain, Lieutenant Junior Grade Holmes, whom Kate notices is a changed, silent, and saddened man since she last knew him. During a battle, Holmes had gathered some Marines together in prayer. A Japanese soldier, thought to be dead, threw a hand grenade, killing several and wounding their sergeant. Black demotes the wounded sergeant because he should have known better than to let his men gather in the open and never lets him forget that his presence caused their deaths, with the bodies of the Marines shielding the chaplain from injury. Holmes's guilt is compounded by a tropical fever and exhaustion from working that has taken its toll.

Another man in the battalion is Private Eddie Wodcik, whom Kate had adopted and raised in New York. Kate loves him like her own child and he reciprocates when he is not being watched by his fellow Marines. Eddie feels that Lee looks exactly like his sister would have if she had not died and becomes her protector. Wodcik throws a disrespectful sailor to the floor using jiu jitsu.

Lee and the colonel have dinner on board an American warship. A former neighbor of Lee is now a naval officer aboard and is present at dinner. Lee and the naval officer spend the evening talking about their pre-war civilian lives in a wealthy community. An angry Black later relates to Lee his life of childhood poverty as a half-Indian in Montana. When the Raiders are shipped out for a couple of months, Lee discovers she is pregnant and that the colonel has a wife in Washington. She later learns things about her husband that she never knew. The hot-headed Wodcik also discovers what his colonel has done to Lee.

Cast

Production

Lucy Herndon Crockett (born 4 April 1914 in Honolulu) was a Red Cross worker in the Pacific during World War II. She traveled with Basil O'Connor, national chairman of the American Red Cross, during the war as his secretary and speechwriter.[5] An author of nine books, she wrote the 1953 book The Magnificent Bastards about her experiences with the U.S. Marine Corps.[6]

Filming

The film was made with Defense Department cooperation in the United States Virgin Islands and Puerto Rico with production design reflecting New Caledonia in 1943. Technical advisors were Major John W. Antonelli former 1st Marine Raider Battalion and Mary Louise Dowling,[7] Louise A. Wood[8] and Margaret Hagan[9] of the American Red Cross. Paramount picked up the film rights for The Magnificent Bastards in 1954 and announced Deborah Kerr for the lead. Paramount also stated they would release the film under a different title.[10]

Score and original music

Composer Victor Young wrote the film's score.[11] Ross Bagdasarian Sr. wrote a tie-in song The Ballad of Colin Black.[12]

Reception

Film critic Bosley Crowther of The New York Times wrote in his review: "ANOTHER exhaustive contemplation of the effects of a wartime romance on a sensitive and susceptible woman is put forth in The Proud and Profane, a William Perlberg-George Seaton production for Paramount that came to the Astor yesterday. The lady who runs the emotional gamut for all to behold in this film is an American Red Cross worker at Noumea in the South Pacific during World War II, and the gentleman with whom she dilly-dallies more than somewhat is a major of American marines. With Deborah Kerr as the lady and William Holden as the marine, two earnest and versatile performances are initially guaranteed. That is the virtue of this picture. Miss Kerr does a continuously interesting job as a nervous and self-pitying widow of a marine killed on Guadalcanal who falls for the rough, tough, ruthless major that Mr. Holden plays. And he, in turn, commands attention with the unrelenting vigor and sting that he gives to this hardbitten soldier who starts the chase with only one thing in mind."[2]

Awards

The Proud and Profane was nominated for two Academy Awards, for Best Art Direction-Set Decoration, Black-and-White (Hal Pereira, A. Earl Hedrick, Samuel M. Comer, Frank R. McKelvy) and Best Costume Design, Black-and-White (Edith Head).[2]

See also

References

  1. ^ 'The Top Box-Office Hits of 1956', Variety Weekly, January 2, 1957
  2. ^ a b c Crowther, Bosley (2012). "Screen: 'Proud and Profane' Bows; Story of a Romance in Wartime at Astor Miss Kerr and William Holden Are Co-Stars". Movies & TV Dept. The New York Times. New York City. Archived from the original on October 18, 2012. Retrieved December 22, 2008.
  3. ^ Crockett, Lucy Herndon (January 1954). The Magnificent Bastards (1st ed.). New York City: Farrar, Straus and Giroux. ASIN B000JC5L44.
  4. ^ "The Proud and Profane". Turner Classic Movies. Atlanta: Turner Broadcasting System (Time Warner). Retrieved May 11, 2017.
  5. ^ Byrd & Williams 2007, p. 111.
  6. ^ Crockett, Lucy Herndon (1949). Popcorn on the Ginza,: An informal portrait of postwar Japan (1st ed.). Brookfield, Wisconsin: W. Sloane Associates. ASIN B0006ARX7W.
  7. ^ "Tribute for Mary Dowling | Covenant Funeral Service".
  8. ^ "Louise A. Wood, 78; Ex-Head of Girl Scouts". The New York Times. 19 May 1988.
  9. ^ "Margaret Hagan Obituary". Kingsport News. 28 September 1966. p. 10.
  10. ^ [1] [dead link]
  11. ^ Young, Victor (January 4, 2016). Victor Young at Paramount-Vol #2 Soundtrack (Audio CD). Valley Village, Los Angeles: Kritzerland Records. ASIN B019G25YZS. Retrieved May 11, 2017.
  12. ^ Bagdasarian Sr., Ross (1956). "The Proud And Profane (Ballad of Colin Black) from the film Paramount Pictures PROFESSIONAL COPY". Hollywood: Paramount Music Corporation. ASIN B01N5THLQ9.

Sources

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