Mars (band)
Mars | |
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![]() Mars record cover | |
Background information | |
Origin | New York, New York, United States |
Genres | No wave, experimental rock, avant-garde, noise rock |
Years active | 1975–1978 |
Labels | Rebel Records ZE Records Widowspeak Atavistic (reissues) G3G (reissues) |
Past members | Sumner Crane Mark Cunningham China Burg Nancy Arlen Rudolph Grey |
Website | markcunningham |
Mars were an American, New York City-based no wave experimental noise rock band, formed in 1975 when China Burg (née Constance Burg; a.k.a. Lucy Hamilton) (guitar, vocals) and artist Nancy Arlen (drums) brought Mark Cunningham (bass) and vocalist Sumner Crane together to talk about music.[1] They were joined briefly by guitarist Rudolph Grey.[2] The band played one live gig under the name China before changing it to Mars. They played a mixture of angular compositions and freeform noise music jams, featuring surrealist lyrics and non-standard drumming. All the members were said to be completely untrained in music before forming the band.[3]
History
Mars played live about two dozen times, all in Manhattan. Their first show was at CBGB's in January 1977; their last one was at Max's Kansas City on December 10, 1978. Their recorded debut was the 3-E/ 11,000 Volts 7-inch single was recorded and mixed by Jay Dee Daugherty and Brooke Delarco under the direction of Lenny Kaye and later released by Rebel Records/ ZE Records. The group then released a single live EP in 1979 or 1980, though they had broken up in 1978.[4] Both recordings were compiled by Lydia Lunch's self-run label, Widowspeak Records, in 1986, as 78; the songs were slightly remixed and tweaked by Jim Thirlwell (a.k.a. Foetus). It was reissued by Atavistic Records on CD in 1996 as 78+.[citation needed]
In 1978, Mars appeared on the influential No New York compilation LP produced by Brian Eno, along with DNA, Teenage Jesus and the Jerks, and James Chance and the Contortions, which helped to bring the nascent No Wave genre into the foreground.[5] An All Music reviewer wrote of their contributions: "Mars creates interesting music out of apparent chaos; the vocals are babbled and the guitars, bass and drums sound like they're weaving in and out of the song while going in several different directions at once, yet the band is oddly compelling in its crazed, cacophonous way."[6]
Post-breakup
In 1985, China Burg collaborated with Lunch on the album The Drowning of Lucy Hamilton.[7]
Due to complaints about Thirlwell's modifications on 78/78+, the full studio recordings of Mars (totaling about 30 minutes) surfaced in 2003 on the Spanish labels G3G and Spookysound. Cunningham ran both Hyrax Records and Spookysound Records. (To clarify: 78, 78+, and Mars LP: The Complete Studio Recordings, NYC 1977–1978 all feature essentially the same half-hour batch of music, but with very slight auditory differences.) After the breakup of Mars, Cunningham was part of the bizarre John Gavanti "no wave opera" project with Crane, Arto Lindsay, and others. He has also worked with the band Don King, and with his current outfit, Convolution. The MARS EP, on Charles Ball’s Lust/Unlust label, was recorded in December 1978 in one live session and was the last time the band played together. The songs included on the EP were: N.N. End, Scorn, Outside Africa, Monopoly and Immediate Stages of the Erotic.[citation needed]
Crane died of lymphoma on April 15, 2003. Arlen died on September 17, 2006, following heart surgery.[8]
Discography
- "3-E" (b/w "11,000 Volts") – 7", 1978 (Rebel Records, RB 7802) (later released as a 12" on ZE)
- No New York – LP, 1978 (Antilles/ Island) (split compilation with three other bands)
- Mars – 12" EP (live), 1979 or 1980 (Lust/Unlust/Infidelity)
- John Gavanti – LP, 1980 (Hyrax) (CD reissue on Atavistic) (featured Crane, Cunningham, Berg)
- 78 – LP, 1986 (Widowspeak)
- Live Mars 77–78 – CD, 1995 (DSA) (France)
- 78+ – CD, 1996 (Atavistic)
- Mars LP: The Complete Studio Recordings, NYC 1977–1978 – CD, 2003 (G3G/Spookysound) (Spain; limited edition) (later released on LP by Important) (reissued by No More in 2008)
- Live at Artists Space – LP (live), 2011 (recorded May 6, 1978) (Feeding Tube/Negative Glam)
- Live at Irving Plaza – LP (live), 2012 (recorded August 4, 1978) (Feeding Tube/Negative Glam)
- Rehearsal Tapes and Alt-Takes NYC 1976–1978 – 3-cassette box set, 2012 (recorded between Summer of 1976 and November 1978) (Anòmia; limited edition)
References
Notes
- ^ "Life on Mars: The Surviving Members of the Earliest No Wave Band Talk Muggings, Warhol, and 1977 | NOISEY". NOISEY. Retrieved April 22, 2016.
- ^ Masters 2007, pp. 42–46
- ^ Masters, Marc. No Wave. London: Black Dog Publishing, 2007, pp. 42-52
- ^ Masters, Marc. No Wave. London: Black Dog Publishing, 2007, pp. 42-52
- ^ Masters 2007, pp. 13–14
- ^ "No New York - Various Artists | Songs, Reviews, Credits". AllMusic.
- ^ Payes, Robert; Sheridan, David; Grant, Steven; Robbins, Ira. "TrouserPress.com :: Lydia Lunch". TrouserPress.com. Retrieved August 16, 2016.
- ^ Patterson, Phast Phreddie (May 2003). "Mars' Sumner Crane 1946-2003". www.rocksbackpages.com. Retrieved December 8, 2022.
Bibliography
- Masters, Marc (2007). No Wave. London: Black Dog Publishing. ISBN 978-1-906155-02-5.
External links
- How Mark Cunningham Blitzed the Bowery With No Wave Icons Mars (Observer, 2017)
- LIFE ON MARS: The Surviving Members of the Earliest NO WAVE band Talk Muggings, Warhol, and 1977 an interview with Mark Cunningham
- Interview with live gig recollections
- Clocktower - Radio Mars is the second track on Clocktower's Colab Vinyl Mix (aired 5/9/16)
- No wave groups
- American experimental musical groups
- Musical groups established in 1975
- Musical groups disestablished in 1978
- ZE Records artists
- Musical groups from New York City
- American experimental rock groups
- American noise rock music groups
- American post-punk music groups
- Rebel Records artists
- American musical quartets
- Atavistic Records artists