Kaye touring in Rosengarten with Patti Smith
|Also known as||Lenny Kaye Connection|
|Born||December 27, 1946|
|Origin||New York, United States|
|Occupations||Musician, songwriter, record producer, music journalist|
|Instruments||Guitar, bass, vocals|
|Labels||Giorno Poetry Systems,
|Associated acts||Patti Smith, R.E.M.|
Lenny is Jewish, and was born on December 27, 1946, in the Washington Heights area of upper Manhattan, New York, along the Hudson River in the shadow of the George Washington Bridge. Growing up in Queens and Brooklyn, Lenny originally began playing accordion, but by the end of the 1950s, had dropped the instrument in favor of collecting records. His family moved to North Brunswick, New Jersey, in 1960 where Lenny attended high school, and later, college, graduating Rutgers in 1967. He became a member of science fiction fandom and gained experience in writing, publishing his own fanzine, Obelisk, at the age of 15. Though he majored in American History, his true avocation was musical, and it was there that he first began playing in bands, on a college mixer and fraternity circuit later immortalized in National Lampoon's Animal House. His first gig, with the Vandals ("Bringing down the house with your kind of music"), was at Alpha Sigma Phi on November 7, 1964.
As musician, writer, and record producer, Lenny Kaye has been intimately involved with an array of artists and bands. He has been a guitarist for poet-rocker Patti Smith since her band's inception more than thirty years ago, and is the co-author of Waylon, The Life Story of Waylon Jennings. He has worked in the studio with such artists as R.E.M., Suzanne Vega, Jim Carroll, Soul Asylum, Kristin Hersh and Allen Ginsberg, as well as his own solo muse. His seminal anthology of sixties' garage-rock, Nuggets, has long been regarded as defining a genre. You Call It Madness: The Sensuous Song of the Croon, an impressionistic study of the romantic singers of the 1930s, was published by Villard/Random House in 2004.
His uncle, songwriter Larry Kusik ("A Time For Us" from Romeo and Juliet; "Speak Softly Love" from The Godfather) took note of his lengthening hair and musical commitment, and asked him to sing on a song he'd recently penned with Ritchie Adams, once of the Fireflies ("You Were Mine"). It was the fall of 1965, and folk-protest was in the air, Lenny soon found himself in Associated Recording Studios on Times Square, recording "Crazy Like A Fox", along with its flip side, "Shock Me". The resultant 45, issued under the name of Link Cromwell, was leased to Hollywood Records, a division of Starday Records located in Nashville, Tennessee, and released in March 1966. It garnered a Newcomer Pick of the Week from Cashbox ("A rhythmic bluesy folk-rocker with a pulsating beat") and was issued in England as well as Australia; but failed to move in the charts. Though hardly a smash, it did give Lenny a sense of himself as a musician, and inspired him to continue performing and playing. His group at the time, The Zoo, worked a college circuit ranging from New York to Pennsylvania; this early experience has been captured on a live album issued by Norton Records, Live 1966.
Moving back to the city, Lenny began writing reviews for Jazz and Pop magazine; branching out to such nascent rock publications as Fusion, Crawdaddy and Rolling Stone. He became the music editor of Cavalier, a men's magazine that at the time was also publishing the early short stories of Stephen King, and would write a monthly column for them until 1975; and the New York correspondent for the British weekly, Disc. As a free-lance writer, he would write for a wide range of periodicals, including Melody Maker, Creem, and edit such publications as Rock Scene and Hit Parader throughout the seventies.
While working at Village Oldies on Bleecker Street in New York, he met poet-singer Patti Smith. On February 10, 1971, he backed her at a reading at St. Mark's Church on E. 10th St. When they resumed performance in November 1973, their artistic efforts bore fruit as one of the major rock bands of the 1970s. Lenny produced Patti's debut single ("Hey Joe / Piss Factory"), and performed as part of her Group throughout the decade, as reflected in four Arista albums: Horses (1975), Radio Ethiopia (1976), Easter (1978) and Wave (1979).
Following the Patti Smith Group's final performance in September 1979, Lenny joined the Jim Carroll Band, as well as fronting his own Lenny Kaye Connection. He co-produced Suzanne Vega's first two albums, including her 1987 hit single, "Luka", which was nominated for a Grammy as Record of the Year. He has been nominated three times for Grammy awards in the liner notes category for boxed sets on the sixties folk revival (Bleecker and MacDougal), white blues (Crossroads), and progressive rock (Elektrock); and has co-authored a comprehensive hall of fame with David Dalton (Rock 100).
In 1995, he reunited with Patti Smith and has been a part of her band since, creating five studio albums, a retrospective, and celebrating the thirtieth anniversary release of their landmark debut album, Horses.
In 2010, Kaye contributed a solo recording for Daddy Rockin' Strong: A Tribute to Nolan Strong and the Diablos (The Wind/Norton Records). Kaye recorded a version of "I Wanna Know," a 1950s R&B ballad. He appears on and wrote one song for The Fleshtones 2011 album Brooklyn Sound Solution (Yep Roc). Also, he appeared on "Alligator Aviator Autopilot Antimatter" and "Blue" on R.E.M.'s 2011 album Collapse into Now, an album that Patti Smith also contributed to, also on "Blue" and another song, "Discoverer".
Lenny Kaye Connection
- I've Got a Right (1984)
- Daddy Rockin Strong: A Tribute to Nolan Strong & The Diablos (The Wind / Norton Records, 2010, TWR002 LP)
track: I Wanna Know
- Child Bride b/w The The Tracks of My Tears (Mer Records 1980 Z270-B)
- "Lenny Kaye". Retrieved March 5, 2008.
- Wolk, Douglas. "Lenny Kaye, Silent Partner to Patti Smith, Suzanna Vega and Corin Tucker" MTV Hive July 5, 2012
- "Lenny Kaye". Retrieved March 10, 2008.
- Lenny Kaye (June 22, 1968), Correspondence, Love Letters & Advice, Rolling Stone
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