Katherine Hoover
Katherine Hoover | |
|---|---|
 | |
| Born | Katherine Lacy Hoover 2 December 1937 Elkins, West Virginia, U.S. |
| Died | 21 September 2018 (aged 80) New York City, New York, U.S. |
| Resting place | Cremated; ashes scattered in a place of family significance. |
| Alma mater | Eastman School of Music (Bachelor of Music in Music Theory) (Performer's Certificate in Flute) Manhattan School of Music (Master of Music in Music Theory) |
| Occupations |
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| Years active | 1959–2018 |
| Title | Co-Founder of Papagena Press (1988) |
| Spouse(s) | Richard V. Goodwin (m. 1985-2018) John Christopher Schwab (m. 1964-1972) |
| Children | 1 (son) |
| Parents |
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| Musical career | |
| Genres | |
| Instruments |
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| Labels | |
| Website | katherinehoover |
Katherine Hoover (December 2, 1937 – September 21, 2018) was an American composer of Contemporary classical music and Chamber music, flutist, teacher of Musical composition and Music theory, poet, and later a conductor of her own music.[1] Her career as a composer began when few women composers earned recognition in Classical music in the 1970s.[2][3] As shown in her list of known work, she has composed pieces for solo flute, mixed ensembles, chamber orchestra, choir, full orchestra and many other combinations of instruments and voice. Some of her flute pieces incorporated Native American themes.[4][5]
Her work has received many honors, including a National Endowment for the Arts Composer's Fellowship, an American Academy of Arts and Letters Award in composition, the National Flute Association's Lifetime Achievement Award where she is remembered by the as an "artist, flutist, teacher, entrepreneur, poet, and, most notably, a distinguished composer."[6] Also, there are two works where she cowrote under the pseudonym Kathryn Scott.[7][8]
Early life and education
In keeping with her maternal heritage, Hoover's mother returned to her hometown of Elkins, West Virginia, where Katherine Lacey Hoover was born on December 2, 1937. The family initially resided near Dupont Circle in Washington, D.C., but relocated to Philadelphia at the onset of World War II to support her father's contributions to the war effort. Her mother was a talented painter, artist, and editor, while her father pursued a career in biochemistry.[9][10]
Katherine's passion for music ignited at the tender age of three when she was spellbound by the melodies of Mozart, she recalls:
“When I was about three, I think, I remember standing in front of a large record player, and being totally entranced by something I was hearing, which I believe was Mozart. “That was it,...”[11]
Despite their lack of musical training, Katherine's parents wholeheartedly supported her artistic inclinations. They even acquired a piano discarded by neighbors during a move, and her father's clever gesture of offering a drink to the mover secured the instrument for her. Katherine persistently begged for piano lessons, and at the age of five, her dreams were realized when she began her musical education.[11] Katherine remembered those early days with affection, saying:
"[her parents] would play a game, just putting their hands down anywhere in any combination and ask me what notes they were playing. It was amazing ear training.”[11]
By the time she reached fifth grade in primary school, she was offered the opportunity to learn the clarinet. Katherine chose the flute as her second instrument, recounting:
"...which I hated. I didn’t like the biting, or the pressure, and worst of all, it was in the wrong key(!). So the minute I was handed a flute, that was it.”[11]
Hoover's high school years were marked by a rich musical education. She participated in various musical endeavors, including bands, marching bands, the Eastern Pennsylvania State Band, and as a member of the "Quintones" singers for five years. Her talent led to numerous radio and early television appearances.
Hoover embarked on her academic journey in general studies at the University of Rochester in 1955. After two years, she followed through with her plans to transfer to the Eastman School of Music. Juxtaposed to the renowned "Nadia Boulanger teaching composers in France for decades, Hoover's composition classes left a bad impression. Katherine's composition classes at Eastman left her disillusioned. She remarked,
"There were no women involved with composition at all. [I got] rather discouraged – being the only woman in my classes, being ignored and so forth."[11][12]
Although she wasn't allowed to graduate from her chosen undergraduate program in composition, she graduated with honors, earning a Bachelor of Music in Music Theory in 1959. Her achievements at Eastman also included a double major and the coveted Performer’s Certificate in Flute, an honor that afforded winners a solo performance with an orchestra.”[9][11][13]
Hoover's introduction to the American Flute School movement occurred during her time at the Eastman School of Music, where she studied under Joseph Mariano, one of William Kincaid's notable students.[1] Mariano's stature clearly demonstrated being pursued by Toscanini, Fritz Reiner and Eugene Ormandy at various times through his career.[14]
Influences
After graduation Hoover spent two years studying with William Kincaid and Hungarian pianist Agi Jambor. Katherine recalls:
“Kincaid was a justly famous flutist and teacher. I learned so much from him, in particular the phrasing of the Kincaid/Tabuteau school, which became the basis not only of my playing, but also of my musical understanding and writing. None of my theory classes had taught me how music actually moves in time and beats, and the problem with bar lines. Kincaid’s standards were very high, and I worked quite hard!"[11]
Hoover also felt privileged to study with Mme. Agi Jambor who was a World War II refugee from Hungary. Jambor was a distinguished pianist, specializing in Bach, known quite well before the war. Hoover shared:
"I got to perform with her, but most of all to sit and listen to her play and speak about Bach. She had been given a place to live, teach, and perform at Bryn Mawr College, and I had a job as a warden at an undergraduate dormitory there.”[11]
Later, in Hoover's career, during her time as a member and board member of The New York Flute Club, she wrote that she owed "much of her success to her mentor, William Kincaid, teaching her more about music than any other composer".[15]
Teaching career
Juilliard Preparatory School
Several years after graduating, Hoover established herself in New York as a flutist and teacher. From 1962–1967, Hoover taught flute at the preparatory division of the Juilliard School as well as a few other small schools, including the Third Street Music School.[9][12][16] During this period, she married John Schwab in 1964.[17]
Manhattan School of Music
Hoover began teaching flute and music theory at the Manhattan School of Music, (1969-1984) where she learned a great deal about compositional techniques, from carefully analysis of a wide spectrum of music scores.[11][15] She continued her graduate studies and received her Master of Music in Music Theory in 1973. She was a faculty member of Manhattan School of Music for eleven years.[9][18]
Teachers College, Columbia University
Hoover became a faculty member at the Teachers College, Columbia University (1984-1989), where she taught theory and composition to graduate students.[19]
Composer
Hoover‘s life as a composer started slowly, few were aware that as a student, at a time she was unaware of any outstanding women composers.[20] A decade later, once established in New York, Hoover’s first publication was her work the Three Carols (1972) for SSA chorus and flute, published by Carl Fischer.[16][20] It was during this period, as a free-lance flutist, she worked for various ballet and opera companies.[2]
Hoover's growth as a composer was signified being honored as a finalist for the Kennedy Center Friedheim Award's Outstanding New American Chamber Work award (1978). Her successes continued, becoming a finalist once again and being awarded a National Endowment for the Arts Composer's Fellowship (1979).
Of her compositions she wrote "I have feelings of pride for the successes writing works for specific performers using other instruments...Stitch-te Naku for Cello and Orchestra, for cellist Sharon Robinson and [the] Clarinet Concerto, for jazz clarinetist Eddie Daniels."[10][21]
Hoover co-founded Papagena Press in 1988 with her husband (Richard Goodwin, married 1985) to publish her works. The first piece to be published was Kokopelli (1990), a work for solo flute inspired by the Hopi tribe and the American Southwest.[2] It won the National Flute Association's Newly Published Music Competition (1991). This was Hoover's second of six NFA Newly Published Music awards.[6][22]
Compositional Style
Hoover’s unique compositional style bears the unmistakable imprint of her mentors, Joseph Mariano and William Kincaid.[23] One foundational aspect of her music, as she herself acknowledges, is the concept of transitioning from a weak beat to a strong beat—a lesson she imbibed from Mariano and Kincaid. The conventional notation system, while valuable, can sometimes overshadow the importance of auditory perception. Barlines, like imposing stop signs, are inserted before each downbeat in musical notation, sending a clear visual signal to halt the musical flow. Hoover's desire for long, unimpeded musical phrases led her to break free from these restrictive walls imposed by barlines. Her compositions, liberated from such constraints, invite musicians to respond not only to the written notes but also to the sounds of the piece and the acoustics of the performance space, influencing tempo, interpretation, and the duration of rests and fermatas.[20]
While Hoover's formal training under her mentors is evident, she modestly acknowledges her journey as a composer involved a significant degree of self-discovery. During her tenure as a theory teacher at the Manhattan School, she delved deeply into the intricacies of compositional techniques, further enriching her musical arsenal.[11] This scholarly pursuit went hand in hand with her remarkable gift of perfect pitch, which allowed her to explore how individuals interact with and interpret sound. This profound insight became invaluable as she advanced her own creative journey as a composer, continually searching for the distinctive, as stated by Kristine H. Burns, Ed.[24]
"Hoover composes with the effects peculiar to each individual instrument in mind, incorporating such effects into the thematic and emotive content of the work at hand. . . . [While some] demonstrate a great gift for expressive lyricism, . . . [others] are notable for rhythmically dynamic passages laced with incisive dissonance but often mingled with elements of jazz and well-timed humor."
What has evolved is a compositional style renowned for its distinct character, often described as a "romantic, often pictorial atonal style." Hoover's music is celebrated for its clarity and eloquence, with moments of breathtaking beauty emerging from her occasionally pungent harmonies.[25][26]
Hoover uses three prominent compositional elements to define her work:[12]
Extra-Musical References
Hoover's compositions consistently draw inspiration from a diverse array of influences. For instance, her solo flute compositions, such as "Kokopeli," "Winter Spirits," and "To Greet the Sun," resonate with the evocative sounds of Native American music and the cultural richness of the Hopi tribe from the American Southwest.[2] In "Eleni: A Greek Tragedy," an orchestral tone poem, she found inspiration in Nicholas Gage's literary work, "Eleni." Hoover's "Medieval Suite" draws from Barbara Tuchman's "A Distant Mirror: The Calamitous Fourteenth Century." "Night Skies" was born from a captivating painting, reflecting her fascination with the starry night sky. This penchant for drawing from diverse sources imbues her music with a vivid, pictorial quality that deeply resonates with audiences.[2][11][27]
Quotations and Manipulations
Hoover adeptly uses musical quotations and skillfully adapts melodies from other composers. Her compositions feature these quotations seamlessly interwoven with her original material and harmonies, resulting in a rich tapestry of musical influences. For example, in "Celebration," a composition written for Joseph Mariano's ninetieth birthday, Hoover artfully juxtaposed her thematic material with direct quotations from renowned flute works, retaining their original form. This skillful incorporation of quotations showcases her ability to blend musical traditions and create captivating hybrids. Notably, her use of musical quotation is not always overt, as seen in the innovative ways she quotes Guillaume de Machaut's "Virelai No. 17, Dame, vostre doulz viaire debonair" in the first movement of "Medieval Suite." This exemplifies her talent for manipulating melodies and integrating these adaptations with her original material.[12][26] This is confirmed by Cathy Hancock Hicks:[28]
“Hoover openly borrows from the compositional techniques of other composers. At Eastman, she worked with a student of Hindemith, … and became familiar with Hindemith’s theories of consonance and dissonance. Bartok also influenced Hoover’s music, particularly in the harmonies she utilizes… related to the “split-root” or “major-diminished” chord… [as heard in the] final movement of Medieval Suite. Bartok’s influence is also clear in the title of her first woodwind quintet, Homage to Bartok (1975).”
Use of the Abstract
Hoover's ability to craft musical quotations extends beyond the overt, as seen in the subtle and innovative ways she incorporates them into her compositions. For instance, in the first movement of "Medieval Suite," she masterfully quotes Guillaume de Machaut's "Virelai No. 17" in fragmented form, altering its pitch level. Subsequently, an extended quote appears at the original pitch level, achieved through the use of harmonics overblown at the twelfth. These adaptations seamlessly merge with her original material. Throughout the composition, listeners encounter additional musical quotations, including references to the iconic "Dies Irae" in the final movement, titled "Demon's Dance."[12]
Katherine Hoover's musical insight is profound, as she succinctly states, "Being proficient in an instrument offers a distinct advantage, as it provides an in-depth understanding of the intricacies involved in creating music at a high level. It fosters a deep respect for performers and their unique needs."[26] This intimate knowledge of instruments, particularly the flute, is evident in her idiomatic flute compositions. However, her compositional prowess extends far beyond the flute, encompassing a wide range of instruments and ensemble configurations, including orchestral and concertos. While her creative journey has explored various musical avenues, a significant portion of her work centers on chamber compositions—a pragmatic choice, given the evolving landscape of orchestral programming and conductor involvement.[26]
Katherine Hoover's music thrives on the interplay of extra-musical references, skillful adaptation of other composers' melodies, and the harmonious fusion of these elements with her original compositions. The result is a body of work that captivates with its vivid imagery and inventive musicality. She maintains a delicate balance between musical expression and performer considerations, always striving to ensure that even challenging passages maintain their lyrical elegance.
Perhaps the greatest praise of Katherine Hoover’s ability comes from composer John Corigliano, who describes her as an extraordinary composer with a wide and fascinating musical vocabulary, dazzling craftsmanship, and the promise of well-deserved recognition on a broader scale.[29]
Promoting women in music
Hoover was involved with women's arts organizations and has worked to bring the works of women composers to the public's notice. She began work with the Women's Inter-Art Center in New York (1977. Here she organized Festivals I, II, and III of Women's Music which presented music by 55 historical and contemporary women composers.[22][30]
She was the composer in residence for the Fourth Festival of Women Composers at Indiana University of Pennsylvania (1996).
Poetry
Hoover had always written poetry since her youth finding both a striking difference and similarity between music and words. "This Way About"(2015).[31] was her first book of poetry where she shares glimpses into her life.[32]
Honors and awards
- Member Laureate, Sigma Alpha Iota[33]
- Kennedy Center Friedheim Award, Outstanding New American Chamber Work, finalist, 1978, 1979
- National Endowment for the Arts Composer's Fellowship, 1979[34]
- National Flute Association Newly Published Music Competition, 1987, 1991, 1993, 1994, 2006, 2020(co-winner)[6]
- New York State Music Teachers' Association, Composer of the Year, 1989[35]
- American Academy of Arts and Letters Academy Award in Composition, 1994[36]
- New York Flute Club Tribute Concert for Katherine Hoover, 2013[37]
- National Flute Association Lifetime Achievement Award, 2016[6]
- Global Music Awards, Silver Medalist, May 2018[38]
Lists of Compositions
The following Lists of Compositions by Katherine Hoover catalogs her known contributions to the world of contemporary classical music. While some compositions are well-documented with readily available citations, others may require further research and exploration at Eastman School of Music's Sibley Library. Katherine Hoover's working papers, manuscripts, books and research materials have been gifted to Sibley's Special Collections.
As a flutist, the following lists are subdivided to emphasize her flute works. Additional subdivisions offers insight into her contributions to the world of chamber music.
To maintain precision, the sources for composition titles and manuscript dates encompass reputable references, such as ASCAP, the International Confederation of Societies of Authors and Composers, and Papagena Press. It's essential to note that a composer's manuscript date may precede the copyright date, and the use and application of copyrights have evolved over the course of Katherine Hoover's lifetime.
The reliability of the citations is ensured through reference to sources including the United States Copyright Office's, "Music Licensing U.S. Copyright Office" and "Card Browser"; additionally, the Library of Congress, and WorldCat.
Notation generally adheres the IMSLP: Abbreviations for Instruments.[39]
Flute
Flute, solo
| Title(date) | Scoring | Cite | Notes |
|---|---|---|---|
| Cadenzas to Mozart concerto in G, K. 314
(1982) |
fl | USCO [40] | (00:05:00) Unaccompanied flute.
Cadenzas to Wolfgang Amadeus Mozart concerto in G, K. 314: arranged for flute by composer. |
| Reflections
(1982) [41] |
fl | USCO [42]
WorldCat [43] |
(00:06:00) Unaccompanied flute.
Commissioned as a Performing Residency at Artpark in Lewiston, New York (near Niagara Falls). Variations on ancient Norwegian Olavs-fest in Nidaros. The numerical designation of this musical work is Op.25.[44] |
| Cadenzas to Mozart concerto in G, K. 313
(1984) |
fl | USCO [45] | (00:05:00) Unaccompanied flute.
Cadenzas to Wolfgang Amadeus Mozart concerto in G, K. 313: arranged for flute by composer. |
| Kokopeli
(1990) [46] |
fl | USCO [47]
LCCN [48] WorldCat [49] |
(00:04:30) Unaccompanied flute.
Inspired by "Kokopeli, ... a legendary hero of the Hopi...said to have led the migrations through the Southwest, the sound of his flute echoing through the great canyons and cliffs...[trying to capture] the Hopi's deep kinship with this land." Kokopeli NFA Newly Published Music Award, 1991. |
| Winter Spirits
(1997) [50] |
fl | USCO [51]
LCCN [52] WorldCat [53] |
(00:05:00) Unaccompanied flute.
Premiered by Jeffrey Khaner, NFA Convention, 1997. Inspired by a picture by the marvelous artist Maria Buchfink of a Native American flute player; from his flute rises a cloud of kachinas and totem spirits. |
| To Greet The Sun
(2004) [54] |
fl | USCO [55]
WorldCat [56] |
(00:06:00) Unaccompanied flute.
Premiered by Alexa Still, NFA Convention 2005. Inspired by the thought that to Greet The Sun is to give thanks for Earth's gift of life as various cultures have done through the millennia. |
| Etudes
(2011) [57] |
fl | WorldCat [58] | Unaccompanied flute.
Performed by Mark Sparks, NFA convention, 2015. Inspired by the belief that etudes for flute should be challenging yet enjoyable and musically apt. |
| Spirit Flight
(2012) [59] |
fl | WorldCat [60] | (00:06:00) Unaccompanied flute.
Written for Wendela van Swol of Cordoba, Spain, and premiered at Maranatakerk, The Hague, Netherlands, December 2013. Inspired by Native American sounds and wooden flutes. "[this work was title when] ...played for 2 friends. One [listener, a Lakota] described vivid images of varied landscapes as if flying; the other... [commented, this imagery is a ...]." |
Flute, duo
| Title(date) | Scoring | Cite | Notes |
|---|---|---|---|
| Lente et vote
(1977) |
2fl | USCO [61] | Unaccompanied flute duet.
Full title is "Lente et vote; two duets for flutes." |
| Suite for Two Flutes
(1981)[62] |
2fl | USCO [63]
LCCN [64] WorldCat [65] |
(00:08:00) Unaccompanied flute duet.
Composed between 1977-1981, five short movements explores motifs: melodic, virtuosic, mysterious, and playful. The numerical designation of this musical work is Op.17.[44] |
| Duo - Six duets for two flutes
(1982) [66] |
2fl | USCO [67][68][69]
LCCN [70] WorldCat [71] |
(00:06:00) Unaccompanied flute duet.
Alternate titles include: Duo for 2 flutes, Six Simple Duets, Six Duets for flutes, Duo, Duo for two flutes. The numerical designation of this musical work is Op.23.[44] |
| Sound Bytes
(1990) [72] |
2fl | USCO [73]
WorldCat [74] |
(00:11:00) Unaccompanied flute duet.
Dedicated to Thomas Nyfenger. Premiered by the composer and Bonita Boyd at the NFA Convention, Aug. 24, 1991. Movements:
The numerical designation of this musical work is Op.43.[44] |
| Antics
(2002) [75] |
2fl | USCO [76]
WorldCat[77] |
(00:06:00) Unaccompanied flute duet.
Premiered by composer and Don Bailey, NFA convention, 2002. |
Flute, trio/octet/choir/ensemble/orchestra
| Title(date) | Scoring | Cite | Notes |
|---|---|---|---|
| Trio for flutes
(1974) [78] |
3fl | USCO [79]
WorldCat [80] |
(00:08:00) Flute trio.
Composed to demonstrate various effects and sonorities, and different ways of combining the voices, also including a musical palindrome. Movements:
The numerical designation of this musical work is Op.6.[44] |
| Echo song
(1977) |
6fl 2afl | USCO [81]
WorldCat [82] |
Flute octet.
Music Orlando di Lasso, with new music & arrangement by composer. |
| Three for Eight
(1996) [83] |
fl/picc 2-6fl[C] afl | USCO [84]
WorldCat [85] |
(00:08:15) Flute ensemble.
Commissioned by and dedicated to the New York Flute Club [86]and the Long Island Flute Club. Premiered at the NFA convention, 1996. Movements:
|
| Kyrie
(1998) [87] |
picc fl/picc 7fl[C] 3afl (org/bell/chim) | USCO [88][89]
LCCN [90] WorldCat [91] |
(00:08:00) Flute ensemble.
Commissioned by and premiered by Tucson Flute Club, NFA Convention, 1998. Inspired by the Gregorian chant "Kyrie fons bonitatis" as found in the Liber Usualis. |
| Mariposas
(2001) [92] |
2fl/picc[solo] 2fl[solo] 2fl/picc 4fl 2afl | USCO [93]
WorldCat [94] |
(00:08:00) Flute orchestra.
Written for Pamela Youngblood. Premiered at the NFA convention, 2001. Inspiration is loosely based on the eclosion (emergence) and flights of butterflies. |
| Celebration, Sonata in E
(2001) [95] |
fl[ens] | USCO [96]
WorldCat [97] |
(00:06:00) Flute ensemble.
Celebrating Joseph Mariano's 90th birthday. Based on Bach's Sonata in E; some preexisting text. Composers program note: "In Celebration, I have quoted some of the pieces that I studied under Joseph's tutelage, as well as others that have become part of our heritage as flutists". |
| Peace Is the Way
(2004) |
6fl 2afl | WorldCat [98] | (00:07:00) Flute octet.
In reaction to the USA's 2003 invasion of Iraq with inspiration from an A. J. Muste quote. Originally written in 2003 for treble chorus; arranged for 8 flutes in 2004; Copyright date on the score: 2003. |
| Concertante "Dragon Court"
(2006) [99] |
[solo]:2fl fl/picc [choir]:afl bfl 15fl (cbfl) | USCO [100][101]
LCCN [102] WorldCat [103] |
(00:18:00) Flute choir.
Commissioned by the Brannen-Cooper Fund and Bickford Brannen[104][105]. Dedicated to the memory of Frayda Osten. Premiered May 2007, in Nashua, New Hampshire, under the direction of Dr. Eileen Yarrison. |
Flute with piano
| Title(date) | Scoring | Cite | Notes |
|---|---|---|---|
| The Medieval Suite: flute & piano
(1979) [106] |
fl pf | USCO [107][108][109]
LCCN [110] |
(00:19:00) Flute and piano duo.
Premiered by Christina Smith with Reno Symphonywith R. Daniels, conducting, November 1989. Inspired by Barbara Tuchman's A Distant Mirror:The Calamitous Fourteenth Century.[114] Vireli uses parts of work by Guillaume de Machaut. Composed for fl,orch in 1979. NFA Newly Published Music Award, 1987. Movements:
The numerical designation of the original musical work is Op.18.[44] |
| Masks
(1998) [115] |
fl pf | USCO [116]
LCCN [117] WorldCat [118] |
(00:15:00) Flute and piano duo.
Commissioned by the National Flute Association. Premiered by Jeani Foster and Stefanie Jacob, NFA Convention, 1998. Dedicated to Albert Cooper. Inspired by the idea of Masks; they generally make an impression quickly; its affect clear at a glance. Movements:
|
| Two Pieces (Fauré)
(2002) [119] |
2fl pf | WorldCat [120] | (00:15:00) Flute and piano trio.
Originally composed for 4 hands piano, by Gabriel Urbain Fauré, arranged for modern flute and piano by composer. Le Pas Espano premiered by composer and Don Bailey, NFA convention, 2007. Movements:
The numerical designation for this work is Op.56. |
| Three Sketches
(2003) [121] |
picc pf | USCO [122]
WorldCat [123] |
(00:08:00) Piccolo and piano duo.
Commissioned by National Flute Association Flute Association. Movements:
|
| Two for Two
(2006) [124] |
afl/bfl pf | WorldCat [125] | (00:09:00) Flute and piano duet.
Commissioned by and premiered by Christine Potter[126] in Salt Lake City, 2006. NFA Newly Published Music Award, 2006. Movements:
|
| Mountain & Mesa
(2008) [127] |
fl pf | LCCN [128]
WorldCat [129] |
(00:12:00) Flute and piano duo.
Premiered by Mimi Stillman and Jeremy Gill[130], NFA Convention, 2009. Inspiration for the second movement is a Hopi Lullaby notated by Natalie Curtis at Third Mesa prior to 1905. Musical work referred to in Eastman School of Music's "Alumni Notes."[27] Movements:
|
| Four winds
(2013) [131] |
fl pf | WorldCat [132] | (00:10:00) Flute solo with piano.
Originally for flute and orchestra; Copyright from the score: 2013. Arranged for Flute and piano 2015. Premiered 2015 by Mark Sparks at the NFA Convention in Washington, D.C. Movements:
|
Flute in mixed ensembles
| Title(date) | Scoring | Cite | Notes |
|---|---|---|---|
| Divertimento
(1975) [133] |
fl str[trio] | USCO [134]
LCCN [135] WorldCat [136] |
(00:11:39) Mixed quartet.
Recorded by Leonarda Productions in the Recital Hall, Penn State University, December, 1979 with members of The Alard String Quartet(1954 to 1994) [Leonard Feldman, Raymond Page, Joanne Zagst] and with Diane Gold. Movements:
The numerical designation of this musical work is Op.8.[44] |
| Two Dances
(1976) |
fl ob gtr | USCO [137]
WorldCat [138] |
Mixed trio. |
| Nocturne Fantasy
(1977) |
fl hp str[orch] | LCCN [139]
WorldCat [140] |
(00:06:00) Flute and harp concerto.
The numerical designation of this musical work is Op.13.[44] |
| Lyric Trio
(1983) [141] |
fl vc pf | USCO [142]
WorldCat [143] |
(00:18:00) Mixed trio.
Written for the Huntingdon Trio. NFA Newly Published Music Award, 1994. The numerical designation of this musical work is Op.27.[44] |
| Canyon Echoes
(1991) [144] |
fl gtr | USCO [145]
WorldCat [146] |
(00:11:59) Flute and guitar mixed duet.
Written for and premiered by Duologue[147] at the Walker Art Center in Minneapolis Minnesota in 1991. Inspired by Michael Lacapa's[148] book The Flute Player[149] which retells the folktale of two young Apache who first meet at a Hoop Dance. NFA Newly Published Music Award, 1993. Movements:
|
| Dances and Variations
(1995) [150] |
fl hp | USCO [151]
WorldCat [152] |
(00:20:00) Mixed duet.
Commissioned by Dr. & Mrs. James P. Carey and Marshall University. Premiered by Wendell Dobbs and Larry Odom at the Kennedy Center, 1996. Dedicated to Wendell and Linda Dobbs. Subject of Emmy winning PBS Documentary, Deborah Novak's New Music. Movements:
My days have been so wondrous free is written by Francis Hopkinson, to a poem by Thomas Parnell. |
| Caprice
(1999) [153] |
fl gtr | LCCN [154]
WorldCat [155] |
(00:04:00) Flute and guitar mixed duet.
Commissioned by Red Cedar Chamber Music. Premiered by Jan Boland and John Dowdall at the Cedar Rapids Museum of Art, 2000. Inspired by James Michael Smith's painting Red Event[156]. |
| Quito Suite
(2000) [157] |
fl bn pf/gtr | (00:18:00)
Stand alone title for Dizi dance, 3rd mvmt. Mountain and Mesa. | |
| Two Preludes
(2012) [158] |
fl mar/vib | WorldCat [159] | (00:10:00)
Commissioned by Zara Lawler and Paul Fadoul. Premiered at a tribute concert to composer, sponsored by the New York Flute Club at the Lighthouse in NYC, March 2013. Movements:
|
| Canyon Shadows
(2019) [160] |
fl fl[native_american] perc | USCO [161][162] | (00:16:00) Mixed trio.
Posthumously edited by Joanne Lazzaro. Original manuscript by composer, 1997. Inspired with visions of a band of ancient inhabitants and their journey finding a new home in the Grand Canyon. NFA Newly Published Music Award, co-winner, 2020. Movements:
|
Woodwind
Woodwind, duo/quartet/quintet
| Title(date) | Scoring | Cite | Notes |
|---|---|---|---|
| Homage To Bartok
(1975) [163] |
ww[quintet] | USCO [164]
LCCN [165] WorldCat [166] |
(00:16:30) Wind Quintet.
Dedicated to the Dorian Quintet[167] the Sylvan Winds[168] Quintet and many others. Inspired by the many marvelous aspects of Béla Bartók's compositions. Movements:
|
| Sinfonia
(1976) [169] |
bn[quartet] | USCO [170][171]
LCCN [172] WorldCat [173] |
(00:11:00) Bassoon Quartet.
Written for and first recorded by the New York Bassoon Quartet[174]. The Funeral March was inspired by a scene from Verdi's opera Stiffelio. Movements:
The numerical designation of this musical work is Op.10.[44] |
| Suite for Winds
(1977) |
fl ob cl[B-flat] bn | USCO [175] | Woodwind Quartet.
Based on five short piano works by Wolfgang Amadeus Mozart, arrangements for woodwind quartet by composer. |
| Set for Clarinet
(1978) [176] |
2cl[B-flat] | USCO [177][178]
LCCN [179] |
(00:05:00) Clarinet duet.
Movements:
The numerical designation of this musical work is Op.15.[44] |
| Suite for Saxophones
(1980) [182] |
sax[SATB] | USCO [183]
WorldCat [184] |
(00:12:00) Saxophone choir.
Written for and Recorded by the New York Saxophone Quartet[185]. Inspirations include jazz, big bands, rock and a train trip made to London England. 'Ira's Tune' is an arrangement of a friends pop tune. Movements;
The numerical designation of this musical work is Op.20.[44] |
| Qwindtet
(1987) [186] |
ww[quintet] | USCO [187]
WorldCat [188] |
(00:16:00) Woodwind quintet.
Commissioned by philanthropist Peter Alexander, The Hudson Valley Wind Quintet[189][190] and the State University of New York at New Paltz. Dedicated to the Hudson Valley Wind Quintet. Movements;
|
| Five pieces: for wind quintet.
(1989) |
ww[quintet] | USCO [191] | Woodwind quintet.
Piano pieces by Robert Schumann arranged for wind quintet by composer. |
Woodwind with piano
| Title(date) | Scoring | Cite | Notes |
|---|---|---|---|
| Aria
(1985) [192] |
bn pf | WorldCat [193] | (00:04:00) Bassoon and piano duo.
Originally for clarinet and string quartet written in 1982. Arranged for any string, woodwind, bassoon, cello, and piano in 1985. The numerical designation of this musical work is Op.31.[44] |
| Clarinet Concerto
(1987) [194] |
cl pf | USCO [195][196]
LCCN [197] |
(00:22:00) Clarinet with piano.
Originally for orchestra; piano solo added. Premiered by Eddie Daniels with the Santa Fe Symphony. Elegy, is dedicated to the composer's mother-in-law and close friend, Lee Goodwin. Movements:
The numerical designation of this musical work is Op.38.[44] |
| Ritual
(1989) [200] |
cl pf | USCO [201]
WorldCat [202] |
(00:08:00) Clarinet and piano duo.
Commissioned by N.Y.S. Music Teacher's Assoc. Premiered October 1989. Influenced by Greek folk music featuring a clarinet solo as a virtuoso instrument. |
| Sonata, for oboe & piano
(1991) [203] |
ob pf | USCO [204]
WorldCat [205] |
(00:16:00) Oboe and piano duo.
Written for and Premiered by the Vinland Duo at the Weill Recital Hall, NY. Incorporates a quote from Samuel Barber's composition "Cave of the Heart". |
| Journey
(2009) [206] |
bn pf | LCCN [207]
WorldCat [208] |
(00:16:00) Bassoon and piano duet.
Commissioned by a consortium of 31 bassoonists organized by Peter Kolkay. Premiered by Peter Kolkay and Alexandra Nguyen at Teatro National, Panama City. Dedicated to Peter Kolkay. |
| Shoes For Two Clarinets And Piano
(2010) [209] |
2cl pf | Duo for clarinets and piano.
Premiered by Stanley and Naomi Drucker, and Marilyn Sherman-Lehman[210], at the Park Avenue United Methodist Church, New York.[211] | |
| Ayres
(2011) [212] |
ssax pf | WorldCat [213] | (00:07:00) Soprano saxophone and piano duo.
Commissioned by James Forger and Christopher Creviston. Premiered 2012 at the Workshop for Music Performance Concert Hall, New York, by Christopher Creviston and Hannah Gruber. Inspired by the beautiful vocal quality of a soprano saxophone played in the Cathedral as well as the the extended phrases and haunting melodies of Elizabethan lute music as styled by John Dowland. Based upon three Elizabethan lute songs by English Renaissance composer by John Dowland. Movements:
|
Strings
Strings, solo/quartet/orchestra
| Composition | Instrumentation | Citation(s) | Notes |
|---|---|---|---|
| Double concerto
(1989) [214] |
2vn str[orch] | USCO [215]
WorldCat [216] |
(00:14:00) Concerto for two violins with string orchestra.
Commissioned by Southeast Kansas Symphony conducted by Carol Ann Martin. Premiered by Yfrah Neaman and Paul Carlson[217] with the Southeast Kansas Symphony in Pittsburg, Kansas in 1989. |
| String Quartet
(1998) [218] |
2vn va vc | USCO [219]
WorldCat [220] |
(00:22:00) String Quartet.
Written for and performed by The Colorado String Quartet. The third movement inspired by a Hopi lullaby. Movements:
|
| String Quartet No.2
(2004) [221] |
2vn va vc | LCCN [222]
WorldCat [223] |
(00:23:00) String Quartet.
Written for and performed by The Colorado String Quartet at Rockford College in 2006. Movements:
|
| In Memoriam, Ravi Shankar
(2012) |
vn | WorldCat [224] | Unaccompanied violin.
Composers program note: "A tribute to the great sitar player Ravi Shankar, composed shortly after his passing. The music uses Shankar's concept of additive rhythms." |
Strings, with piano
| Title(date) | Scoring | Cite | Notes |
|---|---|---|---|
| Trio(1978)
(1978) [225] |
vn vc pf | USCO [226]
LCCN [227] |
(00:18:00) Piano trio.
Selected for the Kennedy-Friedheim competition in both 1978 and 1979. The numerical designation of this musical work is Op.14.[44] |
| Aria and Allegro giocoso
(1985) [231] |
vc[solo] pf | USCO [232]
WorldCat [233] |
(00:07:00) Cello solo accompanied by piano.
For small chamber ensembles, 2 to 4 players, a solo instrument with piano, solo string with piano, solo woodwind with piano. The numerical designation of this musical work is Op.32.[44] |
| Quintet "Da pacem"
(1988) [234] |
str[quartet] pf | USCO [235]
LCCN [236] WorldCat [237] |
(00:25:00) Quintet for piano and string quartet.
Commissioned by The New Jersey Chamber Music Society & Peter Alexander. Premiered by The New Jersey Chamber Music Society, Alice Tully Hall, Lincoln Center Plaza, NY, May 20, 1989. Incorporates a canon by Christoph Demantius (1567–1643). |
| Stitch-Te Naku
(1994) [238] |
vc pf orch | USCO [239]
WorldCat [240] |
(00:18:00) Chamber ensemble.
Written for Sharon Robinson. Premiered by Sharon Robinson and the Rohnert Park Chamber Orchestra, N. Washburn conducting in 1996, at the Orchestra’s inaugural concert in Rohnert Park, CA. Inspired by SW Indian creation story, "Spider Grandmother". |
| Shadows
(2001) |
va pf | WorldCat [241] | Mixed duet.
In Memorium 9/11. Premiered by Marka Gustavsson & Lisa Moore, at Bard 2009. |
| El Andalus
(2003) [242] |
va/vc pf | USCO [243]
WorldCat [244] |
(00:15:00) String solo with piano.
Commissioned by AZ Friends of Music for Sharon Robinson, Premiered in 2004. Inspired by Robinson's request to envision the Andalusian area of Spain and it's confluence Muslim, Christian and Jewish cultures as a center of tolerance and light. |
| Dancing: violin & piano
(2014) [245] |
vn pf | WorldCat [246] | (00:11:20) Violin solo with piano.
Commissioned by and dedicated to Julie Rosenfeld. Premiered by Julie Rosenfeld and Peter Miyamoto in Columbia, MO, April 2016. Inspired by a 1972 quote from Ezra Pound:Movements:
|
Piano, solo/duo
| Title(date) | Scoring | Cite | Notes |
|---|---|---|---|
| Pieces for piano | pf | USCO [249][250] | (00:19:00) Piano solo.
Related titles: Four pieces for piano, Three pieces for piano, and Piano book. Movements:
|
| Piano Book
(1982) |
pf | Piano solo.
Has relationship with Pieces for piano initiated in 1975 and completed in 1983. Seven pieces. The numerical designation of this musical work is Op.19.[44] | |
| Three Movements for Piano
(1982) |
pf | USCO [253] | Piano solo.
Alt. Title: Movements for piano. |
| Allegro & Andante espressivo
(1983) |
pf | USCO [254]
WorldCat [255] |
(00:03:00) Alternate title: Andante & Allegro.
Movements:
The numerical designation of this musical work is Op.28.[44] |
| Five Pieces for piano
(1989?) [256] |
pf | Piano solo.
Alternate titles include: Suite of keyboard works, Lyric pieces. Movements:
| |
| At The Piano
(2003) [257] |
pf | USCO [258]
WorldCat [259] |
(00:06:00) Piano solo.
Movements:
|
| Preludes for piano
(2004) [260] |
pf | USCO [261]
WorldCat [262] |
(00:16:00) Piano solo.
Movements:
|
| Collage
(2006) |
2pf | Piano duo.
Original katherinehoover.com citations[263] references 4 movements. | |
| Dream Dances
(2008) [264] |
pf | WorldCat [265] | (00:08:00) Piano solo.
Premiered by Dianne Frazer at the 'Festival of the Hamptons'in 2008. Performed by pianist Miriam Conti at New York’s Tenri Hall in 2009, presented by the Leschetitzky Association . Based upon weaving varied dances together. Musical work noted, Eastman School of Music's "Alumni Notes."[27] |
| Thin Ice
(2009) [266] |
pf | WorldCat [267] | (00:10:00) Piano solo.
International Premiere by Gloria Chuang at the Hong Kong Institute of Education in Hong Kong April 14, 2010. United States Premiere by Mirian Conti at St. Peters Church, NYC April 20, 2010. Based upon the fear of tumbling through thin ice into cold and darkness, alternatively taking a chance, considering the distain and shock of others yet forging ahead. |
| Line Drawings
(2007) |
pf | WorldCat [268] | (00:11:03) Solo piano.
Premiered by Mirian Conti at the Bohemians Club in 2009. Recorded May 2008, at Patrych Sound Studios, NYC. Based on work by Saul Steinberg for David Dubal. Movements:
|
| Passacaglia & Romp
(2008) |
2pf | Piano duo.
Commissioned by Pianofest premiered 2009. Premiered at Pianofest by Yohann Ripert and Yidin Niu in Southhampton, NY, 2009. Movements:
Musical work noted, Eastman School of Music's "Alumni Notes."[27] | |
| Toccata
(2011) [269] |
pf | WorldCat [270] | Solo piano.
Inspired by the changes in the use and definition of the musical term Toccata through history. |
Ensembles
Brass ensembles
| Title(date) | Scoring | Cite | Notes |
|---|---|---|---|
| Three Movements For Brass Sextet
(1975) |
2hn 2tpt tbn tu | (00:04:00)
Published by Seesaw Music Corp. Brass ensemble, brass sextet, larger chamber ensembles - more than 4 players.[44] | |
| Sonata for brass quintet
(1985) |
brass_quintet | USCO [271]
WorldCat [272] |
Published by Seesaw Music Corp.
Movements:
|
Small Ensembles
| Title(date) | Scoring | Cite | Notes |
|---|---|---|---|
| Images
(1981) [273] |
cl vn pf | USCO [274]
WorldCat [275] |
(00:12:00) Chamber ensemble, Clarinet–Violin–Piano Trio.
Commissioned by The Verdehr Trio and recorded by Leonarda Productions. Movements:
The numerical designation of this musical work is Op.22.[44] |
| Serenade
(1982) |
cl[B♭] string-quartet/mixed-ensemble | USCO [276]
WorldCat [277] |
(00:10:00)
The numerical designation of this musical work is Op.24.[44] |
| Aria
(1985) [278] |
cl str[quartet] | WorldCat [279] | (00:04:00)
Originally for clarinet and string quartet written in 1982. Arranged for any string, woodwind, bassoon, cello, and piano in 1985. The numerical designation of this musical work is Op.31.[44] |
| Clowning Around
(2011) [280] |
4flute (flute[+]) (alto-flute) (perc) | WorldCat [281] | (00:05:00) Flute ensemble with percussion.
Written for NYC's "Make Music New York" initiative. Premiered June 2011 in Central Park, NYC. Performance at the NFA's 2011 Convention by a large group of attendees, choreographed by Zara Lawler. |
Large Ensemble
| Title(date) | Scoring | Cite | Notes |
|---|---|---|---|
| Summer Night (Nuit d'Ete)
(1985) [282] |
fl hn[F] vn vn va vc cbn (pn[solo with]) | USCO [283][284]
LCCN [285] WorldCat [286] |
(00:08:00)
Originally composed for flute and horn with string orchestra, rearranged in 1986 for solos with piano. Premiered by the New York Concerto Orchestra outdoors in Lincoln Center, September 1985. Copyright by Theodore Presser, 1986. The numerical designation of this musical work is Op.34.[44] |
| Psalm 23
(1981) [287] |
(chamber-orch) / (fl ob cl bn 2hn str) | USCO [288]
WorldCat [289] |
(00:04:00)
Inspiration for music added to Biblical text a result of the permanent disability of composer's mother by illness. First performance, Mother's Day 1981 at All-Saints church in New York, directed by the Reverend Dennis Michno. Premiered Cathedral of St. John the Divine, NYC, October 24, 1981 with 400 chorus and orchestra. Composer's mother passed the following day. The numerical designation for orchestra is Op.21a.[44] |
| Clarinet Concerto
(1987) [290] |
cl pf orch | USCO [291][292]
LCCN[293] |
(00:22:00) Solo Clarinet with piano and orchestra.
Originally for orchestra; piano solo added. Premiered by Eddie Daniels with the Santa Fe Symphony. Elegy, is dedicated to the composer's mother-in-law and close friend, Lee Goodwin. Movements:
The numerical designation of this musical work is Op.38.[44] |
| Stitch-Te Naku
(1994) [296] |
vc orch | USCO [297]
WorldCat [298] |
(00:22:00) Cello with chamber orchestra.
Written for Sharon Robinson. Premiered by Sharon Robinson and the Rohnert Park Chamber Orchestra, N. Washburn conducting in 1996, at the Orchestra’s inaugural concert in Rohnert Park, CA. Inspired by SW Indian creation story, "Spider Grandmother". |
| Bounce1
(1997) |
orch | USCO [299] | (00:12:00) Overture for orchestra.
Inspired by a ball bouncing and then adding layer upon layer of different balls. |
Orchestra
| Title(date) | Scoring | Cite | Notes |
|---|---|---|---|
| The Medieval Suite: flute & piano
(1979) [300] |
fl orch | USCO [301][302][303]
LCCN [304] |
(00:19:00)
Premiered Reno Symphony: C. Smith fl, R. Daniels, conducting, November 1989. Inspired by characters and events from Barbara Tuchman's A Distant Mirror: The Calamitous Fourteenth Century.[308] NFA Newly Published Music Award, 1987. Movements:
The numerical designation of the original musical work is Op.18.[44] |
| Eleni: A Greek Tragedy
(1986) [309] |
solo alto [3333 4331 timp perc gtr str] | USCO [310]
|
(00:15:00)
Premiered by the Harrisburg Symphony with Larry Newland conducting, 1987. Tone poem based on Nicholas Gage's book Eleni, the story of his mother's heroism during the Greek Civil War. Dedicated to Eleni Gatzoyannis, who was tortured and executed by Communist partisans for attempting to smuggle her children out of Greece in 1948. The numerical designation of this musical work is Op.36.[44] |
| Two Sketches
(1989) [312] |
[2223(2) 2210 pn hp vc timp perc str] | USCO [313]
WorldCat [314] |
(00:12:00)
Commissioned by and Premiered by Bay Area Women's Philharmonic, Faletta conducting 4/20/90 in San Francisco. Movements:
The numerical designation of this musical work is Op.42.[44] |
| Night Skies
(1993) [315] |
[4333 6440 hp timp perc str] | USCO [316]
WorldCat [317] |
(00:24:00)
Premiered 1994 by the Harrisburg Symphony, L. Newland, Music Director; composer conducting. The first section inspired by Henri-Edmond Cross's painting, “Landscape with Stars”. As work continued the second section was engaged by the nightscapes of Albert Pinkham Ryder, which feature mysterious and haunting moons and hazy, sensual forms. For orchestra: 4*3*3=3 6440 timp, perc str; 2nd flute also doubles on shakuhachi. |
| Turner Impressions
(2006) [318] |
[3333 4331 3perc hp pn hpd] | WorldCat [319] | (00:22:00)
Inspired by J. M. W. Turner's painting. Movements:
|
| Four winds
(2013) [320] |
fl orch (pf) | WorldCat [321] | (00:10:00) Originally for flute and orchestra; Copyright from the score: 2013. Arranged for Flute and piano 2015.
Premiered 2015 by Mark Sparks at the NFA Convention in Washington, D.C. Movements:
|
Voice
Voice, solo with accompaniment
| Title(date) | Scoring | Cite | Notes |
|---|---|---|---|
| Four Carols
(1970) [322] |
sop fl/ww | (00:09:00) Small chamber ensemble.
Basis of composer's first published work. Theme, Christmas Written for any female voice, any high voice, any voice, any woodwind, flute, soprano. | |
| Seven Haiku
(1973) [323] |
sop fl | USCO [324]
WorldCat [325] |
(00:08:00) Mixed duet.
Musical inspiration from seven haiku poems from various Japanese authors. Movements:
The numerical designation of this musical work is Op.3. [44] |
| Wings
(1973) |
mezzo ww[quartet] | WorldCat [326] | (00:09:00)
Premiered December 15, 1974 at the New York Historical Society. Inspired by Robert Frost's poem "Acceptance." Movements:
The numerical designation of this musical work is Op.4.[44] |
| To Many A Well
(1977) |
mezzo pf | USCO [327] | (00:05:39)
Inspired by an anonymous medieval poem. The numerical designation of this musical work is Op.12.[44] |
| Selima
(1979) [328] |
sop cl pf | USCO [329]
WorldCat [330] |
(00:07:00)
Written for The Ariel Ensemble. Recorded 1987 by The Ariel Ensemble: Julia Lovett, soprano; Jerome Bunke, clarinet; Michael Fardink, piano. This work is subtitled: "Ode on the death of a favourite cat, Drowned in a tub of goldfishes." Inspired by the setting of a poem by Thomas Gray, spoofing serious philosophical 'Odes.' The numerical designation of this musical work is Op.16.[44] |
| From the Testament of Francois Villon
(1982) |
bass/bar bn str[quartet] | USCO [331]
WorldCat [332] |
(00:24:00)
Commissioned by L. Lindell, premiered 1985 by L. Hindell & John Cheekat and String Quartet, at Merkin Hall. Musical settings inspired by selections from "The Testament and other Poems" by François Villon, with poem by Galway Mills Kinnell. The numerical designation of this musical work is Op.26.[44] |
| The Heart Speaks
(1997) [333] |
sop pf | USCO [334]
WorldCat [335] |
(00:18:00)
Inspired by the portrayal of delight, despair, love, contempt, courage, and to a chilling look at the folly of war within poetry written by Anna Wickham & Sara Teasdale. Movements:
|
| Central American Songs
(2004) [336] |
v[med] fl pf perc | USCO [337]
WorldCat [338] |
(00:12:00) Mixed Quartet.
Commissioned by Indiana University of Pennsylvania. Inspired by an unusual book titled 'Izok Amar - Go', meaning "women going forward with love, not bitterness". Words originally in English, Mayan or Spanish. Central American Women's Poetry for Peace is the title of the same poetry edited by Zoe Anglesey. Movements:
|
| The Word in Flower
(2009) |
mez fl gtr | WorldCat [339] | Commissioned by the New York State Music Teachers Association and the Music Teachers National Association.
Premiered in 2009, by Katherine Ciesinsky, Bonita Boyd, and Nickolas Goluseswas at the Eastman School of Music. Inspired by Mayan poems. Movements:
|
Choral A cappella
| Title(date) | Scoring | Cite | Notes |
|---|---|---|---|
| Three Carols
(1972)[340] |
ch[ssa] | USCO [341]
WorldCat[342] |
(00:09:00)
First published work. Christmas themes with titles:
The numerical designation of this musical work is Op.1a.[343][344] |
| The Last Invocation
(1984) |
2ch[satb] | USCO [345] | (00:03:48)
Inspiration from a poem by Walt Whitman. The numerical designation of this musical work is Op.30.[44] |
| Sweet Thievery
(1985) [348] |
madrigal[satb/ch] | WorldCat [349] |
(00:03:30) The numerical designation of this musical work is Op.35.[44] |
| Blow Thou Winter Wind
(1999) |
ch[satb] | WorldCat [350] | (00:03:20) |
| Echo
(1998) [351] |
ch[satb] a cappella | WorldCat [352][353] | (00:04:48)
Poem by Christina Georgina Rossetti, music composed by Katherine Hoover. |
| Blessing (Blossoms and Branches)
(2002) [354] |
ch | WorldCat [355] | (00:07:35)
6th movement of Requiem: service of remembrance. Performed: The New York Virtuoso Singers, Choir with Rosenbaum, Harold, Conductor, Track 14. |
| For Peace: Prayer in Time of War
(2003) |
fch a capella | WorldCat [356] | (00:03:43)
Performed by the New York Virtuoso Singers, Choir with Harold Rosenbaum, Conductor, Track 3. |
| Peace Is the Way
(2003) [357] |
satb[satb/ch] | WorldCat [358] | (00:02:31)
Inspired by the 2003 invasion of Iraq and a quote from A. J. Muste. Performed: New York Virtuoso Singers with Harold Rosenbaum, Conductor, Track 5. |
Choral with accompaniment
| Title(date) | Scoring | Cite | Notes |
|---|---|---|---|
| Three Carols
(1972)[359] |
ch[ssa] (fl) | USCO [360]
WorldCat[361] |
(00:09:00)
First published work. Christmas themes with titles:
The numerical designation of this musical work is Op.1a.[343][344] |
| Songs of Joy
(1974)[362] |
ch[stab] (kbd / br[qrt]) | USCO [363][364][365][366][367]
WorldCat [368] |
(00:11:00)
Arrangements of traditional German christmas carols with titles:
The numerical designation of this musical work is Op.5. [343] |
| Litanae Domini
(1976) |
2ch[stab] 8fl | USCO [369] | Arrangements of music by Giovanni Pierluigi da Palestrina, with new music & arrangement by composer.
Theme, secular. |
| Four English Songs
(1976) [370] |
ch[stab] bn ob pn | USCO [371]
WorldCat [372] |
(00:12:00)
Inspired by 4 poems in Public Domain, new music by composer. The numerical designation of this musical work is Op.9.[44] |
| Psalm 23
(1981) [373] |
ch[satb] org (orch) | USCO [374]
WorldCat [375] |
00:04:00)
Inspiration for music added to Biblical text a result of the permanent disability of composer's mother by illness. First performance, Mother's Day 1981 at All-Saints church in New York, directed by the Reverend Dennis Michno. Premiered Cathedral of St. John the Divine, NYC, October 24, 1981 with 400 chorus and orchestra. Composer's mother passed the following day. The numerical designation of the choral work is Op.21.[44] |
| Songs of Celebration
(1983) [376] |
(2satb kbd)/(br[quartet]) | USCO [377][378][379][380][381][382][383] | (00:13:00)
Based on old German Christmas songs, musical arrangement, new settings and new translations by composer with titles:
Current copyright by Warner Chappell Music. The numerical designation of this musical work is Op.29.[44] |
| Psalm 100
(1997) |
ch[satb] pf/org/kbd | USCO [384] | (00:04:00)
Theme: prayer. |
| Kyrie
(1998) [385] |
ch pf | USCO [386][387]
LCCN [388] WorldCat [389] |
(00:08:00)
Commissioned by and premiered by Tucson Flute Club, NFA Convention, 1998. Inspired by the Gregorian chant "Kyrie fons bonitatis" as found in the Liber Usualis. |
| Requiem for the innocent | nar[m f] satb[solo] ch[satb]
(br perc org/pn) / (acc) |
USCO [392]
WorldCat [393] |
(00:38:00)
In Memoriam of 9/11 and friends lost in the tragedy. Premiered in 2002 at St. Peter’s Lutheran Church, New York City. Based on poetry by Walt Whitman, and the Requiem Mass; both Latin and English. Movements:
|
| Incantations
(2006) [394] |
fch[ssa] fl perc | v[ssa] fl perc | Commissioned by the New York Treble Singers. |
Discography
As a flutist, Hoover has performed other compossers works, as well as her own. The following is a selected list of her recorded performances.
| Title | Album details | Work performed | Composer | Instrument |
|---|---|---|---|---|
| Original Broadway Cast "Jesus Christ Superstar" |
Release: 1971[397] |
|
|
|
| Music Of Dale Jergenson |
Release: 1977[398] |
|
|
|
| Sonata da chiesa |
Release: 1982[399] |
|
|
|
| New Music for Flute |
Release: 1984[400] |
|
|
|
| Chaitkin/Moore: Chamber Works |
Release: 1981[401] |
|
|
|
| Journeys-Orchestral Works by American Women |
Release: 1987[402] |
|
|
|
| Kokopeli : Katherine Hoover plays |
Release: 2001[403] |
|
|
|
References
- ^ a b "Rochester Review :: University of Rochester". www.rochester.edu. Retrieved January 16, 2022.
- ^ a b c d e Jicha, Victoria (May 4, 2020). "Flute Talk". theinstrumentalist.com. Retrieved January 23, 2022.
- ^ Alex Ambrose (August 21, 2014). "Her Music: Today's Emerging Female Composer". WQXR. Retrieved April 13, 2020.
- ^ Begay, Heidi Kay (2009). Finding the Hopi-Indian Traits in Katherine Hoover's "Kokopeli and Winter Spirits" for Solo Flute. Northwestern State University of Louisiana.
- ^ Wang, Ariel (January 29, 2021). "The Cultural Cost of Celebrating Katherine Hoover". The Phillipian. Retrieved September 14, 2023.
- ^ a b c d "Katherine Hoover 2016 Lifetime Achievement Award". The National Flute Association. Retrieved December 9, 2021.
- ^ "Candlelight dreams /Scott & DuVillier". publicrecords.copyright.gov. 1981. Retrieved August 7, 2022.
- ^ "So loved from afar /Scott & DuVillier". publicrecords.copyright.gov. 1981. Retrieved December 1, 2022.
- ^ a b c d Jezic, Diane Peacock (November 1, 1994). Women Composers: The Lost Tradition Found (2nd ed.). City University of New York: Feminist Press. pp. 165–172. ISBN 978-1558610743.
- ^ a b "Biography". Papagena Press. Archived from the original on December 13, 2021. Retrieved December 13, 2021.
- ^ a b c d e f g h i j k Grames, E. (August 2016). "Women's Work - A Conversation with Composer Katherine Hoover". www.web-s-ebscohost-com.wikipedialibrary.idm.oclc.org. Fanfare: The Magazine for Serious Record Collectors. pp. 82–98.
- ^ a b c d e Yarrison, Eileen Anne (December 1996). "The "Medieval Suite" for flute and piano by Katherine Hoover: An examination, analysis and performance guide" (Theses/Dissertations). ETD Collection for University of Nebraska - Lincoln. University of Nebraska - Lincoln: University of Nebraska - Lincoln: 1–167.
- ^ Cohen, Aaron (1987). "Hoover, Katherine". International Encyclopedia of Women Composers: 328.
- ^ "Joseph Mariano - Eastman School of Music". May 24, 2011. Retrieved September 12, 2023.
- ^ a b "NYFC archive Katherine Hoover". nyfluteclub.org. New York Flute Club. Retrieved December 23, 2021.
- ^ a b Kosack, Alicia Joyelle (2010). American Women Composers: Selected Published Works for Flute And Piano and for Unaccompanied Flute Composed Between 1930 and 2008. College Park, MD: University of Maryland, College Park. pp. 17–20.
{{cite book}}: CS1 maint: date and year (link) - ^ "John Schwab to Wed Katherine L. Hoover". The New York Times. June 17, 1964. Retrieved September 15, 2020.
- ^ Genzlinger, Neil. "Katherine Hoover, Flutist and Composer, Is Dead at 80". The New York Times. Retrieved September 15, 2020.
- ^ "Fine Art". Who's Who Newsletters. January 4, 2019. Retrieved January 24, 2022.
- ^ a b c Hicks, Cathy Hancock (2004). "Soloistic Flute Music by Katherine Hoover" (Thesis / Dissertation).
- ^ Corigliano, John. "Katherine Hoover - Classical Music Daily". www.classicalmusicdaily.com. Classical Music Daily. Retrieved February 22, 2022.
- ^ a b Zara Lawler (2013). "KATHERINE HOOVER: A day in the life of a composer" (PDF). New York Flute Club Newsletter. No. May. New York Flute Club. pp. 1, 4–5. Retrieved December 23, 2021.
- ^ Stevenson, Joseph. "Winter Spirits, for flute Details". AllMusic. Retrieved September 20, 2023.
- ^ Burns, Kristine Helen (2002). Women and music in America since 1900: an encyclopedia. Westport, Conn: Greenwood Press. ISBN 978-1-57356-267-6.
- ^ Allen Gimbel, “Guide to Records: Hoover” American Record Guide (1999): 123
- ^ a b c d Catherine P. Smith, “Interview with Katherine Hoover.” IAWM Journal (2006)
- ^ a b c d Hoover, Katherine (2010). "Alumni Notes" (PDF). Eastman School of Music-Notes. 28 (1). 26 Gibbs Street, Rochester, NY, 14604: 23 – via Eastman School of Music, University of Rochester.
{{cite journal}}: CS1 maint: location (link) - ^ "Papagena Press". papagenapress.net. 2022. Archived from the original on January 17, 2022. Retrieved January 14, 2022.
- ^ "Dr. Dick's Market Square Concerts Blog". marketsquareconcerts.blogspot.com. Retrieved September 19, 2023.
- ^ Roper, Tia. "75th Birthday Tributes from Katherine Hoover's Friends and Colleagues" (PDF). NYFC Newsletter. No. May. New York Flute Club. p. 7. Retrieved December 23, 2021.
- ^ Hoover, Katherine (2015). This way about. iUniverse. ISBN 978-1491760376.
- ^ Hoover, Katherine (June 1, 2016). "(Hoover reads)"Bach: Preclude in C"". /www.youtube.com. #100DaysToNFA2016. Retrieved December 23, 2021.
- ^ Hendrix, Michael (December 8, 2017). "Member Laureate - Sigma Alpha Iota International Music Fraternity". www.sai-national.org. Archived from the original on June 17, 2019.
- ^ Flute & company : flute music / by Katherine Hoover (1 CD audio disc, LE-349). New York: LE-349 Leonarda. LCCN 2002591784. OCLC 46437306. Retrieved December 1, 2022.
- ^ NYSMTA. "Home". nysmta. Retrieved January 16, 2022.
- ^ "The Wikipedia Library". wikipedialibrary.wmflabs.org. Retrieved October 6, 2023.
- ^ "NYFC archive Katherine Hoover". nyfluteclub.org. New York Flute Club. Retrieved December 23, 2021.
- ^ "Winners-May-2018". www.globalmusicawards.com. Retrieved January 16, 2022.
- ^ "IMSLP:Tagging - IMSLP: Free Sheet Music PDF Download". imslp.org. Retrieved October 18, 2023.
- ^ Hoover, Katherine (January 24, 1983) [1982]. "Cadenzas for Mozart Concerto in D :K. 314 : flute /K. Hoover". publicrecords.copyright.gov. New York City, New York: Katherine Hoover. p. 4. copyright registration number PAU000479302. Retrieved October 9, 2022.
- ^ Hoover, Katherine. "Reflections (for solo flute)". ascap.com. ISWC T0710695116. Retrieved September 25, 2022.
- ^ Hoover, Katherine (May 20, 1982) [1982]. "Reflections :Norwegian chant with variations /K. Hoover". publicrecords.copyright.gov. New York City, New York: Katherine Hoover. p. 3. copyright registration number PAU000402967. Retrieved September 21, 2022.
- ^ Hoover, Katherine (1982). "Reflections : variations on a medieval Norwegian chant". worldcat.org. New York, NY: Papagena Press. p. 3. OCLC 42227877. Retrieved September 29, 2022.
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak al "Katherine Hoover (1937-2018), Author at New York Women Composers". newyorkwomencomposers.org. Retrieved October 30, 2022.
- ^ Hoover, Katherine (November 20, 1984) [1984]. "Cadenzas for Mozart concerto in G, K. 313 :flute /K. Hoover". publicrecords.copyright.gov. New York City, NY: Katherine Hoover. p. 4. copyright registration number PAU000670297. Retrieved September 29, 2020.
- ^ Hoover, Katherine. "Kokopeli". ascap.com. New York, NY: Papagena Press. ISWC T0710653783. Retrieved October 22, 2022.
- ^ Hoover, Katherine (November 5, 1990) [1990]. "Kokopeli :solo flute /Katherine Hoover". publicrecords.copyright.gov. New York City, NY: Papagena Press. p. 3. Copyright Registration Number PA0000497419. Retrieved September 21, 2022.
- ^ Hoover, Katherine (1990). "Kokopeli : solo flute". catalog.loc.gov/vwebv/. New York, NY : Papagena Press, c1990. p. 3. LCCN 94775261.
- ^ Hoover, Katherine (1990). "Kokopeli, solo flute". worldcat.org. New York, NY: Papagena Press. p. 2. OCLC 981366319. Retrieved September 29, 2022.
- ^ Hoover, Katherine. "Winter Spirits". ascap.com. New York, NY: Papagena Press. ISWC T0711930845. Retrieved October 22, 2022.
- ^ Hoover, Katherine (1997). "Winter spirits :solo flute". publicrecords.copyright.gov. Retrieved September 21, 2022.
- ^ Hoover, Katherine (1997). "Winter spirits : solo flute". catalog.loc.gov/vwebv/. New York, NY: Papagena Press. p. 2. LCCN 99385217.
- ^ Hoover, Katherine (1997). "Winter spirits : solo flute". worldcat.org. New York, NY: Papagena Press. p. 2. OCLC 40219789. Retrieved October 2, 2022.
- ^ Hoover, Katherine (2004). "To Greet The Sun". ascap.com. New York, NY: Papagena Press. ISWC T0728274632. Retrieved October 22, 2022.
- ^ Hoover, Katherine (February 21, 2006) [2005]. "To greet the sun". publicrecords.copyright.gov. New York City, New York: Papagena Press. copyright registration number PAU003014993. Retrieved September 22, 2022.
- ^ Hoover, Katherine (2005). "To greet the sun". worldcat.org. New York, NY: Papagena Press. p. 3. OCLC 66380518. Retrieved October 6, 2022.
- ^ Hoover, Katherine (2011). "Etudes". ascap.com. New York, NY: Papagena Press. ISWC. Retrieved October 22, 2022.
- ^ Hoover, Katherine (2011). "Etudes for flute". worldcat.org. New York, NY: Papagena Press. pp. xx. OCLC 748937764. Retrieved October 7, 2022.
- ^ Hoover, Katherine (2012). "Spirit Flight". ascap.com. New York, NY: Papagena Press. ISWC. Retrieved October 22, 2022.
- ^ Hoover, Katherine (2014). "Spirit flight : flute". worldcat.org. New York, NY: Papagena Press. pp. xx. OCLC 892634593. Retrieved October 7, 2022.
- ^ "Lente et vote; two duets for flutes". vcc.copyright.gov. Katherine Hoover. December 30, 1977 [Dec 1, 1977]. p. 5. Copyright VCC EU846343. Retrieved November 27, 2022.
- ^ Hoover, Katherine. "Suite for two flutes". ascap.com. New York, NY: Boelke Bomart Music. ISWC T0710708794. Retrieved October 21, 2022.
- ^ Hoover, Katherine (January 13, 1984) [1983]. "Suite for two flutes /Katherine Hoover". publicrecords.copyright.gov. New York City, New York: Boelke-Bomart. p. 16. Copyright Registration Number PA0000196803. Retrieved October 9, 2020.
- ^ Hoover, Katherine (1984). "Suite for two flutes". catalog.loc.gov/vwebv/. Hillsdale, N.Y.: Boelke-Bomart. p. 16. LCCN 84760135.
- ^ Hoover, Katherine (1983). "Suite for two flutes". worldcat.org. Hillsdale, N.Y.: Boelke-Bomart. p. 16. OCLC 10957121. Retrieved October 21, 2022.
- ^ Hoover, Katherine. "Duo for two flutes". ascap.com. Boelke Bomart Music. ISWC T0710600171. Retrieved September 25, 2022.
- ^ Hoover, Katherine (March 18, 1982) [1982]. "Six duets for flutes /K. Hoover". publicrecords.copyright.gov. New York City, New York: Katherine Hoover. copyright registration number PAU000384020. Retrieved September 21, 2022.
- ^ Hoover, Katherine (September 15, 1983) [1978]. "Duo :for 2 flutes /Katherine Hoover". publicrecords.copyright.gov. Hillsdale, N. Y. : Boelke-Bomart Publications, [c1983]: Boelke-Bomart, Inc. copyright registration number PA0000185282. Retrieved October 9, 2022.
{{cite web}}: CS1 maint: location (link) - ^ Hoover, Katherine (January 24, 1983) [1983; revisions & additions. prev. reg. 1977, EU846343.]. "Duos for flutes /K. Hoover". publicrecords.copyright.gov. PAU000479303 (copyright registration number). Retrieved September 22, 2022.
- ^ Hoover, Katherine (1983). "Six simple duets: for 2 flutes". catalog.loc.gov/vwebv/. Hillsdale, N.Y.: Boelke-Bomart. p. 7. LCCN 84755997.
- ^ Hoover, Katherine (1983). "Six simple duets : for 2 flutes". worldcat.org. Hillsdale, N.Y.: Boelke-Bomart. p. 7. OCLC 10764018. Retrieved September 28, 2022.
- ^ Hoover, Katherine. "Sound bytes for two flutes". ascap.com. New York, NY: Papagena Press. ISWC T0710709764. Retrieved October 22, 2022.
- ^ Hoover, Katherine (July 5, 1990) [1990]. "Sound bytes :two flutes /Katherine Hoover". publicrecords.copyright.gov. New York City, NY: Papagena Press. Copyright Registration Number PAU001393322. Retrieved September 21, 2022.
- ^ Hoover, Katherine (1991) [1990]. "Sound bytes : two flutes". worldcat.org. New York, N.Y.: Papagena Press. p. 15. OCLC 25826554. Retrieved September 30, 2022.
- ^ Hoover, Katherine. "Antics". ascap.com. New York, NY: Papagena Press. ISWC T0725928711. Retrieved October 22, 2022.
- ^ Hoover, Katherine (March 3, 2002) [2002]. "Antics :for two flutes". publicrecords.copyright.gov. New York City, New York: Papagena Press. p. 7. copyright registration number PAU002750797. Retrieved September 21, 2022.
- ^ Hoover, Katherine (2002). "Antics : for two flutes". worldcat.org. New York, NY: Papagena. p. 7. OCLC 755014926. Retrieved October 4, 2022.
- ^ Hoover, Katherine. "Trio for flutes". ASCAP.com. New York, NY: Papagena Press. ISWC T0711903126. Retrieved September 25, 2022.
- ^ "Trio for flutes. Sept. 1974. m Katherine Hoover". vcc.copyright.gov. New York, NY: Katherine Hoover. December 1975 [Sep 1974]. Copyright VCC EU743026. Retrieved October 17, 2022.
- ^ Hoover, Katherine (1995). "Trio for flutes". worldcat.org. New York, NY: Papagena Press. p. 12. OCLC 33025763. Retrieved September 28, 2022.
- ^ Hoover, Katherine (January 1978) [Dec 1977]. "Echo song. 6 flutes & 2 alto flutes. Orlando Di Lasso, arr. Katherine Hoover". vcc.copyright.gov. Katherine Hoover. p. 4. Copyright VCC EU846342.
- ^ Hoover, Katherine (1977). "Echo song". worldcat.org. New York, NY: Katherine Hoover. p. 3. OCLC 867640068. Retrieved October 24, 2022.
- ^ Hoover, Katherine. "Three for Eight". ascap.com. New York, NY: Papagena Press. ISWC T0711904594. Retrieved October 22, 2022.
- ^ Hoover, Katherine (February 5, 1996) [1990]. "Three for eight". publicrecords.copyright.gov. New York City, NY: Papagena Press. p. 20. copyright registration number PAU002048941. Retrieved September 22, 2022.
- ^ Hoover, Katherine (1996). "Three for eight". worldcat.org. New York, NY: Papagena Press. p. 20. OCLC 36123814. Retrieved October 2, 2022.
- ^ "The New York Flute Club". nyfluteclub.org. Retrieved October 11, 2023.
- ^ Hoover, Katherine. "Kyrie". ascap.com. New York, NY: Papagena Press. ISWC T0726520484. Retrieved October 22, 2022.
- ^ Hoover, Katherine (October 23, 1998) [1998]. "Kyrie :for twelve flutes /K. Hoover". publicrecords.copyright.gov. New York City, New York: Papagena Press. p. 32. Retrieved September 22, 2022.
- ^ Hoover, Katherine (May 14, 1998) [1998]. "Kyrie :for 12 flutes". publicrecords.copyright.gov. New York City, New York: Papagena Press. copyright registration number PAU002315060. Retrieved September 22, 2022.
- ^ Hoover, Katherine (September 6, 1998). Kyrie : for twelve flutes. New York : Papagena Press, c1998. p. 32. LCCN 2002557724.
{{cite book}}:|website=ignored (help) - ^ Hoover, Katherine. "Kyrie". worldcat.com. New York, NY: Papagena Press. ISWC T0726520484. Retrieved October 22, 2022.
- ^ Hoover, Katherine. "Mariposas". ascap.com. New York, NY: Papagena Press. ISWC T0714974421. Retrieved October 22, 2022.
- ^ Hoover, Katherine (October 16, 2001) [2001]. "Mariposas". publicrecords.copyright.gov. New York City, New York: Papagena Press. p. 28. copyright registration number PAU002572068. Retrieved September 21, 2022.
- ^ Hoover, Katherine (2001). "Mariposas : 4 solo flutes, flute ensemble". worldcat.org. New York City, NY: Papagena Press. p. 28. OCLC 48446562. Retrieved October 4, 2022.
- ^ Hoover, Katherine. "Celebration". ascap.com. New York, NY: Papagena Press. ISWC T0726085728. Retrieved October 24, 2022.
- ^ Hoover, Katherine (October 16, 2001) [2001]. "Celebration, based on Sonata in E for flute ensemble". publicrecords.copyright.gov. New York City, New York: Papagena Press. p. 14. Copyright registration number PAU002571788. Retrieved October 3, 2022.
- ^ Hoover, Katherine (2001). "Celebration : for Joseph Mariano : [flute ensemble]". worldcat.org. New York, NY: Papagena Press. p. 14. OCLC 48446360. Retrieved October 4, 2022.
- ^ Hoover, Katherine (2006). "Peace is the way : flutes & alto flutes". worldcat.org/title/. New York, NY: Papagena Press. p. 4. OCLC 174042913. Retrieved October 5, 2022.
- ^ Hoover, Katherine (2006). "Concertante "Dragon Court"". ascap.com. New York, NY: Papagena Press. ISWC. Retrieved October 22, 2022.
- ^ Hoover, Katherine (December 17, 2007) [2006]. "Concentrate "Dragon Court"". publicrecords.copyright.gov. New York City, New York: Papagena Press. copyright registration number PA0001619929. Retrieved September 22, 2022.
- ^ Hoover, Katherine (2006). Concertante "Dragon court": flute ensemble. New York, NY: Papagena Press. LCCN 2009537769. OCLC 297186178.
- ^ Concertante "Dragon court" : flute ensemble / [Katherine] Hoover. New York, NY : Papagena Press, c2006. September 6, 2023. p. 34. LCCN 2009537769. OCLC 297186178.
{{cite book}}:|website=ignored (help) - ^ Hoover, Katherine (2006). "Concertante "Dragon court" : flute ensemble". worldcat.org. New York, NY: Papagena Press. pp. xx. OCLC 297186178. Retrieved October 6, 2022.
- ^ "Brannen Brothers Flutemakers, Inc". brannenflutes1. Retrieved October 11, 2023.
- ^ "Bickford Brannen - NFA Lifetime Achievement Award". www.nfaonline.org. Retrieved October 11, 2023.
- ^ Hoover, Katherine. "The Medieval Suite:flute & piano, 1981". ascap.com. Malvern, PA: Theodore Presser Company. ISWC T0710667687. Retrieved September 25, 2022.
- ^ Hoover, Katherine (May 18, 1981) [1981]. "The Medieval suite :flute & piano, 1981 /K. Hoover". publicrecords.copyright.gov. New York City, New York: Katherine Hoover. p. 28. copyright registration number PAU000296425. Retrieved September 21, 2022.
- ^ Hoover, Katherine (March 6, 1986) [1981; part. 24 p. +]. "Medieval suite :for flute and piano /by Katherine Hoover". publicrecords.copyright.gov. Bryn Mawr, Pa. : T. Presser Co., c1986.: Theodore Presser Company. p. 26. copyright registration number PA0000280339. Retrieved October 9, 2022.
{{cite web}}: CS1 maint: location (link) - ^ Hoover, Katherine (September 19, 1979) [1979]. "On the bethrothal of Princess Isabelle of France, aged 6 years :1979 /Katherine Hoover". publicrecords.copyright.gov. New York City, NY: Katherine Hoover. p. 5. copyright registration number PAU000139027. Retrieved September 21, 2022.
- ^ Hoover, Katherine (September 6, 1986). Medieval suite : arranged for flute and piano. Bryn Mawr, Pa. : T. Presser, c1986. p. 24. LCCN 86752999.
{{cite book}}:|website=ignored (help) - ^ Hoover, Katherine (1986). "Medieval suite". worldcat.org. Bryn Mawr, PA: Presser. OCLC 62283991. Retrieved September 28, 2022.
- ^ Hoover, Katherine (2011). "A lecture recital on the works of Katherine Hoover". worldcat.org. OCLC 728024359. Retrieved September 28, 2022.
- ^ Hoover, Katherine (1984). "Medieval suite : for flute and piano". worldcat.org. Bryn Mawr, PA: T. Presser. p. 24. OCLC 756986608. Retrieved September 29, 2022.
- ^ Yarrison, Eileen (1996). The Medieval Suite for Flute and Piano by Katherine Hoover: An Examination, Analysis, and Performance Guide (DMA thesis). Lincoln, Nebraska: University of Nebraska. OCLC 36148275.
- ^ Hoover, Katherine. "Masks". ascap.com. New York, NY: Papagena Press. ISWC T0726595841. Retrieved October 22, 2022.
- ^ Hoover, Katherine (October 23, 1998) [1998]. "Masks :flute & piano /K. Hoover". publicrecords.copyright.gov. New York City, NY: Papagena Press. copyright registration number PA0000930980. Retrieved September 21, 2022.
- ^ Hoover, Katherine (September 6, 1998). Masks : flute & piano. New York, NY : Papagena Press, c1998. p. 23. LCCN 00511161. OCLC 39904429.
{{cite book}}:|website=ignored (help) - ^ Hoover, Katherine (1998). "Masks : flute & piano". worldcat.org. New York, NY: Papagena Press. p. 23. OCLC 39904429. Retrieved October 2, 2022.
- ^ Hoover, Katherine. "Two Pieces (Fauré)". ascap.com. New York, NY: Papagena Press. ISWC Not Assigned. Retrieved October 22, 2022.
- ^ Hoover, Katherine (2002). "Le jardin de Dolly ; Le pas espanol : for two flutes and piano". worldcat.org. New York City, NY: Papagena Press. p. 13. OCLC 51318813. Retrieved October 4, 2022.
- ^ Hoover, Katherine (2003). "Three Sketches". ascap.com. New York, NY: Papagena Press. ISWC T0722326988. Retrieved October 22, 2022.
- ^ Hoover, Katherine (May 28, 2004) [2004]. "Three sketches :piccolo & piano". publicrecords.copyright.gov. New York City, New York: Papagena Press. p. 16. copyright registration number PAU002867173. Retrieved September 21, 2022.
- ^ Hoover, Katherine (2004). "Three sketches : piccolo & piano". worldcat.org. New York, NY: Papagena Press. p. 16. OCLC 55635512. Retrieved October 5, 2022.
- ^ Hoover, Katherine (2006). "Two for Two". ascap.com. New York, NY: Papagena Press. ISWC. Retrieved October 22, 2022.
- ^ Hoover, Katherine (2006). "Two for two : alto/bass flute & piano". worldcat.org. New York, NY: Papagena Press. pp. xx. OCLC 701810557. Retrieved October 6, 2022.
- ^ "Chris Potter". Chris Potter. Retrieved October 12, 2023.
- ^ Hoover, Katherine (2008). "Mountain & Mesa". ascap.com. New York, NY: Papagena Press. ISWC. Retrieved October 22, 2022.
- ^ Stillman, Mimi; Abramovic, Charles; Boyle, Benjamin C. S.; Bates, Mason; Danielpour, Richard; Levinson, Gerald; Zhou, Tian; Ludwig, David; Kellogg, Daniel (2011), "Odyssey: 11 American premieres for flute and piano", (sound recording) Mountain & Mesa by K.Hoover, St. Paul, MN: Innova, LCCN 2019628157, OCLC 755817487, retrieved November 29, 2022
- ^ Hoover, Katherine (2008). "Mountain & mesa : flute & piano". worldcat.org. New York, NY: Papagena Press. pp. xx. OCLC 456187099. Retrieved October 6, 2022.
- ^ "Bio | Jeremy Gill". jeremytgill.com. Retrieved October 12, 2023.
- ^ Hoover, Katherine. "Four winds". ascap.com. New York, NY: Papagena Press. ISWC 892067111. Retrieved October 22, 2022.
- ^ Hoover, Katherine (2015). "Four winds : concerto for flute & orchestra". worldcat.org. New York, NY: Papagena Press. OCLC 932333515. Retrieved October 7, 2022.
- ^ Hoover, Katherine. "Divertimento". ascap.com. New York, NY: Papagena Press. ISWC T0710599384. Retrieved September 25, 2022.
- ^ "Divertimento. Dec. 1975. For flute, violin, viola & cello. m Katherine Hoover". vcc.copyright.gov. New York, NY: Katherine Hoover. December 1976 [Dec 1975]. p. 16. Copyright VCC EU743028. Retrieved October 17, 2022.
- ^ Hoover, Katherine (1975). "Divertimento, flute, violin, viola, cello". catalog.loc.gov/vwebv/. New York, NY: Papagena Press. p. 16. LCCN 82772193. Retrieved November 23, 2022.
- ^ Hoover, Katherine (1975). "Divertimento : flute, violin, viola, cello". worldcat.org. New York, NY: Papagena Press. p. 16. OCLC 26873487. Retrieved September 28, 2022.
- ^ "Two dances, for flute, oboe, guitar". vcc.copyright.gov. Katherine Hoover. July 23, 1977 [Jun 15, 1977]. p. 10. Copyright VCC EU794493. Retrieved November 27, 2022.
- ^ Hoover, Katherine (1976). "Two dances : for flute, oboe, guitar". worldcat.org. p. 10. OCLC 38201372. Retrieved September 28, 2022.
- ^ DeJongh, Katherine; Sikorzak-Olek, Anna; Cywińska, Beata; Państwowa Orkiestra Kameralna w Słupsku (2002), "Twentieth century works for flute and orchestra", (sound recording) Nocturne Fantasy by K. Hoover, Baton Rouge, LA: Centaur Records, LCCN 2003582551, OCLC 51830220, retrieved November 28, 2022
- ^ Hoover, Katherine (2002). "Twentieth century works for flute and orchestra". worldcat.org (music CD; track 9). OCLC 991222697. Retrieved September 28, 2022.
- ^ Hoover, Katherine. "Lyric Trio". ascap.com. New York, NY: Papagena Press. ISWC T9028249709. Retrieved September 25, 2022.
- ^ Hoover, Katherine (January 9, 1984) [1983]. "Lyric trio /K. Hoover". publicrecords.copyright.gov. New York City, NY: Katherine Hoover. p. 36. copyright registration number PAU000576935. Retrieved September 21, 2022.
- ^ Hoover, Katherine (1983). "Lyric trio : for piano, flute and cello". worldcat.org. New York, N.Y.: Papagena Press. p. 37. OCLC 21065779. Retrieved September 29, 2022.
- ^ Hoover, Katherine. "Canyon Echoes and Apache folk tale". ascap.com. New York, NY: Papagena Press. ISWC T0710587793. Retrieved October 22, 2022.
- ^ Hoover, Katherine (February 10, 1992) [1991]. "Canyon echos :flute & guitar". publicrecords.copyright.gov. New York City, NY: Papagena Press. Copyright Registration Number PAU001598707. Retrieved September 21, 2022.
- ^ Hoover, Katherine (1991). "Canyon echos : flute & guitar". worldcat.org. New York, N.Y.: Papagena Press. pp. 18+12. OCLC 27758942. Retrieved September 30, 2022.
- ^ (Musical group), Duologue; Hoover, Katherine; Balcom, William; Sierra, Roberto; Larsen, Libby; Paulus, Stephan (October 11, 2023). "Canyon echoes". WorldCat. OCLC 40774571.
- ^ "Michael Lacapa on Native American Authors | Internet Public Library". https://www.ipl.org/. Retrieved October 11, 2023.
{{cite web}}: External link in|website= - ^ Lacapa, Michael (1990). The Flute Player: An Apache Folktale. Northland Publishing Company. ISBN 978-0-87358-627-6.
- ^ Hoover, Katherine. "Dances and Variations". ascap.com. New York, NY: Papagena Press. ISWC T0710600557. Retrieved October 22, 2022.
- ^ Hoover, Katherine (February 5, 1996) [1995]. "Dances & variations :for flute & harp". publicrecords.copyright.gov. New York, NY: Papagena Press. p. 26. copyright registration number PAU002048944. Retrieved September 22, 2022.
- ^ Hoover, Katherine (1996) [1995]. "Dances & variations : flute & harp". worldcat.org. New York, NY: Papagena Press. p. 25. OCLC 37049833. Retrieved October 2, 2022.
- ^ Hoover, Katherine. "Caprice". ascap.com. New York, NY: Papagena Press. ISWC T0726073308. Retrieved October 22, 2022.
- ^ Dowdall, John (2003), "Red cedar collection: American music for flute and guitar", (sound recording) Caprice by K. Hoover, Buffalo, N.Y: Fleur de Son Classics, LCCN 2008646081, OCLC 53692873, retrieved November 28, 2022
- ^ Hoover, Katherine (1999). "Caprice, flute & guitar". worldcat.org. New York, NY: Papagena Press. p. 3. OCLC 47253307. Retrieved October 3, 2022.
- ^ "21st Century Project". Red Cedar. Retrieved October 11, 2023.
- ^ Hoover, Katherine. "Quito Suite for Flute Bassoon and Guitar". ascap.com. New York, NY: Papagena Press. ISWC T0710693109. Retrieved October 22, 2022.
- ^ Hoover, Katherine (2012). "two preludes". ascap.com. New York, NY: Papagena Press. ISWC. Retrieved October 22, 2022.
- ^ Hoover, Katherine (2013). "Two preludes, flute with marimba/vibraphone". worldcat.org. New York, NY: Papagena Press. pp. xx. OCLC 868240801. Retrieved October 7, 2022.
- ^ Hoover, Katherine. "Canyon Shadows". ascap.com. New York, NY: Papagena Press. ISWC 330714384. Retrieved October 22, 2022.
- ^ "U.S. Copyright Public Records System". publicrecords.copyright.gov. Retrieved September 21, 2022.
- ^ Hoover, Katherine; Lazzaro, Joanne (2018), Canyon shadows, Dreamcatcher (Musical group : Los Angeles, Calif.), United States: Joanne Lazzaro : JoBazzal Music, retrieved November 23, 2022
- ^ Hoover, Katherine. "Homage To Bartok". ascap.com. New York, NY: Papagena Press. ISWC T0710629585. Retrieved September 25, 2022.
- ^ "Homage to Bartok: wind quintet". vcc.copyright.gov. Katherine Hoover. December 1976. p. 20. Copyright VCC EU743025. Retrieved November 27, 2022.
- ^ Cumberland Quintet. (September 6, 1997). "Shadows and dreams. (sound recording, Homage to Bartok by K. Hoover)". catalog.loc.gov. Baton Rouge, LA: Centaur Records. LCCN 00717587. OCLC 38500714. Retrieved November 28, 2022.
- ^ Hoover, Katherine (1975) [March 30, 1975]. "Homage to Bartok : wind quintet". www.worldcat.org/title/. p. 20. OCLC 41501015. Retrieved September 28, 2022.
- ^ "Dorian Wind Quintet – "Chamber music as it was meant to be" Los Angeles Times". Retrieved October 12, 2023.
- ^ "Sylvan Winds". sylvanwinds.com. Retrieved October 12, 2023.
- ^ Hoover, Katherine. "Sinfonia". ascap.com. New York, NY: Papagena Press. ISWC T0710707224. Retrieved September 25, 2022.
- ^ Hoover, Katherine (December 1976) [1976]. "Quartet for bassoons". vcc.copyright.gov. Katherine Hoover. p. 16. Copyright VCC EU743024. Retrieved November 26, 2022.
- ^ Hoover, Katherine (December 17, 1990). "The Bassoon in quartet & concerto". publicrecords.copyright.gov. Copyright registration number SR0000125455. Retrieved October 8, 2022.
- ^ New York Bassoon Quartet (September 26, 1990). "The bassoon in quartet & concerto (sound recording track 4; Sinfonia by K.Hoover)" (Music Recording; audio cassette). catalog.loc.gov. New York, N.Y.: Leonardo. LCCN 99585087. OCLC 28132446. Retrieved November 28, 2022.
- ^ Hoover, Katherine (1977). "Sinfonia". worldcat.org. New York, NY: Papagena Press. p. 16. OCLC 878843774. Retrieved September 28, 2022.
- ^ New York Bassoon Quartet, Alvin; Palmer, Rudolph; Nelhybel, Vaclav; Hoover, Katherine; Schickele, Peter (1979), New York Bassoon Quartet, New York: Leonarda Productions, retrieved October 12, 2023
- ^ Hoover, Katherine (January 17, 1978) [1977, selection & arr. for woodwind quartet.]. "Suite for winds :flute, oboe, clar. in B-flat, bassoon /Mozart/Hoover [i.e. Wolfgang Amadeus Mozart ; arr. Katherine Hoover]". publicrecords.copyright.gov. New York, NY: Katherine Hoover. p. 11. Copyright Registration Number PAU000017910. Retrieved September 29, 2022.
- ^ Hoover, Katherine. "Set for Clarinet". ascap.com. NEW YORK, NY: BoelkeBomart/Schott. ISWC T0710708772. Retrieved September 25, 2022.
- ^ Hoover, Katherine (August 9, 1978) [1978]. "Set for clarinet :clarinet in B-flat, 1978 /[music] by Katherine Hoover". publicrecords.copyright.gov. New York City, New York: Katherine Hoover. p. 5. copyright registration number PAU000038176. Retrieved September 21, 2022.
- ^ Hoover, Katherine (December 23, 1985) [1978]. "Set for clarinet :1978 /Katherine Hoover". publicrecords.copyright.gov. Hillsdale, N. Y. : Boelke-Bomart, [c1985]: Boelke-Bomart, Inc. p. 7. copyright registration number PA0000272394. Retrieved September 22, 2022.
{{cite web}}: CS1 maint: location (link) - ^ Hoover, Katherine (1985). "Set for clarinet (1978)". catalog.loc.gov/vwebv/. Hillsdale, N.Y.: Boelke-Bomart. p. 7. LCCN 86751974.
- ^ Hoover, Katherine (1985). "Set for clarinet (1978)". worldcat.org. Hillsdale, N.Y: Boelke-Bomart. p. 7. OCLC 14166448. Retrieved September 28, 2022.
- ^ Hoover, Katherine (1985). "Set for clarinet (1978)". worldcat.org. Hillsdale, NY: Boelke-Bomart. p. 7. OCLC 159414511. Retrieved September 28, 2022.
- ^ Hoover, Katherine. "Suite for Saxophones". ascap.com. New York, NY: Papagena Press. ISWC T0710708396. Retrieved September 25, 2022.
- ^ Hoover, Katherine (November 3, 1980) [1980]. "Suite for saxophones :1980 /K. Hoover". publicrecords.copyright.gov. New York City, NY: Katherine Hoover. p. 32. copyright registration number PAU000244611. Retrieved September 21, 2022.
- ^ Hoover, Katherine (1980). "Suite for saxophones : [saxophone quartet]". worldcat.org. New York, N.Y.: Papagena Press. OCLC 27076481. Retrieved September 28, 2022.
- ^ "The New York Saxophone Quartet". www.nysaxophonequartet.com. Retrieved October 12, 2023.
- ^ Hoover, Katherine. "Qwindtet". ascap.com. New York, NY: Papagena Press. ISWC T0710692515. Retrieved September 25, 2022.
- ^ Hoover, Katherine (March 2, 1987) [1987]. "Qwindtet /K. Hoover". publicrecords.copyright.gov. New York City, NY: Katherine Hoover. p. 23. copyright registration number PAU000937322. Retrieved September 21, 2022.
- ^ Hoover, Katherine (1987). "Qwindtet". worldcat.org. New York, NY: Papagena Press. p. 23. OCLC 21190883. Retrieved September 29, 2022.
- ^ "Facebook". www.facebook.com. Retrieved October 12, 2023.
- ^ "Facebook". www.facebook.com. Retrieved October 12, 2023.
- ^ Hoover, Katherine (February 21, 1992) [1989, selection & arr.]. "Five pieces :for wind quintet". publicrecords.copyright.gov. New York City, NY: Katherine Hoover. Copyright Registration Number PAU001608170. Retrieved October 12, 2022.
- ^ Hoover, Katherine. "Aria, alt. tile". ascap.com. New York, NY: Papagena Press. ISWC T0710564990. Retrieved October 26, 2022.
- ^ Hoover, Katherine (1982). "Aria, bassoon & piano". worldcat.org. New York, NY: Papagena Press. OCLC 37334345. Retrieved September 28, 2022.
- ^ Hoover, Katherine. "CLARINET CONCERTO (OPUS 38)". ASCAP.com. Retrieved June 30, 2023.
- ^ Hoover, Katherine (July 8, 1987) [1987]. "Clarinet concerto /Katherine Hoover". publicrecords.copyright.gov. New York City, NY: Katherine Hoover. p. 32. copyright registration number PAU000985024. Retrieved September 21, 2022.
- ^ Hoover, Katherine (June 19, 1989) [1987]. "Clarinet concerto /Katherine Hoover w/piano reduction". publicrecords.copyright.gov. Bryn Mawr, Pa.: Theodore Presser Company. p. 40. Copyright Registration Number PA0000425431. Retrieved September 22, 2022.
- ^ Clarinet concerto / Katherine Hoover. Bryn Mawr, Pa. : T. Presser Co., c1989. September 6, 1989. p. 40. LCCN 91752664.
{{cite book}}:|website=ignored (help) - ^ Hoover, Katherine (1987). "Clarinet concerto". worldcat.org. New York, NY: Papagena Press. p. 53. OCLC 607081234. Retrieved September 29, 2022.
- ^ Hoover, Katherine (1989). "Clarinet concerto". worldcat.org. Bryn Mawr, Pa: T. Presser. pp. 40+16. OCLC 24109443. Retrieved October 22, 2022.
- ^ Hoover, Katherine. "Ritual". ascap.com. New York, NY: Papagena Press. ISWC T0710695296. Retrieved October 22, 2022.
- ^ Hoover, Katherine (October 17, 1989) [1989]. "Ritual :clarinet & piano /Katherine Hoover". publicrecords.copyright.gov. New York City, NY: Katherine Hoover. p. 19. Copyright Registration Number PAU001287103. Retrieved September 21, 2022.
- ^ Hoover, Katherine (1991) [1988]. "Ritual : clarinet & piano". worldcat.org. New York, NY: Papagena Press. pp. 24+7. OCLC 27038609. Retrieved September 29, 2022.
- ^ Hoover, Katherine. "Sonata". ascap.com. New York, NY: Papagena Press. ISWC T9028225798. Retrieved October 22, 2022.
- ^ Hoover, Katherine (February 7, 1992) [1991]. "Sonata :oboe & piano". publicrecords.copyright.gov. New York City, NY: Papagena Press. Copyright Registration Number PAU001596309. Retrieved September 21, 2022.
- ^ Hoover, Katherine (1992) [1991]. "Sonata for oboe & piano". worldcat.org. New York, NY: Papagena Press. OCLC 985585677. Retrieved September 30, 2022.
- ^ Hoover, Katherine. "Journey". ascap.com. New York, NY: Papagena Press. ISWC. Retrieved October 22, 2022.
- ^ Kolkay, Peter; Warhol, Andy; Nguyen, Alexandra; Perle, George; Adashi, Judah; Moravec, Paul; Platt, Russell; Rogers, John Fitz; Hoover, Katherine (2011), "BassoonMusic: works", (sound recording) Journey by K. Hoover, New York, NY: Concert Artists Guild, LCCN 2016628392, OCLC 727126099, retrieved November 28, 2022
- ^ Hoover, Katherine (2009). "Journey : bassoon & piano". worldcat.org. New York, NY: Papagena Press. pp. xx. OCLC 625311599. Retrieved October 6, 2022.
- ^ Hoover, Katherine (2010). "Shoes For Two Clarinets And Piano". ascap.com. New York, NY: Papagena Press. ISWC. Retrieved October 22, 2022.
- ^ "Faculty Profile | Hofstra University". www.hofstra.edu. Retrieved October 13, 2023.
- ^ "Stanley Drucker Biography, Songs, & Albums". AllMusic. Retrieved October 13, 2023.
- ^ Hoover, Katherine (2011). "Ayres". ascap.com. New York, NY: Papagena Press. ISWC. Retrieved October 22, 2022.
- ^ Hoover, Katherine (2011). "Ayres : based on songs by John Dowland ; soprano saxophone & piano". worldcat.org. New York, NY: Papagena Press. pp. xx. OCLC 818319359. Retrieved October 7, 2022.
- ^ Hoover, Katherine. "Double Concerto for ttwo violins and string orch". ascap.com. New York, NY: Papagena Press. ISWC T0710692559. Retrieved October 22, 2022.
- ^ Hoover, Katherine (October 17, 1989). "Double concerto :2 violins and string orchestra /Katherine Hoover". ublicrecords.copyright.gov. New York City, New York: Katherine Hoover. p. 40. Copyright Registration Number PAU001304663. Retrieved October 12, 2022.
- ^ Hoover, Katherine (1989). "Double concerto for 2 violins and string orchestra (1989)". worldcat.org. New York, N.Y.: Papagena Press. p. 32. OCLC 28406448. Retrieved September 29, 2022.
- ^ Special Collections, Leonard H. Axe Library (December 4, 2020). "Carlson, Paul, papers, 1944-2013". Finding Aids.
- ^ Hoover, Katherine. "Quartet Op 58". ascap.com. New York, NY: Papagena Press. ISWC T0710692979. Retrieved October 22, 2022.
- ^ Hoover, Katherine (November 17, 1999) [1998]. "String quartet". publicrecords.copyright.gov. New York City, N.Y.: Papagena Press. copyright registration number PAU002457298. Retrieved September 22, 2022.
- ^ Hoover, Katherine (1998). "String quartet". worldcat.org. New York, N.Y.: Papagena Press. OCLC 747546214. Retrieved October 2, 2022.
- ^ Hoover, Katherine (2004). "String Quartet No.2". ascap.com. New York, NY: Papagena Press. ISWC T0726786657. Retrieved October 22, 2022.
- ^ Hoover, Katherine (2004). "String quartet 2 : "the knot"". catalog.loc.gov/vwebv/. New York, NY: Papagena Press. p. 20. LCCN 2010563449.
- ^ Hoover, Katherine (2004). "String quartet 2 : "the knot"". worldcat.org. New York, NY: Papagena Press. p. 20. OCLC 225935863. Retrieved October 6, 2022.
- ^ Hoover, Katherine (2018). "In memoriam Ravi Shankar : for solo violin". worldcat.org. New York, NY: Papagena Press. pp. xx. OCLC 1048884372. Retrieved October 7, 2022.
- ^ Hoover, Katherine. "Trio (1978)". ascap.com. New York, NY: Papagena Press. ISWC T0711902225. Retrieved September 25, 2022.
- ^ Hoover, Katherine (June 7, 1979) [1978]. "Trio :1978 /Katherine Hoover". publicrecords.copyright.gov. New York City, New York: Katherine Hoover. p. 39. copyright registration number PAU000111563. Retrieved September 21, 2022.
- ^ Trio (1978), piano, violin, cello. [Sound recording]. Leonarda LPI 103. p1979. LCCN 79750750. Retrieved November 25, 2022.
{{cite book}}:|website=ignored (help) - ^ Hoover, Katherine (1978). "Trio, piano, violin, cello". worldcat.org. New York: American Composers Alliance. p. 39. OCLC 9820371. Retrieved September 28, 2022.
- ^ Hoover, Katherine (1993). "Trio for violin, cello and piano". worldcat.org. New York, NY: Papagena Press. p. 44. OCLC 159414511. Retrieved September 28, 2022.
- ^ Hoover, Katherine (1993). "Trio : violin, cello & piano". worldcat.org. New York, NY: Papagena Press. p. 44. OCLC 165190899. Retrieved September 28, 2022.
- ^ Hoover, Katherine. "Aria and Allegro giocoso". ascap.com. New York, NY: Papagena Press. ISWC T0710564990. Retrieved September 25, 2022.
- ^ Hoover, Katherine (May 9, 1986) [1985; 7p.]. "Allegro giocoso :cello & piano /K. Hoover". publicrecords.copyright.gov. New York City, New York: Katherine Hoover. p. 7. PAU000841891. Retrieved September 21, 2022.
- ^ Hoover, Katherine (1985). "Aria and allegro giocoso, cello & piano". worldcat.org. New York, NY: Papagena Press. p. 18. OCLC 36123853. Retrieved September 29, 2022.
- ^ Hoover, Katherine. "Quintet (Da Pacem)". ascap.com. New York, NY: Papagena Press. ISC: T0710692559. Retrieved October 22, 2022.
- ^ Hoover, Katherine (December 23, 1988) [1988]. "Quintet :Da pacem : piano & string quartet /Katherine Hoover". publicrecords.copyright.gov. New York City, NY: Katherine Hoover. p. 60. Copyright Registration Number PAU001273857. Retrieved September 21, 2022.
- ^ Montclaire String Quartet; Petteys, Leslie; Dobbs, Wendell (1994), "Da pacem", (sound recording, track 1) Da pacem by K. Hoover, Port Washington, N.Y: Koch International Classics, LCCN 99591962, OCLC 33274700, retrieved November 28, 2022
- ^ Hoover, Katherine (1988). "Quintet : (Da pacem) ; piano and string quartet". worldcat.org. New York, NY: Papagena Press. p. 60. OCLC 37276904. Retrieved September 29, 2022.
- ^ Hoover, Katherine. "Stitch-te Naku". ascap.com. New York, NY: Papagena Press. ISWC T0710710432. Retrieved October 22, 2022.
- ^ Hoover, Katherine (November 15, 1994) [1994]. "Stitch-te naku :cello & orchestra". publicrecords.copyright.gov. New York City, NY: Propaganda Press. p. 48. copyright registration number PAU001921313. Retrieved September 22, 2022.
- ^ Hoover, Katherine (1995) [1994]. "Stitch-te naku : cello & orchestra". worldcat.org. New York, NY: Papagena Press, New York, NY, 1994. p. 34. OCLC 48771942. Retrieved September 30, 2022.
- ^ Hoover, Katherine (2001). "Shadows: for viola & piano". worldcat.org. New York City, NY: Papagena Press. p. 19. OCLC 663974620. Retrieved October 4, 2002.
- ^ Hoover, Katherine. "ANDALUS EL". ascap.com. New York, NY: Papagena Press. ISWC T0725931361. Retrieved October 16, 2022.
- ^ Hoover, Katherine (April 26, 2004) [2003]. "El andalus :cello & piano". publicrecords.copyright.gov. New York City, New York: Papagena Press. p. 16. copyright registration number PAU002873278. Retrieved September 21, 2022.
- ^ Hoover, Katherine (2003). "El Andalus : cello & piano". worldcat.org. New York, NY: Papagena Press. p. 16. OCLC 57467029. Retrieved October 5, 2022.
- ^ Hoover, Katherine (2014). "Dancing : violin & piano". ascap.com. New York, NY: Papagena Press. ISWC T3004539388. Retrieved October 22, 2022.
- ^ Hoover, Katherine (2018). "Dancing : violin & piano". worldcat.org. New York, NY: Papagena Press. pp. xx. OCLC 1024248018. Retrieved October 7, 2020.
- ^ Hoover, Katherine. "Pieces for piano". ascap.com. New York, NY: Papagena Press. ISWC T0728258238. Retrieved September 25, 2022.
- ^ Hoover, Katherine. "Three pieces for piano". ascap.com. New York, NY: Papagena Press. ISWC T9146129091. Retrieved September 25, 2022.
- ^ "3 pieces for piano". vcc.copyright.gov. Katherine Hoover. December 30, 1977 [Dec 1, 1977]. Copyright VCC EU846344. Retrieved November 27, 2022.
- ^ Hoover, Katherine (March 2, 1987). "Dream :for piano solo /K. Hoover". publicrecords.copyright.gov. p. 4. Copyright Registration Number PAU000937320. Retrieved September 21, 2022.
- ^ Hoover, Katherine (1977). "3 pieces for piano". worldcat.org. p. 12. OCLC 25083190. Retrieved September 28, 2022.
- ^ Hoover, Katherine (1983). "Pieces for piano". worldcat.org. New York, N.Y.: Papagena Press. p. 30. OCLC 33945845. Retrieved September 29, 2022.
- ^ Hoover, Katherine (May 20, 1982) [1982]. "Three movements for piano /K. Hoover". publicrecords.copyright.gov. new York City, NY: catherine Hoover. copyright registration number PAU000402965. Retrieved September 21, 2022.
- ^ Hoover, Katherine (January 31, 1983). "Allegro & Andante espressivo :for piano /Katherine Hoover". publicrecords.copyright.gov. New York City, New York: Katherine Hoover. p. 4. copyright registration number PAU000476505. Retrieved September 21, 2022.
- ^ Hoover, Katherine (1983). "Allegro & andante, piano". worldcat.org. New York, NY: K. Hoover. p. 3. OCLC 20145576. Retrieved September 29, 2022.
- ^ Hoover, Katherine. "Five Pieces". ascap.com. New York, NY: Papagena Press. ISWC T9220331975. Retrieved October 22, 2022.
- ^ Hoover, Katherine (2003). "At The Piano". ascap.com. New York, NY: Papagena Press. ISWC T0725933425. Retrieved October 22, 2022.
- ^ Hoover, Katherine (May 28, 2004) [2004]. "At the piano :intermediate pieces for piano". publicrecords.copyright.gov. New York City, New York: Papagena Press. p. 12. copyright registration number PAU002867186. Retrieved September 22, 2022.
- ^ Hoover, Katherine (2004). "At the piano : intermediate pieces for piano". worldcat.org. New York, NY: Papagena Press. p. 12. OCLC 55635549. Retrieved October 5, 2022.
- ^ Hoover, Katherine (2004). "Preludes for piano". ascap.com. New York, NY: Papagena Press. ISWC T0728258249. Retrieved October 22, 2022.
- ^ Hoover, Katherine (January 12, 2006) [2005]. "Preludes :for piano". publicrecords.copyright.gov. New York City, New York: Papagena Press. copyright registration number PAU003014350. Retrieved September 21, 2022.
- ^ Hoover, Katherine (2004). "Preludes for piano". worldcat.org. New York, N.Y: Papagena Press. p. 24. OCLC 65209628. Retrieved October 6, 2022.
- ^ "Pytheas Center for Contemporary Music". pytheasmusic.org. Retrieved January 3, 2023.
- ^ Hoover, Katherine (2008). "Dream Dances". ascap.com. New York, NY: Papagena Press. ISWC. Retrieved October 22, 2022.
- ^ Hoover, Katherine (2008). "Dream dances : piano". worldcat.org. New York, NY: Papagena Press. pp. xx. OCLC 1322096594. Retrieved October 6, 2022.
- ^ Hoover, Katherine (2009). "Thin Ice". ascap.com. New York, NY: Papagena Press. ISWC. Retrieved October 22, 2022.
- ^ Hoover, Katherine (2009). "Thin ice : piano". worldcat.org. New York, NY: Papagena Press. pp. xx. OCLC 664680784. Retrieved October 6, 2022.
- ^ Hoover, Katherine (2011). "Piano works; Track 4". worldcat.org. pp. xx. OCLC 767817924. Retrieved October 6, 2022.
- ^ Hoover, Katherine (2011). "Toccata". ascap.com. New York, NY: Papagena Press. ISWC. Retrieved October 22, 2022.
- ^ Hoover, Katherine (2011). "Toccata". worldcat.org. New York, NY: Papagena Press. pp. xx. OCLC 748937762. Retrieved October 7, 2022.
- ^ Hoover, Katherine (March 21, 1985) [1985]. "Sonata for brass quintet /Katherine Hoover". publicrecords.copyright.gov. New York City, NY: Katherine Hoover. p. 23. copyright registration number PAU000705483. Retrieved September 21, 2022.
- ^ Hoover, Katherine (1984). "Sonata for brass quintet". worldcat.org. p. 23. OCLC 30580689. Retrieved September 29, 2022.
- ^ Hoover, Katherine. "Images". www.ascap.com. ISWC T0710642775. Retrieved October 21, 2022.
- ^ Hoover, Katherine (November 16, 1981) [1981]. "Images :1981 /Katherine Hoover". publicrecords.copyright.gov. New York City, New York: Katherine Hoover. p. 26. copyright registration number PAU000351466. Retrieved September 21, 2022.
- ^ Hoover, Katherine (1981). "Images : clarinet, violin, piano". worldcat.org. New York, NY: Papagena Press. OCLC 37276876. Retrieved September 28, 2022.
- ^ Hoover, Katherine (July 29, 1982) [1982]. "Serenade :B-flat clarinet, string quartet /K. Hoover". publicrecords.copyright.gov. New York City, New York: Katherine Hoover. p. 28. copyright registration number PAU000424023. Retrieved September 21, 2022.
- ^ Hoover u, Katherine (1982). "Serenade, clarinet & string qt. [i.e. quartet]". worldcat.org. New York, NY: K. Hoover. p. 28. OCLC 30393167. Retrieved September 29, 2022.
- ^ Hoover, Katherine. "Aria, alt. tile". ascap.com. New York, NY: Papagena Press. ISWC T0710564990. Retrieved October 26, 2022.
- ^ Hoover, Katherine (1982). "Aria, bassoon & piano". worldcat.org. New York, NY: Papagena Press. OCLC 37334345. Retrieved September 28, 2022.
- ^ Hoover, Katherine (2011). "Clowning Around". ascap.com. New York, NY: Papagena Press. ISWC. Retrieved October 22, 2022.
- ^ Hoover, Katherine (2011). "Clowning around : flutes". worldcat.org. New York, NY: Papagena Press. pp. xx. OCLC 781995933. Retrieved October 7, 2022.
- ^ Hoover, Katherine. "Summer Night (Nuit d'Ete)". ascap.com. Bryn Mawr, PA: Theodore Presser Company. ISWC T0710708716. Retrieved September 25, 2022.
- ^ Hoover, Katherine (December 15, 1986) [1985]. "Summer night :flute, horn, strings /K. Hoover". publicrecords.copyright.gov. New York City, NY: Katherine Hoover. p. 14. copyright registration number PAU000752821. Retrieved September 21, 2022.
- ^ Hoover, Katherine (December 15, 1986) [1985]. "Summer night :for flute, horn, and strings /by Katherine Hoover". publicrecords.copyright.gov. Bryn Mawr, PA: Theodore Presser Company. p. 16. copyright registration number PA0000312356. Retrieved October 15, 2022.
- ^ Hoover, Katherine (1986). "Summer night : for flute, horn, and strings". catalog.loc.gov/vwebv/. Bryn Mawr, Pa.: T. Presser Co. p. 14. LCCN 87751838.
- ^ Hoover, Katherine (1985). "Summer night : for flute, horn, and strings". worldcat.org. Bryn Mawr, PA: Theodore Presser Company. pp. 14+4. OCLC 15435100. Retrieved September 29, 2022.
- ^ Hoover, Katherine. "Psalm 23". ascap.com. ASCAP Work ID 460325175. Retrieved September 25, 2022.
- ^ Hoover, Katherine (May 20, 1982) [1981; 11 p. music added to Biblical text.]. "Psalm 23 /Katherine Hoover". publicrecords.copyright.gov. New York City, NY: Katherine Hoover. p. 11. copyright registration number PAU000402966. Retrieved September 21, 2022.
- ^ Hoover, Katherine (1981). "Psalm 23". worldcat.org. p. 11. OCLC 30747830. Retrieved September 28, 2022.
- ^ Hoover, Katherine. "CLARINET CONCERTO (OPUS 38)". ASCAP.com. Retrieved June 30, 2023.
- ^ Hoover, Katherine (July 8, 1987) [1987]. "Clarinet concerto /Katherine Hoover". publicrecords.copyright.gov. New York City, NY: Katherine Hoover. p. 32. copyright registration number PAU000985024. Retrieved September 21, 2022.
- ^ Hoover, Katherine (June 19, 1989) [1987]. "Clarinet concerto /Katherine Hoover w/piano reduction". publicrecords.copyright.gov. Bryn Mawr, Pa.: Theodore Presser Company. p. 40. Copyright Registration Number PA0000425431. Retrieved September 22, 2022.
- ^ Hoover, Katherine (October 18, 2023). "LC Catalog - Music Score, Clarinet Concerto". catalog.loc.gov. Retrieved October 18, 2023.
- ^ Hoover, Katherine (1987). "Clarinet concerto". worldcat.org. New York, NY: Papagena Press. p. 53. OCLC 607081234. Retrieved September 29, 2022.
- ^ Hoover, Katherine (1989). "Clarinet concerto". worldcat.org. Bryn Mawr, Pa: T. Presser. pp. 40+16. OCLC 24109443. Retrieved October 22, 2022.
- ^ Hoover, Katherine. "Stitch-te Naku". ascap.com. New York, NY: Papagena Press. ISWC T0710710432. Retrieved October 22, 2022.
- ^ Hoover, Katherine (November 15, 1994) [1994]. "Stitch-te naku :cello & orchestra". publicrecords.copyright.gov. New York City, NY: Propaganda Press. p. 48. copyright registration number PAU001921313. Retrieved September 22, 2022.
- ^ Hoover, Katherine (1995) [1994]. "Stitch-te naku : cello & orchestra". worldcat.org. New York, NY: Papagena Press, New York, NY, 1994. p. 34. OCLC 48771942. Retrieved September 30, 2022.
- ^ Hoover, Katherine (May 16, 1997) [19 ninety-seven]. "Bounce1 :overture for orchestra". publicrecords.copyright.gov. New York City, New York: Papagena Press. p. 29. copyright registration number PAU002200168. Retrieved October 2, 2022.
- ^ Hoover, Katherine. "The Medieval Suite:flute & piano, 1981". ascap.com. Malvern, PA: Theodore Presser Company. ISWC T0710667687. Retrieved September 25, 2022.
- ^ Hoover, Katherine (May 18, 1981) [1981]. "The Medieval suite :flute & piano, 1981 /K. Hoover". publicrecords.copyright.gov. New York City, New York: Katherine Hoover. p. 28. copyright registration number PAU000296425. Retrieved September 21, 2022.
- ^ Hoover, Katherine (March 6, 1986) [1981; part. 24 p. +]. "Medieval suite :for flute and piano /by Katherine Hoover". publicrecords.copyright.gov. Bryn Mawr, Pa. : T. Presser Co., c1986.: Theodore Presser Company. p. 26. copyright registration number PA0000280339. Retrieved October 9, 2022.
{{cite web}}: CS1 maint: location (link) - ^ Hoover, Katherine (September 19, 1979) [1979]. "On the bethrothal of Princess Isabelle of France, aged 6 years :1979 /Katherine Hoover". publicrecords.copyright.gov. New York City, NY: Katherine Hoover. p. 5. copyright registration number PAU000139027. Retrieved September 21, 2022.
- ^ Hoover, Katherine (September 6, 1986). Medieval suite : arranged for flute and piano. Bryn Mawr, Pa. : T. Presser, c1986. p. 24. LCCN 86752999.
{{cite book}}:|website=ignored (help) - ^ Hoover, Katherine (1986). "Medieval suite". worldcat.org. Bryn Mawr, PA: Presser. OCLC 62283991. Retrieved September 28, 2022.
- ^ Hoover, Katherine (2011). "A lecture recital on the works of Katherine Hoover". worldcat.org. OCLC 728024359. Retrieved September 28, 2022.
- ^ Hoover, Katherine (1984). "Medieval suite : for flute and piano". worldcat.org. Bryn Mawr, PA: T. Presser. p. 24. OCLC 756986608. Retrieved September 29, 2022.
- ^ Yarrison, Eileen (1996). The Medieval Suite for Flute and Piano by Katherine Hoover: An Examination, Analysis, and Performance Guide (DMA thesis). Lincoln, Nebraska: University of Nebraska. OCLC 36148275.
- ^ Hoover, Katherine. "Eleni A Greek Tragedy". ascap.com. Bryn Mawr, PA: Theodore Presser Company. ISWC T9144746974. Retrieved September 25, 2022.
- ^ Hoover, Katherine (May 9, 1986) [1986]. "Eleni :a Greek tragedy : for orchestra /Katherine Hoover". publicrecords.copyright.gov. New York City, New York: Katherine Hoover. p. 26. copyright registration number PAU000842594. Retrieved September 21, 2022.
- ^ Hoover, Katherine (1986). "Eleni : a Greek tragedy". worldcat.org. Bryn Mawr, PA: Theodore Presser Company. p. 27. OCLC 1039702763. Retrieved September 29, 2022.
- ^ Hoover, Katherine. "Two Sketches". ascap.com. Malvern PA: Theodore Presser Company. ISWC T0711903182. Retrieved October 24, 2022.
- ^ Hoover, Katherine (February 22, 1990) [1990]. "Two sketches /Katherine Hoover". publicrecords.copyright.gov. New York City, NY: Katherine Hoover. Copyright Registration Number PAU001332350. Retrieved September 21, 2022.
- ^ Hoover, Katherine (1990) [1989]. "Two sketches". worldcat.org. Bryn Mawr, PA: T. Presser. p. 32. OCLC 42777874. Retrieved September 29, 2022.
- ^ Hoover, Katherine. "Night Skies". ascap.com. New York, NY: Papagena Press. ISWC T0710675834. Retrieved October 22, 2022.
- ^ Hoover, Katherine (November 4, 1993) [1993]. "Night skies :tone poem for orchestra". publicrecords.copyright.gov. New York City, NY: Papagena Press. p. 80. Copyright Registration Number PAU001803715. Retrieved September 22, 2022.
- ^ Hoover, Katherine (1993). "Night skies : tone poem : for orchestra : 1993". worldcat.org. New York, NY: Papagena Press. p. 80. OCLC 35728503. Retrieved September 30, 2022.
- ^ Hoover, Katherine (2006). "Turner Impressions". ascap.com. New York, NY: Papagena Press. ISWC T9147883474. Retrieved October 22, 2022.
- ^ Hoover, catherine (2006). "J. M. W. Turner: Impressions". worldcat.org. Theodore Presser Company, Originalverlag: Papagena Press. pp. xx. OCLC 725342529. Retrieved October 6, 2022.
- ^ Hoover, Katherine. "Four winds". ascap.com. New York, NY: Papagena Press. ISWC 892067111. Retrieved October 22, 2022.
- ^ Hoover, Katherine (2015). "Four winds : concerto for flute & orchestra". worldcat.org. New York, NY: Papagena Press. OCLC 932333515. Retrieved October 7, 2022.
- ^ "Four Carols, Op. 1". New York Women Composers. Retrieved October 15, 2023.
- ^ Hoover, Katherine. "SEVEN HAIKU". ascap.com. New York, NY: Papagena Press. ASCAP Work ID 490721930. Retrieved September 25, 2022.
- ^ Hoover, Katherine (March 2, 1987) [1973]. "Seven haiku :sop. & flute /K. Hoover". publicrecords.copyright.gov. New York, NY: Katherine Hoover. p. 7. Copyright Registration Number PAU000937321. Retrieved September 21, 2022.
- ^ Hoover, Katherine (1987). "Seven haiku : soprano and flute". worldcat.org. New York, NY: Papagena Press. p. 8. OCLC 26083491. Retrieved September 28, 2022.
- ^ Hoover, Katherine (1973). "Acceptance". worldcat.org. New York, NY: Papagena Press. p. 6. OCLC 21083846. Retrieved September 25, 2022.
- ^ Hoover, Katherine (January 17, 1978) [1977]. "To many a well :anon. medieval poem : 1977 ; [music] K. Hoover". publicrecords.copyright.gov. New York, NY: Katherine Hoover. p. 5. Copyright Registration Number PAU000017909. Retrieved September 21, 2022.
- ^ Hoover, Katherine. "Selima or Ode on T Death of". ascap.com. New York, NY: Papagena Press. ASCAP Work ID 490455942. Retrieved September 25, 2022.
- ^ Hoover, Katherine (July 10, 1979) [1979]. "Selima :or, Ode on the death of a favourite cat, drowned in a tub of goldfishes : 1979 /poem by Thomas Gray ; music by Katherine Hoover". publicrecords.copyright.gov. New York City, NY: Katherine Hoover. p. 13. copyright registration number PAU000133515. Retrieved September 22, 2022.
- ^ Hoover, Katherine (1987). "20th-century music for soprano, clarinet & piano; [audio Cass. track 4] performance of Selima". worldcat.org. OCLC 19254558. Retrieved September 28, 2022.
- ^ Hoover, Katherine (January 7, 1983) [1982]. "From The Testament of Francois Villons :for bass-baritone, bassoon, string quartet /Katherine Hoover ; translated by Galway Kinnell". publicrecords.copyright.gov. New York City, New York: Katherine Hoover. p. 49. copyright registration number PAU000470023. Retrieved October 9, 2022.
- ^ Hoover, Katherine (1982). "From the testament of François Villon". worldcat.org. p. 49. OCLC 41501023. Retrieved September 29, 2022.
- ^ Hoover, Katherine. "Heart Speaks". ascap.com. New York, NY: Papagena Press. ISWC T0726402374. Retrieved October 22, 2022.
- ^ Hoover, Katherine (September 12, 1997) [1997]. "The heart speaks". publicrecords.copyright.gov/. New York City, New York: Papagena Press. p. 24. copyright registration number PAU002216611. Retrieved October 2, 2022.
- ^ Hoover, Katherine (1997). "The heart speaks : seven songs for voice and piano". worldcat.org. New York, NY: Papagena Press. p. 24. OCLC 44846725. Retrieved October 2, 2022.
- ^ Hoover, Katherine. "Central American Songs". ascap.com. New York, NY: Papagena Press. ISWC T0726085739. Retrieved October 22, 2022.
- ^ Hoover, Katherine (November 8, 2005) [1996]. "Central American songs". publicrecords.copyright.gov. New York City, NY: Papagena Press. copyright registration number PAU003003091. Retrieved September 21, 2022.
- ^ Hoover, Katherine (2004) [1996]. "Central American songs : voice, flute, percussion, piano". worldcat.org. New York, N.Y.: Papagena Press. p. 20. OCLC 70804440. Retrieved October 2, 2022.
- ^ Hoover, Katherine (2009). "The word in flower : three songs on Mayan poems". worldcat.org. New York, NY: K. Hoover. pp. xx. OCLC 740049030. Retrieved October 6, 2022.
- ^ Hoover, Katherine. "Three Carols". ascap.com. New York, NY: Carl Fischer LLC. ISWC T9220609381. Retrieved September 25, 2022.
- ^ "THREE CAROLS; w: anonymous, m Katherine Hoover". vcc.copyright.gov. New York, NY: Carl Fischer, Inc. June 1972. p. 12. Copyright VCC EP302789. Retrieved September 25, 2022.
- ^ Hoover, Katherine (1972). "Three carols : for women's chorus, S.A. with flute accompaniment". worldcat.org. New York, N.Y.: C. Fischer Inc. p. 12. OCLC 24406874. Retrieved September 28, 2022.
- ^ a b c "Katherine Hoover (1937-2018), Author at New York Women Composers". newyorkwomencomposers.org. Retrieved October 30, 2022.
- ^ a b "Pytheas Center for Contemporary Music". pytheasmusic.org. Retrieved January 3, 2023.
- ^ Hoover, Katherine (July 18, 1984) [1984]. "The Last invocation /poem W. Whitman ; music K. Hoover". publicrecords.copyright.gov. New York City NY: Katherine Hoover. p. 5. copyright registration number PAU000629477. Retrieved September 22, 2022.
- ^ Hoover, Katherine (1984). "The last invocation". worldcat.org. New York, NY: K. Hoover. p. 5. OCLC 30747827. Retrieved September 29, 2022.
- ^ Rosenbaum, Harold; accompanying instrumentalists, The New York Virtuoso Singers (2016). "Requiem for the Innocent". www.worldcat.org (Music CD). Farmingdale, NY, 2016: 4tay Inc. OCLC 959954657. Track 1, The last invocation (3:48) / by Katherine Hoover.
{{cite web}}: CS1 maint: location (link) - ^ Hoover, Katherine. "Sweet Thievery Op35". ascap.com. New York, NY: Papagena Press. ISWC T0710709640. Retrieved September 25, 2022.
- ^ Hoover, Katherine (1985). "Sweet thievery : a madrigal in 4 voice : 1985". worldcat.org. p. 4. OCLC 30747831. Retrieved September 29, 2022.
- ^ Rosenbaum, Harold; accompanying instrumentalists, The New York Virtuoso Singers (2016). "Requiem for the Innocent". www.worldcat.org (Music CD). Farmingdale, NY, 2016: 4tay Inc. OCLC 959954657. Track 4, Blow Thou Winter Wind (3:20) / by Katherine Hoover.
{{cite web}}: CS1 maint: location (link) - ^ Hoover, Katherine. "Echo". ascap.com. New York, NY: Papagena Press. ISWC T0718726023. Retrieved October 22, 2022.
- ^ Hoover, Katherine (2018) [1998]. Echo : SATB chorus, a cappella. New York, NY: Peermusic Classical. p. 9. ISBN 9781540026187. OCLC 1103212693. Retrieved October 2, 2022 – via worldcat.org.
- ^ Rosenbaum, Harold; accompanying instrumentalists, The New York Virtuoso Singers (2016). "Requiem for the Innocent". www.worldcat.org (Music CD). Farmingdale, NY, 2016: 4tay Inc. OCLC 959954657. Track 2, Echo (4:48) / by Katherine Hoover.
{{cite web}}: CS1 maint: location (link) - ^ Hoover, Katherine (2012). "Blessing (Blossoms and Branches)". ascap.com. New York, NY: SONGS OF PEER LTD. ISWC T9298798546. Retrieved October 22, 2022.
- ^ Rosenbaum, Harold; accompanying instrumentalists, The New York Virtuoso Singers (2016). "Requiem for the Innocent". www.worldcat.org (Music CD). Farmingdale, NY, 2016: 4tay Inc. OCLC 959954657. Track 14, Blessing (Blossoms and Branches) (7:35) / by Katherine Hoover.
{{cite web}}: CS1 maint: location (link) - ^ Rosenbaum, Harold; accompanying instrumentalists, The New York Virtuoso Singers (2016). "Requiem for the Innocent". www.worldcat.org (Music CD). Farmingdale, NY, 2016: 4tay Inc. OCLC 959954657. Track 3, Prayer in time of war (3:43) / by Katherine Hoover.
{{cite web}}: CS1 maint: location (link) - ^ Hoover, Katherine (2003). "Peace Is the Way". ascap.com. New York, NY: Papagena Press. ISWC T9280727062. Retrieved October 22, 2022.
- ^ Rosenbaum, Harold; accompanying instrumentalists, The New York Virtuoso Singers (2016). "Requiem for the Innocent". www.worldcat.org (Music CD). Farmingdale, NY, 2016: 4tay Inc. OCLC 959954657. Track 5, Peace is the way (2:31) / by Katherine Hoover.
{{cite web}}: CS1 maint: location (link) - ^ Hoover, Katherine. "Three Carols". ascap.com. New York, NY: Carl Fischer LLC. ISWC T9220609381. Retrieved September 25, 2022.
- ^ "THREE CAROLS; w: anonymous, m Katherine Hoover". vcc.copyright.gov. New York, NY: Carl Fischer, Inc. June 1972. p. 12. Copyright VCC EP302789. Retrieved September 25, 2022.
- ^ Hoover, Katherine (1972). "Three carols : for women's chorus, S.A. with flute accompaniment". worldcat.org. New York, N.Y.: C. Fischer Inc. p. 12. OCLC 24406874. Retrieved September 28, 2022.
- ^ Hoover, Katherine. "Songs of Joy". www.ascap.com. ISWC: T9220502294. Retrieved October 16, 2023.
- ^ "Songs of joy, no.1, Rejoice, translation & arr. Katherine Hoover". vcc.copyright.gov. Carl Fisher Inc. September 1975. p. 6. Copyright VCC EP343728. Retrieved November 26, 2022.
- ^ "Songs of joy, no.2, Of a young maid, translation & arr. Katherine Hoover". vcc.copyright.gov. Carl Fischer Inc. September 1975. p. 7. Copyright VCC EP343727. Retrieved November 26, 2022.
- ^ "Songs of joy, no3, Run, run, all ye Shepherds, translation & arr. Katherine Hoover". vcc.copyright.gov. Carl Fischer Inc. September 1975. p. 4. Copyright VCC EP343725. Retrieved November 26, 2022.
- ^ "Songs of joy no.4, Do you hear?, translation & arr, Katherine Hoovrr". vcc.copyright.gov. Carl Fischer Inc. September 1975. p. 4. Copyright VCC EP343722. Retrieved November 27, 2022.
- ^ "Songs of joy no.5, Come, ye shepherds. translation & arr. Katherine Hoover". vcc.copyright.gov. Carl Fischer Inc. September 1975. p. 10. Copyright VCC EP343726. Retrieved November 27, 2022.
- ^ Hoover, Katherine (1975). "Of a young maid : no. 2 from Songs of joy : for chorus of mixed voices with brass ensemble : [with keyboard reduction]". worldcat.org. New York, NY: Carl Fischer LLC. p. 7. OCLC 1152939091. Retrieved September 28, 2022.
- ^ Hoover, Katherine (December 1976). "Litanae Domini for double chorus and eight flutes". vcc.copyright.gov. p. 7. Copyright VCC EU743027. Retrieved September 28, 2022.
- ^ Hoover, Katherine. "Four English Songs". ascap.com. New York, NY: Papagena Press. ASCAP Work ID 360294460. Retrieved September 25, 2022.
- ^ Hoover, Katherine (January 28, 1980) [1976]. "Four English songs :SATB, oboe, English horn, piano, 1976 /Katherine Hoover". publicrecords.copyright.gov. Copyright Registration Number PAU000169642. Retrieved September 21, 2022.
- ^ Hoover, Katherine (1976). "Four English songs". worldcat.org. p. 16. OCLC 38201399. Retrieved September 28, 2022.
- ^ Hoover, Katherine. "Psalm 23". ascap.com. ASCAP Work ID 460325175. Retrieved September 25, 2022.
- ^ Hoover, Katherine (May 20, 1982) [1981; 11 p. music added to Biblical text.]. "Psalm 23 /Katherine Hoover". publicrecords.copyright.gov. New York City, NY: Katherine Hoover. p. 11. copyright registration number PAU000402966. Retrieved September 21, 2022.
- ^ Hoover, Katherine (1981). "Psalm 23". worldcat.org. p. 11. OCLC 30747830. Retrieved September 28, 2022.
- ^ Hoover, Katherine. "Songs of Celebration". .ascap.com. Los Angeles, Ca: Warner Chappell Music Inc. ISWC T9220496559.
- ^ Hoover, Katherine (April 22, 1983) [1983]. "Songs of celebration :SATB chorus, keyboard or brass quintet /K. Hoover". publicrecords.copyright.gov. New York City, New York: Katherine Hoover. p. 23. copyright registration number PAU000501953. Retrieved September 22, 2022.
- ^ Hoover, Katherine (January 19, 1988) [1987; 16 p. English text & arr.]. "From heaven above :from Songs of celebration, for four-part chorus of mixed voices with piano or brass acc. /English text by K. H. ; [music] old German carol; arr. by Katherine Hoover". publicrecords.copyright.gov. Ft. Lauderdale, Fla.: Music 70 Music Publishers. p. 23. copyright registration number PA0000384844. Retrieved October 9, 2022.
- ^ Hoover, Katherine (January 19, 1988) [1987; English text & arr.]. "O nightingale, awake :from Songs of celebration, for four-part chorus of mixed voices with piano or brass acc. /English text by K. H. ; [music] old German carol ; arr. by Katherine Hoover". publicrecords.copyright.gov. Ft. Lauderdale, Fla. : Music 70, c1988.: Music 70 Music Publishers. p. 14. copyright registration number PA0000384847. Retrieved October 9, 2022.
{{cite web}}: CS1 maint: location (link) - ^ Hoover, Katherine (January 19, 1988) [1987; arr.]. "Good Christians all, rejoice :from Songs of celebration, for four-part chorus of mixed voices with piano or brass acc. /[words] translation (1858) ; [music] old German carol ; arr. by Katherine Hoover". publicrecords.copyright.gov. Ft. Lauderdale, Fla. : Music 70, c1988.: Music 70 Music Publishers. p. 10. Copyright Registration Number PA0000384843. Retrieved October 9, 2022.
{{cite web}}: CS1 maint: location (link) - ^ Hoover, Katherine (May 3, 1999). "As Mary walked among the thorn /By Katherine Hoover". publicrecords.copyright.gov. Copyright Recordation record V3434D099. Retrieved October 8, 2022.
- ^ Hoover, Katherine (January 19, 1988) [1987, English text & arr.]. "As Mary walked among the thorn; from Songs of celebration, [music] old German carol, [translation & arr.] by Katherine Hoover". publicrecords.copyright.gov. Ft. Lauderdale, Fla. : Music 70, c1988.: Music 70 Music Publishers. p. 10. copyright registration number PA0000384846. Retrieved October 12, 2022.
{{cite web}}: CS1 maint: location (link) - ^ Hoover, Katherine (January 19, 1988) [1987, arr.]. "Lo, how a rose e'er blooming :from Songs of celebration, for four-part chorus of mixed voices with piano or brass acc. /[words] traditional ; [music] German traditional ; arr. by Katherine Hoover". publicrecords.copyright.gov. Ft. Lauderdale, Fla. : Music 70, c1988.: Music 70 Music Publishers. p. 10. copyright registration number PA0000384845. Retrieved October 12, 2022.
{{cite web}}: CS1 maint: location (link) - ^ Hoover, Katherine (May 16, 1997) [1997]. "Psalm 100 :SATB chorus & keyboard". publicrecords.copyright.gov. New York City, NY: Papagena Press. p. 18. PAU002193210. Retrieved September 22, 2022.
- ^ Hoover, Katherine. "Kyrie". ascap.com. New York, NY: Papagena Press. ISWC T0726520484. Retrieved October 22, 2022.
- ^ Hoover, Katherine (October 23, 1998) [1998]. "Kyrie :for twelve flutes /K. Hoover". publicrecords.copyright.gov. New York City, New York: Papagena Press. p. 32. Retrieved September 22, 2022.
- ^ Hoover, Katherine (May 14, 1998) [1998]. "Kyrie :for 12 flutes". publicrecords.copyright.gov. New York City, New York: Papagena Press. copyright registration number PAU002315060. Retrieved September 22, 2022.
- ^ Hoover, Katherine (September 6, 1998). Kyrie : for twelve flutes. New York : Papagena Press, c1998. p. 32. LCCN 2002557724.
{{cite book}}:|website=ignored (help) - ^ Hoover, Katherine. "Kyrie". worldcat.com. New York, NY: Papagena Press. ISWC T0726520484. Retrieved October 22, 2022.
- ^ Hoover, Katherine. "Requiem". ascap.com. New York, NY: Songs of Peer LTD. ISWC T9298798513. Retrieved October 22, 2022.
- ^ Hoover, Katherine. "Sanctus". ascap.com. New York, NY: Papagena Press. ISWC T9298798535. Retrieved October 22, 2022.
- ^ Hoover, Katherine (March 3, 2002) [2002]. "Requiem :service of remembrance 1865/2001". publicrecords.copyright.gov. New York City, New York: Papagena Press. p. 7. copyright registration number PAU002750797. Retrieved September 22, 2022.
- ^ Rosenbaum, Harold; accompanying instrumentalists, The New York Virtuoso Singers (2016). "Requiem for the Innocent". www.worldcat.org (Music CD). Farmingdale, NY, 2016: 4tay Inc. OCLC 959954657. Tracks 9-14, Requiem for the innocent / by Katherine Hoover.
{{cite web}}: CS1 maint: location (link) - ^ Hoover, Katherine (2006). "Incantations". ascap.com. New York, NY: Papagena Press. ISWC. Retrieved October 22, 2022.
- ^ "BOMB Magazine | Incantations: Songs, Spells and Images by Mayan Women". BOMB Magazine. July 1, 2007. Retrieved October 9, 2023.
- ^ "Incantations". Martha Gies. Retrieved October 16, 2023.
- ^ Andrew Lloyd Webber (1971). Jesus Christ Superstar Original Cast (Music LP). www.worldcat.org (Broadway play recording). London, United Kingdom: Decca. OCLC 1066769143. Retrieved February 20, 2022.
Original Broadway Cast
- ^ Dale Jergenson (1977). Music Of Dale Jergenson (Music LP). www.worldcat.org (theatre studio recording). United States: Grenadilla Records. OCLC 6193450. Retrieved February 20, 2022.
Music Of Dale Jergenson
- ^ Frank Martin; Nancy Laird Chance; Ursula Mamlok (1982). Sonata da chiesa (Music LP). www.worldcat.org (studio recordings). Greenville,Maine: Opus One-Number72. OCLC 8370644. Retrieved February 20, 2022.
Daysongs / Sonata da chiesa / Variations for Solo Flute
- ^ Katherine Hoover (1984). New music for flute (Music LP). www.worldcat.org (studio recordings). New York, N.Y.: Leonarda. OCLC 11216050. Retrieved February 20, 2022.
- ^ David Chaitkin (1981). Chaitkin/Moore: Chamber Works (Music LP,CD,eMusic). amazonaws.com (studio recording). Brooklyn, NY: New World Records. OCLC 1018458329. Retrieved February 20, 2022.
- ^ Journeys, track-5 (Music CD). www.worldcat.org (studio recording). New York, N.Y.: Leonarda. 1987. OCLC 1069324064. Retrieved February 20, 2022.
- ^ Katherine Hoover (2001). Kokopeli : Katherine Hoover plays (Music CD) (studio recording). Woodstock, NY: Parnassus Records. OCLC 56131088. Retrieved February 20, 2022 – via www.worldcat.org.
External links
- Official website
- Katherine Hoover at AllMusic
- Katherine Hoover at Discogs
- Katherine Hoover at ASCAP
- Katherine Hoover at Musicalics, The Classical Composers Database
- Thesis/dissertation, M.M. Manhattan School of Music 1972
- Katherine, Hoover (1972). "Pulcinella : Stravinsky's homage to Pergolesi". M.M. Manhattan School of Music 1972. OCLC 60610063 – via OCLC 60610063.
- Thesis/dissertation, Research project (D.M.A.)--University of Illinois at Urbana-Champaign, 1994.
- Sanders, Nancy King (1994). "A woman's voice : the clarinet concerti of Musgrave, Hoover, and Gotkovsky". Research Project (D.M.A.)--University of Illinois at Urbana-Champaign, 1994. OCLC 32338515 – via OCLC 32338515.
| International | |
|---|---|
| National | |
| Academics | |
| Artists | |
| Other | |
- 1937 births
- 2018 deaths
- American music educators
- American women music educators
- American women classical composers
- American classical composers
- American flautists
- American women conductors (music)
- Eastman School of Music alumni
- Manhattan School of Music alumni
- Manhattan School of Music faculty
- People from Elkins, West Virginia
- Musicians from West Virginia
- Musicians from Philadelphia
- Women flautists
- Teachers College, Columbia University faculty
- 20th-century classical composers
- 20th-century American women musicians
- 20th-century American composers
- 21st-century classical composers
- 21st-century American women musicians
- 21st-century American composers
- Classical musicians from Pennsylvania
- 20th-century American conductors (music)
- 20th-century women composers
- 21st-century women composers
- American women academics
- 20th-century flautists
- 21st-century flautists
- Pseudonyms