Love Me or Leave Me (film)
Love Me or Leave Me | |
---|---|
Directed by | Charles Vidor |
Written by | Daniel Fuchs Isobel Lennart |
Produced by | Joe Pasternak |
Starring | Doris Day James Cagney Cameron Mitchell |
Cinematography | Arthur E. Arling |
Edited by | Ralph E. Winters |
Music by | George Stoll |
Production company | |
Distributed by | Loew's Inc. |
Release date |
|
Running time | 122 minutes |
Country | United States |
Language | English |
Budget | $2.76 million[1] |
Box office | $5.6 million[1][2] |
Love Me or Leave Me is a 1955 American romantic musical drama film starring Doris Day, with James Cagney and Cameron Mitchell in support. Also a biopic, the MGM production recounts the life of Ruth Etting, a singer who rose from dancer to movie star. Nominated for six Academy Awards, the picture was directed by Charles Vidor, and written by Daniel Fuchs and Isobel Lennart.
Plot
Nineteen-twenties Chicago nightclub singer and dime-a-dance girl Ruth Etting is in jeopardy of losing her job for kicking a customer for his unwelcome attention. Martin Snyder, known as "The Gimp" because of his game leg, intervenes on her behalf. A man of considerable clout, he owns a laundry business as a front and runs a thriving protection racket.
Etting is desperate to get into show business. Snyder gets her a job dancing in a floor show, then pays for a singing coach, Johnny Alderman, who is also attracted to her.
Etting and Alderman are grateful, but Snyder makes it clear he expects Etting to travel to Miami with him, not for business but for pleasure. Etting declines, but Snyder's interest in her continues. Through an agent, Bernie Loomis, he arranges a radio program to feature Etting, followed by a job with the Ziegfeld Follies. His crude behavior and violent temper cause Etting multiple problems.
Johnny continues to woo Etting, but under heavy pressure from Snyder she marries him instead. His heavy-handed management continues as her career blossoms. Goaded to enter the entertainment business, Snyder decides to open a nightclub of his own, sinking his wealth heavily into it. Upset at sensing a relationship resuming between Etting and Johnny during their filming of a Hollywood movie, Snyder strikes her; she runs off and seeks a divorce. Snyder then catches them together, shoots Johnny and is arrested.
Horrified but conflicted because of all Snyder has done for her career, Etting arranges for Loomis to bail him out of jail. At his nightclub which he expects to find deserted, Snyder arrives to find Etting performing there herself. At first enraged by what he perceives as an act of charity, Snyder finally realizes this is Etting's way of showing her appreciation, even if she can't be part of his life any longer.
Cast
- Doris Day as Ruth Etting
- James Cagney as Martin Snyder
- Cameron Mitchell as Johnny Alderman
- Robert Keith as Bernard V. Loomis
- Tom Tully as Frobisher
- Harry Bellaver as Georgie
- Richard Gaines as Paul Hunter
- Peter Leeds as Fred Taylor
- Claude Stroud as Eddie Fulton
- Audrey Young as Jingle Girl
- John Harding as Greg Trent
Production
The role of Snyder was originally intended for Spencer Tracy, but he turned it down. After the Etting role was turned down by Ava Gardner, Cagney suggested Doris Day to producer Joe Pasternak. Gardner was subsequently placed on a temporary salary suspension by MGM as a punishment.
Reception
Variety called the film "a rich canvas of the Roaring '20s, with gutsy and excellent performances."[3]
Awards and nominations
Award | Category | Nominee(s) | Result |
---|---|---|---|
Academy Awards[4] | Best Actor | James Cagney | Nominated |
Best Screenplay | Daniel Fuchs and Isobel Lennart | Nominated | |
Best Motion Picture Story | Daniel Fuchs | Won | |
Best Scoring of a Musical Picture | Percy Faith and Georgie Stoll | Nominated | |
Best Song | "I'll Never Stop Loving You" Music by Nicholas Brodszky; Lyrics by Sammy Cahn |
Nominated | |
Best Sound Recording | Wesley C. Miller | Nominated | |
Directors Guild of America Awards | Outstanding Directorial Achievement in Motion Pictures | Charles Vidor | Nominated |
Writers Guild of America Awards | Best Written American Musical | Daniel Fuchs and Isobel Lennart | Won |
The film is recognized by American Film Institute in these lists:
- 2002: AFI's 100 Years...100 Passions – Nominated[5]
- 2004: AFI's 100 Years...100 Songs:
- "Ten Cents a Dance" – Nominated[6]
- 2006: AFI's Greatest Movie Musicals – Nominated[7]
Box-office
According to MGM records the film earned $4,035,000 in the US and Canada and $1,597,000 elsewhere, resulting in a profit of $595,000.[1] Love Me or Leave Me was the eighth ranked movie in 1955.
Soundtrack
All but two of the songs in the movie were hits that Etting had recorded originally back in the 1920s and early 1930s. These new songs, written specifically for the film, are "Never Look Back" by Chilton Price and "I'll Never Stop Loving You" by Nicholas Brodzsky and Sammy Cahn.[3]
The songs as they appear in the film (all sung by Doris Day except as shown):
- "Ten Cents a Dance"
- "I'm Sitting on Top of the World" (sung by Claude Stroud)
- "It All Depends On You"
- "You Made Me Love You"
- "Stay On the Right Side Sister"
- "Everybody Loves My Baby (But My Baby Loves Nobody But Me)"
- "Mean To Me"
- "Sam, the Old Accordion Man"
- "Shaking the Blues Away" (sung by Doris Day, danced by Doris Day and Chorus)
- "I'll Never Stop Loving You"
- "Never Look Back"
- "Five Foot Two, Eyes of Blue"
- "At Sundown"
- "My Blue Heaven"
- "Love Me or Leave Me"
See also
References
- ^ a b c The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
- ^ For domestic take see also 'The Top Box-Office Hits of 1955', Variety Weekly, January 25, 1956
- ^ a b Variety's review Posted: December 31, 1954
- ^ "The 28th Academy Awards (1956) Nominees and Winners". oscars.org. Retrieved 2011-08-21.
- ^ "AFI's 100 Years...100 Passions Nominees" (PDF). Retrieved 2016-08-19.
- ^ "AFI's 100 Years...100 Songs Nominees" (PDF). Retrieved 2016-08-19.
- ^ "AFI's Greatest Movie Musicals Nominees" (PDF). Retrieved 2016-08-19.
External links
- 1955 films
- 1955 romantic drama films
- 1950s biographical drama films
- 1950s English-language films
- 1950s musical drama films
- 1950s romantic musical films
- CinemaScope films
- American biographical drama films
- American musical drama films
- American romantic drama films
- American romantic musical films
- Biographical films about entertainers
- Biographical films about singers
- Cultural depictions of American women
- Cultural depictions of actors
- Cultural depictions of pop musicians
- Films directed by Charles Vidor
- Films produced by Joe Pasternak
- Films scored by Georgie Stoll
- Films that won the Academy Award for Best Story
- Jukebox musical films
- Metro-Goldwyn-Mayer films
- Musical films based on actual events
- Romance films based on actual events
- 1950s American films
- English-language biographical drama films