The Big Tall Wish
"The Big Tall Wish" | |
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The Twilight Zone episode | |
Ivan Dixon, Steven Perry and Kim Hamilton | |
Episode no. | Season 1 Episode 27 |
Directed by | Ron Winston |
Written by | Rod Serling |
Featured music | Jerry Goldsmith with harmonica solos |
Production code | 173-3630 |
Original air date | April 8, 1960 |
Guest appearances | |
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"The Big Tall Wish" is episode twenty-seven of the American television anthology series The Twilight Zone, with an original score by Jerry Goldsmith. It originally aired on April 8, 1960 on CBS.
Opening narration
In this corner of the universe, a prizefighter named Bolie Jackson, 183 pounds and an hour and a half away from a comeback at St. Nick's Arena. Mr. Bolie Jackson, who, by the standards of his profession is an aging, over-the-hill relic of what was, and who now sees a reflection of a man who has left too many pieces of his youth in too many stadiums for too many years before too many screaming people. Mr. Bolie Jackson, who might do well to look for some gentle magic in the hard-surfaced glass that stares back at him.
Plot
Bolie Jackson is a washed-up boxer who breaks his knuckles right before a comeback fight. He is knocked down and just about to be counted out, when suddenly, he magically switches places with the other boxer. Bolie is now standing over his vanquished opponent.
Bolie celebrates his victory, though he cannot understand what happened. He remembers being knocked down and has no memory of getting back up to win, nor can he figure out why his knuckles feel fine; he figures they must have only been bruised. His manager is stumped as to why Bolie thinks he was knocked down and explains that this did not happen.
However, there is one other person who knows Bolie lost. Henry Temple, the young son of Bolie's girlfriend Frances, not only remembers, he also has an explanation for what happened. Henry tells Bolie that he made "the biggest, tallest wish" he could come up with for Bolie, for the two boxers to switch positions, and it came true.
Bolie cannot accept this. Henry warns him that the only way the wish can have its power is if you believe in it. If Bolie does not believe, the wish will not work. Bolie tells the boy straight out that life just does not work that way, that he has been wishing all his life and only has scars to show for it. Henry begs him to believe and Bolie insists he cannot. Suddenly, he is returned to the fight; he is down on the canvas. This time the referee finishes counting Bolie out.
Neither Bolie nor Henry have any memory of the alternate outcome. Henry remembers making the biggest wish he possibly could for Bolie, but obviously it did not work, so he declares with resignation that he will not be making any more wishes. "There ain't no such thing as magic, is there?", he asks Bolie. "I guess not, Henry", Bolie replies sadly. "Or maybe...maybe there is magic. And maybe there's wishes, too. I guess the trouble is...there's not enough people around to believe..."
Closing narration
Mr. Bolie Jackson, 183 pounds, who left a second chance lying in a heap on a rosin-spattered canvas at St. Nick's Arena. Mr. Bolie Jackson, who shares the most common ailment of all men, the strange and perverse disinclination to believe in a miracle, the kind of miracle to come from the mind of a little boy, perhaps only to be found in the Twilight Zone.
Production notes
The all-black principal cast was a novelty for television in 1960. Said Rod Serling at the time (quoted in The Twilight Zone Companion by Marc Scott Zicree):
Television, like its big sister, the motion picture, has been guilty of the sin of omission... Hungry for talent, desperate for the so-called 'new face,' constantly searching for a transfusion of new blood, it has overlooked a source of wondrous talent that resides under its nose. This is the Negro actor.
A few other Twilight Zones followed the example of this episode and cast black actors in significant roles, including the pastor in "I Am the Night—Color Me Black", with Ivan Dixon, a child in the mall in "The Night of the Meek", and the electrician in "The Brain Center at Whipple's". These inclusions, though seemingly insignificant by modern standards, were so revolutionary at the time that The Twilight Zone was awarded the Unity Award for Outstanding Contributions to Better Race Relations in 1961.
Originally cast in the lead role was champion boxer Archie Moore, who later exclaimed, "Man, I was in the Twilight Zone!" when describing the punch delivered by his opponent Yvon Durelle.
This is one of several episodes from season one where some broadcast prints have the opening title sequence replaced with that of season two. This was done during the summer of 1961 to help the season one shows fit in with the new look the show had taken during the following season.
The hallway shown in this episode is also used in "Mr. Bevis", episode 33, but slightly altered. However, the door and stair railings remain the same.
The boxing match takes place at "St. Nick's Arena", which was the name of a boxing arena in New York City, the St. Nicholas Rink.[1][2]
References
Further reading
- Zircee, Marc Scott: The Twilight Zone Companion. Sillman-James Press, 1982 (second edition)
- DeVoe, Bill. (2008). Trivia from The Twilight Zone. Albany, GA: Bear Manor Media. ISBN 978-1-59393-136-0
- Grams, Martin. (2008). The Twilight Zone: Unlocking the Door to a Television Classic. Churchville, MD: OTR Publishing. ISBN 978-0-9703310-9-0