Surjit Bindrakhia
Surjit Bindrakhia | |
|---|---|
| File:Surjit Bindrakhia, performing a live show in Punjab.jpg | |
| Background information | |
| Birth name | Surjit Bains |
| Born | 15 April 1962 Rupnagar, Punjab, India |
| Origin | Bindrakh Pind (Rupnagar District) Punjab |
| Died | 17 November 2003 (aged 41) Mohali, Punjab, India |
| Genres | Punjabi Bhangra and Folk |
| Years active | 1985–2003 |
Surjit Bindrakhia (born Surjit Bains; 15 April 1962 – 17 November 2003) was an Indian singer. He was known for his unique voice and hekh, in which he sings a note continuously in one breath. His biggest hits include Meri Nath Dig Paye, Dupatta Tera Satrang Da, Lakk Tunoo Tunoo, Bas Kar Bas Kar, Mukhda Dekh Ke, Tera Yaar Bolda, and Jatt Di Pasand. Surjit is considered to have one of the greatest voices in Bhangra. He received a special jury award at the 2004 Filmfare Awards for his contribution to Punjabi music.[1]
Early life and family
Bindrakhia was born as Surjit Bains[2] to Sucha Singh and Gurcharan Kaur in the Bindrakh village of Rupnagar district, Punjab, India.[3] His father was a famous village wrestler, who brought the village to prominence.[4] Surjit was influenced by his father to take up wrestling and kabaddi. He won inter-college bouts at the university level. Although, his father always wanted Surjit to be a wrestler, he always wanted to be a singer. He began his singing career by singing boliyan for his college bhangra team.[4] He received formal training from his guru, Atul Sharma. Bindrakhia appeared in films, before he was a major figure in the music industry.[4] He was an extra in movies, appearing in the background of several scenes. His first appearance in the Punjabi movie industry was in the film Anakh Jattan Dee, where he sung the title song, Baniye Ne Jatt. Lyricist Shamsher Sandhu recognised the talent Surjit had, which gifted him an opportunity into the Punjabi music industry. Most of his hit songs were written by Shamsher Sandhu and music was produced by Atul Sharma.
Surjit Bindrakhia married Preet Kamal in April 1990. The couple had two children, son Gitaz Bindrakhia, and daughter Minaz Bindrakhia.[3]
Professional life
Surjit Bindrakhia had arguably one of the most powerful voices among Bhangra singers during his time. Throaty, with a wide range of sounds, he was one of the most successful traditional artists doing the rounds of the bhangra scene during his time. Surjit had been known in Punjab for many years, his first break in the Punjabi music industry came in 1990 with the album Addi Utte Ghum, this included the track Jugni in which Bindrakhia performs his world record 32 second hekh.[5] Surjit Bindrakhia is credited as being the first international superstar in bhangra music. His song Dupatta Tera Sat Rang Da holds the record for being the number one Punjabi song on UK charts for weeks.[3]
Immensely popular in the 1980s, 1990s, and 2000s, Bindrakhia's voice was considered to be one of the most powerful voices among traditional singers like in Punjab. He had cut 32 solo audio cassettes during his decade-long career. Surjit's big break in the international market came in 1994 with Dupatta Tera Sat Rang Da, a track that can only be called game changing. Since then many singers have tried to replicate this success, however, few have come close to Bindrakhia's height of success. Many remixes of his older songs had been created during the 1990s. This helped Bindrakhia to further blur the contrasts of modern Punjabi Bhangra and traditional folk. Bindrakhia was a traditional bhangra singer, and since most of his work had been produced in India, it may at first have appeared unpolished. Certainly, the music is more "rustic" than that found on many bhangra bands from the UK, but that did not reduce its impact. There are more sustained dhol beats in Bindrakhia's work than you would find elsewhere and the style is traditional.
A note must be made of the high tone hekh Bindrakhia used, which sounded high in pitch and could last up to 42 seconds. You can find others trying such vocal pyrotechnics, however, no one can pull it off similar to how Bindrakhia did. His singing style worked with the beat, so you would find him pausing along with the dhol and raising and shifting into different keys as the dhol does. All of this gave Bindrakhia the air of a child gone a little mad with his voice. Stated to be one of the most popular singers in Punjab, Surjit Bindrakhia was considered to be the vital link between traditional Punjabi folk music and modern Punjabi pop.[6]
Death
It was reported by various news outlets that Surjit had been suffering from health issues throughout the later stages of his life, he had been hospitalised multiple times. Due to a sudden decline in health, Surjit Bindrakhia died from a cardiac arrest on the morning of 17 November 2003 at his home in Phase-7, Mohali.
Many singers and artists attended his bhog and funeral at Bindrakhia's native village Bindrakh. Some of the artists who turned up to pay their last respects to the legend included Hans Raj Hans, Gurpreet Ghuggi, Babbu Maan, his lyricist and a close friend Shamsher Singh Sandhu, his guru and music composer Atul Sharma, and the legendary Gurdas Maan.
Legacy
Bindrakhia stormed the market with over 250 million hit sales of which 175 million came from India alone. He later combined with greats such as Surinder Shinda doing live sets.
The great Punjabi singer Babbu Maan paid respects to Bindrakhia's family and in his 2005 album Pyaas, pays tribute with a song dedicated to Bindrakhia titled as Pind Diyan Juhaan and
In 2011 DJ Harvey and Nirmal Sidhu made a tribute song to Surjit Bindrakhia called Bindrakhia Boliyan, it has been a huge success since its release being ranked at Number 1 on the BBC Asian Network Chart in the first week of release.
In 2018 DJ and Music Producer DJ Frenzy released a remix track of the hit song Mundri Nishani. This is part of a series of Bindrakhia tracks that are to be remixed by the DJ. The first track itself has been a huge success and has widely received by fans.
Discography
Posthumous albums
| Release | Album | Record Label | Notes |
|---|---|---|---|
| 2004 | Galti Malti Maaf Kar Deo | Super Cassettes Industries T-Series | |
| 2005 | Pyar Kar Lai | Music Waves |
Religious and Special Albums
| Release | Album | Record Label | Notes |
|---|---|---|---|
| 1992 | Kamban Dil Gaddaran De | Super Cassettes Industries T-Series | Re-released by Super Cassettes Industries T-Series on 22 June 2000 |
| 2001 | Janam Dihara Khalse Da | Super Cassettes Industries T-Series | |
| 2002 | Singho Sewadar Bano | Super Cassettes Industries T-Series |
| Release | Album | Song | Record Label | Notes |
|---|---|---|---|---|
| 1996 | Mitran Noo Maar Gia (New Year Program 1996) | Aedron Rumaal Hiliya | DMC Records LTD | |
| 1997 | Mela Meliyan Da (New Year Program 1997) | Kannan Wich Ghungroo | Super Cassettes Industries T-Series | |
| 1998 | Mela Vaishakhi Da | Patasian Nu Bhordi | Super Cassettes Industries T-Series | |
| 1998 | Jhanjhar Di Chhankar (New Year Program 1999) | Moda Maar Ke | Super Cassettes Industries T-Series} | |
| 1999 | Koke Da Lishkara | Khul Gaya Jalebi Juda | Super Cassettes Industries T-Series | |
| 1999 | Phulkari (New Year Program 2000) | Tera Yaar Bolda and Jhanjar Patlo Di | Super Cassettes Industries T-Series | |
| 2000 | Dupatta | Dupatta Tera Sat Rang Da (Remake) and Nakhro | Super Cassettes Industries T-Series | |
| 2001 | Mela Geetan Da (New Year Program 2001) | Wangg Hogi Tangg and Malang Baniye | Super Cassettes Industries T-Series | |
| 2001 | Dhol Wajda (Vaisakhi Program 2001) | Dil Vakh Rove | Super Cassettes Industries T-Series | |
| 2001 | Boli Pa Mitra (New Year Program 2002) | Khitton Sikheya Matak Naal Turna | Super Cassettes Industries T-Series | |
| 2002 | Mittran Da Chhalla | Mittran Da Chhalla and Aedron Rumaal Hiliya (Remake) | Super Cassettes Industries T-Series | |
| 2002 | Giddhe Vich Vajdi Addi (New Year Program 2003) | Giddhe Vich Vajdi Addi and Ikk Akh Toonahari | Super Cassettes Industries T-Series | |
| 2003 | Guldasta Geetaan Da (New Year Program 2004) | Udoon Udoon Kardi Jawani | Super Cassettes Industries T-Series |
Filmography
| Release | Film | Song | Record Label |
|---|---|---|---|
| 1989 | Anakh Jattan Dee | Baniye Ne Jatt | Finetone |
| 1991 | Jatt Jeona Mour | Baba Banda Singh | Finetone |
| 1991 | Badla Jatti Da | Boliyan with Surinder Shinda | Finetone |
| 1994 | Kachehri | Dera Jatt Da with Dilshad Akhtar | Super Cassettes Industries T-Series |
| 1996 | Zorawar | Ve Kehre Tere Amb Torh Laye with Parmjit Sandhu | Catrack |
| 1996 | Rab Dian Rakhan | Khera Tera Nahion Chandna | Super Cassettes Industries T-Series |
| 1998 | Ishq Nachavye Gali Gali | Char Din Mitteran Ne | Catrack |
References
- ^ "Etc claims win over Filmfare with Punjabi awards". Indiantelevision.com. 5 March 2004. Retrieved 21 October 2011.
- ^ Mooney, Nicola (2011). Rural Nostalgias and Transnational Dreams: Identity and Modernity Among Jat Sikhs. University of Toronto Press. ISBN 978-0802092571. Retrieved 1 April 2019.
- ^ a b c "Archived copy". Archived from the original on 25 July 2009. Retrieved 8 June 2009.
{{cite web}}: CS1 maint: archived copy as title (link) - ^ a b c Video on YouTube
- ^ "Archived copy". Archived from the original on 15 July 2011. Retrieved 15 June 2009.
{{cite web}}: CS1 maint: archived copy as title (link) Bindrakhia/index.html - ^ http://www.subir.com/bindrakhia/index.html
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