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Clear Moon
Studio album by
Mount Eerie
ReleasedMay 22, 2012
RecordedOctober 3, 2010 to January 7th, 2012[1]
Studiothe Unknown, Anacortes, Washington[1]
GenreIndie rock, experimental
Length41:42
LabelP.W. Elverum & Sun, Ltd.
(ELV 025/043)
ProducerPhil Elverum
Mount Eerie chronology
Song Islands vol. 2
(2010) 		Clear Moon
(2012) 		Ocean Roar
(2012)
Mount Eerie studio album chronology
Wind's Poem
(2009) 		Clear Moon
(2012) 		Ocean Roar
(2012)
Singles from Clear Moon
  1. "House Shape"
    Released: March 22, 2012
  2. "Lone Bell"
    Released: April 24, 2012

Clear Moon is the fifth studio album by Mount Eerie a solo project by American musician Phil Elverum. It was released on May 22, 2012 Elverum's own label, P.W. Elverum & Sun. The album was written and produced entirely by Elverum, who recorded it, at his studio the Unknown. Which had a lasting influence on the album's creation.

Musically, Clear Moon sees Elverum depart from the distortion-heavy sound of his previous studio album, Wind's Poem in favour of a hypnotic, guitar and synthesizer based sound. To promote the album Elverum, released two singles, "House Shape," on March 22, 2012 and "Lone Bell," on April 24, 2012. Elverum also embarked on North American/European tours.

Clear moon received critical acclaim and was commercially successful. It is the first part of an aesthetically and conceptually connected duo of albums released by Mount Eerie in 2012, the other being Ocean Roar.

Recording and compostion

File:Burzum, WITTR, Nadja, Gary Synder, Dogen.jpg
From left to right: Nadja, Burzum, Wolves in the Throne Room, Gary Synder and Eihei Dōgen each of whom inspired Phil Elverum.

Clear Moon is the first of two albums released by Mount Eerie in 2012, the other being Ocean Roar.[2] Both albums are aesthetically and conceptually connected and represent a "transition from day-to-day."[3][4][5] Elverum chose not the release Clear Moon and Ocean Roar as a double album as he felt that it was too much for listeners to take in and that such a release would be too similar to his previous studio albums.[6]

The album initially came from Elverum experimenting with instruments such as a Gong and Organs and use of the space within sound, during winter months.[3][6] Most of the aforementioned experimentations were discarded, however some were eventually developed and were placed into 2 distinct groups: Clear Moon and Ocean Roar.[3][6] The songs that were chosen for Clear Moon were based on if they evoked "sharp clarity".[3] The album was recorded on analogue equipment from to October 3, 2010 and January 7, 2012 in Anacortes, Washington at Elverum's studio the Unknown.[1][7] Elverum described the recording process as:

spending days and days fucking around and trying things, moving it a little bit, accidentally leaving the mic on and hearing the tape rewinding through the speaker echoing through the room, recording that sound onto another piece of tape, pitching it down, putting it with this other thing, spending two days pursuing this weird possibility only to realize it sucks.[8]

Said studio was an overarching influence on the development of the album.[6] Elverum cites Burzum, Eihei Dōgen, Gary Snyder, Cold Mountain and zen poetry as an influence on the album.[6][9] Other influences include Popol Vuh, Wolves in the Throne Room, Menace Ruine, and Nadja.[7][10][11]

Music and Lyrics

Musically, Clear Moon is a departure from Elverum's previous studio album, the distortion-heavy Wind's Poem; replacing the heavy guitars for "ominous rumbling and isolated feedback squalls."[6][12] Described as "lush and expansive,"[13] the album is predominantly guitar based, featuring downplayed vocals, droning organs, 4/4 drum beats, chimes and "overlapping, hypnotic guitar lines."[6][14][15] The album takes inspiration from multiple genres such as, psychedelia, folk, chamber, electronic, ambient and metal.[15][16] Themes of solitude; which Elverum presents through the imagery of the moon, a recurring motif in the album and his work at large, and maturity are present, with the album seeing Elverum exploring new avenues of his established sound and lyrical content.[15][17][18] According to Thomas May the songs on Clear Moon are the most melodically dynamic he has created since The Glow Pt. 2.[18] Tonally, the album is clearer and lighter than Ocean Roar, while still retaining Elverum's typical dark style,[19] and has more extensive use of synthesizer and vocals.[5][6][4] The range of tempo is diverse throughout the record.[14]

Lyrically, the songs makes reference to existentialism,[16] the artificiality of being an artist, Elverum's relation to nature, his life in Anacortes, Washington and "the unexpected moments of clarity that briefly flash through."[6][7][14] Narratively, it expands on the story first introduced in the final Microphones studio album, Mount Eerie and sees Elverum traverse the ocean and under go a metaphorical rebirth.[20] Elverum described the album as a "resonant lone bell symbol, the glint in the water, the sudden breath." and as an "abstract non-narrative diary," exploring his mental state.[7][8]

Philosophical in nature, the quite, melodic,[21] drum and acoustic guitar driven, folk jazz,[22] opening track, "Through The Trees Pt. 2" has Elverum calmly singing about "nature, life and death, [and] the inherent pointlessness of existence."[13][14][23] As the song goes on more instrumentation such as additional percussion, piano resonant strings, and bells are added.[22][23] The song also make use of ambient noise, Elverum's "trademark" humor and stereo panning with the guitars utilising the left and right speakers.[24][25]

"the Place Lives" explores humanity's relation and ultimate insignificance to the world at large in a lyrical manner akin to japanese poetry.[5][24] Instruments such as piano and cymbals are present on the song.[26] Reminiscent of the sound of Earth, the third song "the Place I Live" is a "hymn-like ode to Anacortes".[27] It begins with a single bass guitar before synthesizer, electric guitar and vocals by Allyson Foster are soon incorporated, concluding in a near grunge manner.[28][29] It also features feedback, strings, drums, a "heart beat pulse," and double tracking on the guitar.[23][24][27][29] Elverum and her sing in a call-and-response manner.[13] Foster is also featured on "Through The Trees Pt. 2".[1] The fourth and eightieth tracks, both entitled "(something)", serve as instrumental interludes, dividing the album into three distinct sections.[24][30]

Elverum and Castrée, who is featured on "Over Dark Water", performing together in 2006.

"Lone Bell" is a jazz-like noise rock song, composed of processed vocals, piano,[20] saxphone accents, snare drum brushes, bass and "metal" riffs and two repeating, droning, chords.[14][23][31] Utilising space and repetition, in a manner similar to that of Neu![28] "House Shape" features a pump organ, detuned acoustic guitars, strings, keyboard, drums and elements of shoegaze.[8][31] According to Elverum "Lone Bell" and House Shape" are fairly indicative of the sound of Clear Moon.[3]

"Over Dark Water" is a gothic, doom metal, "anti-hymn to night and nothingness," which features choral singing from Geneviève Castrée.[1][19][31] It is composed of drums, synthesized strings, organ, bass guitar and distorted electric guitar and synthesized bass played in unison.[5][31] The song concludes with a drum heavy black metal climax.[5]

Described as the climax of the album,[21] the cacophonous title track features manipulated—vocoder-like—vocals from Elverum alongside additional vocals from Carson Churchill and Paul Benson.[1][28] It also features "hum-like" bass, synthesizer, cymbals, keyboards chants and bells.[14][19][26] "Yawning Sky" is an ambient track with lyrical themes of man's frailty and mortality and keyboards and guitar.[26][32] "(synthesizer)" is an instrumental new-age song which Elverum described as an "extreme exaggeration of what [the] album is."[5]

Release

The first track released from Clear Moon, "House Shape" was released on March 22, 2012 on SoundCloud.[33] The second track released from the album was "Lone Bell," released on April 24, 2012 on SoundCloud.[34] On May 13, 2012, the album was streamed in its entirety on NPR Music.[15] On July 31, 2012, Elverum released his first music video through Pitchfork TV for “The Place Lives”.[35][36] It is composed of footage of Elverum traversing Oregon woods, brewing a pot of tea, and pouring that tea into the dirt.[37] Stereogum choose it as one of the best videos of the week of its release.[37]

Touring

In support of the album, Elverum embarked on a tour of Europe from March 2012 to April 2012.[10] Elverum was accompanied by Earth and Ô PAON.[10] This was succeeded by a North American tour from August 2012 to October 2012.[38] Elverum was accompanied by Loren Mazzacane Connors and Bouquet as well as a live band consisting of a drummer, a bass player, two guitarists, a keyboardist and three singers.[38][6] With this tour Elverum made a conscience decision for the local openers to be women as he felt show promoters would disproportionately chose male performers.[39]

Clear Moon / Ocean Roar (Condensed Versions)

On October 17, 2012, Phil released a 7-inch single entitled "Clear Moon / Ocean Roar (Condensed Versions)". Side A consists of all the songs on Clear Moon played at once [40]

Reception

Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?7.9/10[41]
Review scores
SourceRating
AllMusic[42]
The A.V. ClubB[30]
Consequence of SoundB[14]
No Ripcord8/10[28]
Pitchfork8.3/10[43]
Spin8/10[44]
Sputnikmusic[45]
Tiny Mix Tapes[46]
Under the Radar7/10[31]

Clear Moon received mostly positive reviews from music critics. Aggregator AnyDecentMusic? gave Clear Moon' 7.9 out of 10, based on their assessment of the critical consensus.[41]

Heather Phares of AllMusic wrote that "Elverum's meditation on the fact that life goes on within you and without you is thoughtful and thorough in a way few other songwriters could manage".[42] David Greenwald of The A.V. Club found that album was "meaningful without feeling personal." and that it was a "thunderous effort".[30] Sean Caldwell of No Ripcord wrote that "Elverum’s utilization of metallic and avant-garde elements into what might otherwise be considered a folk album demonstrates a songwriter unlimited by genre and also turned on by creative possibility".[28]

Jayson Greene of Pitchfork wrote that "The album's sound, meanwhile has the misty-but-tactile feeling of a sense memory. Every sound echoes from side to side of the mix, and the effect isn't so much "panning" as it is a shimmering omnipresence".[43] "kingsoby1" of Sputnikmusic "The impressive thing about Clear Moon though is how truly organically rooted it is. The recording is still lo-fi, but not such that there is a lapse in quality. Elverum's recording techniques really enhance the compositions".[45] Joe Clinkenbread of Spectrum Culture despite liking the album found it hard to judge the album on its own and described some songs such as "Lone Bell" and both "(Something)" songs as underwhelming.[20]

The album was also commercially successful selling out its first pressing almost immediately.[36]

Accolades

The Tyee called it one of the best albums of the year.[32]

Legacy

Donovan Farley of Willamette Week chose "The Place I Live" and "Through the Trees Pt. 2" as two of Elverum's "essential" songs.[13] Eric Hill of Exclaim! Included the album in a ranking of Elverum's "essential" albums.[48] A version of "Lone Bell" was used as the lead single for Elverum's album "Pre-Human Ideas".[49]

Track listing

All tracks are written by Phil Elverum

No.TitleLength
1."Through the Trees Pt. 2"5:50
2."the Place Lives"2:42
3."the Place I Live"5:58
4."(something)"1:31
5."Lone Bell"4:15
6."House Shape"4:03
7."Over Dark Water" (featuring Geneviève Castrée)3:06
8."(something)"0:30
9."Clear Moon"7:20
10."Yawning Sky"3:28
11."(synthesizer)"2:59
Total length:41:42

References

  1. ^ a b c d e f Clear Moon (Media notes). Phil Elverum. P. W. Elverum & Sun, Ltd. 2012.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  2. ^ Pelly, Jenn. Mount Eerie to Release Two New Albums This Year Archived 2012-05-28 at the Wayback Machine. Pitchfork Media. 22 February 2012. Retrieved 24 May 2012.
  3. ^ a b c d e "5 (+ several more) Questions with Phil Elverum". First Order Historians. May 3, 2012. Retrieved 2020-07-05.{{cite web}}: CS1 maint: url-status (link)
  4. ^ a b Martin Lyndall, Erin (2012-11-01). "The Rumpus Interview with Mount Eerie". The Rumpus.net. Archived from the original on 2020-06-18. Retrieved 2020-07-07.
  5. ^ a b c d e f Morelli, Trevor (March 12, 2013). "Phil Elverum of Mount Eerie : Song Writing". SongFacts. Archived from the original on June 8, 2019. Retrieved 2020-07-07.
  6. ^ a b c d e f g h i j Stosuy, Brandon. Mount Eerie Archived 2012-05-25 at the Wayback Machine. Pitchfork Media. 17 May 2012. Retrieved 25 May 2012.
  7. ^ a b c d Hudson, Alex (February 22, 2012). "Mount Eerie Announces 'Clear Moon,' Preps Companion Album for 2012 Release". exclaim.ca. Archived from the original on July 7, 2020. Retrieved 2020-07-06.
  8. ^ a b c John, Crowell (May 22, 2012). "Interview: Mount Eerie". Tiny Mix Tapes. Archived from the original on April 18, 2017. Retrieved 2020-07-07.
  9. ^ Lewis, Sam (May 8, 2013). "New Old Space: Mount Eerie's Phil Elverum in interview". The Skinny. Archived from the original on August 10, 2017. Retrieved 2020-07-07.
  10. ^ a b c Pelly, Jenn (February 22, 2012). "Mount Eerie to Release Two New Albums This Year". Pitchfork. Archived from the original on July 7, 2020. Retrieved 2020-07-06.
  11. ^ Force Field PR, Staff (March 22, 2012). "Mount Eerie shares first single from new LP, Clear Moon, due this May". Force Field PR. Retrieved 2020-07-08.{{cite web}}: CS1 maint: url-status (link)
  12. ^ "20kUnder", "DC" (June 6, 2012). "Clear Moon | Prefixmag.com". Prefix. Retrieved 2020-07-20.{{cite web}}: CS1 maint: numeric names: authors list (link) CS1 maint: url-status (link)
  13. ^ a b c d Farley, Donovan (March 28, 2018). "Nine Essential Mount Eerie Songs". Willamette Week. Archived from the original on July 20, 2018. Retrieved April 29, 2020.
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  16. ^ a b Aubergine, Cath (2013-01-04). "Mount Eerie: Clear Moon / Ocean Roar - albums review". Louder Than War. Retrieved 2020-07-22.
  17. ^ Enos, Morgan (July 27, 2018). "8 Essential Tracks From Michelle Williams' Songwriter Husband Phil Elverum". Billboard. Archived from the original on July 27, 2018. Retrieved April 29, 2020.
  18. ^ a b May, Thomas (October 25, 2012). "The Quietus | Reviews | Mount Eerie". The Quietus. Retrieved 2020-07-21.{{cite web}}: CS1 maint: url-status (link)
  19. ^ a b c Joyce, Colin (2012-05-23). "Album Review: Mount Eerie – Clear Moon | Beats Per Minute". Beats Per Minute. Retrieved 2020-07-20.{{cite web}}: CS1 maint: url-status (link)
  20. ^ a b c Clinkenbeard, Joe (2012-05-21). "Mount Eerie: Clear Moon". Spectrum Culture. Retrieved 2020-07-21.{{cite web}}: CS1 maint: url-status (link)
  21. ^ a b McAndrew, Maura (July 13, 2012). "Mount Eerie: Clear Moon | Records". Coke Machine Glow. Retrieved 2020-07-20.{{cite web}}: CS1 maint: url-status (link)
  22. ^ a b Kyle, Joseph (August 8, 2012). "Mount Eerie - Clear Moon (PW Elverum & Sun)". The Big Takeover. Retrieved 2020-07-22.{{cite web}}: CS1 maint: url-status (link)
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  24. ^ a b c d Parker, Bryan (May 22, 2012). "Album Review: Mount Eerie – Clear Moon". Pop Press International. Retrieved 2020-07-22.{{cite web}}: CS1 maint: url-status (link)
  25. ^ Consolazio, Matt (May 29, 2012). "Mount Eerie's 'Clear Moon' can confuse, calm all at once". Heave Media. Retrieved 2020-07-23.{{cite web}}: CS1 maint: url-status (link)
  26. ^ a b c Moores, J.R. (December 7, 2012). "Album Review: Mount Eerie - Clear Moon/Ocean Roar". Drowned in Sound. Retrieved 2020-07-09.{{cite web}}: CS1 maint: url-status (link)
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  32. ^ a b Hudson, Alex (2012-12-27). "Remember Mount Eerie?". The Tyee. Retrieved 2020-08-09.{{cite web}}: CS1 maint: url-status (link)
  33. ^ Fitzmaurice, Larry. Mount Eerie: "House Shape" Archived 2012-05-24 at the Wayback Machine. Pitchfork Media. 22 March 2012. Retrieved 24 May 2012.
  34. ^ Mount Eerie – "Lone Bell" Archived 2012-05-30 at the Wayback Machine. Stereogum. 24 April 2012. Retrieved 24 May 2012.
  35. ^ Minsker, Evan (July 31, 2012). "Video: Mount Eerie: "The Place Lives"". Pitchfork. Archived from the original on April 1, 2019. Retrieved 2020-07-07.
  36. ^ a b Force Field PR, Staff (July 31, 2012). "Mount Eerie shares first ever music video for "The Place Lives" from Clear Moon, announces Fall tour dates". Force Field PR. Retrieved 2020-07-07.{{cite web}}: CS1 maint: url-status (link)
  37. ^ a b Breihan, Tom (2012-08-03). "The 5 Best Videos Of The Week". Stereogum. Retrieved 2020-07-24.{{cite web}}: CS1 maint: url-status (link)
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  40. ^ Coplan, Chris (November 13, 2012). "Mount Eerie's new 7" lets you listen to Clear Moon and Ocean Roar at the same time". Consequence of Sound. Archived from the original on January 25, 2020. Retrieved January 25, 2020.
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  44. ^ Weingarten, Christopher (22 May 2012). "Mount Eerie, 'Clear Moon'". Spin. Archived from the original on 10 June 2012. Retrieved 1 June 2012.
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  46. ^ Comentale, Ed. "Clear Moon". Tiny Mix Tapes. Archived from the original on January 12, 2020. Retrieved July 8, 2020.
  47. ^ "Clear Moon". Album of the Year. Archived from the original on November 14, 2017. Retrieved July 8, 2020.
  48. ^ Hill, Eric (March 21, 2017). "An Essential Guide to Mount Eerie, the Microphones and the World of Phil Elverum". Exclaim!. Retrieved 2020-07-22.{{cite web}}: CS1 maint: url-status (link)
  49. ^ Force Field PR, Staff (September 3, 2013). "Mount Eerie announces new LP, Pre-Human Ideas feat. Auto-Tuned versions of songs from recent LPs". Force Field PR. Retrieved 2020-07-08.{{cite web}}: CS1 maint: url-status (link)
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