A Great Day in Harlem: Difference between revisions
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'''A Great Day in Harlem''' or '''Harlem 1958''' is a 1958 [[black and white]] group portrait of 57 notable [[jazz]] [[musician]]s [[photograph]]ed in front of a Brownstone in [[Harlem, Manhattan|Harlem]], [[New York City]]. The photo has remained an important object in the study of the history of jazz. |
<ref><ref><ref>A Great Jazz Day by Charles Graham, p 10 paragraph 12, copyright 2000:ISBN:0-942627-35-0</ref></ref></ref>'''A Great Day in Harlem''' or '''Harlem 1958''' is a 1958 [[black and white]] group portrait of 57 notable [[jazz]] [[musician]]s [[photograph]]ed in front of a Brownstone in [[Harlem, Manhattan|Harlem]], [[New York City]]. The photo has remained an important object in the study of the history of jazz. |
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[[Art Kane]], a freelance photographer working for ''[[Esquire (magazine)|Esquire]]'' magazine, took the picture around 10 a.m. on August 12 in the summer of 1958.<ref>{{cite web|url=http://www.clarehansson.com/marianmcpartland/content/highlights_harlem.htm |title=Marian McPartland - A Great Day in Harlem |publisher=Clarehansson.com |date= |accessdate=2012-04-12}}</ref> The musicians had gathered at 17 east 126th Street, between [[Fifth Avenue|Fifth]] and [[Madison Avenue]]s in Harlem. ''Esquire'' published the photo in its January 1959 issue. Kane calls it "the greatest picture of that era of musicians ever taken." |
[[Art Kane]], a freelance photographer working for ''[[Esquire (magazine)|Esquire]]'' magazine, took the picture around 10 a.m. on August 12 in the summer of 1958.<ref>{{cite web|url=http://www.clarehansson.com/marianmcpartland/content/highlights_harlem.htm |title=Marian McPartland - A Great Day in Harlem |publisher=Clarehansson.com |date= |accessdate=2012-04-12}}</ref> The musicians had gathered at 17 east 126th Street, between [[Fifth Avenue|Fifth]] and [[Madison Avenue]]s in Harlem. ''Esquire'' published the photo in its January 1959 issue. Kane calls it "the greatest picture of that era of musicians ever taken." |
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Revision as of 01:24, 16 May 2012
Cite error: A <ref> tag is missing the closing </ref> (see the help page).</ref></ref>A Great Day in Harlem or Harlem 1958 is a 1958 black and white group portrait of 57 notable jazz musicians photographed in front of a Brownstone in Harlem, New York City. The photo has remained an important object in the study of the history of jazz.
Art Kane, a freelance photographer working for Esquire magazine, took the picture around 10 a.m. on August 12 in the summer of 1958.[1] The musicians had gathered at 17 east 126th Street, between Fifth and Madison Avenues in Harlem. Esquire published the photo in its January 1959 issue. Kane calls it "the greatest picture of that era of musicians ever taken."
Jean Bach, a radio producer of New York, recounted the story behind it in her 1994 documentary film, A Great Day in Harlem. The film was nominated in 1995 for an Academy Award for Documentary Feature.
The Jazz of the City Atlanta portrait, by photographers Seve "Obasina" Adigun and Gregory Turner, captures on camera in color the next generation of jazz musicians. In April 2007, over 100 jazz musicians surrounded Mayor Shirley Franklin in the Atlanta City Hall Atrium for another historic image mirroring the original.
The photo was also a key object in Steven Spielberg's film, The Terminal. The film starred Tom Hanks as Viktor Navorski, a character who comes to the United States in search of Benny Golson's autograph, with which he can complete his deceased father's collection of autographs from the musicians pictured in the photo.
As of April 2012, only 4 of the musicians are still living. (See starred names in the list below.)
Musicians in the photograph
References
- ^ "Marian McPartland - A Great Day in Harlem". Clarehansson.com. Retrieved 2012-04-12.
- ^ Allmusic Bill Crump biography