Alcázar of Segovia
|Alcázar of Segovia|
|Segovia, Castile and León|
The Alcázar of Segovia (literally, "Segovia Fortress") is a medieval alcázar located in the city of Segovia (Castile and León, Spain), a World Heritage Site by UNESCO. Rising out on a rocky crag above the confluence of two rivers near the Guadarrama mountains, it is one of the most distinctive castle-palaces in Spain by virtue of its shape – like the bow of a ship. The Alcázar was originally built as a fortress but has served as a royal palace, a state prison, a Royal Artillery College and a military academy since then. It is currently used as a museum and a military archives building.
- 1 History
- 2 Description
- 2.1 Tower of John II of Castile
- 2.2 Interior rooms
- 2.2.1 Hall of the Old Palace
- 2.2.2 Hall of the Fireplace
- 2.2.3 Throne Room or that of del Solio
- 2.2.4 Hall of the Galley
- 2.2.5 Hall of las Piñas
- 2.2.6 Royal Chamber
- 2.2.7 Hall of the Kings
- 2.2.8 Room of the Belt
- 2.2.9 Chapel
- 2.2.10 Weapons or Armory Room
- 2.2.11 Museum of the Royal College of Artillery
- 3 In popular culture
- 4 References
- 5 Further reading
- 6 External links
The Alcázar of Segovia, like many fortifications in Spain, started off as Roman fort, but apart from the foundations, little of the original structure remains. A Muslim era fort, which was itself largely replaced by the present structure, was built by the Berber Almoravid dynasty. The first reference to this particular "alcázar" was in 1120, around 32 years after the city of Segovia returned to Christian hands (during the time when King Alfonso VI reconquered lands to the south of the Duero river down to Toledo and beyond).
The shape and form of the Alcázar was not known until the reign of King Alfonso VIII (1155–1214), however early documentation mentioned a wooden stockade fence. It can be concluded that prior to Alfonso VIII's reign, the Muslim era structure was no more than a wooden fort built over the old Roman foundations. Alfonso VIII and his wife, Eleanor of England, made this alcázar their principal residence and much work was carried out to erect the beginnings of the stone fortification we see today.
|UNESCO World Heritage site|
Alcázar of Segovia
|Criteria||Cultural: i, iii, iv|
|Inscription||1985 (9th Session)|
|Buffer zone||401.44 ha|
The Alcázar of Segovia was one of the favorite residences of the monarchs of Castile in the Middle Ages, and a key fortress in the defence of the kingdom. It was during this period that most of the current building was constructed by the Trastámara dynasty.
In 1258, parts of the Alcázar had to be rebuilt by King Alfonso X after a cave-in and the Hall of Kings was built to house Parliament soon after. However, the single largest contributor to the continuing construction of the Alcázar is King John II who built the "New Tower" (John II tower as it is known today).
In 1474, the Alcázar played a major role in the rise of Queen Isabella I. On 12 December news of the King Henry IV's death in Madrid reached Segovia and Isabella immediately took refuge within the walls of the Alcázar where she received the support of Andres Cabrera and Segovia's council. She was enthroned the next day as Queen of Castile and León.
The next major renovation at the Alcázar was conducted by King Philip II after his marriage to Anna of Austria. He added the sharp slate spires to reflect the castles of central Europe. In 1587, architect Francisco de Morar completed the main garden and the School of Honor areas of the castle.
The royal court eventually moved to Madrid and the Alcázar then served as a state prison for almost two centuries before King Charles III founded the Royal Artillery School in 1762. It served this function for almost a hundred years until March 6, 1862 where a fire badly damaged most of the roofs.
It was only in 1882 that the damaged roofs of the building were slowly restored to its original state, thanks to the existence of engravings made by José María Avrial in 1839. In 1896, King Alfonso XIII ordered the Alcázar to be handed over to the Ministry of War as a military college.
The distribution of the castle is divided into two areas: the exterior, with a Herrerian courtyard, moat, drawbridge and the keep, and the interior rooms that include a chapel and several noble rooms (room del Trono, de la Galera, de las Piñas, de los Reyes and others) that can be visited today.
Its plant is very irregular and adapts to the hill on which it rises. Highlights the very beautiful keep, square with four towers, hall covered with pointed barrel and twin windows. It was raised being the king John II of Castile and at first served as a Weapons room.
In the interior, the halls and rooms were decorated with great luxury and beauty by Mudéjar painters and artists is. Currently, it houses an Armory Museum and the General Military Archive of Segovia, the oldest historical archive of the Spanish Armed Forces.
Tower of John II of Castile
The tower of John II of Castile culminates in a large panoramic terrace. From it you can appreciate a great view of the city. Especially the neighborhood of las Canonjías, the cathedral and the Jewish quarter.
The two stairs that have to be saved to reach the top add 156 steps, most of them on a rather narrow and inclined spiral staircase.
When crossing the gate that gives access to the first staircase, notice the considerable thickness of the walls. When the first section ends, you will reach the guard room. Attached to the front wall is the bed where the watchman of the tower probably slept.
Above there are four floors. Its most usual use was as a prison. It was almost impossible to escape from here. Their tenants used to be characters of high condition, reason why they enjoyed certain comforts in their cells such as tapestries, carpets and furniture. The last State prisoner was the Cuban General Dámaso Berenguer in the thirties of the last century.
According to The Illustrated Magazine of Art (1853)
The interior of the Castle of Segovia is in perfect accordance with the magnificence of its exterior. Many apartments are decorated with delicate traceries and pendant ornaments, in the style of the Alhambra, and, like those of the Alcazar of Seville, were executed by Arabian workmen during the Christian dominion of the fourteenth century, for in many places the crowns of the kings of Castille may be seen, surrounded by Latin mottoes [sic] and extracts from the Koran.
Hall of the Old Palace
Its construction corresponds to the reign of Alfonso VIII of Castile. In it the twinned windows that gave light to the palace are conserved, since the wall in which they were was the exterior wall of the old palace. The Mudéjar-style socles located between the windows come from a 13th-century house in the nearby Las Canonjías district. The decoration was completed with a set of German-style armor from the 15th century.
Hall of the Fireplace
Corresponds to the ordination of the fortress in the time of Philip II of Spain. The furniture is from the 16th century. On the walls you can see a portrait of Philip II and another of Philip III, a 16th century Flemish tapestry with the subject of Our Lady's betrothal and a curious representation where you can contemplate the appearance of the Alcázar before the reform of the roofs and where you can also see the Former Cathedral of Segovia that was located in the current square of the Alcázar.
Throne Room or that of del Solio
The portal that communicates with the Hall of the Fireplace conserves intact its original Mudéjar decoration. It covers an armored armor, similar to the one destroyed by the fire, which was carved in 1456. Underneath is a wide plaster frieze that maintains its original decoration despite the ravages of the fire.
The thrones under dossal with the coat of arms of the Catholic Monarchs and its motto "Tanto monta" are works of the beginning of the century. On the walls are the portraits of the kings themselves, who are part of the iconography of kings commissioned by the queen Isabella II of Spain. The portrait of Isabella I of Castile is signed by Madrazo and that of Ferdinand II of Aragon by Montañés.
Hall of the Galley
It receives its name from the old coffered ceiling that had the shape of an inverted ship hull. The room was built by the queen Catherine of Lancaster in 1412, during the minority of her son John II of Castile. The frieze is of Mudéjar plaster with a double inscription: the upper one with a Eucharistic prayer and the lower one with information about the work of the hall.
In the windows are two stained glass windows that represent one Henry III of Castile and his family and the other Henry II of Castile with scenes of the death of Peter I and John II. One of the walls is decorated with a painting depicting the coronation of the queen Isabella I of Castile as queen of Castile and of León in the church of San Miguel of Segovia , work of the mentioned Muñoz de Pablos.
Hall of las Piñas
Its name is due to the decorative motifs of the coffered ceiling. In the frieze can be seen angels carrying the coat of arms of Castile and León. The stained glass window represents Alfonso VII with his daughter Berenguela.
In its walls you can see scenes of the family life of the Catholic Monarchs. The bed has a brocade cover woven in gold.
Hall of the Kings
Philip II of Spain commissioned Hernando de Ávila the design of the statues corresponding to the kings of Asturias, León and Castile; except only that of Joanna the Mad after moving to Royal Palace of Madrid, Spain. One of the paintings in the room is a portrait of Philip II himself and the other two are portraits of two of his wives, Elisabeth of Valois and Anna of Austria.
Room of the Belt
Its name is because it is surrounded by walls, a long golden lace.
There is a chapel in the Room of the Belt from which the king or queen saw the mass.
Weapons or Armory Room
Museum of the Royal College of Artillery
In popular culture
The castle also served as the French home of Sir Lancelot du Lac, Joyous Gard, in the 1967 musical film Camelot.
- Manuel Ossorio y Bernard: Biographical gallery of 19th century Spanish artists, Ramón Moreno press, Madrid, 1868.
- "The Castle of Segovia", The Illustrated Magazine of Art, 1 (2): 96–98, 1853, JSTOR 20537904
- María Dolores Herrero Fernández-Quesada (2005). Isabel la Católica: Homenaje en el V centenario de su muerte. Madrid: Dykinson. p. 68. ISBN 84-9772-667-7.
- Haliczer, Stephen (December 1976), "Political Opposition and Collective Violence in Segovia, 1475–1520", The Journal of Modern History, 48 (4): 1–35, doi:10.1086/241530, JSTOR 1877303
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