|Died||22 December 2008 (aged 76)|
|Education||Apprentice of Roger Lacourière|
|Known for||Intaglio printmaking|
|Awards||Chardin Prize 1953|
Aldo Crommelynck (26 December 1931 – 22 December 2008) was a Belgian master printmaker who made intaglio prints in collaboration with many important European and American artists of the 20th century.
Crommelinck was born in Monaco. His father was the Belgian playwright Fernand Crommelynck (1886–1970) and his mother was Anne Marie Le Tellier (1886–1970). They had four sons: Jean, Aldo, Piero (1934–2001), and Milan. Aldo's older brother, Jean, was a photographer and reporter. Fernand's theatrical masterpiece was Le Cocu magnifique (1920). He also made many black and white drawings of his family and friends.
Aldo's uncle, Albert Crommelynck, was a Belgian painter, set designer, muralist, printmaker, and writer. Albert's son Patrick (1942–1994) and his wife, Taeko Kuwata (1945–1994), formed the classical piano Duo Crommelynck, which was active from 1974 until July 9–10, 1994, when both performers committed suicide.
At age 17, in keeping with his family's artistic tradition, Aldo Crommelynck began an apprenticeship in Paris under the French printmaker Roger Lacourière, who was a family friend. Here, he worked with major artists: Fernand Léger, André Masson, Georges Rouault and Joan Miró. He also assisted Henri Matisse on the aquatint series Visages (1945–52) and formed a close relationship with Pablo Picasso.
In 1955, the Crommelynck brothers, Aldo, Piero and Milan, founded a workshop in Montparnasse. Soon, Atelier Crommelynck began to attract stellar clients; Miró, Le Corbusier, Jean Arp, and Alberto Giacometti came to work in the studio. Picasso left Lacourière for the new shop, on the strength of a single print Crommelynck had made of his 1952 gouache Le crâne de chevre sur la table ('Goat skull on a table'), with the unconventional choice of printing its white with white ink. There Georges Braque created a series of etchings and aquatints titled L'Ordre des Oiseaux (The Order of Birds), which was published in 1962, accompanying poetry by Saint-John Perse.
In 1963, Picasso decided that he needed a printmaker close to his house in the south of France at Mougins. In response, Aldo and Piero Crommelynck set up a studio nearby, where they helped him to create approximately 750 prints. Among these were illustrations for a version of Fernand's Le Cocu magnifique, and the Series 347 (1968), whose erotic images created a furor when they were exhibited simultaneously in Paris and Chicago in 1968. Even though the Art Institute of Chicago withheld 25 of the prints as "unfit for public consumption", it was deluged with complaints. Although this series has gained critical acceptance, it continues to generate controversy.
After Picasso died in 1973, Aldo and Piero Crommelynck returned to Paris, where their atelier attracted the established British artists: Richard Hamilton, David Hockney and Howard Hodgkin, as well as several younger American artists: Jim Dine, Jasper Johns and David Salle. After a falling out in 1986, Aldo opened a second print shop on his own in New York City, in partnership with Pace Prints.
From 1973 to 1976 Crommelynck collaborated closely with Hockney, instructing him in a number of etching techniques, including sugar lift and especially the use of wooden frames in multicolor prints. In culmination in 1976 Hockney created a portfolio of twenty etchings at Atelier Crommelynck called The Blue Guitar: Etchings By David Hockney Who Was Inspired By Wallace Stevens Who Was Inspired By Pablo Picasso. The etchings refer to themes of a poem by Stevens, "The Man With The Blue Guitar". The portfolio was published by Petersburg Press in October 1977. That year, Petersburg also published a book, in which the images were accompanied by the poem's text.
Crommelynck had a close relationship with Dine, who said: "He taught me everything I know about etching", and with whom he collaborated on more than 100 prints. Among these were the 25-print series Nancy Outside in July (1977–81) and many prints derived from Dine's paintings of hearts and bathrobes. In 2007, Dine donated to the Bibliothèque nationale de France a nearly complete set of these prints. From 23 April until 17 June 2007, the Bibliothèque sponsored an exhibition, Aldo et moi, of prints selected from this set, and published a book which includes these images. In 2014 he was the subject of another paired exhibition and publication by the Bibliothèque, "From Picasso to Jasper Johns, the Atelier of Aldo Crommelynck" 8 April - 13 July 2014, and De Picasso à Jasper Johns: L'Atelier d'Also Crommelynck. In the early 1980s, Dine made a series of drawings, prints, and paintings that referred to the ornate iron gate at the entrance to Atelier Crommelynck at 172 rue de Grenelle, Paris. These activities culminated in the creation of a huge painted bronze sculpture, the Crommelynck Gate With Tools. In 2009, after Crommelynck's death, Enitharmon Press published a deluxe edition of Dyne's reminiscences, Talking About Aldo, which includes a signed portrait etching. Two of Crommelynck's etching presses came to the US and are still in use, one at Wingate Studio (Hinsdale, NH), a fine art intaglio printing and publishing studio under the direction of master printer Peter Pettengill and the other at Mixit Print Studio, a professional monoprint/intaglio studio (Somerville MA).
|Georges Braque||L’Ordre des Oiseaux||1962||||book with St. John Perse|
|Jim Dine||Nancy Outside in July||1977–81||||25 aquatints/etchings|
|David Hockney||The Blue Guitar||1973–75||||inspired by Wallace Stevens|
|Jasper Johns||Corpse and Mirror||1973–75|||
|Jasper Johns||“Foirades/Fizzles”||1976||||book with Samuel Beckett|
|Jasper Johns||Land's End||1978–79|||
|Henri Matisse||Visages||1948–52||||apprenticed to Roger Lacourière|
|Pablo Picasso||Le Cocu magnifique||1966||||to illustrate Fernand's play|
|Pablo Picasso||Series 60||1966–68|||
|Pablo Picasso||347 Series||1968||||erotic images|
|Pablo Picasso||Series 156||1970–72|||
- Grimes, William (29 January 2009). "Aldo Crommelynck, Master Printer for Prominent Artists, Is Dead at 77". The New York Times.
- Bellet, Harry (7 January 2009). "Aldo Crommelynck, maître graveur". Le Monde. Retrieved 30 January 2009.
- "Fernand Crommelynck, Anna Letellier et son fils Jean". Archives & Musee de la Literature. 1926. Retrieved 11 June 2012.
- "Eighth Generation of Crommelyncks". users.telenet.be. Retrieved 11 June 2012.
- Piette, Alain; Cardullo, Bert (1997). The Crommelynck Mystery: The Life and Work of a Belgian Playwright. Susquehanna University Press. p. 10. ISBN 9781575910031. Retrieved 13 June 2012.
- Crommelynck, Fernand (1910). "La Famille Crommelynck à l'exposition de 1910 (aquarelle)". Archives & Musee de la Literature. Retrieved 11 June 2012.
- "Lacourière, Roger 1892–1966". WorldCat Identities. Retrieved 11 June 2012.
- Matisse, Henri (1951). "Trois tetes (Aquatint)". Metropolitan Museum of Art; Roger Lacourière. Retrieved 11 June 2012.
- Hurwitz, Laurie. "Aldo Crommelynck: Master and Midwife," Art in Print, Vol. 4, No. 2 (July–August 2014).
- Mellby, Julie L. (30 November 2011). "L'ordre des oiseaux". Highlights from the Graphic Arts Collection, Princeton University Libra. Retrieved 27 May 2012.
- Crommelynck, Fernand (1966). "Le Cocu magnifique". Museum of Modern Art; Atelier Crommelynck. Retrieved 13 June 2012.
- "Obituary of Aldo Crommelynck". The Telegraph. 30 January 2009. Retrieved 18 June 2012.
- Castleman, Riva (14 October 1970). "Picasso: Master Printmaker Opens at Museum of Modern Art" (PDF). Museum of Modern Art. Retrieved 19 June 2012.
- "The Russian Church Condemns the Erotic Exhibition of Picasso 'Suite 347". The Delta World. 6 April 2012. Retrieved 17 June 2012.
- Beaumont-Jones, Julia. "The Rake's Progress," Art in Print, Vol. 4 No. 4 (November–December 2014).
- [dead link] Hockney, David (1976–1977). "The Old Guitarist' From The Blue Guitar". British Council; Visual Arts. Petersburg Press. Archived from the original on 15 December 2013. Retrieved 20 June 2012.
- Hockney, David; Stevens, Wallace (1 January 1977). The Blue Guitar: Etchings by David Hockney Who Was Inspired by Wallace Stevens Who Was Inspired by Pablo Picasso. Petersburg Ltd. ISBN 978-0902825031. Retrieved 20 June 2012.
- [dead link] "Nancy Outside in July". Phillips du Pury & Company. Pace Editions, Inc. 2 June 2009. Archived from the original on 31 January 2013. Retrieved 11 June 2012.
- Darmois, Marie-Noele (24 April – 17 June 2007). "Jim Dine: Aldo and Me, Prints Engraved and Printed with Aldo Crommelynck" (in French). Bibliothèque nationale de France. Archived from the original on 6 March 2016. Retrieved 20 June 2012.
- Dine, Jim (30 October 2008). Aldo et moi. Steidl. ISBN 978-3865214614. Retrieved 20 June 2012.
- Creeley, Robert (14 January 1988). "The Collected Essays of Robert Creeley". University of California Press. Retrieved 20 June 2012.
- "The Crommelynck Gate with Tools". Metropolitan Museum of Art. 1983. Retrieved 20 June 2012.
- Dine, Jim; Livingstone, Marco (2009). Talking About Aldo (Deluxe ed.). New York: Enitharmon Press. p. 75. Archived from the original on 11 March 2012. Retrieved 20 June 2012.
- Johns, Jasper (1975–1976). "Corpse and Mirror". British Museum; Petersburg Press. Retrieved 18 June 2012.
- Tranter, Rhys (August 2009). "Rare Edition of Beckett's Foirades/Fizzles". A Piece of Monologue. Archived from the original on 24 April 2015. Retrieved 28 May 2012.
- Johns, Jasper (1979). "Land's End". Walker Art Center; Petersburg Press. Archived from the original on 16 April 2013. Retrieved 18 June 2012.
- Picasso, Pablo. "Pablo Picasso: Etchings 1966–1971". Landau Traveling Exhibitions. Retrieved 17 June 2012.
- Picasso, Pablo (1968). "Variations and Themes: Series 347". Museum of Modern Art. Retrieved 17 June 2012.
- Picasso, Pablo (1970). "Ecce Homo, After Rembrandt from Suite 156". Museum of Modern Art. Retrieved 17 June 2012.