Angry black woman

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The angry black woman stereotype is a trope in American society that portrays black women as sassy, ill-mannered, and ill-tempered by nature. Related concepts are the "sapphire" or "sassy black woman".

The stereotype has not been studied to the same degree as the mammy and Jezebel archetypes.[citation needed] Some scholars, e.g. Dionne Bennett and Marcyliena Morgan, suggest that the stereotype is less studied because researchers accept it as true.[1][unreliable source?][2]

In Mammy, Sapphire, Jezebel, and the Bad Girls of Reality Television Media Representations of Black Women, Carolyn West defines the Angry Black Woman as one variety of a Sapphire stereotype (another category listed is "Sistas with Attitude").

West defines the pervasive "Sapphire/ABW image" as "a template for portraying almost all Black women" and as serving several purposes. West sees it as "passion and righteous indignation... often misread as irrational anger... used to silence and shame Black women who dare to challenge social inequalities, complain about their circumstances, or demand fair treatment (Harris-Perry, 2011).[3][4]

Defined by Pilgrim (2015), "it is a social control mechanism that is employed to punish black women who violate the societal norms that encourage them to be passive, servile, nonthreatening, and unseen" (p. 121).[5][6]

Sapphire stereotype as source[edit]

From the 1800s through the mid-1900s, Black women in media were portrayed as “Sassy Mammies” who aggressively ran their own homes and defied societal norms. During the era of the Jim Crow laws, when it was a crime for Blacks to argue with White people, Black women were given a leeway to sassiness, which was not only supposed to represent their acceptance into White families as “mammies,” but also a way to overlook that the cultural generalization of Black women is a corollary and overly oppressive factor of slavery and segregation. The mammy stereotype portrays Black women as not only offering help to the White families but it also showcases Black women with anger and masculinity. The trope of the angry Black woman purposely punishes Black women who fail to conform to societal norms of being the opposite of how they portrayed in the media.

The Sapphire is an insulting term that is also known as the most dominant portrayals of Black women. The angry black woman trope arises from the sapphire stereotype,[citation needed] which claimed that enslaved Black women were aggressive, dominant, and masculine: "In antebellum America, the female slaves' chattel status, sex, and race combined to create a complicated set of myths about Black women."[7] Black women are perceived as malicious, stubborn, overbearing, unnecessarily loud and violent with African American men as their major targets as they mock these men for their many offenses that range from being broke and unemployed to sexually pursuing White or other women.

Negative caricatures of black women historically justified their exploitation. The sapphire archetype painted enslaved women as impure, strong, masculine, dominant, and aggressive women, who drove their children and partners away.[7] It is a term used to describe Black women who experience disappointment, displeasure, bitterness or rage because of her significant other, or black women in general who show emotion in any situation. The Sapphire stereotype was introduced by the airing of the Amos ‘n’ Andy radio show which was produced by two White male actors. The content of the show focused heavily on belittling Black men and how Black women treat their husbands for being lazy and unemployed.

Perpetuation and reproduction of the myth[edit]

With roots in slavery, the sapphire archetype was further replicated in films, shows, and literature by the early 1930s. Through these media and social platforms the stereotype was cultivated and sustained. Black women were perceived to be too expressive, more opinionated, harsh, have bad attitudes, loud, and generally negative and rude in nature. The 1930s radio show Amos 'n' Andy was particularly one of the first media outlets that reinforced the stereotype. In this production two white men voiced Black characters. Among those characters were Black women. The narrative of anger, assertiveness, and frequent emasculation was echoed with characters such as Aunt Esther from Sanford and Son and Pam from Martin.

Relationships to other stereotypes[edit]

The sapphire archetype coincides with the mammy and Jezebel. All three of these archetypes uphold the angry black woman myth, but in different ways. In these archetypes, black women were characterized as caregivers, submissive, dependent on men, promiscuous, aggressive and arrogant.[7] The reproduction of these archetypes in popular culture legitimized the dehumanization of black women. Gender Studies professor [Deborah Gray White] writes, "slave women understood the value of silence and secrecy... like all who are dependent upon the caprices of a master, they hide their real sentiments and turn toward him changeless smile or enigmatic passivity".[7] In other words, slavery shaped how enslaved women expressed or suppressed their anger.

Black feminist response[edit]

The angry black woman myth also shapes how others read and interpret the actions of Black women. There are various sources, platforms, and mediums that Black women use to shed light on the impact of the myth. A number of Black women provide insight on how the myth is reinforced in the media, social spaces, and interpersonal interactions. Furthermore, Black women, whether if it's through activism, academia, art, dance, or writing validate, affirm their rage. Through such activism and discourse, black women have opened many conversations regarding the dismissal and scrutiny of their emotions.[8]

Black feminists have discredited the trope of the angry black woman and recognize the validity in a black woman's anger. The response is that there should be a more accurate representation of black women in the media overall. Black women being angry does exist, as it exists with any category of people, but as a response to this trope, black feminists believe that the nuances and other experiences black women face that are not necessarily negative should be depicted in the media as well.[9]

Portrayals in the media[edit]

The aftermath of slavery not only resulted in many social, economic and political effects but also led to the delineation of negative racial stereotypes in the portrayal of black women in media. The industry sometimes showed the stereotypical ideas of black women from mammies to sapphires, portraying black women as people who are unnecessarily aggressive and obnoxious.

Feminists believe that this is still extremely prevalant today, while non-feminists assert that there is a wide variety of black characters in all forms of media today, including both stereotypes and stereotype-free characters. Both groups do note that the "angry black woman" is one of the types of characters that is sometimes portrayed.

Examples of modern movies containing one or more "angry black woman" character include the Medea series of movies, the TV show Empire, and others:

Public health[edit]

In regards to culturally relevant practice during mental health treatment, Ashley W, author of The angry black woman: the impact of pejorative stereotypes on psychotherapy with black women. describes "the myth of the angry Black woman that characterizes these women as aggressive, ill tempered, illogical, overbearing, hostile, and ignorant without provocation" as a negative stereotype that victimizes black women.[12]

See also[edit]

References[edit]

  1. ^ Kelley, Blair L. M. (September 25, 2014). "Here's Some History Behind That 'Angry Black Woman' Riff the NY Times Tossed Around". The Root. Archived from the original on 2015-01-21. Retrieved 2015-01-24.
  2. ^ Harris-Perry, Melissa V. (2011). Sister Citizen: Shame, Stereotypes, and Black Women in America. New Haven, Conn.: Yale University Press. pp. 88–89. ISBN 0-300-16554-4.
  3. ^ (PDF) http://www.drcarolynwest.com/publications/2017-Jezbel-and-the-bad.pdf. Missing or empty |title= (help)
  4. ^ [Harris-Perry, M. V. (2011). Sister citizen: Shame, stereotypes, and Black women in America. New Haven, CT: Yale University Press. Harris-Perry, M. V. (2011). Sister citizen: Shame, stereotypes, and Black women in America. New Haven, CT: Yale University Press.] Check |url= value (help). Missing or empty |title= (help)
  5. ^ [Pilgrim, D. (2015). Understanding Jim Crow: Using racist memorabilia to teach tolerance and promote social justice. Oakland, CA: Ferris State University and PM Press Pilgrim, D. (2015). Understanding Jim Crow: Using racist memorabilia to teach tolerance and promote social justice. Oakland, CA: Ferris State University and PM Press] Check |url= value (help). Missing or empty |title= (help)
  6. ^ (PDF) http://www.drcarolynwest.com/publications/2017-Jezbel-and-the-bad.pdf. Missing or empty |title= (help)
  7. ^ a b c d Gray White, Deborah. Ar'n't I a Woman: Female Slaves in the Plantation South (1985). New York and London: W.W. Norton and Co., 1999.
  8. ^ Walley-Jean, J. Celeste (Fall 2009). "Debunking the Myth of the "Angry Black Woman": An Exploration of Anger in Young African American Women". Black Women, Gender + Families. 3: 68–86.
  9. ^ Freeman, Macy (2017-10-27). "Reality TV gives the 'angry black woman' a bad name. Sometimes anger is a good thing". Washington Post. Archived from the original on 2018-11-07. Retrieved 2018-12-11.
  10. ^ a b Naeemah Clark (November 10, 2013). "Find real African American women in a beauty salon, not on reality TV". Greensboro News & Record.
  11. ^ Kretsedemas, Philip (2010). "'But She's Not Black!': Viewer Interpretations of 'Angry Black Women' on Prime Time TV". Journal of African American Studies. 14 (2): 149–170. JSTOR 41819243.
  12. ^ Ashley, Wendy (4 November 2013). "The Angry Black Woman: The Impact of Pejorative Stereotypes on Psychotherapy with Black Women". Social Work in Public Health. 29 (1): 27–34. doi:10.1080/19371918.2011.619449. PMID 24188294.

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