Anna (2019 film)

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Anna film poster.jpg
Theatrical release poster
Directed byLuc Besson
Produced by
  • Luc Besson
  • Marc Shmuger
Written byLuc Besson
Music byEric Serra
CinematographyThierry Arbogast
Edited byJulien Rey
Distributed by
Release date
  • 21 June 2019 (2019-06-21) (United States)
  • 10 July 2019 (2019-07-10) (France)
Running time
118 minutes[1]
Budget$30 million[2]
Box office$28.4 million[3]

Anna (stylized as ANИA) is a 2019 English-language French action thriller film written, produced and directed by Luc Besson. The film stars Sasha Luss as the eponymous assassin, alongside Luke Evans, Cillian Murphy, Helen Mirren and Alexander Petrov (in his debut English-language role).

The film was theatrically released in the United States on 21 June 2019 by Summit Entertainment and on 10 July 2019 by Pathé in France. It received mixed reviews from critics and grossed $28 million worldwide.


Anna, a beautiful woman who has been the victim of domestic abuse, sees no point in continuing her life. In a turning point of her life, she reluctantly accepts an offer by KGB officer Alex. After a year of training, she is to work as a KGB assassin for five years under a handler named Olga, after which she will be free to continue her life as she pleases. KGB head Vassiliev is not willing to honor this agreement, implying that the only way out of the KGB is death.

She goes undercover as a fashion model and is hired to work in Paris. At the same time she completes various missions and assassinations. When she is found out by the CIA she agrees to work for them as a double agent with Agent Miller as her handler, in exchange for the promise of immediate retirement and a protected life in Hawaii. Miller later tasks her with assassinating Vassiliev, with the CIA hoping that his absence would lead to smoother relations with the KGB. Anna kills Vassiliev and fights her way out of the KGB. She later arranges a meet with Alex and Miller, bartering information she stole from the two agencies in exchange for a six month reprieve. As she is leaving, she is ambushed by Olga and fatally shot for her betrayal.

It is revealed that Olga had earlier discovered Anna's association with the CIA and the planned assassination of Vassiliev. Both women conspired to go along with the CIA's plan so that Olga could succeed Vassiliev and later faked Anna's execution to fool both agencies and set Anna free. Olga views a recorded message left for her by Anna, who expresses her gratitude to Olga but reveals she kept evidence of Olga's involvement in Vassiliev's murder in case Olga betrays her.



On 9 October 2017, it was reported that Luc Besson's next film would be Anna, starring newcomer Sasha Luss, along with Helen Mirren, Luke Evans, and Cillian Murphy. EuropaCorp produced the film while Lionsgate handled the distribution under their Summit Entertainment label.[4]

Principal photography on the film began in early November 2017.[5][6]


Summit Entertainment released the original soundtrack composed by Eric Sierra on July 19, 2019.[7] The film also features additional music not included in the soundtrack.[8]


The film was released in the United States on 21 June 2019.[9]

Home media[edit]

Anna is scheduled to be released on Digital HD on September 10, 2019 and on DVD, Bluray, and 4K Ultra HD on September 24, 2019. [10]


Box office[edit]

Anna grossed $7.7 million in the United States and Canada, and $19.3 million in other territories, for a worldwide total of $27 million.[3]

In the United States and Canada, the film opened alongside Child's Play and Toy Story 4, and was expected to gross $2–4 million from 2,150 theaters in its opening weekend.[2] It made $1.4 million on its first day, including $325,000 from Thursday night previews. It went on to debut to $3.5 million, finishing 11th at the box office.[11][12]

Critical response[edit]

On Rotten Tomatoes, the film holds an approval rating of 24% based on 49 reviews, with an average rating of 4.56/10. The site's critical consensus reads, "Anna finds writer-director Luc Besson squarely in his wheelhouse, but fans of this variety of stylized action have seen it all done before -- and better."[13] Metacritic, which uses a weighted average, assigned the film a score of 40 out of 100, based on 14 critics, indicating "mixed or average reviews."[14] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale, while those at PostTrak gave it an overall positive score of 81% (with an average 4 out of 5 stars).[11]

Peter Debruge of Variety wrote, "Anna shows that Besson is the same filmmaker now that he was 20 years ago, and unlike his title character, who lithely adapts to whatever situation she's in, he's been telling roughly the same story over and over all this time."[15] Brad Wheeler of 'The Globe and Mail called the film "a near-parody non-thriller" and was critical of the story structure: "Anna relies on a time-shifting structure that is laughably exhausting."[16] Movie Nation critic Roger Moore gave the film 1.5 out of 4 stars, and wrote: "There are a lot of irritants and clumsy touches to Besson’s latest, infuriatingly inferior version of “La Femme Nikita” that ruin it." Moore is annoyed by historical anachronisms, criticizes the "pointless flashbacks", the cartoon physics of the fight scenes, and says Luss "handles the action choreography with skill and emotes better than your average model turned actress" and concludes that Besson has outsmarted himself.[17]

Noel Murray of the Los Angeles Times praised the film, "As a slick, over-the-top action picture, Anna works splendidly." but says the film is overshadowed by Besson's offscreen personal issues.[18] David Fear of Rolling Stone stated, "This kind of Cold War-a-go-go, deadly-honeypot intrigue is harder to do well than you might think — just ask the folks behind Red Sparrow. So you appreciate it when someone like Besson can make it move like a pro. And despite constantly playing fast and loose with the chronology [...], he delivers a sleek, largely efficient mechanism of adrenaline-soaked déjà vu."[19] Bilge Ebiri of the The New York Times wrote: "Anna isn’t as stylish or gripping as “Nikita,” but it does have its own demented charm, particularly in how it toys with structure, nesting competing narrative timelines within each other. "[20]


  1. ^ "Anna". Lionsgate Publicity. Retrieved 11 May 2019.
  2. ^ a b D'Alessandro, Anthony; Tartaglione, Nancy (18 June 2019). "'Toy Story 4' Will Cure Summer Sequelitis With $260M Global Infinity-And-Beyond Bow". Deadline Hollywood. Retrieved 18 June 2019.
  3. ^ a b "Anna (2019)". Box Office Mojo. IMDb. Retrieved 8 September 2019.
  4. ^ a b c d e f Keslassy, Justin Kroll,Elsa (9 October 2017). "Luc Besson Sets Next Film Anna With Helen Mirren, Luke Evans (EXCLUSIVE)". Variety. Retrieved 7 November 2017.
  5. ^ "Luc Besson Debuts the First Anna Photo from the Set". 5 November 2017. Retrieved 7 November 2017.
  6. ^ "'When Nikita meets Leon': Luke Besson starts filming 'Anna'". The Malay Mail Online. 7 November 2017. Retrieved 7 November 2017.
  7. ^ "Anna (Original Motion Picture Soundtrack)". iTunes. Retrieved 18 September 2019.
  8. ^ "Anna (2019) Soundtrack". Retrieved 18 September 2019.
  9. ^ McClintock, Pamela (10 April 2019). "Lionsgate Dates Luc Besson's 'Anna' for High-Profile Summer Release". The Hollywood Reporter. Retrieved 10 April 2019.
  10. ^ McCrae, Phil (27 August 2019). "Anna Release Date". DVDs Release Dates. Retrieved 27 August 2019.
  11. ^ a b D'Alessandro, Anthony (23 June 2019). "'Toy Story 4': Disney Leaves Money On The Table Stateside With $118M Debut, But Grabs $238M Global Opening Record For Animated Pic". Deadline Hollywood. Retrieved 24 June 2019.
  12. ^ Keslassy, Elsa (25 July 2019). "Luc Besson's 'Anna' Flops at French Box Office, Adding to Pressure on EuropaCorp". Variety.
  13. ^ "Anna (2019)". Rotten Tomatoes. Fandango Media. Retrieved 27 July 2019.
  14. ^ "Anna (2019) Reviews". Metacritic. CBS Interactive. Retrieved 27 June 2019.
  15. ^ Debruge, Peter (21 June 2019). "'Anna' Review: Sasha Luss's Big Shot Overshadowed by Controversy". Variety. Retrieved 23 June 2019.
  16. ^ Brad Wheeler (20 June 2019). "Review: Luc Besson's spy slop Anna shows the true mark of an unprofessional". The Globe and Mail. Toronto. Archived from the original on 21 June 2019.
  17. ^ Roger Moore (21 June 2019). "Movie Review: "Anna" is merely the latest "La Femme Nikita"". Movie Nation.
  18. ^ "Review: Luc Besson's slick, over-the-top 'Anna' is overshadowed by its creator's issues". Los Angeles Times. 21 June 2019.
  19. ^ Fear, David (21 June 2019). "'Anna' Review: A Girl, Some Guns and a Recycled Plot". Rolling Stone.
  20. ^ Ebiri, Bilge (21 June 2019). "'Anna' Review: a Curiously Familiar Female Assassin". The New York Times.

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