Anon (film)

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

Anon
Anon.png
Theatrical release poster
Directed byAndrew Niccol
Written byAndrew Niccol
Produced by
  • Daniel Baur
  • Andrew Niccol
  • Oliver Simon
Starring
CinematographyAmir Mokri
Edited byÁlex Rodríguez
Music byChristophe Beck
Production
companies
Distributed byAltitude Film Distribution
Release dates
  • 4 May 2018 (2018-05-04) (Netflix)
  • 11 May 2018 (2018-05-11) (United Kingdom)
Running time
100 minutes[1]
CountryUnited Kingdom
LanguageEnglish

Anon is a 2018 British-American[2][3][4] science fiction thriller film written and directed by Andrew Niccol, and financed by Sky Cinema Original Films.[5] The film stars Clive Owen and Amanda Seyfried, with Colm Feore, Mark O'Brien, Sonya Walger, Joe Pingue, and Iddo Goldberg appearing in supporting roles. Set in a futuristic world where privacy and anonymity no longer exist, the plot follows a troubled detective (Owen) who comes across a young woman (Seyfried) who has evaded the government's transparency system. The film was released internationally as a "Netflix Original" on the streaming service, from 4 May 2018, whilst in the United Kingdom and Ireland, the film was released in cinemas by Altitude Film Distribution and through on-demand by Sky Cinema on 11 May 2018.

Plot[edit]

In the near future, humanity lives in a technologically advanced, dystopian society. The government requires that everyone receive an ocular implant that records everything they see. The implant provides an augmented-reality heads-up display to the user with information about anyone and anything they may see, as well as recording the user's view. Investigations into crimes amount to detectives reviewing video and assessing whether an alleged perpetrator is innocent or guilty.

One day, Sal Friedland (Owen), a detective with the metropolitan police force, crosses paths with a young woman (Seyfried) who appears to trigger a glitch in his ocular implant, as no data about her is retrieved. When he reviews his own record of that day, he finds that every single frame of her has been mysteriously deleted. At work, Sal is handed several homicide cases where the victims' own visual records of their deaths are replaced with the killer's point of view, thus hiding the killer's identity. At another murder scene, Sal chases the apparent killer only to nearly be killed when they hack his implant and change what he sees in real time.

It is discovered that all the victims hired someone with the expertise to delete pieces of their visual records that were either humiliating or incriminating. The detectives determine that the unknown woman Sal encountered earlier has the ability to manipulate the system in this way, making her their primary suspect. Sal goes undercover, creating a false history as a stockbroker who engages in a brief affair with a prostitute. Using this as the pretext for her services, he makes contact with the woman - who uses the handle 'Anon' - and asks to have his encounter with the prostitute deleted. With his team on standby in the adjacent apartment, the initial plan to apprehend Anon fails when she successfully covers her tracks.

Sal and Anon develop a personal relationship which culminates in passionate lovemaking. During a second sting attempt, she discovers Sal's true identity and flees, apparently killing one of Sal’s colleagues in the process. Anon begins to harass Sal for his betrayal, tormenting him with his worst memories, deleting his memories of his dead son, and causing further hallucinations. His superiors confront him after his neighbor turns up dead with a bullet from Sal's gun in him; they reject his explanation and order him off the case.

Despite being under house arrest, Sal tracks Anon to her apartment and tells her that she’s being investigated for multiple murders. She reveals that she already knows this and that she’s being framed by another hacker with a similar skillset. Anon shows Sal her video record of the second sting operation, in which his colleague was killed, seeming to prove that she is innocent. After showing Sal her records, she flees again.

Believing Sal has become too personally involved, his superiors suspend him from active duty. The actual killer attempts to murder him in his apartment, revealing himself to be Cyrus (O’Brien), one of the technical experts from the police department. Cyrus has been obsessed with Anon for years; he killed anyone who had had sex with her out of jealousy and erased every trace of her, even peoples' memories. During a physical altercation between Cyrus and Anon, Sal draws his weapon but realizes that Cyrus is seeing what he sees in real-time. To defeat this advantage, Sal fires blindly towards Cyrus, successfully killing him.

Anon leaves, later revealing to Sal that she’s able to bypass the vast surveillance network by disseminating her records in microsecond slices throughout everyone else in the network, rendering her untraceable. When Sal asks her why she is so desperate to hide her identity, she tells him that her quest for anonymity isn't because she has something to hide, but merely because she doesn't want to share herself with the world.

Cast[edit]

Production[edit]

On 28 January 2016, Clive Owen was cast in the film to play the role of a detective in a world without privacy.[6] On 8 March 2016, Amanda Seyfried came on board to star in the film, playing a woman with no digital footprint who is invisible to the police.[7]

Principal photography on the film began in early September 2016 in New York City, while other scenes were shot in Toronto,[8] with many shots being filmed at the University of Toronto Scarborough.[9]

Reception[edit]

On review aggregator website Rotten Tomatoes, the film holds an approval rating of 37% based on 49 reviews, and an average rating of 5.3/10. The website's critical consensus reads, "Lacking enough depth to fulfill its evident ambitions or enough excitement to work as a sci-fi action thriller, Anon lives down to its title in the most glumly predictable ways."[10] On Metacritic, the film has a weighted average score of 54 out of 100, based on 11 critics, indicating "mixed or average reviews".[11]

On RogerEbert.com, Nick Allen gave the film 2.5 stars out of 4, saying that as Niccol's film lays out its sci-fi rules, "Anon can be as much as fun as listening to someone explain every single rule of a board game, when all you want is to just start playing."[12] Peter Bradshaw of The Guardian gave the film 2 stars out of 5, saying: "The impact of the action is lost because we can't be sure of the status of what appears to be happening, and there is something a little bit boring about the conundrum."[13] Stephen Dalton of The Hollywood Reporter wrote, "Niccol's paranoid anxieties about the totalitarian dangers of cyberspace feel oddly glib and dated, light on thrills or narrative logic."[14] Blake Goble of Consequence of Sound gave the film a "B" grade, saying: "While the film's final thesis is a Facebook post with typos at best (delete your accounts, and so on), Niccol is still terrific when he's breaking down rules, questioning protocol, and testing new ideas."[15] James Dyer of Empire gave the film 3 stars out of 5, saying: "With a story that serves mainly as delivery mechanism for its message this is no [The] Truman Show or Gattaca, but comfortably more coherent than In Time and buoyed by its chilling relevance."[16]

References[edit]

  1. ^ "ANON (15)". British Board of Film Classification. 1 May 2018. Retrieved 11 May 2018.
  2. ^ Shepherd, Jack (25 January 2018). "Sky to start making its own movies". The Independent. Retrieved 12 May 2018.
  3. ^ McDonald, Andrew (25 January 2018). "Sky moves into original films in latest content push". Digital TV Europe. Informa. Retrieved 14 May 2018.
  4. ^ Admin (8 May 2018). "Sky Cinema Original Film 'ANON' gets a brand new clip". The Arts Shelf. Retrieved 12 May 2018.
  5. ^ Travis, Ben (25 January 2018). "Sky Confirms Plans to Create and Release Original Films". Empire. Retrieved 14 May 2018.
  6. ^ Barraclough, Leo (28 January 2016). "Clive Owen Boards Andrew Niccol's Sci-fi Thriller 'Anon'". Variety. Penske Business Media. Retrieved 6 September 2016.
  7. ^ Rosser, Michael (8 March 2016). "Amanda Seyfried joins Andrew Niccol sci-fi 'Anon' with Clive Owen". Screen Daily. Screen International. Retrieved 8 March 2016.
  8. ^ CS (4 September 2016). "Clive Owen and Amanda Seyfried Photos from the Anon Set". ComingSoon.net. Mandatory. Retrieved 6 September 2016.
  9. ^ Quijano, Bianca (9 September 2016). "Filmmakers find UTSC "perfect for production"". University of Toronto Scarborough. Retrieved 30 July 2018.
  10. ^ "Anon (2018)". Rotten Tomatoes. Fandango. Retrieved 10 October 2021.
  11. ^ "Anon Reviews". Metacritic. CBS Interactive. Retrieved 15 May 2018.
  12. ^ Allen, Nick (5 May 2018). "Anon". RogerEbert.com. Ebert Digital LLC. Retrieved 25 May 2018.
  13. ^ Bradshaw, Peter (4 May 2018). "Anon review – Andrew Niccol's killer-hacker thriller suffers from identity theft". The Guardian. Retrieved 11 January 2019.
  14. ^ Dalton, Stephen (3 May 2018). "'Anon': Film Review". The Hollywood Reporter. Retrieved 11 January 2019.
  15. ^ Goble, Blake (6 May 2018). "Film Review: Anon Sends a Detective Into a Waking Nightmare in the Neo-Near Future". Consequence of Sound. Retrieved 11 January 2019.
  16. ^ Dyer, James (8 May 2018). "Anon Review". Empire. Retrieved 11 January 2019.

External links[edit]