Czechoslovak New Wave
|Major figures||Štefan Uher, Miloš Forman, Jiří Menzel, Věra Chytilová, Ivan Passer, Jan Němec, Jaromil Jireš|
|Influences||Devětsil, political liberalization of Czechoslovakia leading up to the Prague Spring|
The Czechoslovak New Wave (also Czech New Wave) is a term used for the 1960s films of Czech directors Miloš Forman, František Vláčil, Věra Chytilová, Ivan Passer, Pavel Juráček, Jaroslav Papoušek, Jiří Menzel, Jan Němec, Jaromil Jireš, Vojtěch Jasný, Evald Schorm, Elmar Klos and Slovak directors Dušan Hanák, Juraj Herz, Juraj Jakubisko, Štefan Uher, Ján Kadár, Elo Havetta and others. The quality and openness of the films led the genre to be called the Czechoslovak film miracle.
Trademarks of the movement are long unscripted dialogues, dark and absurd humour, and the casting of non-professional actors. The films touched on themes which for earlier film makers in the communist countries had rarely managed to avoid the objections of the censor, such as the misguided youths of Czechoslovak society portrayed in Miloš Forman's Black Peter (Czech: Černý Petr 1963) and Loves of a Blonde (Lásky jedné plavovlásky 1965), or those caught in a surrealistic whirlwind in Věra Chytilová's Daisies (Sedmikrásky 1966) and Jaromil Jireš' Valerie and Her Week of Wonders (Valerie a týden divů 1970).
The Czechoslovak New Wave differed from the French New Wave in that it usually held stronger narratives, and as these directors were the children of a nationalized film industry, they had greater access to studios and state funding. They also tended to present films taken from Czech literature, including Jaromil Jireš' adaptation of Milan Kundera's anti-Communist novel The Joke (Žert 1969). At the Fourth Congress of the Czechoslovak Writers Union in 1967, Milan Kundera himself described this wave of national cinema as an important part of the history of Czechoslovak literature. Forman's The Firemen's Ball (Hoří, má panenko 1967), another major film of the era, remains a cult film more than four decades after its release.
The majority of films shot during the New Wave were Czech-language as opposed to Slovak. Many directors came from the prestigious FAMU, located in Prague, while the state-run Barrandov Studios were located just on the outskirts of Prague. Some prominent Czech directors included Miloš Forman, who directed The Firemen's Ball, Black Peter, and Loves of a Blonde during this time, Věra Chytilová who is best known for her film Daisies , and Jiří Menzel, whose film Closely Watched Trains (Ostře sledované vlaky 1966) won an Academy Award for Best Foreign Language Film. 
The Shop on Main Street (Obchod na korze 1965) directed by Ján Kadár and Elmar Klos won the Academy Award for Best Foreign Language Film in 1966.  It takes place in Slovakia during World War II and tells the story of a poor Slovak man named Anton "Tono" Brtko who is given a job by the local fascist regime to be the "Aryan owner" of a button shop run by an elderly Jewish woman.
Key works of the Czechoslovak New Wave
- The Sun in a Net by Štefan Uher (1962)
- Something Different by Věra Chytilová (1963)
- Black Peter by Miloš Forman (1963)
- Ikarie XB-1 by Jindřich Polák and screenwriter Pavel Juráček (1963)
- The Cassandra Cat by Vojtěch Jasný (1963)
- The Fifth Horseman is Fear by Zbynek Brynych (1964)
- Diamonds of the Night by Jan Nemec (1964)
- Loves of a Blonde by Miloš Forman (1965)
- The Shop on Main Street by Ján Kadár and Elmar Klos (1965)
- Pearls of the Deep by Jiří Menzel, Jan Němec, Evald Schorm, Věra Chytilová, Jaromil Jireš (1966)
- Closely Watched Trains by Jiří Menzel (1966)
- Daisies by Věra Chytilová (1966)
- The Firemen's Ball by Miloš Forman (1967)
- Deserters and Pilgrims (aka The Deserter and the Nomads) by Juraj Jakubisko (1968)
- The Joke by Jaromil Jireš (1968)
- All My Compatriots by Vojtěch Jasný (1968)
- The Gala in the Botanical Garden by Elo Havetta (1969)
- The Cremator by Juraj Herz (1969)
- Birds, Orphans and Fools by Juraj Jakubisko (1969)
- Behold Homolka by Jaroslav Papoušek (1969)
- Case for a Rookie Hangman by Pavel Juráček (1970)
- Valerie and Her Week of Wonders by Jaromil Jireš (1970)
- The Murder of Mr. Devil by Ester Krumbachová (1970)
- Morgiana by Juraj Herz (1972)
- Barrandov Studios
- Cinema of the Czech Republic
- List of Czech films
- Czechoslovakia 1968-Oscar-winning 1968 US documentary short about The Prague Spring
- The Unbearable Lightness of Being (film)-1988 Philip Kaufman film adaptation of the Milan Kundera novel about 1968 uprising.
- Cook 1996: 706
- DVD of the Week: "Daisies"-The New Yorker
- "Closely Watched Trains" Wins Foreign Language Film: 1968 Oscars-YouTube
- "The Shop on Main Street" Wins Foreign Language Film: 1966 Oscars-YouTube
- Jasmine Pogue, "Štefan Uher: The Sun in a Net (Slnko v sieti) 1963."
- Alex Golden, "Štefan Uher: The Sun in a Net (Slnko v sieti) 1963."
- Jana Dudková, "Elo Havetta: The Gala in the Botanical Garden (Slávnosť v botanickej záhrade), 1968."
- The Best Czechoslovak New Wave Movies of All Time-Flickchart
- 10 Essential Films From The Czech New Wave « Taste of Cinema
- The Power of the Powerless: Five Banned Films from the Czechoslovak New Wave-Film Society of Lincoln Center
- Cook, David (1996). A History of Narrative Film.
- Hames, Peter: The Czechoslovak New Wave (Berkeley, Los Angeles, London 1985)
- Škvorecký, Josef: All The Bright Young Man and Women: A Personal History of the Czech Cinema (Toronto 1971)
- Jan Němec: Enfant Terrible of the Czech New Wave by Peter Hames, May 14, 2001
- Slovak Cinema Strikes Back by Peter Hames, January 22, 2001
- History of Czech film
- The Czechoslovak New Wave a list of works and reviews, November 1, 2011
- Prague spring: Russian tanks in the streets and a new wave in the cinema The Guardian 2 Dec 1999
- Czechoslovak New Wave Simon Hitchman 2015
- Czechoslovak Movies Movie posters from 1950-2000