Development of Bugs Bunny
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|First appearance||Porky's Hare Hunt (April 30, 1937)|
|Last appearance||A Wild Hare (July 27, 1940)|
|Created by||Ben Hardaway|
|Voiced by||Mel Blanc (1938-1940)|
Ben Hardaway (1938)
A prototypical version of Bugs Bunny appeared in four cartoon shorts before making his first official appearance in Tex Avery's A Wild Hare. While this proto-Bugs is commonly referred to as "Happy Rabbit", animation historian David Gerstein disputes this, saying that the only usage of the term was from Mel Blanc himself; the name "Bugs Bunny" was used as early as August 1939, in the Motion Picture Herald, in a review for the short Hare-um Scare-um.
Several published first person accounts, encyclopedic references, and Warner Bros.' own published material describe the inception of the name and of the character. A model sheet by Charlie Thorson describes this prototype character as "Bugs' Bunny" (note the apostrophe) but in most of the cartoons the character is unnamed.
Virgil Ross, the animator for A Wild Hare describes how the character came to be named in the interview published by Animato! magazine #19. Mel Blanc often told the story of the creation of the character and its name. He suggested that the character be named after the character's initial director, Ben "Bugs" Hardaway. Blanc's own book, That's Not All Folks published by Warner Books in 1988, describes the "tough little stinker" that was the eventual version of the redesigned character as directed by Tex Avery.
Warner Brothers' own published descriptions of the creation of the character's name can be found in Animation Magazine published in 1990. Therein it is described that the Hardaway unit's model sheet came to be known by fellow animators as "Bugs' Bunny".
Porky's Hare Hunt
Ben Hardaway and Cal Dalton began the experiment in Porky's Hare Hunt (released April 30, 1938). In the cartoon Porky Pig is hunting and fires at several rabbits. Soon, Porky and his dog meet the rabbit and try to outwit him in the forest. Porky and the rabbit get in a long, long fight and soon the hare thinks he has won and that the war is over; Porky, however, finds the rabbit and the Bunny doesn't have any brainstorms to protect him. The rabbit shows Porky a photo of himself and of how many children he has with his wife. However, when Porky's about to shoot him, the gun fails.
After Porky attempts to shoot down and procure the rabbit, the rabbit asks Porky: "Do you have a hunting license?" As Porky reaches for his pocket to obtain the document, the hyper-hare suddenly snatches it out of Porky's grasp, rips it in two, remarks, "Well you haven't got one now...hoohoohoohoohahahahah..hoo hoo hoo ha ha ha!" and makes a getaway by twisting his ears as though they were a helicopter propeller, flying away. Ultimately the rabbit wins when Porky throws dynamite into the cave in which the hare is hiding and the rabbit throws the dynamite back at him. Porky is in the hospital and the rabbit comes to him with some flowers. Porky tells the hare that he'll be out in a few days. The very hyper rabbit then pulls on the leg holders in Porky's bed, adding to the pig's injuries, and runs off into the forest.
Leon Schlesinger gave Chuck Jones the next cartoon, Prest-O Change-O (March 25, 1939). In this cartoon two rogue dogs are being pursued by a dog catcher until they hide in an abandoned house. There they encounter a trunk owned by Sham-Fu the magician (unseen). They open it, and all manner of magic tricks come out of the trunk, including his pet rabbit. The rabbit tricks the two dogs repeatedly, causing them endless frustration, until he is bested by the bigger of the two dogs, who bops him with a lampshade.
Leon got Hardaway/Dalton to direct the next short, Hare-um Scare-um (August 12, 1939). It starts with a man reading a newspaper article stating that meat prices have soared (and that customers are sore). Angry, he declares that he'll hunt his own meat to get back at the government for the price inflation. He then tells his dog he is going hunting for rabbits.
A rabbit lays a trap for the dog, and the dog gets scared of the sound. The bunny then plays "Guess Who" with the dog, with the dog answering in barks. The hunter then sees rabbits, aims his gun, then runs over to where it was. When he gets there, there is a spinning wheel with rabbit signs. The hunter then sees the hare sleeping. The hunter starts pouring salt on the rabbit's tail, but the rabbit quickly changes position so that the hunter is salting a celery stalk instead. The rabbit starts eating it and says, "Celery, mighty fine nerve tonic. Boy, have I got nerve."
The hare runs in a cave, and the hunter runs after him. Before he reaches the cave, an elevator appears and the hunter collides with it. The rabbit then opens it and says, "Main floor, leather goods, pottery, washing machines and aspirin, going up!" and closes it as the elevator goes up. The elevator floor goes back down, the hare opens it and says, "You don't have to be crazy to do this … but it sure helps," closes it and the elevator goes down. The bunny then dresses in girl-dog drag. The dog then sees the rabbit in drag; he thinks it's a dog, then he notices it's the rabbit.
The hare then pretends he's a policeman, and the hunter then finds the rabbit. He explains to the hunter how poor he is. He then shocks the hunter, who falls to the ground. The hunter then tells the now-hiding hare he can whip the rabbit and his whole family, then he's suddenly surrounded by a lot of rabbits that look like the first rabbit.
Jones' "Elmer and rabbit" cartoons
Jones directed the next experimental cartoon, Elmer's Candid Camera (March 2, 1940, First Official Elmer Fudd). In this cartoon, Elmer has come to the country to photograph wildlife. As he tries to photograph a rabbit, the rabbit finds him a convenient victim to harass. This tormenting eventually drives Elmer insane, causing him to jump into a lake and nearly drown. The rabbit saves him, ensures that Elmer is all right now - and then kicks him straight back into the lake.
This was followed by Tex Avery's final-design setting A Wild Hare, but that was itself followed by one more cartoon to the same effect as ...Camera, that was inadvertently produced first before the former. Elmer's Pet Rabbit (January 4, 1941), originally intended and meant to be the final experimental cartoon, bore a title card shoehorned in between the opening credits and the start of the story reading, "Starring Bugs Bunny" (the first on-screen use of that name), but nevertheless featured the same initial off-model versions of Elmer and the hare seen in ...Camera. Here, Elmer goes to a pet shop and buys a rabbit that promptly proceeds to turn his life upside down.
- The rabbit made two cameos in 1939 and 1940, both starring Porky and both by Robert Clampett. The two cameos were Patient Porky and Naughty Neighbors.
- In the Touchstone Pictures and Amblin Entertainment film, Who Framed Roger Rabbit, the character can be seen walking through the Maroon Cartoon studio lot for three-quarters of a second before the shot changes.
- In a deleted sequence from the film Looney Tunes: Back in Action, Bugs Bunny, upon being zapped by a magical idol, transforms into the character. This sequence can be seen in the "Deleted Scenes" featurette on the DVD release.
A Wild Hare (July 27, 1940) was the debut of Bugs Bunny as he is well-known today. Tex Avery changed several of the rabbit's characteristics: his voice became a cross between the Bronx and Brooklyn accents, the color of his gloves became white, as did the color of his mouth, and his ears were changed slightly as well. It is worth noting, however, that Patient Porky (September 14, 1940) featured a cameo by this prototype Bugs Bunny.
The cartoon was so successful that WB decided to keep him on as a recurring character, eventually becoming the studio's most popular cartoon character. The character's name, previously only used on model sheets, became the official all-purpose name as well, with one modification: the apostrophe was dropped from his first name (now pronounced "bugs" rather than "bugs-es"). A title card saying "featuring Bugs Bunny" was slapped onto Elmer's Pet Rabbit after initial production of that cartoon wrapped up, though that cartoon had the rabbit carry the pre-Wild Hare characteristics.
Bugs Bunny's personality continued to evolve over the years, from a largely "screwball" character (a la Daffy Duck), to a mixture of "screwball" and "everyman" characteristics. His definitive design was created in 1943 by Bob Clampett, who requested one of his animators, Bob McKimson, to create new model sheets of Bugs for the short Tortoise Wins by a Hare. Bugs' define look would be adopted by each unit slowly (though Chuck Jones, Robert McKimson and Friz Freleng had slight variations). Bugs' look was slightly modified again for the 2011 series The Looney Tunes Show and yet again for the 2015 series Wabbit.
- "Point of View: Moose and Squirrel". Retrieved 2018-05-25.
- Motion Picture Herald: August 12, 1939[permanent dead link] "...With gun and determination, he takes to the field and tracks his prey in the zany person of "Bugs" Bunny, a true lineal descendant of the original Mad Hatter if there ever was one..."
- Chef, Seattle (22 October 2007). "The Birth of Bugs Bunny: Virgil Ross interview in Animato! #19, Virgil recalls Bugs' Bunny, the drawing by Hardaway chosen as the model for the personality of the character".
- Chef, Seattle (15 September 2007). "The Birth of Bugs Bunny: Mel Blanc interviews".
- Chef, Seattle (5 January 2008). "The Birth of Bugs Bunny: Another reference to the Hardaway drawing in Animation magazine 1990".