Don't Bother to Knock
|Don't Bother to Knock|
Theatrical release poster
|Directed by||Roy Ward Baker|
|Produced by||Julian Blaustein|
|Screenplay by||Daniel Taradash|
by Charlotte Armstrong
|Music by||Lionel Newman|
|Edited by||George A. Gittens|
|Distributed by||20th Century Fox|
|Box office||$1.5 million (US rentals)|
Monroe is featured as a disturbed babysitter watching a child at the same New York hotel where a pilot, played by Widmark, is staying. Her strange behavior makes him increasingly aware that she is the last person with whom the parents should have entrusted their daughter.
Lyn Lesley (Anne Bancroft), the bar singer at New York's McKinley Hotel, wonders if airline pilot Jed Towers (Richard Widmark) will show up. She had ended their six-month relationship with a letter. When Jed does register at the hotel, she explains that she sees no future with him because he lacks an understanding heart.
Meanwhile, elevator operator Eddie (Elisha Cook Jr.) introduces his shy niece, Nell Forbes (Marilyn Monroe), to guests Peter and Ruth Jones (Jim Backus and Lurene Tuttle) as a babysitter for their daughter Bunny (Donna Corcoran). The Joneses go down to a function being held in the hotel's banquet hall. After the child is put to bed, Nell tries on Ruth's lacy negligee, jewelry, perfume and lipstick. Seeing Nell from his room directly opposite, Jed calls her on the telephone, but she is not interested. When Eddie checks up on Nell, he is appalled to find her wearing Ruth's property and orders her to take them off. Eddie tells her she can obtain such luxuries for herself by finding another boyfriend to replace the one who was killed. After Eddie leaves, Nell invites Jed over.
Nell lies to keep Jed believing that she herself is a guest. She is startled when Jed reveals that he is a pilot. She confides that her boyfriend Philip died while flying an airplane to Hawaii. Bunny comes out and unmasks Nell's charade. Furious, Nell shakes the child and orders her back to bed. Jed comforts the crying Bunny and lets her stay up. When Bunny looks out the open window, however, it appears that Nell is considering pushing her out. Though Jed snatches the girl away, the incident is witnessed by long-term hotel resident Emma Ballew (Verna Felton).
Nell escorts the child to bed, then accuses Bunny of spying on her and implies that something might happen to her favorite toy if she makes any more trouble. Jed has decided to seek Lyn's forgiveness, but Nell begs him not to leave. As he is fending off a kiss from her, Jed sees scars on her wrists. Nell confesses that after Philip died, she tried to kill herself with a razor.
When Eddie checks up on Nell after his shift is over, Nell makes Jed hide in the bathroom. Eddie is irate that Nell is still wearing Ruth's things. He orders her to change clothes, then harshly rubs off her lipstick. This enrages Nell, who accuses Eddie of being just like her repressive parents. Then, when he suspects there is someone in the bathroom, she hits him over the head with a heavy object. While Jed tends to Eddie, Nell goes into Bunny's room.
A suspicious Emma Ballew (accompanied by her skeptical husband), knocks on the door. Fearing for his job, Eddie persuades Jed to hide behind the door, while he slips into the closet. Jed sneaks into Bunny's room. In the dark, he does not notice that the child is now bound and gagged. When the Ballews see him exit from the door of the adjoining room, they assume that Jed had forced his way in and was holding Nell captive. They alert the hotel detective. Nell, who is now so deluded that she believes Jed is Philip, locks Eddie in the closet and goes into Bunny's room.
In the bar, Jed tells Lyn about Nell. Lyn is surprised by his concern. Suddenly realizing that Bunny was on the wrong bed, Jed rushes back up. Ruth Jones arrives first and screams when she enters Bunny's room. The two women grapple. Jed pulls Nell away, and unties Bunny, but Nell slips away in the confusion when the hotel detective arrives.
Eddie admits that Nell had spent the previous three years in a mental institution following her suicide attempt. In the lobby, Nell steals some razor blades. When she is surrounded, she considers using one. Lyn tries to calm her down. Then Jed persuades Nell to give him the blade, and talks her into realizing that he is not Philip. He finally manages to convince her that she should go with the police officers who arrive, telling her that they will get her the help she needs. Seeing that Jed does have empathy after all, Lyn reconciles with him.
- Richard Widmark as Jed Towers
- Marilyn Monroe as Nell Forbes
- Anne Bancroft as Lyn Lesley
- Donna Corcoran as Bunny Jones
- Jeanne Cagney as Rochelle
- Lurene Tuttle as Ruth Jones
- Elisha Cook Jr. as Eddie Forbes
- Jim Backus as Peter Jones
- Verna Felton as Emma Ballew
- Willis Bouchey as Joe the Bartender (as Willis B. Bouchey)
- Don Beddoe as Mr. Ballew
This was Anne Bancroft's first film. It was Monroe's 18th and an attempt to prove to critics that she could act in a dramatic role after starting her career in a string of comedies. The working titles of the film were Mischief and Night Without Sleep, the latter of which was the release title of another 1952 Twentieth Century-Fox film. Dorothy McGuire was originally cast as the picture's star, with Jules Dassin set to direct.
This movie marked the first time Monroe and composer Lionel Newman worked together in the same movie. The title credit music was used previously in the film Panic in the Streets (1950).
Film critic Dennis Schwartz gave the film a mostly positive review, and seems to be captured by Monroe's performance. He wrote, "Wacko psychological thriller, set entirely in a NYC hotel, and helmed without urgency by Roy Ward Baker (The Vault of Horror/Asylum/Scars of Dracula). It lacks emotional depth, but is diverting as it gives off nervous energy and remains watchable throughout. Marilyn Monroe was in 12 previous films, but this was her first co-starring headliner role. Playing someone mentally deranged, Marilyn wonderfully channels how her mentally troubled mom acted and gives a believable performance (she's the best reason for seeing this forgettable pic). It's based on a novel by Charlotte Armstrong and is written by Daniel Taradash."
The film is recognized by American Film Institute in these lists: