Elle (film)
Elle | |
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Directed by | Paul Verhoeven |
Starring |
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Cinematography | Stéphane Fontaine |
Edited by | Job ter Burg |
Music by | Anne Dudley |
Production companies |
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Distributed by | SBS Distribution (France) |
Release dates |
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Running time | 130 minutes |
Countries |
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Language | French |
Budget | €8.2 million ($9.1 million)[1] |
Box office | $5.1 million[2] |
Elle (Error: {{language with name/for}}: missing language tag or language name (help)) is a 2016 French-German-Belgian psychological thriller directed by Paul Verhoeven and written by David Birke, based on the novel Oh... by Philippe Djian, and starring Isabelle Huppert. The film tells the story of a businesswoman, Michèle (Huppert), who is raped in her home by an unknown assailant and stalks him back.
It is Verhoeven's first feature film in ten years after his 2006 film Black Book, and his first in French language. The film premiered in competition for the Palme d'Or at the 2016 Cannes Film Festival where it received critical acclaim.[3][4] Elle was subsequently selected as the French entry for the Best Foreign Language film at the 89th Academy Awards.[5]
Plot
Michèle LeBlanc seems indestructible. Head of a successful video game company, she brings the same ruthless attitude to her love life as to business. Being attacked in her home by an unknown assailant changes Michèle's life forever. When she resolutely tracks the man down, they are both drawn into a curious and thrilling game-a game that may, at any moment, spiral out of control.
Cast
- Isabelle Huppert as Michèle LeBlanc
- Christian Berkel as Robert
- Anne Consigny as Anna
- Virginie Efira as Rebecca
- Laurent Lafitte as Patrick
- Charles Berling as Richard
- Alice Isaaz as Josie
- Judith Magre as Irène
- Vimala Pons as Hélène
- Jonas Bloquet as Vincent
- Lucas Prisor as Kurt
- Raphaël Lenglet as Ralph
Production
Development
In May 2014, it was announced that Paul Verhoeven would direct an adaptation of Philippe Djian's 2012 novel, Oh..., his first feature film since Black Book (2006).[6] The director felt it was an opportunity for him to do "something very different to anything I've done before. But this stepping into the unknown, I think it’s very important in the life of an artist. It puts you in an existential mode. As an artist you have to, as much as possible, step into the unknown and see what happens to you."[7] The project was unveiled at the Marché du Film during the 2014 Cannes Film Festival where it was described as "pure Verhoeven, extremely erotic and perverted."[8] Verhoeven was looking for an actress who would be "prepared to take that on" and believed Nicole Kidman "could handle this role." He also considered Marion Cotillard, Diane Lane, Sharon Stone and Carice van Houten for the role of Michèle, a businesswoman who is raped in her home by an unknown assailant and refuses to let it alter her precisely ordered life.[9] The film was originally supposed to take place in Boston but, according to Verhoeven, it proved to be "too difficult" to shoot the film in the United States due to its violent content.[10] Verhoeven then decided to do it in French and used a significant time before production to learn the language, in order to effectively communicate with the predominantly French cast and crew.[11] In September 2014, French actress Isabelle Huppert signed on to star in the film as Michèle.[12] Huppert had read the book before being offered the part. She is a longtime fan of Verhoeven’s work whom she described as "one of the best directors in the world for me".[13]
Filming
Principal photography began on 10 January 2015 for a ten-week shoot.[14] Filming took place in and around Paris. A planned sequence in Paris' main police station was cancelled following the Charlie Hebdo shooting on 7 January.[15] The film was also shot in a house for Huppert's character in Saint-Germain-en-Laye for five weeks.[16] Verhoeven's mise-en-scène for the film was influenced by three films: Federico Fellini's 8½, Jean Renoir's The Rules of the Game and Orson Welles' Touch of Evil. Every scene was choreographed and Verhoeven storyboarded the whole film himself.[11] He chose to shoot the film with two Arri Alexa cameras as "These days the amount of time a director is given to make a move has diminished by 40 to 50 percent. Working with two cameras solves part of that problem while giving you the opportunity to do things that you wouldn’t do before."[11]
When the film wrapped, Verhoeven described the shoot as "difficult"[17] but later admitted that "in retrospect, it was very pleasant and easy."[18] He dismissed rumors that Elle was an "erotic thriller" in the tradition of some his previous films, including Basic Instinct, "Those people who think that this is an erotic film will be disillusioned. They are in for a strange confrontation with a movie that is... not ordinary. I don’t think the story is erotic; it’s about rape. An erotic thriller would be a bit weird, right? I mean, it might be erotic for the person doing it, but I don’t think that rape in general is something you would call erotic."[11] On May 13, 2015, he told Variety he had "a strong feeling with this one that I was doing something that I’d never done before, which applied when I made RoboCop."[19] He also praised Huppert’s performance, saying that "She is an extremely gifted actress that gives you more than what’s on paper… even what’s in the book. She does experiments in her mind to get to places that she would probably avoid in reality. And she does that in an absolutely unique way."[19] He also said in an interview with Film Comment:
She’s one of the most brilliant actors I’ve ever met in my life. She’s so extremely special and is able to avoid any cliché in any situation, always finding a different way of doing things. She comes up with all kinds of extra details that you wouldn’t even dream of, that I would never come up with on my own. She’s not only a great actress but she is also especially imaginative and creative in her approach to the character. I didn’t have to tell her anything about Michèle because it was clear from the first shot that she knew exactly what her character would do and how she would behave in whatever circumstance. She is extremely audacious and she really had no problem with anything that was in the script, so I have an enormous respect for her.[11]
Release
The first poster for the film was released in May 2015 during the Cannes Film Festival where SBS Productions sold the film internationally.[19] On 16 January 2016, the first trailer and the final poster were released.[20] On March 11, 2016, French film magazine Le Film français announced that SBS Distribution moved up the release date from September 21 to May 25, 2016.[21] On 14 April 2016, it was announced that the film had been selected to compete for the Palme d'Or in the main competition section at the Cannes Film Festival.[22] On 27 April 2016, several images of the film were released.[23] On May 11, 2016, it was announced Sony Pictures Classics had acquired distribution rights to release the film in North America, Latin America, Australia, New Zealand, Scandinavia, Eastern Europe (excluding Russia) and Asia (excluding China and Japan). Sony, who had previously acquired Verhoeven's Black Book, said in a statement, "This thriller is Paul Verhoeven at his very best and Isabelle Huppert gives the performance of a lifetime. Elle promises to be a hit with audiences this fall." Verhoeven added, "Sony has always been my home in the U.S., and I'm excited that Sony Classics will take care of Elle with the wonderful actress Isabelle Huppert. I'm pleased that even my European films have ended up with them."[24] Following the film's Cannes premiere, Sony announced its theatrical release in the US on November 11, 2016.[25]
Critical response
Elle has received positive reviews from critics, with Verhoeven's direction and Huppert's performance being praised. [26] On review aggregator Rotten Tomatoes, the film holds a 91% approval rating based on 34 reviews, with an average score of 8.2/10. The site's consensus was: "Elle finds director Paul Verhoeven operating at peak power -- and benefiting from a typically outstanding performance from Isabelle Huppert in the central role."[27] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the film received an average score of 86, based on 11 reviews, indicating "universal acclaim".[28]
The film received a seven-minute standing ovation at its Cannes Film Festival international premiere.[29] Leslie Felperin of The Hollywood Reporter called it "the most empowering "Rape Movie" ever made," and wrote, "Paul Verhoeven’s film about a woman’s complicated response to being raped will draw ire from feminists and others, but it’s one of the bravest, most honest and inspiring examinations of the subject ever put onscreen."[30] Stéphane Delorme of Cahiers du cinéma wrote the film was "a striking return for the Dutchman. We didn't dare dream of such an audacious, generous film."[31] Guy Lodge of Variety said, "Isabelle Huppert might be our best living actor, and Elle might be Paul Verhoeven's best film."[32][33] Eric Kohn of Indiewire described it as a "lighthearted rape-revenge story."[34] Jordan Mintzer of The Hollywood Reporter called the film a "tastefully twisted mid-to-late-life crisis thriller that’s both lasciviously dark and rebelliously light on its feet" and added that Verhoeven and Huppert "combine their talents to make a film that hardly skimps on the sex, violence and sadism, yet ultimately tells a story about how one woman uses them all to set herself free."[35] Jason Gorber of Twitch Film thought the film was a "a masterwork by a master filmmaker, while Huppert's performance reminds the world once again what a treasure she is."[36] Ben Croll of TheWrap believed the film was "riotously funny, and Isabelle Huppert has never been better."[37]
Christopher Hooton of The Independent said it was "Cannes' only real high point."[38] Xan Brooks of The Guardian found the film "utterly gripping and endlessly disturbing" and felt, "Isabelle Huppert delivers a standout performance as a woman turning the tables on her attacker in the controversial director’s electrifying and provocative comeback."[39] Lisa Nesselson of Screen International found that Huppert's "self-assured-and-aloof register is a perfect fit with Verhoeven’s taste for far-fetched human behaviour presented as plausible," and described the film as "suspenseful and unsettling from first frame to last."[40] David Sexton of The Evening Standard labeled the film as "outrageous, funny and shocking, exhilarating and original."[41] Catherine Bray of Time Out wrote the film "might just be the most Paul Verhoeven film yet, due to its willingness to push buttons, explore transgressive territory and take constant delight in venturing where the vast majority of filmmakers would fear to tread" and predicted, " it's a film that will inspire debate for decades to come."[42]
See also
- List of submissions to the 89th Academy Awards for Best Foreign Language Film
- List of French submissions for the Academy Award for Best Foreign Language Film
References
- ^ Lermercier, Fabien (15 April 2015). "Paul Verhoeven, a Frenchman by adoption". Cineuropa. Retrieved 1 September 2016.
{{cite journal}}
: Cite has empty unknown parameter:|1=
(help) - ^ "Elle". Box Office Mojo.
- ^ "2016 Cannes Film Festival Announces Lineup". IndieWire. Retrieved 14 April 2016.
- ^ "Cannes 2016: Film Festival Unveils Official Selection Lineup". Variety. Retrieved 14 April 2016.
- ^ Richford, Rhonda (26 September 2016). "Oscars: France Selects 'Elle' for Foreign-Language Category". The Hollywood Reporter. Retrieved 26 September 2016.
- ^ Goodfellow, Melanie (6 May 2014). "Wild Bunch unveils full Cannes 2014 slate". Screen International. Retrieved 28 November 2015.
- ^ Chauvin, Jean-Sébastien; Delorme, Stéphane (October 2015). "L'ironie est un art perdu: entretien avec Paul Verhoeven". Cahiers du cinéma.
{{cite journal}}
:|access-date=
requires|url=
(help) - ^ Lindsay, Taylor (6 May 2014). "Coming to Cannes From Wild Bunch: 'Spring Breakers 2' and Gaspar Noe's Sex Celebration 'Love'". Indiewire. Retrieved 2 December 2015.
- ^ "Nicole Kidman in erotische thriller". De Telegraaf. 17 May 2014. Retrieved 28 November 2015.
- ^ Clarac, Toma (30 April 2015). "PAUL VERHOEVEN, DE ROBOCOP À JÉSUS CHRIST". GQ. Retrieved 20 January 2016.
- ^ a b c d e Margaret, Barton-Fumo (12 January 2016). "Interview: Paul Verhoeven". Film Comment. Retrieved 20 January 2016.
- ^ Jagernauth, Kevin (25 September 2014). "Paul Verhoeven, William Monahan, 'Frank' Director Lenny Abrahamson And More Line Up New Projects". Indiewire. Retrieved 28 November 2015.
- ^ Walsh, Katie (9 December 2014). "Interview: Isabelle Huppert Talks Her Favorite Films Of 2014, The State Of Cinema, Michael Haneke & More". Indiewire. Retrieved 28 November 2015.
- ^ Lermercier, Fabien (24 February 2015). "Verhoeven in the middle of shooting Elle". Cineuropa. Retrieved 1 December 2015.
{{cite journal}}
: Cite has empty unknown parameter:|1=
(help) - ^ van Dorp, Michael (6 February 2015). "Verhoeven schrapt scène vanwege Charlie Hebdo". Veronica Magazine. Retrieved 2 December 2015.
- ^ "Isabelle Huppert, un nouveau rôle "fémininement" incorrect". Mairie de Saint-Germain-en-Laye. calameo.com. March 2015. Retrieved 2 December 2015.
- ^ Bénédict, Sébastien (24 April 2015). "PAUL VERHOEVEN : LA CHAIR ET LE SANG (DU CHRIST)". Chronic'art. Retrieved 28 November 2015.
- ^ Kohn, Eric (25 November 2014). "How Paul Verhoeven Survived 'Showgirls' and Turned His Back on Hollywood". Indiewire. Retrieved 28 November 2015.
- ^ a b c Hopewell, John (13 May 2015). "Cannes: Paul Verhoeven Sees 'Elle' as Nuanced Thriller (EXCLUSIVE)". Variety. Retrieved 28 November 2015.
- ^ Davis, Edward (16 January 2016). "Watch: First International Trailer From Paul Verhoeven's Thriller 'Elle' Starring Isabelle Huppert". Indiewire. Retrieved 16 January 2016.
- ^ "SBS Distribution avance le prochain Paul Verhoeven". Le Film français. 11 March 2016. Retrieved 14 March 2016.
- ^ Debruge, Peter; Keslassy, Elsa (14 April 2016). "Cannes 2016: Film Festival Unveils Official Selection Lineup". Variety. Retrieved 14 April 2016.
- ^ Newman, Nick (27 April 2016). "New Images from Cannes Titles By Paul Verhoeven, Bruno Dumont, Park Chan-wook, Cristian Mungiu & More". TheFilmStage.com. Retrieved 27 April 2016.
- ^ Lang, Brent; Keslassy, Elsa (11 May 2016). "Cannes: Sony Pictures Classics Buys Paul Verhoeven's 'Elle' (EXCLUSIVE)". Variety. Retrieved 11 May 2016.
- ^ Thompson, Anne (27 May 2016). "Paul Verhoeven's 'Elle' and Tom Ford's 'Nocturnal Animals' Get Oscar-Friendly Release Dates". Indiewire. Retrieved 4 June 2016.
- ^ Cannes reception:
- Lodge, Guy (21 May 2016). "Cannes Film Review: 'Elle'". Variety. Retrieved 25 May 2016.
- Mintzer, Jordan (21 May 2016). "'Elle': Cannes Review". The Hollywood Reporter. Retrieved 25 May 2016.
- Brooks, Xan (21 May 2016). "Elle review: Paul Verhoeven's brazen rape revenge comedy is a dangerous delight". The Guardian. Retrieved 25 May 2016.
- Nesselson, Lisa (21 May 2016). "'Elle': Cannes Review". Screen International. Retrieved 25 May 2016.
- Nordine, Michael (22 May 2016). "'Elle' Review Roundup: Paul Verhoeven's Controversial Return Draws Universal Acclaim For Isabelle Huppert". Indiewire. Retrieved 25 May 2016.
- McCarthy, Todd (23 May 2016). "Cannes: A Fest of Few Lows, But Only One Real High". The Hollywood Reporter. Retrieved 25 May 2016.
- Chèze, Thierry (21 May 2016). ""Elle": Paul Verhoeven et les limites morales de nos sociétés". L'Express (in French). Retrieved 25 May 2016.
- Delorme, Gérard (21 May 2016). "Cannes 2016 : Elle marque le retour gagnant de Paul Verhoeven". Premiere (in French). Retrieved 25 May 2016.
- ^ "Elle (2016)". Rotten Tomatoes.
- ^ "Elle". Metacritic.
- ^ ELLE - Rang I - VO - Cannes 2016 on YouTube
- ^ Felperin, Leslie (22 May 2016). "Critic's Notebook: Why Cannes' 'Elle' is the Most Empowering "Rape Movie" Ever Made". The Hollywood Reporter. Retrieved 25 May 2016.
- ^ Delorme, Stéphane (May 2016). "Brise cannoise". Cahiers du cinéma. Retrieved 9 May 2016.
- ^ Lodge, Guy (21 March 2006). "Isabelle Huppert might be our best living actor, and ELLE might be Paul Verhoeven's best film. A dangerous wow". Twitter. Retrieved 25 May 2016.
- ^ Lodge, Guy (21 May 2016). "Cannes Film Review: 'Elle'". Variety. Retrieved 25 May 2016.
- ^ Kohn, Eric (21 May 2016). "Cannes Review: Paul Verhoeven's 'Elle' is a Lighthearted Rape-Revenge Story". Indiewire. Retrieved 25 May 2016.
- ^ Mintzer, Jordan (21 May 2016). "'Elle': Cannes Review". The Hollywood Reporter. Retrieved 25 May 2016.
- ^ Gorber, Jason (26 May 2016). "Cannes 2016 Review: ELLE, A Sordid, Provocative Masterwork". Twitch Film. Retrieved 5 June 2016.
- ^ Croll, Ben (21 May 2016). "'Elle' Cannes Review: Isabelle Huppert Is Spectacular in Mean, Funny Film". TheWrap. Retrieved 5 June 2016.
- ^ Hooton, Christopher (24 May 2016). "Elle film: Cannes' 'only real high point' was a movie by the director of RoboCop". The Independent. Retrieved 25 May 2016.
- ^ Brooks, Xan (21 May 2016). "Elle review: Paul Verhoeven's brazen rape revenge comedy is a dangerous delight". The Guardian. Retrieved 25 May 2016.
- ^ Nesselson, Lisa (21 May 2016). "'Elle': Cannes Review". Screen International. Retrieved 25 May 2016.
- ^ Sexton, David (25 May 2016). "Cannes 2016: Elle, film review – Funny and shocking, exhilarating and original". The Evening Standard. Retrieved 5 June 2016.
- ^ Bray, Catherine (21 May 2016). "Elle, directed by Paul Verhoeven". Time Out. Retrieved 5 June 2016.