Elvira de Hidalgo
|Elvira de Hidalgo|
Elvira de Hidalgo, 1920s.
|Born||Elvira Juana Rodríguez Roglán
December 28, 1891
Valderrobres, Teruel, Spain
|Died||January 21, 1980
|Occupation||Coloratura soprano, pedagogue|
|Parent(s)||Pedro Rodríguez Hidalgo (father)
Miguela Roglán Bel (mother)
She was born in Valderrobres, Teruel Province (Spain), as Elvira Juana Rodríguez Roglán. She was a pupil of Melchiorre Vidal, who also taught Maria Barrientos, Graziella Pareto, Julián Gayarre, Fernando Valero, Francesco Vignas, and Rosina Storchio.
Following her debut, de Hidalgo was quickly engaged for Paris, where she sang Rosina opposite Feodor Chaliapin as Don Basilio. Appearances in Monte Carlo, Prague, and Cairo followed.
Her debut with the New York Metropolitan Opera occurred in 1910, as Rosina. With that company, de Hidalgo sang in Rigoletto (with Enrico Caruso) and La sonnambula (with Alessandro Bonci) in the same season. She would return to the Met in 1924-25, for The Barber of Seville (directed by Armando Agnini), Rigoletto (conducted by Tullio Serafin), and Lucia di Lammermoor (with Beniamino Gigli).
In 1916, she made her debut at La Scala, Milan, as Rosina, and returned there in 1921. The following year, de Hidalgo appeared in Buenos Aires at the Teatro Colón, in Rigoletto, La traviata, and The Barber of Seville. In 1924, she appeared in London with the British National Opera Company, at Covent Garden, in Rigoletto. On 17 February 1924, she also appeared at the Royal Albert Hall with the London Symphony Orchestra and Sir Thomas Beecham conducting.
That same year, she sang Lakmé and Il barbiere in Chicago. In 1926-27, she appeared opposite Chaliapin again, for a tour of the United States and Canada, with his Universal Artists Incorporation Company, in Il barbiere.
Elvira de Hidalgo recorded for Columbia, with arias from Il barbiere, La sonnambula, and I puritani committed to disc in 1907-08. In 1909-10 she made discs for Fonotipia, with excerpts recorded from Il barbiere, Don Pasquale, La sonnambula, Roméo et Juliette, Dinorah, L'elisir d'amore, Don Giovanni, and Mireille.
She apparently returned to the Columbia studios, in 1925, to record a performance of the "Mad Scene" from Dinorah.
Elvira de Hidalgo began teaching in 1933, and later held a position at the Athens Conservatoire, where the young soprano Maria Callas became her student. In 1957, Callas wrote of the woman who had an "essential role" in her artistic formation:
It is to this illustrious Spanish artist, whom the public and the old subscribers at La Scala will certainly recall as an unforgettable and superlative Rosina and as a splendid interpreter of other important roles, it is to this illustrious artist, I repeat, with a moved, devoted, and grateful heart, that I owe all my preparation and my artistic formation as an actress and musician. This elect woman, who, besides giving me her precious teaching, gave me her whole heart as well ... .
Mme de Hidalgo died, aged 88, in Milan.
- Callas, As They Saw Her, by David Allan Lowe, The Ungar Publishing Company, 1986. ISBN 0-8044-5636-4
- The Concise Oxford Dictionary of Opera, by John Warrack & Ewan West, Oxford University Press, 1996. ISBN 0-19-280028-0
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