Who Stole Feminism?

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Who Stole Feminism? How Women Have Betrayed Women
Who Stole Feminism (first edition).jpg
Cover of the first edition
Author Christina Hoff Sommers
Country United States
Language English
Subject Feminism in the United States
Published June 3, 1994
Publisher Simon & Schuster
Media type Print (Hardcover and Paperback)
Pages 320
ISBN 978-0684801568

Who Stole Feminism? How Women Have Betrayed Women is a 1994 book about American feminism by Christina Hoff Sommers, a writer who was at that time a philosophy professor at Clark University. Sommers argues that there is a split within between equity feminism and what she terms "gender feminism".[1] Sommers contends that equity feminists seek equal legal rights for women and men, while gender feminists seek to counteract historical inequalities based on gender. Sommers argues that gender feminists have made false claims about issues such as anorexia and domestic battery and exerted a harmful influence on American college campuses. Who Stole Feminism? received wide attention for its attack on American feminism, and it was given highly polarized reviews divided between conservative and liberal commentators.[2] Some reviewers praised the book, while others found it flawed.

Summary[edit]

Sommers argues that, "American feminism is currently dominated by a group of women who seek to persuade the public that American women are not the free creatures we think we are". She refers to the ideology of feminists who believe that "our society is best described as a patriarchy, a 'male hegemony,' a 'sex/gender system' in which the dominant gender works to keep women cowering and submissive", as "gender feminism". She identifies with "equity feminism", based on belief in fair treatment for everyone. She criticizes feminist authors such as Naomi Wolf and Gloria Steinem, writing that in The Beauty Myth (1990), Wolf falsely claims that in the United States 150,000 women die of anorexia each year, a claim repeated by Steinem. According to Sommers, while "most experts are reluctant to give exact figures", the actual figure is likely to be somewhere between 100 and 400 deaths per year. Sommers criticizes Sheila Kuehl, Laura Flanders of Fairness and Accuracy in Reporting, and other writers and activists, for helping to popularize the claim that "incidence of domestic battery tended to rise by 40 percent" on Super Bowl Sunday, writing that the claim, widely reported by the American media, was unsupported by any study. Sommers argues that feminists have falsely accused English legal historian William Blackstone of supporting a man's right to beat his wife. She writes that British law has prohibited wife beating since the 1700s, and American law has done the same since before the American Revolution, though the laws were sometimes only "indifferently enforced."[3]

According to Sommers, many feminist theorists and researchers have dealt with male critics by calling them "sexist" or "reactionary", and female critics by calling them "traitors" or "collaborators", and that such tactics have "alienated and silenced women and men alike." In her view, gender feminism began to develop in the middle of the 1960s, due to "the antiwar and antigovernment mood" and the influence of thinkers such as Karl Marx, Jean-Paul Sartre, Herbert Marcuse, and Frantz Fanon. Sommers writes that Kate Millett's Sexual Politics (1969) "was critical in moving feminism in this new direction", teaching women that politics is "essentially sexual" and that "even the so-called democracies" are "male hegemonies." Sommers points to philosopher Michel Foucault and his Discipline and Punish (1975) as influences on Wolf and Susan Faludi, author of Backlash: The Undeclared War Against American Women (1991). She argues that Foucault's work is overrated. Discussing the influence of feminists on college campuses, she writes that in many cases feminist "consciousness-raisers are driving out the scholars". She adds that, "The gender feminists have proved very adroit in getting financial support from governmental and private sources" and "hold the keys to many bureaucratic fiefdoms, research centers, women's studies programs, tenure committees, and para-academic organizations. It is now virtually impossible to be appointed to high administrative office in any university system without having passed muster with the gender feminist".[4]

Writers Sommers expresses a favorable view of include philosopher Janet Radcliffe Richards, author of The Sceptical Feminist (1980), Katie Roiphe, author of The Morning After (1993), whom Sommers defends against criticism from Katha Pollitt, and literary critic Camille Paglia. Sommers argues that Paglia's Sexual Personae (1990) should have led to her being "acknowledged as an outstanding woman scholar even by those who take strong exception to her unfashionable views", and criticizes the Women's Review of Books for calling the book a work of "crackpot extremism" and feminist professors at Connecticut College for comparing it to German dictator Adolf Hitler's Mein Kampf (1925).[5]

Reception[edit]

1994–1999[edit]

Who Stole Feminism? was first reviewed in Kirkus Reviews in April 1994, two months prior to publication. The staff at Kirkus said that Sommers' book highlighted instances of "shoddy" research in feminist studies but failed to tell the reader about similar poor quality research in other fields. Sommers was said to be confused about categories of feminism, to have invented a sort of "gender feminism" to fit her purpose of promoting her brand of liberal feminism, and that "ironically, she weaves a theory of conspiracy equal in force to those she seeks to debunk." Kirkus said that Sommers presumed to speak for the majority of feminists "without providing persuasive evidence that most women are liberal feminists." Sommers was praised for her valid challenges to feminist ideology, but her assumptions were described as flawed.[6]

A June 1994 review by Nina Auerbach in The New York Times Book Review was widely seen.[7] Auerbach, a scholar of Victorian literature, was highly critical of Sommers, finding fault with her facts and logic; Auerbach said that the John M. Olin Foundation which paid for the book's publication should have found "a less muddled writer" for the task. Sommers responded to the criticism by saying that the Times should not have assigned Auerbach to the review, since as an organizer of a feminist event portrayed negatively in the book, she was sure to be prejudiced against the ideas in the book. Conservatives such as Jim Sleeper, Howard Kurtz and Rush Limbaugh defended Sommers; Limbaugh said that the Times was attempting to "kill this book".[8] Feminist columnist Katha Pollitt, however, thought Auerbach's review was too polite and failed to give Sommers' book "the pasting it deserved".[8]

Editor Deirdre English writing in The Washington Post Book World was appreciative of the investigative aspect of Sommers' work but she questioned the polarized depiction of feminism. Calling Sommers a "well-published conservative [who] is itching for a fight", she said the book would likely provoke debate "as well as some retractions". English said of the book that "the root question is whether women want equality with men as they are, in the world men have shaped, or if women seek change in that world".[9]

The book was positively reviewed by Cathy Young who was an executive colleague of Sommers in the Women's Freedom Network. It was also highly praised in the National Review by Sommers' close friend Mary Lefkowitz.[8] Paglia called the book a "landmark study... which uses ingenious detective work to unmask the shocking fraud and propaganda of establishment feminism and the servility of American media and academe to Machiavellian feminist manipulation", adding that, "Sommers has done a great service for women and for feminism, whose fundamental principles she has clarified and strengthened."[10] Melanie Kirkpatrick, writing in The Wall Street Journal, gave the book high marks, saying that "Sommers simply lines up her facts and shoots one bullseye after another."[11]

John M. Ellis, a scholar of German literature, praised Sommers for challenging the "intellectual deterioration" that feminism has caused within humanities departments in the United States. He writes that Sommers' book, along with others by authors with similar views, was met with "bitter hostility" from campus feminists, and that when Rebecca Sinkler, the editor of the New York Times Book Review, gave the book to her friend and former teacher Auerbach to review, the result was a "predictable trashing." According to Ellis, "the malice and dishonesty of Auerbach's review was so obvious...that it provoked not just a storm of protest but a response almost without precedent." According to Ellis, a series of newspapers, including the New York Daily News and The Washington Post, commented on what they saw as unethical behavior by Sinkler and Auerbach.[12]

Gay rights activist John Lauritsen, writing in A Freethinker's Primer of Male Love, agrees with Sommers that women are the main victims of "gender feminists".[13]

Sommers' claims regarding the legal permissiveness of wife beating have been criticized as inaccurate. In arguing that British law since the 1700s and American law since before the Revolution prohibits wife beating, Sommers quotes Blackstone as saying that the "husband was prohibited from using any violence to his wife..."[14] Criticizing Who Stole Feminism?, Linda Hirshman and Laura Flanders separately noted that Sommers left out the other half of Blackstone's sentence that says in Latin "other than that which lawfully and reasonably belongs to the husband for the due government and correction of his wife".[15][16] Hirshman, writing in the Los Angeles Times, stated that while Sommers addressed two early American cases where men were convicted for wife-beating, she left out a case where the husband was not convicted.[15] Flanders noted in Extra!, published by progressive media watchdog Fairness and Accuracy in Reporting, that Blackstone's "complete text says the exact opposite of Sommers' partial quotation".[16] In an overall negative review, Flanders charged Sommers with making the same mistakes she accused feminists of making, and that Who Stole Feminism? contained "unsubstantiated charges", citations to "advocacy research", and statistical errors likely based on a misreading of the source material.[16] Sommers responded a week after Hirshman's Los Angeles Times piece, writing that Blackstone's quotation had been misinterpreted, and had only been citing an outdated law since superseded.[17]

Dale Bauer and Katherine Rhoades write that Sommers was mistaken in her assumptions about the way students approach challenging ideas presented to them. Sommers devoted a chapter to a negative depiction of a "feminist classroom" where the values of the teacher overwhelmed the students; she felt a classroom should be objectively free of values. Bauer and Rhoades contradict Sommers, describing how students "always bring their own assumptions and values to class" and that they expect an active and lively exchange of ideas between the teacher and the other students. Bauer and Rhoades found the book's "most serious conceptual flaw" to be Sommers' failure to account for why women in society "have not always been treated fairly", and that while they agree with the assessment that Sommers wrote her book primarily to sell many copies, the book represents a threat in its attempt to redefine feminism.[18]

Criminologist Samuel Walker Kiewit was impressed by Sommers' debunking of the statistic that there is a 40% increase in domestic violence incidents associated with the annual Super Bowl game, but wrote that she ignored the underlying seriousness of the domestic violence problem.[19]

2000–present[edit]

Sociologist Rhonda Hammer of University of California, Los Angeles, writes that Sommers, despite her debunking of the figure that there is a 40% increase of domestic violence incidents associated with the annual Super Bowl game, went too far in claiming that "no study shows that Super Bowl Sunday is in any way different from other days in the amount of domestic violence". Hammer said that Sommers ignored a variety of studies that showed increased domestic violence during the Super Bowl.[20]

Anthropologist Melvin Konner wrote that, like Warren Farrell's The Myth of Male Power (1993), Who Stole Feminism? is a good antidote to the way in which "real knowledge about sex roles...tends to get buried in postmodernist rhetoric."[21]

Anne-Marie Kinahan of Wilfrid Laurier University places Who Stole Feminism? alongside Rene Denfeld's The New Victorians and Katie Roiphe's The Morning After in the context of a "post-feminist" movement, and contends these books signalled a collective "fear of the perceived radicalism of feminism on university campuses, a radicalism which these authors attribute to the increasing influence of queer theory, 'radical' lesbians and feminists of colour." Kinahan charges Sommers, Denfeld and Roiphe with attempting to "reclaim feminism as a white, middle-class, straight woman's movement" and defending "traditional hierarchies of morality, religion, and the nuclear family." Kinahan finds Sommers to be contradictory in asserting that students are resistant to radical feminism, yet also claiming that feminist indoctrination of students poses a "drastic danger" which "powerless, naive, and unthinking students unquestionably endorse."[22]

Political scientist Ronnee Schreiber of San Diego State University noted how the conservative Independent Women's Forum continues to use the book to portray feminists as scheming falsifiers of statistical data.[23]

See also[edit]

References[edit]

Footnotes
  1. ^ Marshal, Barbara L. "35: Feminism and Constructionism (in Part VI: Continuing Challenges)". In Holstein, James A.; Gubrium, Jaber F. Handbook of Construtionist Research. p. 693. Christina Hoff Sommers (1994) coined the term gender feminism in opposition to equity feminism. 
  2. ^ Ehrenreich, Barbara (August 1, 1994). "A Feminist on the Outs". Time. 144: 61. 
  3. ^ Sommers, Christina Hoff (1995). Who Stole Feminism? How Women Have Betrayed Women. New York: Simon & Schuster. pp. 11, 12, 15, 16, 189, 204, 205. ISBN 0-684-80156-6. 
  4. ^ Sommers, Christina Hoff (1995). Who Stole Feminism? How Women Have Betrayed Women. New York: Simon & Schuster. pp. 18, 23, 33, 229, 230, 232, 273. ISBN 0-684-80156-6. 
  5. ^ Sommers, Christina Hoff (1995). Who Stole Feminism? How Women Have Betrayed Women. New York: Simon & Schuster. pp. 27, 133, 214, 278. ISBN 0-684-80156-6. 
  6. ^ "Who Stole Feminism? How Women Have Betrayed Women, by Christina Hoff Sommers". Kirkus Reviews. David LeBreton. April 15, 1994.  Review posted online May 20, 2010.
  7. ^ Auerbach, Nina (June 12, 1994). "Sisterhood Is Fractious". New York Times Book Review. 
  8. ^ a b c Pollitt, Katha (March 28, 2002). "Adventures in Book Reviewing". The Nation.  Print version published April 15, 2002.
  9. ^ English, Deirdre (July 17, 1994). "Their Own Worst Enemies". The Washington Post Book World. 24 (29). pp. 1, 11. 
  10. ^ Paglia 1995. p. xvi.
  11. ^ Kirkpatrick, Melanie (14 July 1994). "Taking Feminism Back". Wall Street Journal (A8 of the Eastern edition). Wall Street Journal. Retrieved 1 November 2016. 
  12. ^ Ellis 1997. pp. 86-87, 218, 254-255.
  13. ^ John Lauritsen (1998). A Freethinker's Primer of Male Love. Pagan Press. p. 62. ISBN 978-0-943742-11-3. 
  14. ^ Sommers, Who Stole Feminism, 1994, pp. 204–205.
  15. ^ a b Hirshman, Linda (July 31, 1994). "Scholars in the Service of Politics: Those who would deny men's abuse of women twist statistics and skip the research". Los Angeles Times. Retrieved November 30, 2014. 
  16. ^ a b c Flanders, Laura (September 1, 1994). "The 'Stolen Feminism' Hoax: Anti-Feminist Attack Based on Error-Filled Anecdotes". Extra!. New York City: Fairness and Accuracy in Reporting. 
  17. ^ Sommers, Christina (August 13, 1994). "Hirshman's Statistics". Los Angeles Times. 
  18. ^ Bauer, Dale; Rhoades, Katherine (1996). "4: The Meanings and Metaphors of Student Resistance (in Part II: Multiple Jeopardy on College Campuses)". In Veve Clark; Shirley Nelson Garner; Margaret Higonnet; Ketu Katrak. Anti-feminism in the Academy. Routledge. pp. 95–114. ISBN 9781317959076.  (reprinted in 2014)
  19. ^ Kiewit, Samuel Walker (1998). The Rights Revolution : Rights and Community in Modern America: Rights and Community in Modern America. Oxford University Press. p. 24. ISBN 9780195344714. 
  20. ^ Hammer 2002. pp. 100–1.
  21. ^ Konner, Melvin (2002). The Tangled Wing: Biological Constraints on the Human Spirit. New York: Times Books. p. 501. ISBN 0-7167-4602-6. 
  22. ^ Kinahan, Anne-Marie (2004). "Women Who Run from the Wolves: Feminist Critique As Post-Feminism". In Althea Prince; Susan Silva-Wayne; Christian Vernon. Feminisms and Womanisms: A Women's Studies Reader. Canadian Scholars' Press. pp. 120–9. ISBN 9780889614116. 
  23. ^ Schreiber, Ronnee (2012). Righting Feminism: Conservative Women and American Politics, with a New Epilogue. Oxford University Press. pp. 67–8. ISBN 9780199917020. 
Bibliography
  • Ellis, John M. (1997). Literature Lost: Social Agendas and the Corruption of the Humanities. New York: Yale University Press. ISBN 0-300-06920-0. 
  • Hammer, Rhonda (2002). Antifeminism and Family Terrorism: A Critical Feminist Perspective. Lanham, Maryland: Rowman & Littlefield. ISBN 978-0-7425-1049-4. 
  • Lauritsen, John (1998). A Freethinker's Primer of Male Love. Provincetown: Pagan Press. ISBN 0-943742-11-0. 
  • Paglia, Camille (1995). Vamps and Tramps: New Essays. London: Penguin Books. ISBN 0-14-024828-5.