Theatrical release poster
|Directed by||Phil Joanou|
|Screenplay by||Wesley Strick|
|Music by||George Fenton|
|Edited by||Thom Noble|
|Distributed by||Warner Bros.|
|Box office||$28.6 million|
Final Analysis is a 1992 American neo-noir drama directed by Phil Joanou and written by Wesley Strick. It stars Richard Gere, Kim Basinger, Uma Thurman, Eric Roberts, and Keith David. The executive producers were Gere and Maggie Wilde.
|This article needs an improved plot summary. (May 2015)|
Isaac Barr (Richard Gere) is a top-notch, San Francisco-based Freudian psychiatrist, who has Diana Baylor (Uma Thurman) on the patient's couch. He is treating her for frightening and horrific childhood memories, which include images of her drunken father and his death in a fire for which she wasn't blamed.
One night, Heather Evans (Kim Basinger) enters Barr's office and says that she is Diana's sister. She asks Barr for information about her sister's case. It is implied, as part of the treatment, that Isaac speak to Heather to find out more about her sister's past experiences and determine if she might provide information that Diana has forgotten.
Not long after, Heather seduces Isaac, and a steamy affair follows. However, there is a problem—Heather is married to Jimmy Evans (Eric Roberts), a violent and wealthy Greek gangster. She also has a way of embarrassing Jimmy in public by taking a sip of wine and then flipping into an attack of "pathological intoxication", which can end with the restaurant in shambles.
It turns out that Heather is trying to involve unsuspecting Isaac in a plan to murder Jimmy and collect a $4 million double indemnity life insurance policy on him. She is also using Diana as bait and wants Isaac framed for the murder.
- Richard Gere as Dr. Isaac Barr
- Kim Basinger as Heather Evans
- Uma Thurman as Diana Baylor
- Eric Roberts as Jimmy Evans
- Keith David as Detective Huggins
- Paul Guilfoyle as Mike O'Brien
- Robert Harper as Alan Lowenthal
- Agustin Rodriguez as Pepe Carrero
- Rita Zohar as Dr. Grusin
- George Murdock as Judge Costello
- Shirley Prestia as Dist. Atty. Kaufman
- Tony Genaro as Hector
- Katherine Cortez as Woman Speaker
- Wood Moy as Dr. Lee
- Corey Fischer as Forensic Doctor
- Jack Shearer as Insurance Consultant Doctor
- Lee Anthony as Judge
- Derick Alexander as Ambulance Attendant
- Abigail Van Alyn as Night Nurse
The first week's gross was $6,411,441 and the total receipts for the film's run were $28,590,665. In its widest release the film was featured in 1,504 theaters across the United States.
Film critic Roger Ebert liked the screenplay and thought director Alfred Hitchcock, known for these types of thrillers, would have liked it as well. He wrote, "I'm a sucker for movies that look and feel like this. I like the pounding romantic music, the tempestuous sex scenes, the crafty ways that neurotic meddlers destroy the lives of their victims, and of course the handcrafted climax..." Ebert also thought the movie was needlessly complex.
Vincent Canby, film critic for The New York Times, was pleased with the work of the actors in the film and wrote, "Mr. Gere and Ms. Basinger are attractive as the furious lovers, but Mr. Roberts is the film's electrical force whenever he is on screen. Ms. Thurman does well as a sort of upscale slavey."
The staff at Variety magazine gave the film a positive film review, writing, "Final Analysis is a crackling good psychological melodrama [from a screen story by Robert Berger and Wesley Strick] in which star power and slick surfaces are used to potent advantage. Tantalizing double-crosses mount right up to the eerie final scene."
Many reviews were negative. Critic Kathleen Maher wrote, "Joanou, with his puppy dog devotion to noir thrillers and Hitchcock, is hoping to get it all right by painting by the numbers. He's mixed parts of Double Indemnity, The Big Sleep, and Vertigo, but the result doesn't even live up to Dead Again..." Maher also says she's seen Gere's acting like this before, and added: "[B]ut Gere reverts to that shell-shocked acting style he adopts when lost at sea." Rita Kempley, writing in The Washington Post, called the film "an implausible psycho thriller" and said director Joanou "doesn't have any of his own ideas."
- MTV Movie Awards
- Golden Raspberry Awards
- Worst Actress - Kim Basinger (also for Cool World; lost to Melanie Griffith for Shining Through and A Stranger Among Us)
- Worst Picture - Charles Roven, Paul Junger Witt, and Tony Thomas (lost to Shining Through)
- Worst Screenplay - Wesley Strick (also story) and Robert Berger (story) (lost to Stop! or My Mom Will Shoot)
- The Numbers box office data. Accessed: August 9, 2013.
- Final Analysis at the American Film Institute Catalog.
- Ebert, Roger. Chicago Sun-Times, film review, February 7, 1992. Accessed: August 9, 2013.
- Canby, Vincent. The New York Times, film review, February 7, 1992. Accessed: August 9, 2013.
- Variety. Staff film review, 1992. Accessed: August 9, 2013.
- Maher, Kathleen. The Austin Chronicle, February 14, 1992. Accessed: August 9. 2013.
- Kempley, Rita. The Washington Post, "Final Analysis, an implausible psycho thriller," February 7, 1992. Accessed: August 9, 2013.
- Final Analysis at Rotten Tomatoes. Accessed: August 9, 2013.