Hélène Grimaud

Hélène Grimaud
In rehearsal at La Roque-d'Anthéron Festival, 2004
Born	(1969-11-07) 7 November 1969 Aix-en-Provence, France
Education	Conservatoire de Paris
Occupation	Classical pianist

Hélène Grimaud (born 7 November 1969) is a French classical pianist.

Biography

Hélène Grimaud was born in Aix-en-Provence, France. She described family nationalities in a New York Times interview with John Rockwell: "My father came from a background of Sephardic Jews in Africa, and my mother's ancestors were Jewish Berbers from Corsica." Her father was adopted as a child by a French family and he became a university tutor teaching languages. According to Luc Antonini her surname is typical of the region of Trets in Provence. She has stated that, as a child, she was often "agitated". She discovered the piano at seven. In 1982, she entered the Conservatoire de Paris, where she studied with Jacques Rouvier. In 1985, she won 1st Prize at the Conservatory and the Grand Prix du Disque of the Académie Charles Cros for her recording of the Rachmaninoff Piano Sonata No. 2. In 1987, she launched her professional career with a solo recital in Paris and a performance with the Orchestre de Paris under Daniel Barenboim.

In 1991, at age 21, Grimaud moved to Tallahassee, Florida, to be near a boyfriend who taught bassoon at Florida State University. In 1997, she settled in Westchester County, north of New York City. After some time spent in Berlin, she currently resides in Switzerland. She has a passion for wolves, which she studies and raises. She now divides her time between her musical career and the Wolf Conservation Center, which she co-founded with her former companion, photographer J. Henry Fair.

Hélène Grimaud experiences synesthesia, where one physical sense adds to another, in her case seeing music as color, which helps her with memorising music scores.

She performed at the Last Night of the BBC Proms in London in September 2008, playing the piano part of Beethoven's Choral Fantasia.

Critical reception

Critics have praised Grimaud's willingness to reinterpret works and take chances, and compared her to Glenn Gould:

Grimaud doesn't sound like most pianists: she is a rubato artist, a reinventor of phrasings, a taker of chances. "A wrong note that is played out of élan, you hear it differently than one that is played out of fear," she says. She admires the "more extreme players . . . people who wouldn't be afraid to play their conception to the end." Her two overriding characteristics are independence and drive, and her performances attempt, whenever possible, to shake up conventional pianistic wisdom. Brian Levine, the executive director of the Glenn Gould Foundation, sees in Grimaud a resemblance to Gould: "She has this willingness to take a piece of music apart and free herself from the general body of practice that has grown up around it."

Discography

On Denon

• Rachmaninoff Piano Sonata No. 2 (1986)
• Chopin Ballade No. 1, Liszt Après une Lecture de Dante, Schumann Sonata for Piano (1987)
• Schumann Kreisleriana, Brahms Piano Sonata No. 2 (1989)
• Brahms Piano Sonatas No. 2 & 3, Klavierstücke (1992)
• Rachmaninoff Piano Concerto No. 2, Ravel Piano Concerto (1993)

On Erato

• Schumann Piano Concerto, Richard Strauss Burleske (1995)
• Brahms Piano Pieces Op. 116–119 (1996)
• Gershwin Piano Concerto, Ravel Piano Concerto (1997)
• Brahms Piano Concerto No. 1 (1998)

On Teldec

• Beethoven Piano Concerto No. 4, Piano Sonata No. 30, Piano Sonata No. 31 (1999)
• Rachmaninoff Piano Concerto No. 2, Prelude Op. 32/12, Études-Tableaux Op. 33/1, 2 and 9, Variations on a Theme of Corelli (2001)
• Beethoven Piano Concerto No. 4, Schumann Piano Concerto, Op. 54 (2003)

On Deutsche Grammophon

• Credo, comprising John Corigliano: Fantasia on an Ostinato, Beethoven: Piano Sonata No. 17 "Tempest", Choral Fantasy, Arvo Pärt: Credo (2003)
• Chopin | Rachmaninoff (2005)
• Bartók The Piano Concertos (on the third) (2005)
• Reflection (2006)
• Beethoven Piano Concerto No. 5 "Emperor", Piano Sonata No. 28 (2007)
• Bach Various (2008)
• Resonances, Mozart: Sonata No. 8, Berg: Sonata op.1, Liszt: Sonata in B minor, Bartok: Romanian Folk Dances (2013).
• Mozart Piano Concerto No. 19, Piano Concerto No. 23, Ch'io mi scordi di te? (with Mojca Erdmann, soprano).
• Brahms Piano Concertos Nos. 1 & 2 with the Bavarian Radio SO and Vienna PO, conducted by Andris Nelsons (2013).
• Water [Limited Edition] (2016).

On Philips

• Schumann Sonata for Violin and Piano in A minor, Op. 105, Gidon Kremer violin and Helene Grimaud piano. Recording date: 7/1989. Release: Lockenhaus Festival 1982-1992 A Decade of Music-Making (1997)

On ACA Digital Recording, Inc

• Bassoon Music Of The Americas, Composers on Bassoon Music Of The Americas: Alvin Etler, Waldir Azevedo, Jose Siqueira, Magda Santos/Pó, Pixinguinha, Heitor Villa-Lobos, Willson Osborne. Jeff Keesecker - bassoon & Hélène Grimaud - piano (2002)

Bibliography

• Variations sauvages (2003, published in English as Wild Harmonies)
• Leçons particulières (2005)
• Retour à Salem (2013)
• D.T. Max, "Her way: A pianist of strong opinions", New Yorker 87/35 (7 November 2011), 58-65.

Notes and references

References

• James R. Oestreich, "Recording as a Road to Recovery", New York Times, 27 January 2011
• New Yorker Profile by D. T. Max: "Her Way, A pianist of strong opinions", 7 November 2011
• Daniel J. Wakin, "Titans Clash Over a Mere Cadenza", New York Times, 30 October 2011

External links

• Literature by and about Hélène Grimaud in the German National Library catalogue
• Official Website
• Biographical information
• Wolf Conservation Center
• Interview with Helene Grimaud and performances of Bartok and Liszt on PBS "Sound Tracks presents Quick Hits'
• Classical Archives Interview