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In Christian tradition the Holy Chalice is the vessel which Jesus used at the Last Supper to serve the wine. The vessel is referred to in the Gospels of Matthew, Mark and Luke, the word "cup" being generally used in English translations. The celebration of the Eucharist in Christian churches and communities retains the original elements of the Last Supper, the bread and the "cup" or chalice, with the celebrant using the words of Jesus, as recorded in the Gospels. There are traditions in the Catholic Church that the Holy Chalice still exists and may be identified with one of several candidates. However, the evidence supporting these claims is still widely questioned.[not verified in body] The Holy Chalice is also associated with the Holy Grail, because of literary tradition originating in medieval times.
- 1 History and tradition
- 2 Four medieval relics
- 3 See also
- 4 References
- 5 Sources
- 6 Further reading
History and tradition
The Last Supper
And He took a cup and when He had given thanks He gave it to them saying "Drink this, all of you; for this is My blood of the covenant, which is poured out for many for the forgiveness of sins. I tell you, I shall not drink again of the fruit of the vine until I drink it new with you in My Father's kingdom."
This incident, traditionally known as the Last Supper, is also described by the gospel writers, Mark and Luke, and by the Apostle Paul in I Corinthians. With the preceding description of the breaking of bread, it is the foundation for the tradition of the Eucharist or Holy Communion, celebrated regularly in many Christian churches. The Bible makes no mention of the cup except within the context of the Last Supper and gives no significance whatsoever to the object itself.
The table was not of silver, the chalice was not of gold in which Christ gave His blood to His disciples to drink, and yet everything there was precious and truly fit to inspire awe.
Herbert Thurston in the Catholic Encyclopedia (1908) concluded that:
No reliable tradition has been preserved to us regarding the vessel used by Christ at the Last Supper. In the sixth and seventh centuries pilgrims to Jerusalem were led to believe that the actual chalice was still venerated in the church of the Holy Sepulchre, having within it the sponge which was presented to Our Saviour on Calvary.
No reliable tradition has been preserved regarding the vessel used by Christ at the Last Supper.
According to one tradition, Saint Peter passed it on to his successors (the Popes) until Sixtus II in 258, when Christians were being persecuted by Emperor Valerian, and the Romans demanded that relics be turned over to the government. Pope Sixtus gave the cup to his deacon, Saint Lawrence, who passed it to a Spanish soldier, Proselius, with instructions to take it to safety in Lawrence's home country of Spain.
The continuing tradition of the association of the Holy Chalice with Spain is that it was safeguarded by a series of Spanish monarchs, including King Alfons de Castella in 1200. At one point when he needed money for a military campaign, Alfonso borrowed from the Cathedral of Valencia, using the Chalice as collateral. When he defaulted on the loan, the relic became the property of the Church (see Holy Chalice of Valencia, below).
Iconography of the Holy Chalice
The iconic significance of the Chalice grew during the Early Middle Ages. Depictions of Jesus praying in the Garden of Gethsemane, such as that in the fourteenth-century frescoes of the church at the Öja, Gotland (illustration, right), show a prefigured apparition of the Holy Chalice that stands at the top of the mountain, illustrating the words "Let this cup be taken from me". Together with the halo-enveloped Hand of God and the haloed figure of Jesus, the halo image atop the chalice, as if of a consecrated communion wafer, completes the Trinity by embodying the Holy Spirit.
Association with the "Holy Grail"
There is an entirely different and pervasive tradition concerning the cup of the Last Supper. In this highly muddled though better-known version, the vessel is known as the Holy Grail. In this legend, the cup was used to collect and store the blood of Christ at the Crucifixion. This conflicts with the notion that Peter might have used the cup of the Last Supper to celebrate the Mass.
Although the traditions of the Holy Chalice and the Holy Grail seem irreconcilable, there is an underlying concept. Since in Catholic theology, the wine consecrated in the mass becomes the literal blood of Christ, both of these seemingly conflicting traditions emphasise the vessel as a cup which holds the blood of Jesus Christ, either in sacramental or literal form.
Oral tradition, poems and bardic tales combined the stories of the Holy Chalice and the Holy Grail. A mix of fact and fiction incorporated elements around Crusaders, knights and King Arthur, as well as being blended with Celtic and German legends. In 1485, Sir Thomas Malory, combined many of the traditions in his King Arthur and the Knights (Le Morte d'Arthur), in which the fictional character of Sir Galahad goes on the quest for the Holy Grail.
Four medieval relics
During the Middle Ages, three major contenders for the position of Holy Chalice stood out from the rest, one in Jerusalem, one in Genoa and the third in Valencia. A fourth medieval cup was briefly touted as the Holy Chalice when it was discovered in the early 20th century; it is known as the Antioch Chalice and is in the Metropolitan Museum, New York.
The earliest record of a chalice from the Last Supper is the account of Arculf a 7th century Anglo-Saxon pilgrim who described it in De locis sanctis as being located in a reliquary in a chapel near Jerusalem, between the basilica of Golgotha and the Martyrium. He described it as a two-handled silver chalice with the measure of a Gaulish pint. Arculf kissed his hand and reached through an opening of the perforated lid of the reliquary to touch the chalice. He said that the people of the city flocked to it with great veneration. (Arculf also saw the Holy Lance in the porch of the basilica of Constantine.) This is the only mention of the Holy Chalice being situated in the Holy Land.
Of two vessels that survive today, one is at Genoa, in the cathedral. The hexagonal vessel is known as the sacro catino, the holy basin. Traditionally said to be carved from emerald, it is in fact a green Egyptian glass dish, about fourteen inches (35 cm) across. It was sent to Paris after Napoleon’s conquest of Italy, and was returned broken, which identified the emerald as glass. Its origin is uncertain; according to William of Tyre, writing in about 1170, it was found in the mosque at Caesarea in 1101: "a vase of brilliant green shaped like a bowl." The Genoese, believing that it was of emerald, accepted it in lieu of a large sum of money. An alternative story in a Spanish chronicle says that it was found when Alfonso VII of Castile captured Almería from the Moors in 1147 with Genoese help, un vaso de piedra esmeralda que era tamanno como una escudiella, "a vase carved from emerald which was the size of a dish". The Genoese said that this was the only thing they wanted from the sack of Almería. The identification of the sacro catino with the Holy Chalice is not made until later, however, by Jacobus de Voragine in his chronicle of Genoa, written at the close of the 13th century.
The other surviving Holy Chalice vessel is the santo cáliz, an agate cup in the Cathedral of Valencia. It is preserved in a chapel consecrated to it, where it still attracts the faithful on pilgrimage.
The piece is a hemispherical cup made of dark red agate which is mounted by means of a knobbed stem and two curved handles onto a base made from an inverted cup of chalcedony. The agate cup is about 9 centimeters (3.5 inches) in diameter and the total height, including base, is about 17 centimetres (7 inches) high. The agate cup, without the base, fits a description by Saint Jerome. The lower part has Arabic inscriptions.
After an inspection in 1960, the Spanish archaeologist Antonio Beltrán asserted that the cup was produced in a Palestinian or Egyptian workshop between the 4th century BC and the 1st century AD. The surface has not been dated by microscopic scanning to assess recrystallisation.
The Chalice of Valencia comes complete with a certificate of authenticity, an inventory list on vellum, said to date from AD 262, that accompanied a lost letter of which details state-sponsored Roman persecution of Christians that forces the church to split up its treasury and hide it with members, specifically the deacon Saint Lawrence. It goes on to enumerate all precious items. The physical properties of the Holy Chalice are described and it is stated the vessel had been used to celebrate Mass by the early Popes succeeding Saint Peter.
The first explicit inventory reference to the present Chalice of Valencia dates from 1134, an inventory of the treasury of the monastery of San Juan de la Peña drawn up by Don Carreras Ramírez, Canon of Zaragoza, 14 December 1134: "En un arca de marfil está el Cáliz en que Cristo N. Señor consagró su sangre, el cual envió S. Lorenzo a su patria, Huesca". According to the wording of this document, the Chalice is described as the vessel in which "Christ Our Lord consecrated his blood".
Pope John Paul II himself celebrated mass with the Holy Chalice in Valencia in November 1982, causing some uproar both in skeptic circles and in the circles that hoped he would say accipiens et hunc praeclarum Calicem ("this most famous chalice") in lieu of the ordinary words of the Mass taken from Matthew 26:27). For some people, the authenticity of the Chalice of Valencia failed to receive papal blessing.
In July 2006, at the closing Mass of the 5th World Meeting of Families in Valencia, Pope Benedict XVI also celebrated with the Holy Chalice, on this occasion saying "this most famous chalice", words in the Roman Canon said to have been used for the first popes until the 4th century in Rome, and supporting in this way the tradition of the Holy Chalice of Valencia. This artifact has seemingly never been accredited with any supernatural powers, which legend apparently confines to other relics such as the Holy Grail, the Holy Lance and the True Cross.
In Saint Laurence and the Holy Grail, Janice Bennett claims to trace the chalice's history, carried on Saint Peter's journey to Rome, entrusted by Pope Sixtus II to Saint Lawrence in the 3rd century, sent to Huesca in Spain when the Hispanic saint was martyred on a gridiron during the Valerian persecution in Rome in AD 258, sent to the Pyrenees for safekeeping, where it passed from monastery to monastery, in accordance with all the claims to former possession of the Chalice, and venerated by the monks of the Monastery of San Juan de la Peña. Emerging there into the light of history, the monastery's agate cup was acquired by King Martin I of Aragon in 1399 who kept it at Zaragoza. After his death, King Alfonso V of Aragón brought it to Valencia, where it has remained.
Bennett presents as historical evidence a 17th century Spanish text entitled Life and Martyrdom of the Glorious Spaniard St. Laurence from a monastery in Valencia, which is supposed to be a translation -as the original manuscript does not exist of a 6th century manuscript Latin entitled Vita, written by Donato, an Augustinian monk who founded a monastery in the area of Valencia, which contains circumstantial details of the life of Saint Laurence and details surrounding the transfer of the Chalice to Spain. Her claims are not corroborated by the main source for the life of St. Laurence, the poem Peristephanon by the 5th century poet Prudentius, which does not mention the Chalice that was later said to have passed through his hands.
In 1960 the Spanish archeologist Antonio Beltrán studied the Chalice and concluded: "Archeology supports and definitively confirms the historical authenticity". "Everyone in Spain believes it is the cup," Bennett said to a reporter from the Denver Catholic Register. "You can see it every day that the chapel is open."
The silver-gilt object originally identified as an early Christian chalice is in the collection of the Metropolitan Museum of Art in New York. It was apparently made at Antioch in the early 6th century and is of double-cup construction, with an outer shell of cast-metal open work enclosing a plain silver inner cup. When it was first recovered in Antioch in 1910, it was touted as the Holy Chalice, an identification the Metropolitan Museum characterizes as "ambitious". It is no longer identified as a chalice, having been identified by experts at Walters Art Museum in Baltimore, Maryland, believed to be a standing lamp, of a style of the 6th century.
- Bible gateway, Matthew 26:27
- Thurston, Herbert. "Chalice." The Catholic Encyclopedia. Vol. 3. New York: Robert Appleton Company, 1908. 27 Jul. 2013
- While this appears to refer to an association with the Holy Grail, during the Last Supper Christ referred to the wine as "My blood which is poured out for many." Moreover, with the Roman Catholic doctrine of transubstantiation, the wine used during the Eucharist is considered to become truly the blood of Christ. For the subsequent separate development of a Grail myth see Holy Grail.
- Metropolitan Museum
- Bennett, Janice, Saint Laurence and the Holy Grail (self-published through the Catholic Ignatius Press), 2004.
- Eisen, Gustavus A., The great chalice of Antioch, New York, Fahim Kouchakji, 1933.
- Eisen, Gustavus A., The great chalice of Antioch, on which are depicted in sculpture the earliest known portraits of Christ, apostles and evangelists, New York, Kouchakji frères, 1923.
- Salvador Antuñano Alea, Truth and Symbolism of Holy Grail: Revelations Surrounding Valencia's Sacred Chalice (in Spanish, with a prologue by Archbishop Agustin Garcia Gasco of Valencia), 1999
- Strzygowski, Josef, L'ancien art chrétien de Syrie, Paris, E. de Boccard, 1936.
- Relics of the Passion, 2005, History Channel video documentary
- The Grail of the Last Supper:with a chronicle of the supposed movements of the Santo Caliz
- Catholic Encyclopedia: Chalice (illustration of the Holy Chalice of Valencia)
- Report in the Denver Catholic Register
- "Spanish academic revives speculation about authenticity of the Holy Grail", October 1999
- Valencia Cathedral
- Metropolitan Museum: Antioch Chalice
- Weitzmann, Kurt, ed., Age of spirituality: late antique and early Christian art, third to seventh century, no. 542, 1979, Metropolitan Museum of Art, New York, ISBN 9780870991790; full text available online from The Metropolitan Museum of Art Libraries.