Leap of Faith (film)
|Leap of Faith|
Original theatrical poster
|Directed by||Richard Pearce|
|Produced by||Michael Manheim|
David V. Picker
|Written by||Janus Cercone|
|Music by||Cliff Eidelman|
|Cinematography||Matthew F. Leonetti|
|Edited by||John F. Burnett|
|Distributed by||Paramount Pictures|
|Box office||$23.4 million|
Leap of Faith is a 1992 American comedy-drama film directed by Richard Pearce and starring Steve Martin, Debra Winger, Lolita Davidovich, Liam Neeson, and Lukas Haas. The film is about Jonas Nightengale, a Christian faith healer who uses his revival meetings to milk money out of the inhabitants of Rustwater, Kansas. 
Faith healer Jonas Nightengale (Steve Martin) makes a living traveling across America holding tent revival meetings and conducting purported "miracles" while being helped by his friend and manager Jane Larson (Debra Winger), and an entourage of fellow con artists.
One of their trucks breaks down in the fictional town of Rustwater, Kansas. Rustwater, with its 27 percent unemployment rate, is in desperate need of rain to save its crops. Learning they will be stuck in Rustwater for days waiting for replacement parts to come in for one of the many big trucks of their fleet, Jonas decides to hold revival meetings despite the town's small size in an effort to cut some of their losses while the truck is being repaired. Early on, Jonas meets Marva, a waitress in a local café but she rebuffs his persistent advances.
Local sheriff Will Braverman (Liam Neeson) is skeptical and tries to prevent his townspeople from being conned out of what little money they do have. First, he engages in some legal harassment, sending all of the city and county inspectors to examine his facilities. After seeing the excessive pageantry of the first show and the counting of money by the team on Jonas' tour bus, Braverman decides to investigate Jonas' past. He learns that Jonas (claiming to have been born in a humble log cabin in the Appalachians) is in fact Jack Newton, a native of New York City who lived a life of crime in his teen years (including petty theft and drug possession). Braverman shares this information with the townspeople who have gathered for another tent revival. Jonas storms off the stage, soon returning to successfully spin Braverman's report, leaving the crowd more energized than ever, much to Braverman's exasperation.
Jonas also gives back the collections for the day, saying he could not take their money in good conscience knowing that they doubted him and that if his faith was strong God would send them a sign. He also has his crew secretly plant an additional $80 among the crowd, setting up the believers for a miracle the next day. The next morning, the huge crucifix forming the backdrop of the revival tent with Jesus' eyes normally closed is found to somehow have his eyes opened. A shocked Jonas, in front of all the townspeople and numerous television cameras from the region's network affiliates, proclaims it a miracle which is amplified as townsfolk who had money planted on them reveal their unexplained fortunes.
Throughout all of this is a subplot involving Jane and Braverman, who find themselves falling for each other. She becomes enchanted by Braverman's simple farm life and his interest in butterflies. However, after Braverman's disclosure of Jonas' past Jane breaks off their budding relationship. They soon, however, meet again and Jane confesses to Braverman that she is tired of manipulating people. He makes it clear he would like a permanent relationship with her if she will stay.
Meanwhile, Jonas can't understand why Marva won't date him. Marva points to her brother Boyd who walks with crutches following an auto accident in which also their parents died. Marva explains that doctors couldn't find anything physically wrong with him, so as a last resort she took him to a faith healer who subsequently blamed it on Boyd's supposed lack of faith. Marva now detests faith healers, having had one blame her brother for his own psychosomatic disability.
Boyd comes to believe that Jonas can make him walk again. He goes to the revival and implores Jonas to heal him. Jonas finishes the show while pretending not to notice the boy, but is compelled to return to the stage after the crowd begins to chant "one more."
Jonas spins the expected failure to heal Boyd by blaming Braverman, who is present, saying that if a failure occurs, it will be due to Braverman's skepticism. Boyd walks to the open-eyed crucifix and touches the feet of Jesus Christ. He drops his crutches and begins to walk unassisted. The awed crowd sweeps the stage. After the show, an enraged Jonas rails to Jane that he was conned and that Boyd upstaged him. Jane doesn't believe it was a con. The production crew are thrilled with all the money that came in as a result of Boyd being healed and want Boyd to join the show. A clearly annoyed Jonas reluctantly agrees and stalks off the bus. Jane follows him out and they argue.
After the revival, Jonas enters the empty, darkened tent and mocks the crucifix and Christianity. Boyd walks in while Jonas is talking. Boyd thanks Jonas for healing him, but Jonas insists angrily that he did nothing. Boyd says it doesn't matter, that the job still got done. Jonas accuses Boyd of being a better con artist than he himself. Boyd wants to join Jonas on the road, telling him a lot of ways he can help out exist and promising to earn his keep. Jonas agrees to meet Boyd the following morning, implying Boyd can come. Then Boyd's sister Marva arrives. She sends him out of the tent saying that people are looking for him. She thanks Jonas, who tells her that he will not be meeting her brother Boyd the next morning. He asks her to tell Boyd that "just because a person didn't show up doesn't mean that the person doesn't care about them." referencing a set up earlier in the movie where Jane defended Jonas by telling Braverman the story of a five-year-old Jonas waiting in vain for four days for his mother to return, for many years while living in an orphanage holding steadfast to the belief that one day she indeed would. (The line is also found in the 1999 film adaptation of Graham Greene's The End of the Affair.)
Jonas leaves the tent and sees the crowd that has gathered just outside it, many praying, some sleeping in groups, and others feeding the crowd that has gathered. He begins to understand that Boyd's miracle, and the faith that enabled it, are real after all. He packs a bag and departs alone under the cover of darkness, leaving behind his entire road show and most of all of the rest of everything that he owns - including his silver-sequined jacket and an envelope for Jane containing his ring that she had long coveted - and hitches a ride on the nearby Interstate from which they had come to Rustwater at the start of the story. Braverman and Jane drive to Jonas' motel room and find him gone.
Jonas hitches a ride with a truck driver bound for Pensacola, Florida. When asked by the driver if he is in some kind of trouble, Jonas replies "No sir, no sir. Probably for the first time in my life". As they continue to ride along, the drought, threatening the crop harvest that is the centerpiece of the town's economy, comes to a dramatic end in a miraculous downpour. Jonas laughs silently to himself as he realizes the truth, and the film ends as he rides off into the stormy evening, hanging out the truck window loudly thanking Jesus for the rain.
- Steve Martin as Jonas Nightengale
- Debra Winger as Jane Larson
- Lolita Davidovich as Marva
- Liam Neeson as Sheriff Will Braverman
- Lukas Haas as Boyd
- Albertina Walker as Lucille
- Meat Loaf as Hoover
- Philip Seymour Hoffman as Matt
- M. C. Gainey as Tiny
- La Chanze as Georgette
- Delores Hall as Ornella
- Phyllis Somerville as Dolores
- Troy Evans as Officer Lowell Dade
- Edwin Hawkins as choirmaster
The movie was filmed in Groom, Texas, Claude, Texas,and Tulia, Texas, though parts of the movie were filmed in Plainview, Texas, where the town water tower still has the fictional town mascot painted on the side. Martin became the film's leading actor after Michael Keaton quit the production. The consultant for cons and frauds was Ricky Jay who was called in a 1993 article of The New Yorker as "perhaps the most gifted sleight-of-hand artist alive". 
In other media
See also: Leap of Faith (musical)
The Center Theatre Group presented the musical at the Ahmanson Theatre, Los Angeles, with Rob Ashford as director and choreographer. Performances began on September 11, 2010, with an official opening on October 3, 2010, running through October 24, 2010. Raul Esparza played the role of Jonas Nightengale and Brooke Shields played the role of Marva. The musical began previews on Broadway at the St. James Theatre on April 3, 2012, and opened on April 26, 2012 before closing after only 20 performances. Direction was by Christopher Ashley, choreography by Sergio Trujillo, a revised book by Warren Leight, with a cast featuring Raúl Esparza as Jonas Nightengale, and Jessica Phillips as Marla.
- The Miracle Woman, a 1931 film with a similar plot
- Faith/Fake Healers-Leap of Faith-Renegade Cut-YouTube
- "Internet Movie Database: Leap of Faith Trivia". Internet Movie Database. 2007. Retrieved 2007-04-23.
- Rotten Tomatoes
- Jones, Kenneth."Leap of Faith, Menken's Gospel-Filled Musical Comedy, Will Premiere in L.A." Archived 2010-01-31 at the Wayback Machine playbill.com, January 28, 2010
- Gans, Andrew."Raúl Esparza and Brooke Shields To Star in Leap of Faith at the Ahmanson" Archived 2010-07-26 at the Wayback Machine playbill.com, June 21, 2010
- Jones, Kenneth (January 12, 2012). "Leap of Faith's Broadway Launch Will Be April 3; Jessica Phillips, Raul Esparza, Kendra Kassebaum Star". Playbill. Archived from the original on January 16, 2012. Retrieved January 13, 2012.
- Leap of Faith on IMDb
- Leap of Faith at Rotten Tomatoes
- Leap of Faith at AllMovie
- Leap of Faith at Box Office Mojo
- Review/Film; Steve Martin as a Healer With Faith Only in Lies December 18, 1992
- Leap Of Faith by Roger Ebert
- Faith Healers deal in phony shows and false hopes The Observer
- Randi and Popoff BBC 9 Dec 06
- Listing notes for The Faith Healers, by James Randi, which formed the basis for this film.
- On Entering the Third Decade by Paul Kurtz
- The third eye by Pat Reeder