Manoos
| Manoos | |
|---|---|
| [[File:Manoos_Aadmi.jpg
Film Poster | |
| Directed by | V. Shantaram |
| Written by | A. Bhaskarrao |
| Produced by | Prabhat Film Company |
| Starring | Shahu Modak Shanta Hublikar Sundara Bai Ram Marathe |
| Cinematography | V. Avdhoot |
| Music by | Master Krishnarao |
Production company | |
Release date |
|
Running time | 164 minutes |
| Country | India |
| Language | Marathi |
Manoos, also called Life's for Living, is a 1939 Indian Marathi social melodrama film directed by V. Shantaram.[1] The movie then remade in Hindi as Aadmi. The film was based on a short story called "The Police Constable".[2] The story was by A. Bhaskarrao with screenplay and dialogue by Anant Kanekar.[3] The cinematographer was V. Avadhoot and the music was composed by Master Krishna Rao with lyrics by Kanekar.[4] The cast included Shahu Modak, Shanta Hublikar, Sundara Bai, Ram Marathe, Narmada, Ganpatrao, Raja Paranjpe.[5]
Manoos, termed as a "reformist social melodrama",[6] involved the subject of an honest policemen's love for a prostitute and his attempts to rehabilitate her, and the rejection by society.[7]
Plot
Shahu Modak plays the role of an honest policeman, Ganpat, who on his beat round meets a prostitute, Maina (Shanta Hublikar). He saves her when there is a police raid on the sex-workers. Over their several meetings he falls in love with her. He attempts Maina's rehabilitation by getting her out of that atmosphere by marrying her. In this endeavour he takes her to meet his mother to get her approval. The social disapproval brings misery. Modak resorts to drinks and descends into alcoholism. Maina is driven by guilt and is unable to bear the jeers and snide remarks. She finally kills her evil uncle and refuses Ganpat's help when arrested.
Cast
- Shahu Modak as Ganpat
- Shanta Hublikar as Maina
- Sundarabai as Ganpat’s mother
- Budasaheb
- Ram Marathe
- Gauri
- Manju
- Narmada Shankar
- Ganpatrao Tambat
- Raja Paranjpe
- Manajirao
Review
Shantaram was "admired" as a visionary for his social reformist films like Shejari in Marathi or Padosi in Hindi is about Hindu/Muslim unity, Manoos/Aadmi for the topic of alcoholism as well as upliftment of women, and Kunku/Duniya Na Mane for women's emancipation.[8] The film completed 75 years in 2014, and still "remains fresh".[9] The film is stated to be "classic" along with his other two films Kunku (1937) and Shejari or Padosi (1941),[10] and cited as one of the "best social films" that became successful.[11] Manoos was appreciated by the audiences and commended by Charlie Chaplin.[12]
Production
Shantaram had initially decided to take Shanta Apte as the sex-worker and had auditioned the music director Vasant Desai for the hero's role. Desai's screen test was successful, however, he was disappointed when Shantaram informed him that he was taking the newcomer Shahu Modak for the part.[13] Modak's debut role had been as a child star opposite Shanta Apte in Shyam Sunder (1932), where he played the child Krishna. With Manoos/Aadmi he became a "top level star".[14] Shantaram visited the red light areas of Bombay in order to achieve accurate sets, which were recreated by S. Fattelal at Prabhat Studios. Director Shyam Benegal stated in the news report that "it was hard to believe" the scenes were shot in a studio.[2] A retired army officer was hired to give training to Modak and the other cast playing policemen. The training sessions turned out be vigorous and lengthy and Modak had to ask them to be stopped.[9]
The film bore some similarity to Waterloo Bridge (1931), directed by James Whale.[4]
Soundtrack
The music composer was Master Krishnarao and the lyricist was Anant Kanekar. The song, "Kashala Udyachi Baat- Hi Sarun Chalali Raat" (Why do you worry about tomorrow, the night is slipping away)' became popular.[2] It contained a mix of six Indian languages, Marathi, Hindi, Tamil, Telugu, Bengali, Gujarati and Punjabi.[4] According to Anil Damle, grandson of Vishnupant Govind Damle, the music composer Anil Biswas and other regional composers were hired to get "the correct lyrics and pronunciation".[9]
Songs
| # | Title | Singer(s) |
|---|---|---|
| 1 | Diwali, Diwali Aali | Shanta Hublikar |
| 2 | Lootuya Premacha Bazar | Hublikar |
| 3 | Kashala Udyachi Baat | Shanta Hublikar |
| 4 | Tod Soh Moha | Shahu Modak |
| 5 | Man Paapi Bhoola | Sundarabai |
| 6 | Ja Ja Kushal | Shanta Hublikar |
| 7 | Gulzar Nari Nyari | Ram Marathe |
References
- ^ Ashish Rajadhyaksha; Paul Willemen; Professor of Critical Studies Paul Willemen (10 July 2014). Encyclopedia of Indian Cinema. Routledge. pp. 277–. ISBN 978-1-135-94318-9. Retrieved 21 February 2015.
- ^ a b c "Marathi film 'Manoos' turns 75, revives the golden era of director V Shantaram". Movies. ibnLive. IBN. 10 September 2014. Retrieved 22 February 2015.
- ^ "Manoos (1939)-Cast and crew". gomolo.com. Gomolo.com. Retrieved 22 February 2015.
- ^ a b c "Manoos". indiancine.ma. Indiancine.ma. Retrieved 22 February 2015.
- ^ "Manoos". citwf.com. Alan Goble. Retrieved 22 February 2015.
- ^ Christine Gledhill (1 January 2012). Gender Meets Genre in Postwar Cinemas. University of Illinois Press. pp. 175–. ISBN 978-0-252-03661-3. Retrieved 22 February 2015.
- ^ "History Of Marathi Cinema In Mumbai And The Marketing Strategies Adopted" (PDF). shodhganga.inflibnet.ac.in. Shodhganga. Retrieved 21 February 2015.
- ^ Nilu N. Gavankar (2011). The Desai Trio and the Movie Industry of India. AuthorHouse. pp. 40–. ISBN 978-1-4634-1941-7. Retrieved 22 February 2015.
- ^ a b c Shukla, Rupali (7 September 2014). "V Shantaram's revolutionary film 'Manoos' completes 75 years". Bennett, Coleman & Co. Ltd. Times of India. Retrieved 22 February 2015.
- ^ S. Lal (1 January 2008). 50 Magnificent Indians Of The 20Th Century. Jaico Publishing House. pp. 275–. ISBN 978-81-7992-698-7. Retrieved 22 February 2015.
- ^ "Avalude Ravukal-1978". the Hindu. The Hindu. Retrieved 22 February 2015.
- ^ "Aadmi 1939". indiavideo.org. India Video. Retrieved 14 July 2014.
- ^ Gavankar2011, p. 43
- ^ Ashok Raj (1 November 2009). Hero Vol.1. Hay House, Inc. pp. 50–. ISBN 978-93-81398-02-9. Retrieved 22 February 2015.
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