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Norina Matchabelli

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Norina Matchabelli
Stage name Maria Carmi
Born
Norina Gilli

(1880-03-03)3 March 1880
Florence, Italy
Died15 June 1957(1957-06-15) (aged 77)
Myrtle Beach, South Carolina, U.S.
Occupation(s)Actress
Perfumer
TitlePrincess
Spouse(s)Karl Vollmöller
Prince Georges V. Matchabelli

Princess Norina Matchabelli (3 March 1880 – 15 June 1957), born Norina Gilli in Florence, Italy, was co-founder of the perfume company Prince Matchabelli, a stage and screen actress, mystic, publisher, and a devoted mandali of Indian spiritual teacher Meher Baba. Her stage name was Maria Carmi.

Acting career as Maria Carmi

Norina Gilli began her stage career at Max Reinhardt's acting school at the Deutsches Theater and belonged to his company from 1907 to 1909. Under the stage name Maria Carmi, Norina played in Italian and German theater and in silent films. Her most notable performance was as the Madonna in the original spectacle-pantomime play The Miracle written by Karl Vollmöller whom she married in 1904. The play was originally produced in Germany. It opened in London on 23 December 1911 at the Olympia Arena.[1] On 23 December 1923 it was revived in New York on Broadway, then went on a tour of Detroit, Milwaukee and Dallas. In the New York version she alternated nightly with Lady Diana Manners, another international beauty of the period.[2] In all Norina gave over 1,000 performances of the play.[3]

Princess and perfume

After divorcing Vollmöller, Norina married Georges V. Matchabelli, the Georgian prince and diplomat, in Stockholm, Sweden in 1917.[4] Georges was the Georgian ambassador to Italy until the 1921 Bolshevik takeover of Georgia, and lived in Rome. The couple moved to the United States in 1923. Georges was an amateur chemist and with Norina co-founded the now-famous perfume company Prince Matchabelli in 1926. In 1933 Norina and Georges divorced. Georges died in 1935 and in 1936 Norina sold the company to Saul Ganz for $250,000.[5]

Meher Baba

In 1931 Matchabelli met Spiritual teacher Meher Baba and became a devotee. She introduced many notable figures of the day to Meher Baba including Gabriel Pascal,[6] Mercedes de Acosta[7] and Karl Vollmöller (her first husband). She also founded the periodical Meher Baba Journal in 1938.[8]

In the early 1940s Matchabelli co-founded the Meher Spiritual Center with Elizabeth Chapin Patterson in Myrtle Beach, South Carolina, U.S.[9]

In the 1940s Norina Matchabelli gave a series of well-attended public talks in Carnegie Hall, New York City and other places in which she said she was delivering "thought-transmission" messages directly from Meher Baba. When speaking, the personal "I" switched to "I, Meher Baba." This startled some of Meher Baba's followers and they questioned Baba on it in India, but he did not appear concerned.[10] Thus Norina gained the reputation of a mystic or clairvoyant, an eccentric, and relatively occult in her thinking in comparison with other followers of Meher Baba at that time.

Death

Norina Matchabelli died at Youpon Dunes in Myrtle Beach in 1957 at the age of 77. Her ashes were interred close by Meher Baba's samadhi on Meherabad Hill, near Ahmednagar, India. Her grave marker bears the inscription: Princess Norina was and will ever remain Baba's.[11]

Filmography

Maria Carmi in The Miracle, 1912 (not to be confused with Das Mirakel (1912 film))
  • 1912: The Miracle
  • 1914: Eine venezianische Nacht
  • 1914: L'Accordo in minore
  • 1914: Sperduti nel buio
  • 1915: Teresa Raquin
  • 1915: Fluch der Schönheit
  • 1915: Der Hermelinmantel
  • 1915: Die rätselhafte Frau
  • 1915: Sophias letztes Gesicht
  • 1916: Das Wunder der Madonna
  • 1916: Für den Ruhm des Geliebten
  • 1916: Aphrodite
  • 1916: Homunculus, Teil I
  • 1916: Homunculus, Teil IV - Die Rache des Homunculus
  • 1916: Der Pfad der Sünde
  • 1916: Der Letzte eines alten Geschlechts
  • 1916: Die Richterin von Solvigsholm
  • 1916: Das Haus der Leidenschaften
  • 1916: Der Fluch der Sonne
  • 1917: Der Weg des Todes
  • 1917: Wenn Tote sprechen
  • 1917: Die Memoiren der Tragödin Thamar
  • 1917: Rächende Liebe
  • 1918: Das Spitzentuch der Fürstin
  • 1920: Per il passato
  • 1921: Forse che si, forse che no

References

  1. ^ Boosey & Hawkes
  2. ^ New York Times, 24 January 1924
  3. ^ Awakener Magazine, Volume 20 Number 2, 1983
  4. ^ United States Petition for Citizenship, Southern District of New York, 17 May 1932
  5. ^ New York Times, 2 June 1986
  6. ^ Kalchuri, Bhau, Lord Meher, Manifestation, Inc. 1986, p. 1861
  7. ^ Kalchuri, Bhau, Lord Meher, Manifestation, Inc. 1986, p. 1940
  8. ^ Baba, Meher, Discourses, Revised 6th Ed. 2007, Sheriar Foundation, Vol. IV, Supplement, A History of the Discourses
  9. ^ Meher Spiritual Center : A Brief History
  10. ^ Heroines of the Path
  11. ^ Meher Baba Trust Website
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