OTI Festival 1979
OTI Festival 1979 | |
---|---|
![]() | |
Dates | |
Final | 8 December 1979 |
Host | |
Venue | National Theatre of the Military Academy, Caracas, Venezuela |
Presenter(s) | Eduardo Serrano Carmen Victoria Pérez |
Musical director | Anibal Abreu |
Host broadcaster | Venevisión |
Participants | |
Number of entries | 21 |
Debuting countries | None |
Returning countries | ![]() ![]() |
Non-returning countries | None |
Vote | |
Voting system | Each country had 7 jurors and each of them voted for their favourite entry. |
Winning song | ![]() |
The OTI Festival 1979 was the eighth edition of the annual OTI Festival. It was held in Caracas, Venezuela after being decided in a draw. Organised by the Organización de Televisión Iberoamericana (OTI) and host broadcaster Venevisión, the contest was held at the National Theatre of the Military Academy on Saturday 8 December 1979 and was hosted by Eduardo Serrano and Carmen Victoria Pérez.
In this edition in which the number of participating countries rose again to 21, Argentina won for the very first time the festival with the performer Daniel Riolobos and his song "Cuenta conmigo" (Count on me).
Background
[edit]In the original rules of the OTI Festival, the participating broadcaster of the winning country would organise the festival in the following year's edition, but for the previous festival, those rules could not be applied due to the tough situation in Nicaragua, the winning country in 1977. As a result, Santiago, the capital city of Chile, became the host city of the festival in 1978. Brazil was the winning country of the previous year's edition with Denise de Kalafe and her song "El amor...cosa tan rara" (Love... Such a strange thing), but again the Iberoamerican Television Organisation decided to organise a draw in order to select the host city of the VIII OTI festival.
Caracas, the capital city of Venezuela, was chosen as the host place of this edition of the festival and Venevisión, the participating broadcaster of the Caribbean country, became the organiser of the event. This festival is remembered in Venezuela as the very first show that was broadcast live in color.[1]
Venue
[edit]The selected venue for this edition of the festival was the Theatre of the Military Academy of Caracas, which is a cultural hall that was built in 1953.[2] This hall, which is located in the district of Santa Mónica, next to the Paseo Los Próceres, has hosted, since it was opened, many theatrical performances, dance shows (for example those of the Venezuelan Academy of Classical Dance), concerts, and other cultural activities, as well as the Miss Venezuela pageant for many years. Although it initially had a seat capacity for only 400 people, the hall, which is administered by the Venezuelan Ministry of Defence, was renovated and by the time Caracas was selected as the host place of the OTI Festival the theatre already had seats for more than 1,000 people, becoming the biggest theatre of the Venezuelan capital.
This venue was selected after a committee between the head members of Venevisión, the privately owned Venezuelan OTI member and participating broadcaster.
Participating countries
[edit]The number of participating countries returned to the record that was set in the sixth edition of the festival, which was held in Madrid back in 1977. Twenty one countries sent their delegations, performers and bands to Caracas. As usual, both state financed and private broadcasting networks that were active members of the Iberoamerican Television Organisation participated in this edition of the festival, amongst them, the host broadcaster Venevisión.
As usual, some of the participating countries such as Mexico, Guatemala, Chile, and also Venezuela, the host country, selected their participating entrants through live-broadcast national finals in order to select their participants. Other broadcasters with a higher or lower level of technical or economical resources decided to select their entrant and song internally.
Unlike the previous two years, there were no withdrawals in this edition of the festival and two traditional participating countries decided to return to the event such as Guatemala, which had withdrawn from the previous edition after the disappointing place the Guatemalan delegation got in Madrid two years before. Portugal also made the decision to return to the event after a one-year withdrawal because of the equally unexpected low result of their performer two years before in the Spanish capital city.
Participating performers
[edit]![](http://upload.wikimedia.org/wikipedia/commons/thumb/5/59/Josecid_concert.jpg/220px-Josecid_concert.jpg)
One of the more notable participations was that of the Portuguese entrant José Cid, who one year later, in 1980, would represent his country in the Eurovision Song Contest in The Hague getting for his country their best position until 2017. He would return the OTI Festival one year later in 1981.
In México, Televisa decided to select their entrant through their traditional and enormously popular "National OTI Contest", which was their national final. In this edition, as that of last year, there was a huge scandal when Estela Núñez, who was an unknown singer back then, won with the support of the jurors against the preferences of the audience. In that country, the favourites to represent Mexico in the international OTI Festival were the widely popular performers Yuri and Emmanuel. Although the selection of Estela Núñez with her song "Vivir sin ti" (To live without you) initially angered the audience, she was applauded after her reprise performance.[3]
![](http://upload.wikimedia.org/wikipedia/commons/5/51/Patricia_Maldonado.jpg)
The Chilean performer Patricia Maldonado was also selected by the traditional Chilean national final. Although Maldonado was already very popular and recognised in Chile when she was selected, her selection is mainly attributed to her support for the Augusto Pinochet military dictatorship.
Ednita Nazario, who was selected internally by Telemundo to represent Puerto Rico in Caracas, is nowadays a very recognised personality in her home country, in Latin America and in the Spanish language communities of the United States of America. In the following edition of the OTI Festival, which was held in Buenos Aires, she was awarded for the composition of the winning song.[4]
The Spanish entrant Rosa María Lobo, who was internally selected and who participated in the OTI Festival with her song "Viviré" (I will live), was already popular in Spain thanks to her participations in the Benidorm Festival and her debut and subsequent studio albums.[5]
The host performer, the Venezuelan Delia Dorta, was selected to represent Venezuela after winning the preselection that Venevisión used to produce in order to select the competing entrant. She sang in the festival the nostalgic ballad "Cuando era niño" (When I was a kid) which turned into a hit in the Caribbean country.[6]
Daniel Riolobos, who was the Argentine entrant and the one who would attract the most of the attention, represented his country with the song "Cuenta conmigo" (Count on me), which was composed by the bolero composer Chico Novarro, and ended up being acclaimed by the jurors.[7]
Presenters
[edit]Two well known Venezuelan presenters, the telenovela actor Eduardo Serrano and Carmen Victoria Pérez, who was very popular at the time and one of the best-known faces in the country for presenting the Miss Venezuela pageant for many years, which is to this day the most watched television program in the country, were announced as this year's presenters. Eduardo Serrano was, and still is, known for his participation in Venezuelan telenovelas.
As the presenters used to do every year, after the opening act, they made a brief introduction of the show highlighting the goals of the OTI as a media organisation and those of the OTI Festival as a showcase of talented performers in Latin America.
When the performance round started, both presenters made a brief individual introduction of the participating singers, quoting the name of the entrants, the lyricist and the director of the orchestra.
When the performance round ended, the presenters started contacting the jurors of every participating country from the theatre, including the jurors from the host country who were located in the Venevisión studios. Both presenters also announced the three most voted contestants when the voting was over.
Running order
[edit]As with the inaugural edition in Madrid in 1972 and in subsequent editions, the host broadcaster, in this case Venevisión, in collaboration with the Iberoamerican Television Organisation (OTI), organised a draw in Caracas a few days before the event took place.
The entrant of the Netherlands Antilles, Don Ramon, was the first to open the performance round with his song "Mi niño" (My Child). This entry got a respectable ninth place, the best one that this country got in the OTI Festival.
The Puerto Rican performer Ednita Nazario was the third one to take the stage with her ballad "Cadenas de fuego" (Chains of Fire), which was well received by the local and Venezuelan press, becoming one of the main favourites to win the event.
Daniel Riolobos, who represented his country, Argentina, was the tenth performer to perform during the night with critical acclaim before the event took place, which made him another main favourite to win the festival.
The host contestant Delia Dorta was the 12th singer to enter the stage with the song "Cuando era niño" (When I Was a Child). She was also one of the main favourites to win the event because the illusion that her entry brought since her selection.
Portugal, with José Cid and his song "Na cabana junto à praia" (In the Hut Next to the Beach) was received with admiration by the audience and by the jurors. He was the sixteenth performer to take the stage.
Another great favourite was the Spaniard Rosa María Lobo, who ended the performance round with her song "Viviré" (I will live).
# | Country | Artist | Song | Language |
---|---|---|---|---|
1 | ![]() |
Don Ramón | Mi Niño (My Child) | Spanish |
2 | ![]() |
Gloria Janeth | Hermano hispanoamericano (Hispanic American Brother) | Spanish |
3 | ![]() |
Ednita Nazario | Cadenas de fuego (Fire Chains) | Spanish |
4 | ![]() |
Omar Franco | Mi Mundo (My World) | Spanish |
5 | ![]() |
Luis Galiach Porta and Pirámide | La mitad de mi naranja (The Half Side of My Orange) | Spanish |
6 | ![]() |
Paola | A Cualquier Hora (At Any Hour) | Spanish |
7 | ![]() |
Miguel Ángel Vergara | Como tener tu cariño (How to have your love) | Spanish |
8 | ![]() |
Andrés Valencia | Niño, Mi niño lindo (Child, My Sweet Child) | Spanish |
9 | ![]() |
Patricia Maldonado | La música (The Music) | Spanish |
10 | ![]() |
Daniel Riolobos | Cuenta conmigo (Count on Me) | Spanish |
11 | ![]() |
Miltinho | Conselho (Advice) | Portuguese |
12 | ![]() |
Delia Dorta | Cuando Era Niño (When I Was a Child) | Spanish |
13 | ![]() |
Estela Núñez | Vivir sin ti (To Live Without You) | Spanish |
14 | ![]() |
Tony Espino | Sueños (Dream) | Spanish |
15 | ![]() |
Dolores | Vamos a dar amor (Let's Hive Love) | Spanish |
16 | ![]() |
José Cid | Na Cabana Junto à Praia (In the Hut on the beach) | Portuguese |
17 | ![]() |
José Escajadillo | Benito Gazeta | Spanish |
18 | ![]() |
Claudia | Vivíamos Hoy (We Lved Today) | Spanish |
19 | ![]() |
Derlis Esteche | La vida en mi canción (Life in my song) | Spanish |
20 | ![]() |
Mario Alberto Milar | Y una esperanza más (And one more hope) | Spanish |
21 | ![]() |
Rosa María Lobo | Viviré (I Will Live) | Spanish |
Voting system
[edit]The voting system followed the same process of the previous years in which the national juries were contacted by telephone by the presenters. Each participating country had seven jurors. The jurors elected, each one, only their favourite song among the participating entries. The scoreborard was located on the left wall of the music hall.
Alternate jurors, located in the theatre hall, were used in case a country could not be reached by telephone. The jury members of Venezuela, the host country, were located in the central studios of Venevisión in Caracas.
Result
[edit]The festival was won by the Argentine entrant Daniel Riolobos with his song "Cuenta Conmigo" (Count on me) with 43 points, ten points of difference in comparison with the second position, the host contestant Delia Dorta who got 33 points.
The third position went to the Portuguese José Cid with 32 points, only one point of difference with Delia Dorta, the Venezuelan representative. The furth place went to the Spaniard Rosa María Lobo with the song "Viviré" (I will live) which got 25 points.
There was a tie in the fifth place between the contestant from Brazil Represented by Miltinho with his song "Conselho" (Advice) and the Puerto Rican performer Ednita Nazario with Cadenas de fuego "Fire chains".
The Mexican singer Estela Nuñez got the eight place with 18 points.
The Ecuadorian representative Miguel Ángel Vergara got the last lace with zero points with his song "Como tener tu cariño" (How to have your love)
# | Country | Artist | Song | Place | Points |
---|---|---|---|---|---|
1 | ![]() |
Don Ramón | Mi niño | 9 | 16 |
2 | ![]() |
Gloria Janeth | Hermano hispanoamericano | 7 | 19 |
3 | ![]() |
Ednita Nazario | Cadenas de fuego | 5 | 21 |
4 | ![]() |
Omar Franco | Mi mundo | 14 | 10 |
5 | ![]() |
Luis Galich Porta y Pirámide | La mitad de mi naranja | 12 | 13 |
6 | ![]() |
Paola | A cualquier hora | 19 | 2 |
7 | ![]() |
Miguel Ángel Vergara | Cómo tener tu cariño | 21 | 0 |
8 | ![]() |
Andrés Valencia | Niño, mi lindo niño | 14 | 10 |
9 | ![]() |
Patricia Maldonado | La música | 14 | 10 |
10 | ![]() |
Daniel Riolobos | Cuenta conmigo | 1 | 43 |
11 | ![]() |
Miltiño | Conselho | 5 | 21 |
12 | ![]() |
Delia Dorta | Cuando era niño | 2 | 33 |
13 | ![]() |
Estela Núñez | Vivir sin ti | 8 | 18 |
14 | ![]() |
Tony Espino | Sueños | 13 | 12 |
15 | ![]() |
Dolores | Vamos a dar amor | 17 | 4 |
16 | ![]() |
José Cid | Na cabana junto à praia | 3 | 32 |
17 | ![]() |
José Escajadillo | Benito Gazeta | 11 | 14 |
18 | ![]() |
Claudia | Vivamos hoy | 19 | 2 |
19 | ![]() |
Derlis Esteche | La vida en mi canción | 17 | 4 |
20 | ![]() |
Mario Alberto Milar | Y una esperanza más | 9 | 16 |
21 | ![]() |
Rosa María Lobo | Viviré | 4 | 25 |
Place: Teatro del Círculo Militar - Caracas, Venezuela |
Impact
[edit]The audience figures, as those of the previous year, reached the level of 300 million viewers. The show was acclaimed due to the successful start of color broadcasting by the four participating Chilean broadcasters. The quality of the sound system and the stage were also highly valued by the media.
Daniel Riolobos, the winner, advanced his career thanks to the victory he got for Argentina, the first one that the South American country would get in the OTI Festival.
Delia Dorta, the second place winner, would become an important singer in the Venezuelan music scene after her second place in the contest. From then on, her voice would be heard in many TV commercials. She would also appear for many times in the programme Súper Sábado Sensacional, the most popular show aired by Venevisión.
Miltinho, the famous Brazilian samba performer who won fifth place in this edition of the OTI Festival, would go on with his already successful career releasing many studio albums and hit songs.
Other performers, such as the Peruvian José Escajadillo who specialised in Creollan music, would enjoy a successful career after getting the eleventh place in this edition of the festival with the song "Benito Gazeta".
See also
[edit]References
[edit]- ^ "Television a color en Venezuela | Primer programa a color en Venezuela - Cuando era Chamo - Recuerdos de Venezuela". Cuando era Chamo - Recuerdos de Venezuela (in European Spanish). 2009-03-06. Retrieved 2018-03-16.
- ^ "Festival OTI". www.pensare.ovh. Retrieved 2018-03-16.
- ^ "La OTI: FESTIVAL OTI MEXICO 1979". La OTI. Retrieved 2018-03-16.
- ^ Bailyn, Evan. "Ednita Nazario - Música de Puerto Rico". www.musicofpuertorico.com. Retrieved 2018-03-16.
- ^ "ABC (Madrid) - 08/12/1979, p. 79 - ABC.es Hemeroteca". hemeroteca.abc.es (in Spanish). Retrieved 2018-03-16.
- ^ "Delia – Un poquito más". RECUERDOS DE AQUÍ (in European Spanish). 2007-05-13. Retrieved 2018-03-16.
- ^ Weinstein, Ana Epelbaum; Nasatsky, Miryam Esther Gover de; Nasatsky, Roberto B. (1998). Trayectorias musicales judeo-argentinas (in Spanish). AMIA / Editorial Milá. ISBN 9789509829930.