Pietà: Difference between revisions
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==Michelangelo== |
==Michelangelo== |
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The most famous |
The most famous pie is ''[[Pietà (Michelangelo)|Michelangelo's Pietà]]'' in [[St. Peter's Basilica]] in the Vatican. His body is different from most earlier pietà statues, which were usually smaller and in wood. The Virgin is also unusually youthful, and in repose, rather than the older, sorrowing Mary of most pietàs. She is shown as youthful for two reasons; God is the source of all beauty and she is one of the closest to God, also the exterior is thought as the revelation of the interior (the virgin is morally beautiful). Michelangelo's last work was another Pietà, this one featuring not the Virgin Mary holding Christ, but rather [[Joseph of Arimathea]], probably carved as a self-portrait. |
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The pieta is most famous because, out of all the things Michelangelo sculpted, The La Pieta was the only one he ever signed.hi hi hi |
The pieta is most famous because, out of all the things Michelangelo sculpted, The La Pieta was the only one he ever signed.hi hi hi |
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Revision as of 17:35, 10 December 2009
The Pietà (pl. same; Italian for pity) is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus, most often found in sculpture. As such, it is a particular form of the Lamentation of Christ, a scene from the Passion of Christ found in cycles of the Life of Christ. When Christ and the Virgin are surrounded by other figures from the New Testament, the subject is strictly called a Lamentation in English, although Pietà is often used for this as well, and is the normal term in Italian. The Pietà developed in Germany (where it is called the "Vesperbild") about 1300, reached Italy about 1400, and was especially popular in Central European Andachtsbilder.[1] Many German and Polish 15th century examples in wood greatly emphasise Christ's wounds. The Deposition of Christ and the Lamentation or Pietà form the 13th of the Stations of the Cross, as well as one of Seven Sorrows of the Virgin.
Michelangelo
The most famous pie is Michelangelo's Pietà in St. Peter's Basilica in the Vatican. His body is different from most earlier pietà statues, which were usually smaller and in wood. The Virgin is also unusually youthful, and in repose, rather than the older, sorrowing Mary of most pietàs. She is shown as youthful for two reasons; God is the source of all beauty and she is one of the closest to God, also the exterior is thought as the revelation of the interior (the virgin is morally beautiful). Michelangelo's last work was another Pietà, this one featuring not the Virgin Mary holding Christ, but rather Joseph of Arimathea, probably carved as a self-portrait. The pieta is most famous because, out of all the things Michelangelo sculpted, The La Pieta was the only one he ever signed.hi hi hi
Extensions of the theme
Sculptor Luis Jiménez, reversing the gender of the figures involved, used the popular Mexican and Chicano image and myth of the Aztec warrior holding his dead lover to create the monumental Southwest Pietà, located in Albuquerque, New Mexico, USA.
The American Pietà was the name given to a famous Reuters photograph of the September 11, 2001 attacks on the United States, depicting a policeman and four firemen carrying the body of fire department chaplain Mychal F. Judge out of the World Trade Center rubble.
In 1990 the German composer Karlheinz Stockhausen wrote a piece, as part of the Tuesday cycle of his opera 'Licht,' titled 'Pietà.' In the performance Michael lies wounded and is tended to by Eve. [2]
A rare leather pietà is in the church St. Peter and Paul in Eschweiler, Germany.
In 2001 Sam Taylor-Wood created a film pietà with Robert Downey Jr. The film is 2:04 minutes long, and shows Robert Downey Jr being held by Sam Taylor-Wood.
“With that piece I wanted to see the struggle, to see the weight, so to speak. You can see the muscles in my arms and neck straining, and my breathing is really laboured. It’s silent, but you can see me heaving to keep him held up. I drop him a bit, and pick him up, and drop him again. You couldn’t do that in a photograph in the same way.” (Sam Taylor-Wood) [3]
Gallery
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The Avignon Pietà, Enguerrand Charonton, 15th century -
The prayer Obsecro te (1470s), from the Book of Hours of Angers
Bodleian Library, University of Oxford -
Pietà by Rogier van der Weyden, Museo del Prado, Madrid, with Saint John and a donor. -
15th century German wood Pietà from Cologne. -
Michelangelo's Pieta, detail
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Pietà by Michelangelo, Museo dell'Opera del Duomo, Florence -
El Greco, Pietà, 1571-1576, Philadelphia Museum of Art -
Church doorway in Dubrovnik -
La Pieta, by Doug Johnston
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Pieta near the base of the Our Lady of Lebanon statue, Harissa -
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Painted plaster statue at Saint Leonard of Port Maurice Church in the North End of Boston, Massachusetts
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See also
References
- ^ G Schiller, Iconography of Christian Art, Vol. II,1972 (English trans from German), Lund Humphries, London, pp. 179-181, figs 622-39, ISBN 853313245
- ^ Karlheinz Stockhausen - Edition No.40: Dienstag aus Licht (1/5)
- ^ Robert Downey, Jr: Iron Man Thrilled to be Back from the Dark Side « Et Cetera: Publick and Privat Curiosities
External links
- Religious commentary on the Pietà
- Our Lady of Fatima Parish Feast Commission in Pietà, Malta
- Michelangelo's Pieta in St Peter's Basilica
