Ron Gorchov

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Ron Gorchov (born 1930) is an American artist. In the late 1960s, he began making oil-on-linen paintings on distinctive saddle-like stretchers, at once concave and convex, featuring one or two biomorphic shapes against differently colored backgrounds.[1] These, along with the multi-paneled, "stacked" paintings,[2] which Gorchov began making in the early 1970s, are to this day the primary support structure for the artist's work.[3] Bridging sculpture and abstract painting, Gorchov's singular artistic vocabulary challenged the methodologies of traditional painting.

Gorchov has exhibited at the Museum of Modern Art, the Whitney Museum of American Art, MoMA PS1, the Queens Museum of Art, the New Museum of Contemporary Art, and Centro Atlántico de Arte Moderno, among other institutions.[3] His works are included in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, the Whitney Museum, the Detroit Institute of Arts, and the Guggenheim, among others.

Education and early years[edit]

Ron Gorchov was born in 1930 in Chicago, Illinois. In 1944, at the age of fourteen, he was invited to take Saturday classes at the Art Institute of Chicago. Many of his fellow students, who were servicemen returning from World War II, used G.I. Bill benefits to pay for art materials. "A veteran named Jered Hoffman gave me a paper bag with all his half-squeezed oil paint tubes and a whole bunch of old brushes and he said they'd be good luck".[4]

Gorchov attended the University of Mississippi from 1947 to 1948. In 1948, he returned to Chicago and attended the Roosevelt College & Art Institute, followed by the University of Illinois in Urbana, IL, in 1950-51.[3]

New York[edit]

In 1953, Gorchov moved to New York with his wife Joy Gorchov Tomme and newborn son, Michael. The family moved into the Marlton Hotel, across the street from where the old location of the Whitney Museum, and what is now the New York Studio School.[4] In the late 1950s, Gorchov developed a close friendship with John Graham, himself an important influence on such artists as Arshile Gorky, Richard Smith, and Jackson Pollock.[5] He also became acquainted with members of this generation of artists largely tied with the Abstract Expressionism movement, including Mark Rothko, Willem de Kooning, and Al Held, among others.

Gorchov's break-through on the New York art scene came in 1960, as part of the Whitney Museum's Young America 1960: Thirty American Painters Under ThirtySix.[6] The same year, Gorchov had his first show with Tibor de Nagy Gallery, followed by two more solo shows in 1963 and 1966.

Gorchov became a strong artistic force in the late 1960s and early 70s within a group of Manhattan-based abstract artists, such as Frank Stella, Richard Tuttle, Blinky Palermo and Ellsworth Kelly, who rejected the ubiquitous rectangular canvas in favour of new shapes and configurations.[6]

In 1972, he showed the monumental stacked paintings "Set", "Entrance", and "Strand", all from 1971, at the Everson Museum of Art in Syracuse, New York. He had a solo show at the Fischbach Gallery in 1975, and was included in the inaugural Rooms show at P.S.1 Contemporary Art Center, in 1976, for which he showed "Set". From then through the mid 1990s, Gorchov had solo exhibitions at Susanne Hilberry Gallery (1977, 1985, 1994), Hamilton Gallery (1979, 1980), and Jack Tilton Gallery (1990, 1992), among others.[7] In 2006, Gorchov's recent works were included in a solo show at PS1 entitled "Ron Gorchov: Double Trouble".[8] Since then, the artist has had solo shows at Nicholas Robinson Gallery, New York (2008); Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011); and Cheim & Read, New York (2012).

Gorchov is represented by Cheim & Read, New York.

He lives and works in Brooklyn, NY.

References[edit]

  1. ^ Ron Gorchov, artsy profile
  2. ^ Ron Gorchov, Cheim & Read, ADAA
  3. ^ a b c Ron Gorchov, Cheim & Read artist page
  4. ^ a b "Ron Gorchov with Robert Storr and Phong Bui", The Brooklyn Rail, September 2006
  5. ^ Phong Bui on John Graham, The Brooklyn Rail, September 2002
  6. ^ a b Vito Schnabel, ArtDaily, February 2015
  7. ^ Ron Gorchov, Cheim & Read, by Phong Bui, 2012
  8. ^ MoMA PS1, Exhibitions, Ron Gorchov: Double Trouble, 2006