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Saints & Sinners (All Saints album)

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Saints & Sinners is the second studio album by British-Canadian girl group All Saints. It was released three years after their debut album, All Saints. The album reached number one in the UK, their only album to do so. Three tracks on the album were produced by William Orbit, best known for his work with Madonna on her Ray of Light album. The album received mixed reviews from music critics, praising the singles and the new direction of music, while some felt it was too similar to the Spice Girls and Madonna's album Ray of Light.

Three singles were released from the album: "Pure Shores", "Black Coffee" and "All Hooked Up". Promo copies of the track "Surrender" began circulating in early January 2001, indicating it would have been the fourth proper single from the album had the group not disbanded soon after the album's release. The first single from the album, the Orbit-produced "Pure Shores", preceded the album by several months, having been previously released on the soundtrack for the 2000 film The Beach. It topped the UK Singles Chart and was certified Platinum. Second single "Black Coffee" also got to number one in the UK, whilst final single "All Hooked Up" peaked at number seven.

The majority of the songs were written by Shaznay Lewis and Karl Gordon. Melanie Blatt wrote two tracks on the album, "I Feel You" and "Ha Ha", the former track being written in dedication to her daughter, while Natalie Appleton co-wrote the track "Dreams" with Samantha Fox. Fox said she is credited on the song as "Karen Wilkin" because All Saints refused to record the song if she used her real name.[1] Commercially, Saints & Sinners wasn't as successful as its preceding album.

Critical reception

Saints & Sinners received mixed reviews from music critics. NME stated: "It's better than the new Spice Girls record. But really, that's not good enough." They criticised the group's lack of new musical direction, saying "[...] But since the release of their first album and their meteoric rise to tabloid infamy, they seem to be on a mission to tear down that credibility, brick by brick." Although praising the singles, they concluded that "For a British pop album, 'Saints And Sinners' is simply passable."[2] Entertainment.ie however were more positive, giving it four stars out of five. They felt that "Saints and Sinners is a confident set of vibrant R'n'B songs driven by swirling dance rhythms and some luscious harmonies." They further judged: "At heart the Saints are superlative singers and the unique chemistry conjured up by their four individual voices makes this one of the best pop albums of the year."[3]

Despite AllMusic not reviewing the album, they awarded it three stars out of five.[4] They highlighted "Pure Shores", "Black Coffee" and "Dreams" as the album's standout tracks.[5] Nigel Packer from BBC Music gave Saints & Sinners a positive review, but remarked: "It's a sign of just what Saints and Sinners might have been with Orbit at the helm throughout. Instead we're left with one strong EP trapped inside a pretty run-of-the-mill album."[6]

Commercial reception

Commercially, Saints & Sinners was not as successful as the group's self-titled debut album. While debuting at number eight on the New Zealand Albums Chart, it stayed in the chart for just five weeks. The album debuted at twenty-six on the Australian Albums Chart, and rose to peak at twenty. Although the album charted in the top fifty for three weeks, it was later certified Gold by ARIA. In Norway and Sweden, the album reached the top 20 (fifteen and nineteen, respectively) but lasted for less than a month in the charts (at four and three weeks, respectively).

The album was not so successful in Austria, where it debuted at twelve for two consecutive weeks and spent five weeks in the chart. It was more moderate in Switzerland, where it debuted at seven on the Swiss Albums Chart and charted for ten weeks. The album peaked at fourteen in Germany and endured for eleven weeks in the chart.[7] The album was more successful in their native United Kingdom, where it peaked at number one for a sole week. It clocked up a total of twenty-three weeks in the chart.[8]

Singles

  • The album's first single was "Pure Shores". It was released as the lead single from the album by London Records in Australia, New Zealand, Canada and United Kingdom on 12 September 1999, until a physical worldwide release occurred on 11 February 2000. The song was also used as the first and only single for the 2000 film The Beach and its soundtrack. Composed as a "futuristic dream-pop" song, "Pure Shores" received very positive reviews from music critics, many praising the group's vocals, musical composition and lyrical content. Many critics have considered the song one of the most relaxing songs ever made.[9] Commercially, the song was a huge success, peaking high on the charts in many countries including Ireland, New Zealand, Italy, United Kingdom, Australia, Finland, France and Switzerland. The song was released in Canada, but only charted at thirty-five, and was their last single to chart in North America. The music video is set on the beach and features clips from The Beach movie.
  • The album's second single was "Black Coffee". It was released by London Records worldwide on 2 October 2000. Composed as a dance-pop, trip hop and electronica song, "Black Coffee" received positive reviews from music critics, many again praising the musical composition and the group's vocals. While not managing to reach the heights of lead single "Pure Shores", "Black Coffee" still reached number one in the United Kingdom, also charting in Australia, Ireland, Italy, New Zealand, Sweden and Switzerland. The music video is set in a luxury apartment and on the rooftop of the apartment during the night.
  • The album's third and final single was "All Hooked Up". It was released by London Records worldwide on 27 January 2001. It was the group's last single prior to their temporary split. The song did not match the success of the album's previous singles, just managing to chart in the United Kingdom, Ireland, New Zealand and Switzerland. The video for "All Hooked Up" is set in a hotel room.

Track listing

No.TitleWriter(s)Producer(s)Length
1."Pure Shores"Shaznay Lewis, William OrbitWilliam Orbit4:28
2."All Hooked Up"Lewis, Karl GordonKarl (K-Gee) Gordon3:48
3."Dreams"Natalie Appleton, Cris Bonacci, Karen Wilkin, OrbitCameron McVey and Paul Simm with
Orbit (additional production)
4:24
4."Distance"Lewis, Gordon, Kyle McCrayGordon4:25
5."Black Coffee"Kirsty Elizabeth, Tom Nichols, Alex Von SoosOrbit4:45
6."Whoopin' Over You"Lewis, Jonny DouglasJonny Douglas4:04
7."I Feel You"Melanie Blatt, Russell Nash, Femi Williams, Stuart ZenderStuart Zender and Femi Fem5:35
8."Surrender"Lewis, OrbitOrbit5:10
9."Ha Ha"Blatt, DouglasDouglas4:08
10."Love Is Love"Lewis, DouglasDouglas4:06
11."Ready, Willing and Able"Lewis, GordonGordon3:36
12."Saints & Sinners"Lewis, Gordon, Michelle EscofferyGordon4:15
UK edition bonus tracks
No.TitleWriter(s)Producer(s)Length
13."I Don't Wanna Be Alone"Lewis, Gordon, Wayne Hector, Alistair TennantKarl (K-Gee) Gordon4:15
14."One More Tequila"Lewis, GordonGordon3:42
Australian edition bonus tracks[10]
No.TitleWriter(s)Producer(s)Length
13."Pure Shores" (2 Da Beach U Don't Stop Remix)Lewis, OrbitOrbit, Gordon (additional and remix production)5:00
14."Black Coffee" (The Neptunes Remix)Elizabeth, Nichols, Von SoosOrbit, The Neptunes (remix production)4:45

Charts and certifications

References

  1. ^ Bendoris, Matt (11 March 2010). "If I can put a live spider in my mouth on national telly..." The Sun. Retrieved 20 July 2013.
  2. ^ NME Album Reviews – Saints And Sinners. Nme.Com (7 October 2000).
  3. ^ Music Review | All Saints – Saints and Sinners. entertainment.ie (19 October 2000).
  4. ^ Saints & Sinners – All Saints | Songs, Reviews, Credits, Awards. AllMusic (20 March 2000).
  5. ^ All Saints | Songs. AllMusic.
  6. ^ NEW MUSIC RELEASES | CD Review: All Saints. BBC News (15 October 2000).
  7. ^ All Saints – Saints & Sinners suitable for most charts.
  8. ^ http://www.theofficialcharts.com/search-results-album/_/Saints+&+Sinners#album
  9. ^ Gerges, David (18 October 2011). "Most relaxing song made by UK band Boffins". Daily Mail. Associated Newspapers. Retrieved 12 October 2014.
  10. ^ "All Saints - Saints & Sinners (CD, Album) at Discogs". Discogs. Retrieved 29 January 2016.
  11. ^ "Australian Charts > All Saints". australian-charts.com Hung Medien. Retrieved 30 August 2008.
  12. ^ "Austrian Charts > All Saints". austriancharts.at Hung Medien. Retrieved 30 August 2010.
  13. ^ "Dutch Album Charts > All Saints". dutchcharts.nl Hung Medien. Retrieved 30 August 2010.
  14. ^ "Finnish Charts > All Saints". finnishcharts.com Hung Medien. Retrieved 30 August 2010.
  15. ^ "French Charts > All Saints" (in French). lescharts.com Hung Medien. Retrieved 30 August 2010.
  16. ^ "Chartverfolgung / All Saints / Longplay" (in German). musicline.de PhonoNet. Retrieved 30 August 2010.
  17. ^ "Irish Album Charts > All Saints". GfK. Retrieved 27 July 2011.
  18. ^ "New Zealand Charts > All Saints". charts.org.nz Hung Medien. Retrieved 30 August 2008.
  19. ^ "Norwegian Charts > All Saints". Retrieved 30 August 2010.
  20. ^ "Swedish Charts > All Saints". Retrieved 30 August 2010.
  21. ^ "Swiss Charts > All Saints" (in German). Retrieved 30 August 2010.
  22. ^ "UK Charts > All Saints". Official Charts Company. Retrieved 30 August 2010.
  23. ^ "ARIA Charts – Accreditations – 1997 Albums" (PDF). Australian Recording Industry Association.
  24. ^ Jones, Alan (15 April 2016). "Official Charts Analysis: The Lumineers' second album, Cleopatra debuts at No.1". Music Week. Intent Media. Retrieved 15 April 2016. {{cite news}}: Unknown parameter |subscription= ignored (|url-access= suggested) (help)
  25. ^ "British album certifications – All Saints – Saints & Sinners". British Phonographic Industry. Select albums in the Format field. Select Platinum in the Certification field. Type Saints & Sinners in the "Search BPI Awards" field and then press Enter.
  26. ^ "IFPI Platinum Europe Awards – 1998". International Federation of the Phonographic Industry.
Preceded by UK number-one album
28 October 2000 – 3 November 2000
Succeeded by