Second Chance (1953 film)
Theatrical release poster
|Directed by||Rudolph Maté|
|Produced by||Sam Wiesenthal|
|Screenplay by||Sydney Boehm
|Story by||D. M. Marshman, Jr.|
|Music by||Roy Webb|
|Cinematography||William E. Snyder|
|Edited by||Robert Ford
RKO Radio Pictures
|Distributed by||RKO Radio Pictures|
|Box office||$2 million (US)|
Second Chance is a 1953 Technicolor film noir crime film, directed by Rudolph Maté. The picture, shot on location in Mexico in 3-Dimension, features Robert Mitchum, Linda Darnell, and Jack Palance. It is notable as the first RKO film produced in 3D.
A mob bookkeeper (played by Milburn Stone) is confronted, shot, and killed by the utterly ruthless hitman Cappy Gordon (Jack Palance), under orders from the notorious gangster Vic Spilato, who is currently under investigation by the U.S. Senate. Cappy then heads for San Cristóbal, a bustling town in an unspecified Latin American country, with plans to deliver a similar fate to Spilato's estranged girlfriend, the singer Clare Shepperd (Linda Darnell), who is trying to escape her past connections with Spilato.
Meanwhile, Russ Lambert (played by Robert Mitchum), an American prizefighter with a lethal right-handed punch, also heads to San Cristóbal to take his mind off his recent, accidental killing of an opponent in the ring. Lambert prepares to fight a local challenger named Rivera. At the same time, Clare, under the alias "Clare Sinclair," seeks out a bar-owner named Felipe who was once criminally connected with her gangster ex, and sells him a valuable pair of earrings. Clare watches as Lambert wins the match against Rivera and finds herself attracted to Lambert, though she has mistakenly bet on Rivera. Soon afterward, Cappy's hunt for Clare ends, and he expresses his love for her, promising to spare her life if she will run off with him. Instead, Clare flees for Felipe's bar and threatens to expose the owner to Cappy, unless Felipe will persuade Lambert to meet her at the isolated Posado de Don Pascual. Felipe does so and Clare and Lambert meet there, tentatively beginning a relationship with romantic possibilities, though Clare does not tell Lambert about her stormy past.
Clare and Lambert take an aerial tramway to La Cumbre ("The Summit"), an idyllic but almost completely secluded mountaintop village, and they enjoy a stroll through the town, unaware that Cappy is pursuing them. They watch a sexually provocative dance, performed by a young man and woman, whose older husband, Vasco (Rodolfo Hoyos Jr.), drags her off in a jealous rage, kills her, and is consequently arrested. Upset by the event, Clare and Lambert head toward a hotel where they spend the night, since no more aerial cable cars are available that night to take them from La Cumbre back down to San Cristóbal and since this is the only transportation in or out of La Cumbre. Lambert and Clare kiss, and Lambert reveals his awareness of her history with Spilato.
When Clare is alone at the hotel, Cappy violently barges into her room and makes her promise to meet him later at the hotel lounge, where, he claims, they will reunite and run away together. Clare deceives the hitman, though, culminating in the first encounter between Lambert and a superficially friendly Cappy, who has been using the alias "Mr. Walters" at the hotel. Cappy closely follows Clare and Lambert onto the next available cable car, which is also being used by local police to transport Vasco, the murderous husband from the previous night, back down to San Cristóbal.
High above a deep abyss, one of two main cables suddenly snaps in the middle of the cable car's journey, jolting the car to a halt and sending the car's engineer plummeting from the roof of the car to his death. Clare, Lambert, Cappy, Vasco, and several other passengers are all stranded in midair, and the remaining cable begins to wear away, threatening to send them all hurtling to their doom. There is a possibility that one of the passengers could swing from the broken cable to a nearby cliff, and then run back into the town of La Cumbre to send for two emergency lifts. These lifts, which are much smaller than the cable car, can be guided right alongside the car, but they can only carry so much weight; in fact, the conductor calculates that three passengers will have to be left behind and will surely die when the second cable breaks, probably within the next few minutes.
Vasco volunteers for the perilous task and the two police officers escorting him allow him to do so because Vasco's young son is also with them in the cable car and can be held as collateral. Vasco, however, swings into the cliff too hard, causing him to smash into the rocks and perish. But Lambert volunteers for the task next and succeeds. He returns with the first of the two emergency lifts, but, before Clare and others can board it, Cappy suddenly grabs a police handgun and kills one of the officers. He then attempts to board the lift with only himself and Clare, but Lambert attacks him and the gun falls out of his grip. Cappy and Lambert then fight until, finally, one of Lambert's expert punches sends Cappy tumbling over the railing to his death. The remaining passengers are successfully loaded onto the two aerial lifts and transported away, seconds before the torn cable is severed completely, dropping the cable car into the abyss.
Second Chance is RKO Radio's first foray into the world of 3-D film, a prevalent cinema fad in the 1950s, and it featured their top stars. Bad guy Jack Palance is fresh from his critically well-regarded work on Shane (1953). The picture is also the first Hollywood 3-D feature shot on a foreign location.
Critic Jeff Stafford believes the 3-D format was often unjustly maligned and in the early 1950s, was on the verge of "moving beyond the exploitable 'in your face' aspects" into more creative uses of the technology when the fad died. He makes the case that the final scenes of Second Chance were "much more intense in 3-D when the depth of field and spatial relationships create[d] a genuine sense of vertigo."
According to critic Bosley Crowther, the screenplay was inspired by an aerial tramway accident that occurred in Rio de Janeiro circa 1951. Crowther wrote, "Except for one man being killed in an attempt to go for help via a rope and the slugging melee on the platform, this could almost be the Rio episode."
Bosley Crowther, film critic for The New York Times, was not impressed with the film's story but was captured by the thrilling ending, writing, "The build-up to the aerial adventure is not only synthetic but slow...the development of a romance between Mr. Mitchum and Linda Darnell...is mechanical and routine. But once they get aboard that tramway—Mr. Mitchum and Miss Darnell, coming down off the mountain and trailed by Mr. Palance—the drama begins to crackle. And once that cable snaps, the picture becomes a welter of cliff-hanging terror and suspense. Every little movement of the tramway, hanging up there by a thread, causes the acrophobe to tremble. And there is plenty of movement, indeed."
A reviewer for Time magazine, while calling 3-D "a novel gimmick," lauded the performance of Jack Palance, writing, "This man Palance keeps the show as well as Linda on the move. A rivet-eyed, onetime prelim fighter from the Pennsylvania coal country, Palance (né Palahnuik) [sic] gave terrifying performances in Shane (1953) and Sudden Fear, (1952) has since become the hottest heavy in Hollywood. His face alone, as thin and cruel as a rust-pitted spade, is enough to-frighten a strong man; and to make matters worse, he seems to emit hostile energy, like something left overnight in a plutonium pile."
- "Second Chance: Detail View". American Film Institute. Retrieved June 1, 2014.
- 'The Top Box Office Hits of 1953', Variety, January 13, 1954
- Second Chance at the Internet Movie Database
- World 3-D Film Expo II web site, September 9, 2006. Last accessed: December 7, 2007.
- Stafford, Jeff. Turner Classic Movies, "3-D Festival Reports from The Egyptian Theater in Los Angeles," September 13, 1996. Last accessed: December 8, 2007.
- Crowther, Bosley. The New York Times, film review, July 23, 1953. Last accessed: December 7, 2007.
- Crowther, Bosley. Ibid.
- Time magazine film review, July 27, 1953. Last Accessed: December 7, 2007.