A secret identity is a person's alter ego which is not known to the general populace, most often used in fiction. Brought into popular culture with the Scarlet Pimpernel in 1903, the concept is particularly prevalent in American comic books.
In American comic books, a character typically has dual identities, with one identity being the superhero persona and the other being the secret identity. The secret identity is typically the superhero's civilian persona when they are not assuming the superhero persona. The secret identity is secret, because superheroes must keep this identity hidden from their enemies and the general public to protect themselves from legal ramifications, pressure, or public scrutiny, and also to protect their friends and loved ones from harm secondary to their actions as superheroes.
The secret identity commonly consists of the superhero's given birth name and may involve an occupation they had before becoming a superhero. This is in contrast to the superhero identity, which often utilizes a pseudonym and sometimes a mask to complete a costume to conceal the superhero's secret identity. To help further preserve the anonymity of secret identities, characters may use eyeglasses, particular clothing, or display a different set of personal characteristics when assuming the secret identity persona. For example, the superhero Batman's secret identity is Bruce Wayne, a billionaire who is known to the public for his affluent playboy lifestyle. Another example is Superman, who does not wear a mask when he is in costume, but wears eyeglasses and appears mild-mannered when he assumes his secret identity of Clark Kent.
Types of characters that may have secret identities include heroes, superheroes, thieves, villains, supervillains, vigilantes, aliens, and "monsters". A character may have several types of secret identities simultaneously, such as adopted names, undercover identities, and crime fighting code names.
The use of secret identities dates back to the early 20th century with characters such as the Scarlet Pimpernel (1903), Zorro (1919), and the Lone Ranger (1933). A line in the novel The Scarlet Pimpernel reads, "Because the Scarlet Pimpernel works in the dark, and his identity is only known under the solemn oath of secrecy to his immediate followers." The Scarlet Pimpernel is the name of a chivalrous Englishman, Sir Percy Blakeney, who exhibits characteristics that would become standard superhero conventions, including the penchant for disguise, use of a signature weapon (sword), ability to out-think and outwit his adversaries, and a calling card (he leaves behind a scarlet pimpernel at each of his interventions). By drawing attention to his alter ego Blakeney he hides behind his public face as a slow thinking foppish playboy (like Bruce Wayne), and he also establishes a network of supporters, The League of the Scarlet Pimpernel, that aid his endeavours.
Starting in the 1930s, the concept of crime-fighters, superheroes, and vigilantes (and their adversaries) adopting secret identities became more widespread in dime novels, pulp magazines, comic books, old-time radio dramas, movie serials, and other popular fiction and such characters remain popular to this day. Superman appeared in Action comics in 1938 as one of the forerunners amongst a list of superhero debuts.
The artistic purpose of the secret identity on the part of the writers is that it allows the characters to have ordinary lives, which can allow for human drama as well as create tension with the effort needed to preserve the secret. This can include challenges such as throwing off the suspicions of associates who suspect, and the need to quickly improvise means to get out of sight to change identities. And superhuman characters may benefit from an everyman aspect through having a secret identity, giving them a sympathetic link to their audience. For example, Captain Marvel's secret identity is a boy named Billy Batson - a deliberate attempt to play on the daydreams of a young readership.
Some common motivations for a character to keep a secret identity include:
- Allowing the character to live a "normal life" when not fighting crime.
- Preventing the hero's enemies from seeking revenge on others the hero may care about.
- Giving the hero an advantage in crime fighting (e.g. Batman or The Shadow striking fear into criminals).
- Gaining timely information on incidents as they happen, often through their occupation or that of their associates (e.g. a reporter or a newscaster would likely be more informed about incidents that a hero might be able to help with).
- Aliens, upon coming to Earth, may choose to set up one or more secret identities as a learning tool. By pretending to be humans, they can explore the different roles and lives that a regular human is expected to have in his/her life and using their deeper understanding of human condition to help others.
- To avoid legal ramifications or public scrutiny due to accountability with the collateral damage superheroes are often involved with, which carries the risk of imprisonment or becoming a public pariah such as from being branded as a vigilante. Villains such as the Kingpin also use this reason to hide their unlawful actions to protect their social standing.
- To allow the public to admire their super alter-ego as its own entity, not weakened by the mortality of their "normal" counterpart.
The question of genuine identity
||This section possibly contains original research. (March 2015) (Learn how and when to remove this template message)|
Sometimes the distinction as to which persona is the "real one" may be blurred or confused, as has sometimes been the case with Clark Kent and Superman. In the earliest Superman comics, Clark's primary purpose was to fulfill the perceived requirement that a superhero cannot remain on full duty all the time and Clark thus acted as little more than a front for Superman's activities. In the television series Lois & Clark: The New Adventures of Superman, after Lois Lane learns that Superman is Clark Kent, he discusses his dual identity with her. "Clark Kent is not a disguise. Clark is who I am, while Superman is what I do."
The compromises that Clark still needed to make to secure his alter-egos were limited as the Pa Kent of the Man of Steel comics enthusiastically explains:
"SEE MA? WITH HIS HAIR ALL SLICKERED BACK AND AN OLD PAIR OF MY SPECTACLES, HIS WHOLE FACE SEEMS TO CHANGE. ALL HE NEEDS TO DO IS STOOP A TAD AND HE LOOKS LIKE A WHOLE DIFFERENT MAN. AND SO LONG AS HE'S CAREFUL NEVER TO LET ON THAT HE HAS TWO SEPARATE IDENTITIES, HE'LL BE ABLE TO MOVE FREELY LIKE ORDINARY FOLKS!
Beyond stooping Clark develops a tendency of avoiding conflict. Sometimes this is in order to allow him to change into his alter ego and at other times it is to maintain a consistently non Superman type image but, either way, it opens the "mild mannered" reporter to the charge of cowardice and weakness. Heroes in this type of situation are known to find their love interests developing interests in and even infatuations for their heroic personas.
Superman's face remains uncovered on the justification that he wants to be trusted by people while Batman wears a mask partly because he wants to be feared by criminals. It has also been suggested that Bruce Wayne is "the mask" that Batman wears, meaning that Batman is the true persona, hidden by his public image.
Characters who experience an actual transformation when changing from one persona may have two relatively genuine identities, albeit with additional possibilities of inner conflict. An example of this is Dr. Robert Bruce Banner who needs to seek genuine calmness in order to prevent transforming into the genuinely raging Hulk.
Other characters have abilities that help them conceal their identities such as: shapeshifting or mind control. For instance Marvel's Mystique has an unaltered form with features including blue skin and yellow eyes and yet she has shape shifting and vocal mimicry abilities give her the potential to fit into any required situation.
Other characters either miss the opportunity to conceal their identities or choose to stay public. For instance, the Fantastic Four, who would have always had difficulties concealing the Thing, have typically maintained a public appearance from the Manhattan based Baxter Building.
Keeping the secret
Unless an identity is itself well known, its discovery may not jeopardize the person's safety. When Lex Luthor temporarily body swaps with the Flash (Wally West), the villain realizes—after taking off his mask and looking in a mirror hoping to learn the hero's secret identity—that he has "no idea who this is". If secret identities are to remain secret then others must fail to recognize and subsequently publicize that personas of a character belong to the same person. Identities may be kept secret in a number of ways including:
- actual physical change
- the application of elements of disguise on the various personas of the character
- becoming or remaining less visible due to: camouflage, transparency, invisibility or vibration
- the adoption of different mannerisms and vocal characteristics by the various personas of the character
- Chemical influences, hypnosis, magic and telepathic/psychic influences
- The causation of physical damage with the result of impaired mental ability, impaired communicative ability or death.
- Public appearances of both identities in the same area with the cooperation of a friend in disguise, or an android made to take that appearance, by some form of illusion or by such means as time travel.
- Alter ego
- Deep Throat (Watergate)
- Non-official cover
- Official cover
- Joseph Anton: A Memoir
- Orczy, Baroness (2005). the Scarlet Pimpernel - CHAPTER IV THE LEAGUE OF THE SCARLET PIMPERNEL. London: Hodder. ISBN 0340894989.
- Robb, Brian J. (2014). A Brief History of Superheroes: From Superman to the Avengers, the Evolution of Comic Book Legends. Hatchet UK.
- Man of Steel #1, Chapter2.
- Sava, Oliver (2015-01-12). "Justice League Unlimited: "The Great Brain Robbery"". AV Club. Retrieved 20 April 2016.
- DeFalco, Tom (5 May 2003). The Hulk: The Incredible Guide. London: DK Publishing.