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Franz Schubert's Symphony No. 3 in D major, D 200, was written between 24 May and 19 July 1815, a few months after his eighteenth birthday. Like the other early symphonies (the six written before the "Unfinished" Symphony of 1822), it was not published during Schubert's lifetime. It appeared many years later, in the first Schubert complete works edition in 1884. It is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani and strings.
The symphony opens with a broad introduction in a form which is reminiscent of the French overture in two parts, the first slow and dramatic, the second more lyrical. This leads into the Allegro con brio, which is remarkable for its charm and the interplay of solo clarinet with syncopated strings, which developed pp from within the bounds of the style of chamber music to the larger sphere of the symphonic form. This is an extremely dramatic movement in sonata form. It owes much, as Michael Trapp points out in the liner notes of Günter Wand's recording, to the influence of Rossini, whose music was quite popular at the time, particularly evident in the overture-like structure.[This quote needs a citation] According to Blair Johnston, this symphony also shows Haydn's influence on the young Schubert, mainly in the introduction: "long-sustained octaves, complete with timpani roll, precede gradually shifting harmonies that, in true late Haydn fashion, migrate into a sullen D minor."
The concluding Presto in tarantella rhythm is remarkable for its bold harmonic progressions and for its wealth of dynamic contrast. This movement is in sonata form with a looser conception. Some musicologists, such as Mosco Carner, cite a strong resemblance to the music of Rossini in terms of rhythm, dynamics and harmonic relationships among the different sections.[This quote needs a citation]
- Blair Johnston. Franz Schubert – Symphony No. 3 in D major, D. 200 at AllMusic