Talk:A. B. McKillop

This is the talk page for discussing improvements to the A. B. McKillop article.
This is not a forum for general discussion of the article's subject.

Put new text under old text. Click here to start a new topic.
New to Wikipedia? Welcome! Learn to edit; get help.

Article policies

Find sources: Google (books · news · scholar · free images · WP refs) · FENS · JSTOR · TWL

This article must adhere to the biographies of living persons (BLP) policy, even if it is not a biography, because it contains material about living persons. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page, especially if potentially libellous. If such material is repeatedly inserted, or if you have other concerns, please report the issue to this noticeboard.

If you are a subject of this article, or acting on behalf of one, and you need help, please see this help page.

Biography: Science and Academia

	Biography portal This article is within the scope of WikiProject Biography, a collaborative effort to create, develop and organize Wikipedia's articles about people. All interested editors are invited to join the project and contribute to the discussion. For instructions on how to use this banner, please refer to the documentation.BiographyWikipedia:WikiProject BiographyTemplate:WikiProject Biographybiography articles
	This article is supported by the science and academia work group (assessed as Low-importance).
	An appropriate infobox may need to be added to this article. Please refer to the list of biography infoboxes for further information.
	An editor has requested that an image or photograph be added to this article.

The "telling detail"[edit]

Considering my edit referring to Professor McKillop's rationalisation of his leanings in writing “The Spinster and the Prophet”, I wondered whether McKillop's bereavement could, at least partly, also explain his antipathy towards Wells. However, I must avoid OR. Also in the essay referred to, McKillop says that, in “The Spinster”, he wanted, “through fidelity to the 'telling detail' to evoke a vivid sense of place... to give meaning to the hearts carved in the front doors of Easton Glebe, Wells's country estate – hearts inverted to become spades, as if to serve as a permanent reminder to his wife Catherine (he called her Jane) that there would be no unnecessary romance in this home. Why should we not devote to such details the same meticulous attention we afford to complicated strands of cultural theory?” It was Spade House, not Easton Glebe, where the heart shapes were a bone of contention between Wells and the architect Charles Voysey; Wells reluctantly agreed to heart-shaped door furniture but flatly refused a large heart-shaped letter-plate on the front door as he didn't want to “wear his heart so conspicuously outside”, and it was inverted to form the spade which gave the house its name. Easton Glebe, an old rectory on the Easton estate of Frances Evelyn "Daisy" Greville, Countess of Warwick, was a later dwelling than Spade House for the Wellses, and there is no record of any ornamental hearts there. — Preceding unsigned comment added by Mabzilla (talk • contribs) 21:36, 15 October 2016 (UTC) Deleted part of post which repeated my earlier addition to article--Mabzilla (talk) 23:56, 15 October 2016 (UTC)[reply]