Talk:Marquee Moon (song)

Complex Key Changes?[edit]

Except for the chorus, almost this entire song uses the chords D and Bm. I find it hard to believe that due to a tricky chorus (of a rather short duration) that Hell left the band because he simply couldn't play the song. I imagine more likely is the tension created when a populist sort of guy like Hell plays with a technical player like Verlaine, they both end up going their separate ways. To make a long story short, there needs to be some cited evidence that this is why Hell left. —Preceding unsigned comment added by 72.81.108.72 (talk) 14:14, 20 December 2007 (UTC)[reply]

I agree. I've added a "citation needed" tag. The Richard Hell article states he either quit or was fired after a dispute over creative control. Grievous Angel (talk) 08:38, 27 May 2008 (UTC)[reply]

Mixolydian[edit]

The chorus riff and both solos are pure mixolydian. It's misleading to imply that only Verlaine's solo uses the mixolydian scale. —Preceding unsigned comment added by 68.48.117.37 (talk) 07:07, 5 January 2009 (UTC)[reply]

You are right, I introduced the "mixolydian" because "jazz-like" sounded a bit vague (I still don't like it). The entire song is purely mixolydian. I am planning to publish a classification of the modes of this album, in my blog page.--Daniel (talk) 10:20, 3 February 2009 (UTC)[reply]

Protected edit request on 6 January 2017[edit]

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Undo this edit; the source cited does not describe the song as either "rock" or "art-punk". Dan56 (talk) 02:59, 6 January 2017 (UTC)[reply]

Not done Please discuss this here on the talk page and come to a consensus of what should be used first. Edit warring over this value led to the current protection. — xaosflux ^Talk 21:30, 6 January 2017 (UTC)[reply]

*fails to give the inquiry a proper look* Dan56 (talk) 04:32, 7 January 2017 (UTC)[reply]